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"Forget about stunts, owning my story was the bravest thing I ever did." Hannah Kozak is a photographer and a Hollywood stuntwoman. When Hannah was 9 her mother left the family for a man who turned out to be abusive towards her mother. Hannah witnessed this abuse and it eventually lead to Hannah's mother being hospitalized with permanent brain damage. Hannah's book, He Threw the Last Punch Too Hard, is a story about Hannah and her mother and her journey of forgiveness and dealing with domestic abuse. Hannah and I have an amazing conversation about her life, this book, and her belief in the power of photography to heal. http://hannahkozak.com https://www.instagram.com/hannahkozak/ https://twitter.com/hannahkozak This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com Hannah Kozak was born to a Polish father and a Guatemalan mother in Los Angeles, California. At the age of ten, she was given a Kodak Brownie camera by her father, Sol, a survivor of eight Nazi forced labor camps and began instinctively capturing images of dogs, flowers, family and friends that felt honest and real. As a teenager growing up in Los Angeles, Hannah would sneak onto movie lots and snap photos on the sets of Charlie’s Angels, Starsky and Hutch and Family, selling star images to movie magazines and discovering a world that was far from reality. While working in a camera store at the age of twenty, Hannah’s life changed when she met a successful stuntwoman who became her mentor and helped her start a career in stunts. For over twenty-five years, Hannah’s work provided the opportunity to work with notable directors such as Michael Cimino, David Lynch, Mike Nichols, Tim Burton and Michael Bay. She worked as a stunt double for celebrated stars like Cher, Angelina Jolie, Lara Flynn Boyle and Isabella Rossellini. On every set, Hannah took her camera to work, capturing candid, behind-the-scene pictures that penetrated the illusion of Hollywood magic. Her wanderlust and career in the film business afforded Hannah the opportunity to travel from Japan, Korea, Taiwan, Mexico, Guatemala and Peru to Egypt, Italy, Israel and India, capturing images of far away lands and exploring the innocence and truth found in the faces of children from around the world. Hannah has turned the camera on herself, her life and her world. She continues to look for those things that feel honest and real, using her camera as a means of exploring feelings and emotions. After decades of standing in for someone else, she now is in control of her destiny and vision. Hannah is an autobiographical photographer. Her subjects are the people and places that touch her emotionally. She has been photographing people and places for four decades. Photography has the power to heal and to help us through difficult periods, something Hannah Kozak knows first hand from personal experience.

"In a way the book is almost a valentine to a group of pictures and also a group of people…a community of people who have been engaged in redefining photography." Stephen Frailey and I talk about his new book, Looking at Photography published by Damiani Books, an homage to John Szarkowski's Looking at Photographs. While it uses Szarkowski's format, it is very much Stephen's own ideas about photography distilled from many years of lectures, critiques, and conversations he has had with his students. We also reminisce about our early days at the School of Visual Arts where we met, me as a student and Stephen as a newly hired Professor. https://stephenfrailey.com This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com Stephen studied at the San Francisco Art Institute and received his BA from Bennington College. He has had solo exhibitions at 303 Gallery and the Julie Saul Gallery and group exhibitions at the Museum of Modern Art, New York; International Center for Photography, New York; and the National Museum of American Art, Washington, DC. His work has been reviewed in the New York Times, Arts Magazine, ARTnews, Artforum, the Village Voice, and the New Yorker, portfolios have appeared in Artforum and the Paris Review. His work is in the collections of the Museum of Fine Art, Houston; the International Center for Photography, New York; and the Princeton University Art Museum. He has received two MacDowell Colony Fellowships, a National Endowment for the Arts Grant and an Aaron Siskind Foundation Grant. He has been a visiting artist at the Donald Judd Foundation and twice been nominated for a Louis Comfort Tiffany Grant. His critical writing on photography have appeared in Artforum, Print, and Art on Paper. He was the Chair of the Graduate photography program at Bard College from 1998 to 2004, and has been the Chair of the Photography Department at the School of Visual Arts in New York since 1998. He is also the co-chair of the MPS Fashion Photography Program at the School of Visual Arts. In 2003, he founded the Auction for Photographic Education in Afghanistan to create a photography department at Kabul University. He is the co-founder of the Art+Commerce Festival in New York. In 2007 he founded the photography magazine Dear Dave, and is its Editor in Chief.

"In classes it was always, oh the road represents ultimate freedom, exuberance, the American dream…I just kept thinking, wait a minute, this doesn't line up for me." For nearly a century, the American road trip has been closely associated with the American dream. The open road is where millions of Americans freely set out to explore the country’s beauty, epic landscapes, and diversity of cultures. For a country that claims to be a free and democratic land without roadblocks, the road trip has been and continues to be a fraught endeavor for Black people. With this project, Willett exposes the cracks of this ideal version of American society, pointing out that historically the road represents a collective site of trauma for the Black community. Amani Willett is a Brooklyn and Boston-based photographer whose practice is driven by conceptual ideas surrounding family, history, memory, and the social environment. Working primarily with the book form, his two monographs have been published to widespread critical acclaim. Both books, Disquiet (Damiani, 2013) and The Disappearance of Joseph Plummer (Overlapse, 2017), were selected by Photo-Eye as “best books” of the year and have been highlighted in over 50 publications including Photograph Magazine, PDN, Hyperallergic, Lensculture, New York Magazine and 1000 Words and recommended by Todd Hido, Elisabeth Biondi (former Visuals Editor of The New Yorker), Vince Aletti and Joerg Colberg (Conscientious), among others. Amani’s photographs are also featured in the books Bystander: A History of Street Photography (2017 edition, Laurence King Publishing), Street Photography Now (Thames and Hudson), New York: In Color (Abrams), and have been published widely in places including American Photography, Newsweek, Harper’s, The Huffington Post, The New York Times, The New York Times Magazine and The New York Review of Books. His work resides in the collections of the Tate Modern, The Museum of Fine Arts, Boston, The Sir Elton John Photography Collection, The Museum of Fine Arts, Houston, Oxford University, and Harvard University, among others. Amani completed an MFA in Photography, Video and Related Media from the School of Visual Arts, NY in 2012 and a BA from Wesleyan University in 1997. In addition to his artistic practice, Amani is an Assistant Professor of Photography at the Massachusetts College of Art and Design in Boston. https://www.amaniwillett.com/ This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com

"I'll go and hold their hand with my hand by following their cursor with my cursor."   David Alpert is an artist and curator living and working in Kansas City. His curatorial work involves interaction, connection, and collaboration with others. His work is performative and driven by a desire to bring people together. The pandemic has been a unique challenge to David who is currently in the Curatorial Practice program at MICA. We talk about how he has continued to create collaborative work during the Covid shutdown. David was the finalist selection for the What is Your Reality in the Pandemic Era show created and hosted by friend of the show, Ajuan Song of the Orange Art Foundation and the finalist was awarded a spot on the Real Photo Show.   https://www.alpert.online   This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com

"Like shooting in black and white it really is just trying to find a way to see all these tones of gray and to not see things so stark as good and bad or life and death…"   Jesse Lenz and I talk about his first monograph, The Locusts. It is a gorgeous book that explores childhood wonder and discovery, beauty and terror, and memory and imagination, as well as the notions of what is family and home. As you will hear in our conversation, the process of making this work was part of a turning point in Jesse's life about what home means to him.   Jesse Lenz is a self-taught photographer and multidisciplinary artist. As an illustrator he has created images for the most well-respected publications around the world, including TIME, The New York Times Magazine, Newsweek, Rolling Stone, and many others. He is the founder and director of Charcoal Book Club, Charcoal Press, and the Chico Hot Springs Portfolio Review. From 2011-2018 he also co-founded and published The Collective Quarterly and The Coyote Journal. He lives on a farm in rural Ohio.    https://www.jesselenz.com   This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com   Call for Entries to the fifth annual Chico Hot Springs Portfolio Review and Publishing Prize are open until December 20th. The Chico Review is typically a seven day, photography retreat at Chico Hot Springs Resort, near Livingston Montana. Hosted by Charcoal Book Club to spark relationships between artists and industry professionals in an environment that fosters community and conversation. Due to uncertainty for travel and gatherings in March, the 2021 Chico Review has been restructured into a 2-week online masterclass and portfolio review.   Submit your work now for a chance to be one of 64 artists invited to participate with Sian Davey, Alejandro Cartagena, Tania Franco Klein, Ron Jude, Susan Lipper, Christian Patterson and 20 other respected photobook publishers and contemporary photography institutions. Participating artists receive ten formal reviews by speakers and reviewers over a two week period and take part in artist lectures, panel discussions, and peer reviews. At the end of the event, one grand prize winner will be announced and their project will be published and distributed as a monograph by Charcoal Book Club.    Additionally, this year, all participating attendees will have a selection of their work published and distributed in an opus catalog by Charcoal Book Club.   For more information and to apply, visit chicoreview.com

Episode Notes "What this project looks to do is go well beyond that with more nuance and more authentic voices from the community that is being reported on." -Finbarr O'Reilly   I have two amazing guests for today's show Finbarr O'Reilly and Bernadette Vivuya. This show coincides with the release of the book and multimedia online collaboration, Congo in Conversation by Finbarr O'Reilly. Finnbarr and, journalist and filmmaker, Bernadette talk about the work, the messages they wanted to convey, and the importance of representative and varied voices when trying to tell complex stories.   Congo in Conversation is a collaborative online chronicle through close cooperation with Congolese journalists and photographers. The project addresses the human, social and ecological challenges that Congo faces today, within the context of this new health crisis. Relaying information via a dedicated website and social networks, “Congo in Conversation” provides an uninterrupted and unprecedented stream of articles, photo reportages and videos, which visitors can consult by theme or by contributor. With “Congo in Conversation”, the Fondation Carmignac provides an outlet for Congolese voices to contribute to the global discourse, communally attest to the on-the-ground situation within this immense country, and raise public awareness. “Congo In Conversation” is presented in a bilingual French-English monograph, co-published by Reliefs Editions and the Carmignac Foundation, with two covers illustrating different aspects of this collaborative reportage   https://congoinconversation.fondationcarmignac.com   Finbarr O’Reilly is an independent photographer and multimedia journalist, and the author of the nonfiction memoir, Shooting Ghosts, A U.S. Marine, a Combat Photographer, and Their Journey Back from War (Penguin Random House 2017). Finbarr lived for 12 years in West and Central Africa and has spent two decades covering conflicts in Congo, Chad, Sudan, Afghanistan, Libya, and Gaza. He is the 2019 Nobel Peace Prize exhibition photographer (exhibition « Crossroads Ethiopia » around the 2019 Nobel Peace Prize Abiy Ahmed Ali) and a frequent contributor to The New York Times. His photography and multimedia work has earned numerous industry honors, including First Place in the Portraits category at the 2019 World Press Photo Awards. He was also winner of the World Press Photo of the Year in 2006.   http://www.finbarr-oreilly.com   Bernadette Vivuya is a journalist and filmmaker based in Goma in Eastern DRC. She reports on issues related to human rights, the environment and the exploitation of raw materials, bearing witness to the resilience of the people in this conflict-affected region.   https://www.instagram.com/bernadettevivuya

Michael Kamber and Cynthia Rivera of the Bronx Documentary Center call in to talk about several events coming up at the BDC for this short series pre-election episode. Here are the events you should support or attend if you can. https://www.bronxdoc.org 6TH ANNUAL PHOTO AUCTION BENEFIT VIRTUAL CELEBRATION THURSDAY OCT 22, 2020 | 7PM The Bronx Documentary Center (BDC) is proud to present our 6th Annual Photo Auction Benefit. To give back to the many Bronx photographers who work with us, we're sharing 50% of proceeds with Bronx photographers in need of financial support due to COVID-19. This means that every print sold will directly benefit our program participants and the Bronx photographers who inspire them the most. This year's 6th Annual Photo Auction will include beautifully printed photographs by artists including Stephanie Foden, Johis Alarcón, Daniella Zalcman, Inbal Abergil, and Mauricio Palos. Each of these photographs depict the vibrant landscapes and narratives of the world, and have been part of projects featured in The New York Times, Washington Post, TIME, and more. Auction prints and photobooks will be available to bid on from 8:00 AM EST October 8th through 8:00 PM EST on October 22nd. ALL IN: THE FIGHT FOR DEMOCRACY WOMEN'S FILM SERIES SATURDAY OCT 24, 2020 | 6:30PM All In: The Fight for Democracy examines the issue of voter suppression in the US. The film interweaves personal experiences with activism and historical insight to expose a problem that has corrupted our country from the beginning. With the expertise of Stacey Abrams, the film offers an insider’s look into the barriers to voting. The film can be screened on Amazon Prime with a subscription. Please join us on Saturday, October 24th, at 6PM EST for a short virtual Q&A discussion with co-director Lisa Cortes. VIRTUAL EXHIBITION WEBSITE LAUNCH TRUMP REVOLUTION: THE END OF TRUTH THURSDAY OCT 29, 2020 | 7PM In America today, the very notion of truth is under assault. Citizens vigorously disagree about matters of scientific evidence; about the very existence of widely reported news events; about basic facts. The Bronx Documentary Center's upcoming exhibition, The End of Truth, documents our country's shift toward conspiratorial thinking by examining the rapidly changing roles of traditional and social media over the past 25 years. This is the third and final segment of Trump Revolution, a series of exhibitions examining America's societal and political transformation over the past four years, one whose speed, reach and consequences are unmatched in our country's history. On October 29th, the exhibition will available to view online at www.trumprevolutionbdc.org

Eric Kunsman and I talk about his work, Fake News Archive Project: A Historical Archive of the Donald J. Trump Presidency. Eric is looking for people interested in the next election, and any archive enthusiasts, to search through his screen captured collection of news headlines from the past almost four years and to highlight, through your own social media, the stories that were impactful to you but, because of the overwhelming news cycle, may now be lost to history. Here is his description of the work: This is my approach at recording history in the tumultuous times we live in and a historical approach to looking at the Presidency of Donald J. Trump and his claim of “Fake News.” These images are to serve in a historical context and not as a political statement. This project started the day after Election Day and will continue until (TBD.) I started by imaging only CNN due to the President’s verbiage and quickly realized I needed other major news sources as a comparative measure. The use of multiple news sources serves as a barometer and allows the viewers to view this in its historical context. You can learn more about this work at: https://www.fakenewsarchiveproject.com Share the Fake News: UnGlued Re-Broacast News Event here: https://fb.me/e/1DTe7wR2b Eric's Website: https://www.erickunsman.com Eric's Email: eric@erickunsman.com Eric T. Kunsman (b. 1975) was born and raised in Bethlehem, Pennsylvania. While in high school, he was heavily influenced by the death of the steel industry and its place in American history. The exposure to the work of Walker Evans during this time hooked Eric onto photography. Eric had the privilege to study under Lou Draper, who became Eric’s most formative mentor. He credits Lou with influencing his approach as an educator, photographer, and contributing human being. Eric holds his MFA in Book Arts/Printmaking from The University of the Arts in Philadelphia and holds an MS in Electronic Publishing/Graphic Arts Media, BS in Biomedical Photography, BFA in Fine Art photography all from the Rochester Institute of Technology in Rochester, New York. Currently, he is a photographer and book artist based out of Rochester, New York. Eric works at the Rochester Institute of Technology (RIT) as a Lecturer for the Visual Communications Studies Department at the National Technical Institute for the Deaf and is an adjunct professor for the School of Photographic Arts & Sciences. In addition to lectures, he provides workshops on topics including his artistic practice, digital printing, and digital workflow processes. He also provides industry seminars for the highly regarded Printing Applications Lab at RIT. His photographs and books are exhibited internationally and are in several collections. He currently owns Booksmart Studio, which is a fine art digital printing studio, specializing in numerous techniques and services for photographers and book artists on a collaborative basis. Eric’s work has been exhibited in over 35 solo exhibitions at such venues as Nicolaysen Art Museum, Hoyt Institute of Fine Art, Los Angeles Center for Digital Art, and numerous university galleries. His work has also been a part of over 150 group exhibitions over the past 4 four years including exhibitions at the Center for Photography, A. Smith Gallery, SPIVA, San Luis Obispo Museum of Art, Spartanburg Museum of Art, Atlanta Photography Group, CEPA Gallery, Site:Brooklyn, Colorado Photographic Arts Center, Philadelphia Photo Arts Center, and many more. Eric was named one of 10 B&W photographers to watch of 2018 by BWGallerist, B&W Best Photographers of the Year 2019 by Dodho Magazine, and won the Association of Photography (UK) Gold Award for Open Series in 2019, Finalist, Top 200 Critical Mass 2019, Top 15 Photographers for the Rust Belt Biennial. His Project Felicific Calculus was also awarded a Warhol Foundations Grant through CEPA Gallery in Buffalo, NY. Eric’s work has also been published in magazines such as; LensWork, Dodho, B&W Photography, All About Photo, Dek Unu along with online articles by Analog Forever Magazine, Catalyst: Interview, Texas Photo Society, and others. He is currently represented by HOTE Gallery in Los Angeles, CA and Malamegi in San Daniele del Friuli (Udine), Italy.

"Really my favorite thing about photography is walking around with my camera…If I could do only one kind of work for the rest of my life, I think that would unquestionably be what I would want to do."   Sasha Rudensky is an artist and an educator. She is currently the Program Director and an Associate Professor of Art at Weslyan University. She studied Studio Art and Russian Literature at Weslyan University and received her MFA from Yale University. When Sasha was young her family left Russia, just as the Soviet Union was breaking apart. We talk about the duality and tension of her insider/outsider approach to photographing in Russia and Ukraine as well as her description of people and place through fact and fiction. We also talk about teaching in-person during the pandemic and we talk about a book that Sasha has been working on that combines multiple projects into one body work. Sasha also reveals the new title of this book which we expand upon at the end of the episode. I should also note that Sasha is represented by my podcast partner, Sasha Wolf.   Sasha Rudensky is a Russian-born artist whose work has been exhibited widely including Musee de l’Elysee in Lausanne, Switzerland; Fries Museum in Leewarden, Netherlands; Macro Testaccio Museum in Rome, Italy; ArtScience Museum in Singapore, and Danziger Projects in New York. In 2010 Sasha’s work was included in “reGeneration 2: Photographers of Tomorrow Today”, an international survey of emerging photographers. Her work is held in a number of public collections including Musee de l’Elysee, Yale Art Gallery, and Center of Creative Photography in Tuscon amongst others.   Sasha received her MFA from Yale University School of Art in 2008 and BA from Wesleyan University in 2001. She was the recipient of the Ward Cheney Memorial Award from Yale University, Mortimer-Hays Brandeis Traveling Fellowship, Leica/Jim Marshall Award, and Jessup Prize from Wesleyan University. In 2013 Sasha was awarded the Aaron Siskind Individual Fellowship grant. Her work has appeared in New York Times Magazine, Der Spiegel, Cicero Magazine, American Photo, PDN and others. She is an Assistant Professor of Art at Wesleyan University, where she is the head of the photography program.   http://www.sasharudensky.com/index.html https://sashawolf.com/artist/sasha-rudensky/

"I was thinking about that lately…as far as black photographers in general, will it always be a counter-narrative…" Duquann Sweeney is a photographer and a community organizer in Jersey City, NJ. He is a founder of The Royal Men Foundation which provides mentoring services, health and educational workshops, and works with the county courts to provide alternative sentencing for people accused of minor crimes. I've posted a link to The Royal Men Foundation in the show notes. Duquann and I talk about a series he is working on following a Doula and her client, an expecting mother in Jersey City. He started this work after looking into the disparity in healthcare and lower health outcomes for pregnant women of color and their babies. We also talk about his mother surviving Covid-19 and the work he makes in his neighborhood where he was born and raised. https://www.duquannsweeney.com/ https://www.instagram.com/duquann_sweeney/ https://www.facebook.com/The-Royal-Men-Foundation-218661284952655

"When the green comes in, the grass comes back first, and then the smaller shrubs. It's always this sort of hopeful space…I always feel that nature reminds us that after trauma there's regeneration." Deborah Jack is a multimedia artist. Her current work deals with trans-cultural existence, memory, the effects of colonialism and mythology through re-memory. Deborah was born in the Netherlands and grew up in the Netherlands/Saint Martin. She went to grad school at SUNY Buffalo, NY and currently resides in Jersey City where she coordinates the photography program at New Jersey City University. We talk about how growing up on a small island with colonial heritage and landscapes altered by the patterns of water and severe weather influence her work and we talk a little about teaching in the time of corona and the limits of how much we can prepare for it. You can see the work that we discuss at Deborah's website: https://www.deborahjack.com

"There's a small neighborhood that's called Wilbur Section…It's known for crime, gang activity, drug usage, murders, unsolved homicide, and this is where I am from and this is what formed and shaped me…I want to give something back to my community. I want people to acknowledge themselves and know that they are beautiful." Habiyb Ali Shu'Aib is a Trenton, NJ based photographer who has been photographing life in Trenton since he was 9. His work is a mix of portraits of neighborhoods and portraits of people. The Covid shutdown and the Black Lives Matters marches and protests have impacted the Trenton landscape and Habiyb is processing his role as a black photographer whose work speaks both universally and journalistically about his home city. Habiyb has shown at Artworks, Roebling Wire Works, and the JKC Gallery in Trenton, and he has taught photography to young adults at Mercer County College and Artworks. Recently he was featured on a panel of photographers at the BH Photo Event Space for a discussion about Photojournalism in 2020. https://beloved1photo.com/ https://www.instagram.com/beloved1___/

Here's an introduction and a short clip from PhotoWork with Sasha Wolf, a new show that I am producing for Sasha about some of the more existential questions that artists think about but don't always talk about. Subscribe to it on your favorite podcast service or listen to it at photowork.podbean.com.

"You really have to understand the times we live in and…the things that you push against are the things that make you who you are." Martin Bough is a photographer, a teacher, and a Jazz musician. He has been photographing since 1962 but that is not where this story begins. Martin is 92 years old and he was already an accomplished saxophone player and a highly skilled printing press operator before he took up the camera. Martin is a storyteller and you will not hear me very much in this episode because he has a unique way of talking about his life and how he had to live with and overcome the obstacles of neglect, racism, and exploitation for most of his life. It is a story filled with pain and anger and you will hear some of that life-long pain when Martin speaks. We also talk about Martin's connection to Fundamental Photographs, the science stock photo agency I worked at for 15 years with Kip Peticolas and Richard Megna. Martin's sons, Quavin Evans and Bonin Bough, are currently cataloging his work and you can see the start of that effort on Instagram, linked below. Special thanks go to Bonin Ventures and Executive Assistant, Vanessa Ekin for helping me with the logistics of this recording with Martin Bough. Photo ©1968 Martin Bough | Ralph Abernathy speaking at Poor People's Campaign rally in Central Park shortly after the assassination of Martin Luther King Jr. https://www.instagram.com/martin_bough/ https://www.instagram.com/martinboughproject/

"I can't take that (art) with me when I am gone, but I can certainly pass the message and leave behind how important art is as a tool to get better from trauma in life and just move forward." Tamara Torres is an Afro-Latina feminist artist and community activist based in Trenton, NJ. Tamara and I were going to record last year when her work was in the JKC Gallery, but she had to jet off to two more shows, one in Chicago and another in London before we had the chance. We recorded with, guest co-host and former guest, Ryann Casey in Trenton Hall, where the gallery is located, just days before the pandemic shut-down. Tamara, Ryann, and I talk a lot about who art belongs to and the class and race structure embedded in the art world including the academic art world. We also talk about the function of art as a form of expression to deal with injustice, trauma, and grief Tamara Torres is a Afro-Latina feminist international artist and community activist based out of Trenton, N.J. Growing up in Trenton, Torres survived obstacles such as homelessness, abuse, and discrimination. Her artwork has taken up the cause of social justice for abused, disadvantage, and disenfranchised women around the globe. Torres’ artwork has been exhibited in London, Edinburgh, Rome, Milan, New York City, and throughout New Jersey. Torres’ belief is, if she can change one person’s thinking through her artwork then she has done her job as an artist.. Trigger Warning: We don't get into the specifics of the abuse that Tamara faced growing up, but we do talk a little about her father's substance abuse and about Tamara moving forward from her trauma. https://www.tamaratorresart.com/ https://www.instagram.com/tamaratorresart/ This link will make sense after you listen to the show: https://news.artnet.com/exhibitions/women-in-abstract-expressionism-636611

"I can tell you stories upon stories about endless amounts of people who have come through from Roy DeCarava, Allen Ginsberg, Robert Frank, Larry Clark…all the icons of the fine art photo community…everybody…Helen Levitt and Mary Ellen Mark. Just amazing artists…my father's been in it from the beginning." Ross Kasovitz grew up around some of the most well known photographers and artists for all of his life. He is the son of Peter "Itzik" Kasovitz of K&M Camera. Ross and I talk about how he came to take over the business, how he helped transform it, and how he is working to get the business back up and running after the shut-down. Ross has some great insight into how the shut-down and social distancing will effect the downstream art businesses such as retailers, printers, and framers. We also talk about the impact on photo education and what happens with analog photography and the darkroom. Ross tells a few amazing stories from his family's relationships with some of K&M's legendary customers, including one very funny story about Joel Sternfeld. https://kmcamera.com/ Be sure to also checkout a new show by my friend and former co-host Kai McBride: Kai's Photo Topic with Ross Kasovitz and Jeff Hirsch https://lunacornua.com/camera-stores/

"My grandmother's family were all incarcerated at Minidoka, one of the WWII Japanese-American camps, and I just felt like there were few communities that stood up for them at that time and with the privilege that I have now, with being fourth generation American, I certainly can speak out on those issues that were pivotal to my own family." Emily Hanako Momohara was part of a panel talk at this year's SPE Conference titled 21st Century Family. She spoke about her work, Fruits of Labor: A Legacy of Immigration and Agriculture, which draws a connection from her own great-grandparent's history on the pineapple plantations in Hawaii to the plight of today's immigrants and migrant workers. Emily also connects her work and activism to her grandmother's incarceration at Minidoka and, as Emily will say in the show, she went from being a quiet activist to a more vocal activist because of the direction this country has taken and that she is in a position to stand up and speak for others in a way that she would have wanted communities to stand up for her grandparents and great-grandparents in their time. Emily Hanako Momohara was born in Seattle, Washington where she grew up in a mixed race family. Her work centers around issues of heritage, multiculturalism, immigration and social justice. Emily has exhibited nationally, most notably at the Japanese American National Museum in a two-person show titled Sugar|Islands. She has been a visiting artist at several residency programs including the Center for Photography at Woodstock, Headlands Center for the Arts, Fine Arts Work Center and Red Gate Gallery Beijing. In 2015, her work was included in the Chongqing Photography and Video Biennial. Emily has created socially driven billboards for For Freedoms and United Photo Industries. She lives and works in Cincinnati where she is an Associate Professor of Art at the Art Academy of Cincinnati and heads the photography major. https://ehmomohara.com/ https://www.instagram.com/ehmomohara/

"There is suddenly, in some ways, a whole new branch, a whole new subject for photography…How will notions of isolation, loneliness, communication…be addressed photographically and are those photographic subjects? " Roula Seikaly and I recorded at the SPE Conference in Houston just before everything began to be cancelled and public places were shut down. I called Roula to start the show because of all of the changes since we recorded, so there is a phone conversation at the start to check-in and then the original recording follows. Roula has been involved as a writer and curator with so many great organizations that you know and love such as Humble Arts Foundation, Hyperallergic, and Saint Lucy. We talk about her show, Portraits Without People at Axis Gallery, which was cut short by the pandemic and we talk a lot about teaching, photo history, the exhibition on cliché, Tropes Gone Wild, up now on the Humble Arts site, the community at SPE, and many more things. Roula Seikaly is the Senior Editor at Humble Arts Foundation and a writer and independent curator based in Berkley California. Her writing is featured on platforms including Aperture, Saint Lucy, Strange Fire Collective, Temporary Art Review, and SF Camerawork. She has curated exhibitions at the Utah Museum of Fine Arts, the Wattis Institute for Contemporary Arts, Triple Base Gallery, and SOMArts. Her curatorial practice addresses contemporary photography and new media, social justice efforts in contemporary art and exhibition making. She regularly contributes to print and online platforms including Hyperallergic, Photograph, BOMB, and KQED Arts. Cover Photo Credit: Preston Gannaway - Watermelons 2013 included in Portraits Without People show at Axis Gallery. https://www.prestongannaway.com/ https://www.instagram.com/redcurlsriot/ https://www.facebook.com/roula.seikaly http://axisgallery.org/home/exhibitions/portraits-without-people-juried-by-roula-seikaly/ https://www.artpractical.com/event/the-future-of-ap-art-practical-art-publishing/ http://hafny.org/ https://linktr.ee/humble

"I say that as a person who shifted from being an artist/activist to someone who has really taken the activism part of my practice and my life and put it front and center." John Freyer is an artist, activist, and Professor of Cross Disciplinary Media at Virginia Commonwealth University School of the Arts. We met up at the Society of Photographic Education conference in Houston shortly after his panel talk titled, We Want Our Pictures Back, with Arthur Fields, Graham MacIndoe, and John. They discussed their journeys through recovery and how that impacted their photographic practices, including the depiction of people with substance use disorder and the issues of consent. John Freyer is an artist, author and educator based in Richmond Virginia. His projects include All My Life for Sale, Big Boy, Live IKEA, Free Ice Water, and Free Hot Coffee Freyer is an Associate Professor of Cross Disciplinary Media at Virginia Commonwealth University. Freyer’s practice engages accidental audiences in galleries, museums, and public spaces. He explores the role of everyday, personal objects in our lives – as commodities, fetishes, and totems and investigates how the circulation of objects and stories enrich social ties between individuals and groups. He earned his B.A. from Hamilton College and M.A. & M.F.A. from the University of Iowa. His work has been reviewed in The New Yorker, The Sunday London Times, Artforum, Print Magazine and NBC’s The Today Show. Freyer is a Fulbright Scholar, a Macdowell Colony Fellow and was an Artist in Residence at Light Work and the Fannon Center, Doha, Qatar. Freyer has brought his social practice projects – Free Ice Water and Free Hot Coffee to the TEDx stage, has exhibited at Mixed Greens Gallery in New York, the Liverpool Biennial Fringe in Liverpool, UK and was a 2018 Tate Exchange Associate at Tate Modern, London. https://www.johnfreyer.com/ https://www.instagram.com/john.d.freyer/ https://www.instagram.com/recoveryroast/ https://www.instagram.com/fotofika2020/

Matthew Leifheit | Ocean Meets the Bay "I think people are increasingly asked to choose many paths at once, so my professional practice class has been retitled, How to Become a Self-Cleaning Oven. " Matt Leifheit is a photographer, magazine editor, book editor, and publisher. He is the founder of Matte Editions which produces Matte Magazine and a growing number photo books, including Slow Morpheus by my guest co-host and friend of the show, Rachel Stern. Matt, Rachel, and I talk about Matt's latest work and future book about Fire Island which is deeply connected to gay history and culture in the United States. Matt describes this place as one in transition both physically, due to tidal changes, and culturally, because a geographically dedicated location for sexual expression is not as needed as it once was. We also talk about Matt's ideas about commitment to work and what it take to be an artist and Rachel and Matt talk about creating their new artist manifesto. https://www.matthewleifheit.com/ http://matteeditions.com/ https://www.instagram.com/mattelife/ https://www.instagram.com/matte.editions/ This episode sponsored by the School of Visual Arts MFA Photography, Video, & Related Media - Charles Traub, Chair. http://www.mfaphoto.sva.edu/ Visit realphotoshow.com @realphotoshow on Twitter/IG/FB