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https://youtu.be/Hz-iTpQwgSEhttps://youtu.be/2ClUM9aKYp4
DIRTY ROCK & ROLL BEST CRANKED TO 11
FULL TRANSCRIPT (with timecode)
00:00:12:05 – 00:00:34:29 – introducer
From the banks of the Grand River, high above the Gorge, this is thebuzzr pod. New releases. Industry insiders. Out of the box conversations. Indie music. With guests from the True North, to the West Coast, to the East Coast. And Across the Pond, and Down under. And now, here’s Shay.
00:00:39:01 – 00:01:11:19 – Shay
Hey, Shay, here. And … so it begins. Thebuzzr pod, on air indie. Our first episode. Welcome and enjoy! What happened today in 1969?
January 12, 1969, the rock gods, Led Zeppelin released their self-entitled debut studio album in the United States. They produced the album prior to signing to a label. Indie. Cool, eh? The band on today are Toronto-based rock band One In The Chamber.
00:01:12:11 – 00:01:32:07
The band’s sound is their own. Yet like Zeppelin, they push the limits, challenge standards and pull out all the stops of making music. What they put out is fantastic. Mike Biase, lead singer and guitar, and drummer Gerrod Harris are here today. Welcome, guys.
00:01:34:07 – 00:01:35:11 – Gerrod & Mike
Hi, how are you?
00:01:36:29 – 00:02:02:12
I’m glad to have you on and welcome. And I’m doing great, guys. Whenever I hear your music, I see a ton of different influences and not traditional music is being created from somewhere. And I like to have you discuss that and talk about that and sort of give us an idea of where you draw your inspiration from.
00:02:03:02 – 00:02:42:16 – Gerrod
Oh, I mean, that’s a that’s a tough question, I think. And I think the four of us would answer that very differently. We all come from very different backgrounds. Speaking for myself, I grew up listening to a ton of classic rock groups like Led Zeppelin, Van Halen, Aerosmith, The Rolling Stones. But as I actually started playing the drums, it was a large amount of like 90s rock band Soundgarden, Red Hot Chili Peppers, you know, bands like that that really got me diving deeper into my instrument.
00:02:45:06 – 00:03:16:02 – Mike
Yeah, for myself, Led Zeppelin, one hundred percent is one of my biggest influences, Robert Plant is probably one of my favorite singers, if not my favorite Jimmy Page, amazing guitar player.
00:02:56:29 – 00:03:10:01
And yeah, them and really old blues. I’ve loved Eric Clapton, Blues, Jimi Hendrix, Anything by Muddy Waters and the Three Kings, especially for guitar playing. The Three Kings were a huge influence on me learning guitar.
00:03:10:03 – 00:03:28:18 – Shay
You definitely have strong vocals. Reminds me a lot of the young Robert Plant. Ahh, your sound is unique. There’s something about it that sets it apart from a lot of other rock bands. Can you give me some insight into that?
00:03:30:11 – 00:04:20:24 – Mike
I mean, it’s tough, I think, honestly, I think Cecil is so unique in the way he approaches song writing. Cecil, our lead guitar player and one of our vocalists, and he even writes a lot of lyrics for a lot of our songs. And I find that because he comes from such a jazzy background, he brings this influence in our music that is so outside of just conventional rock and roll that especially ”To The Gallows”. When he played that opening riff and it just sounded so often so creepy, it inspired the lyrics that you hear. And it just takes me on a different journey than when I hear the way that I write music. I’m very I find very traditional riff rock. Yeah, what do you think?
00:04:20:27 – 00:04:31:27
I what I have to say, Mike said it best about Cecil. I mean, earlier I said the four of us would probably answer influences very differently. And Mike and I are probably most on the same page
00:04:33:12 – 00:05:29:15 – Gerrod
When it comes to what we’re listening to and stuff. There’s a good chance if Mike’s listening to it, I’m listening to it. But I mean, Cecil is all over the place. He likes things that you would never expect a rock guitarist to like. And he didn’t like. You would not expect a rock guitar player to like. And, you know, Cecil and I met in jazz school at York University of all places to start a rock band. And he had already met Mike by that point. And yeah, I think I think Cecil brings like, this quirky this unorthodox sort of color or tone. I don’t even know how to phrase it, but he brings this interesting vibe that you don’t hear and a lot of rock music, I would say, and I mean to that you go in the complete opposite direction. Our base is Christian Dotto is a huge metalhead.
00:05:34:00 – 00:05:58:00 – Shay
The band closed its 2019 summer tour in front of a sold-out indie festival where you opened for The Wild Abouts. It was the awesome end of the summer. What band, if you had to dream, would be your ultimate band to open a show for?
00:06:02:23 – 00:06:22:03 – Mike
Oh, wow. You know what, we have got to open we have got to open for some pretty cool bands. Opening for Scott Weiland in the Wild Votes is definitely one of the highlights of our one hundred musical careers. (Gerrod: 100%) But if we could open for any current band.
00:06:23:25 – 00:06:57:27 – Gerrod
That’s tough. Are we talking like legacy bands that are still at it? Are we talking? (Mike: You know what I think is one of them?) Yeah, you know, I would take one. Yeah. Crown lands opening.
Mike: I mean, for something like the Foo Fighters would be really cool. But you know what? I saw the Rolling Stones last summer, and it was one of the best days of my life. I, I will not lie. That was one of the best moments of my life. So, I would definitely say the Rolling Stones.
00:06:57:29 – 00:07:09:08 – Mike
And you know what? I saw Alice Cooper and Motley crew down there. (Gerrod: Yeah. That was a great show.) We ever got to open for Alice Cooper or Motley Crue. I think I think we’d be right at home there. Yeah. Oh yeah.
00:07:13:02 – 00:07:21:24. – Shay
That’s awesome. And what would be your dream project like if your band could do anything you wanted to? What would be the dream project for you?
00:07:23:08 – 00:07:46:29 – Mike
If we could get our music to. I guess finance a trip around the world to show off our music, that would be cool. I mean, you know, around the world might be a little far out there, but if we could take our music and make money to finance a trip around the states or to go to a small place in Europe and do a couple of shows, I think that would be really cool.
00:07:47:01 – 00:07:55:10 – Gerrod
I I have to agree with Mike. I think doing something like that and being able to successfully do it would be fantastic.
00:07:55:12 – 00:08:09:28 – Mike
And I love I mean, obviously we can’t travel right now, but I love traveling. So, if our music could help us travel and share our music, I guess, and perform, which is my favorite part about being in a band, then that would be a great project.
00:08:10:12 – 00:08:18:21- Shay
Well, you are getting attention. Look at your Spotify. You have listeners in 60 countries, so it might not be far off.
00:08:19:14 – 00:08:26:03 – Gerrod
Yeah, that number, that number always it sounds me to great with Spotify numbers then it’s like.
00:08:26:05 – 00:08:38:00 – Mike
Oh yeah. And hearing from different people in our social media accounts who reach out to us from all over the world to do interviews and talk, it’s very humbling and it’s really cool.
It’s a really cool feeling
00:08:40:20 – 00:08:47:05 – Shay
The lyrics in your song, do they come from personal experiences? Like, where you draw your inspirations from?
00:08:48:07 – 00:09:29:04 – Mike
I mean, for me, I tried to other than some of our songs where I write from a very fantastical point of view, a lot of our songs come from direct experiences I’ve had in my life.
00:09:03:11 – 00:09:05:04
So “Bills To Pay”, for example, was, I guess, our first song we did a music video for. So maybe I get our first single. And I wrote that some years before we were in a band. You know, the whole second verse is basically a true story about crashing my car and about trying to come up with different weird ways to make money is where those lyrics come from.
00:09:29:06 – 00:09:36:16
So, you know, and then different life experiences help influence the different lyrics that I come up with.
00:09:38:21 – 00:10:15:22 – Gerrod
Yeah, I don’t know to add to that, I just I just play the drums and I mean my life experiences for that just I just love making music. And I think I’m very fortunate to have the chance to make music with such a great group of musicians. And for myself, I always try to bring, like a sense of groove to it, (Mike: a sense of groove) … a sense of groove. I’ll think I’ll take Modern Drummer
00:10:22:21 – 00:10:35:00 – Shay
The band has lots of radio play and international coverage actually, and is on Loud Wire’s weekly via Spotify playlists. How do you feel about that?
00:10:37:19 – 00:11:35:02 – Gerrod
That one was all right, now we’re working with a fantastic PR agent, Alison, from The Label Group. She is she’s got a fantastic ear and I’ve known her for years because I review bands and stuff like that. And for years she’s been sending me bands to review. And, you know, so I’ve known her for a bit now. And when we started putting out music, she started listening and talking to us about that stuff. And the Loud Wire thing goes out to her because she did such a fantastic job of getting that. But yeah, we were all incredibly excited about it. I think I think Livewire is probably one of one of, if not the biggest, like Hard Rock Metal magazine, something that all of us follow. It’s kind of like a badge of honor, a big checkmark on the resume or whatever you want. But it is right.
00:11:36:07 – 00:11:38:19 – Shay
Oh, it definitely is. That’s why I mentioned that. So how do you interact and respond to fans? Like what? Do you connect with them and engage on social media? Do send out newsletters, updates from your site. Like, how do you guys go about it?
00:11:56:16 – 00:12:15:05 – Gerrod
I mean, we’re pretty active on social media, mostly Facebook and Instagram. We’ve got a mailing list that’s on our website as well. And we’re not too active on that maybe once or twice a month at most, like even once a month at most. Or something new coming for sure.
00:12:16:02 – 00:12:49:00 – Mike
Yeah, we’re very good about like Jared is fantastic and keeping up with anybody who contacts us, he always gets back to very quickly and we always try at least I hope people feel this about us, but we try to be available when we’re at live shows to talk to whoever wants to come up to us. And we did an event in Mississauga last year where we got to meet fans and talk to people about our music and different projects we’re doing. And yeah, we try to keep ourselves as available as possible.
00:12:49:02 – 00:13:10:05 – Gerrod
Yeah, I think we’ll going off of that like the Toronto music community is. There are so many great musicians involved that, you know, we’ve made a lot of great friends through doing this and through playing live and we’ve gone on to play shows with them and and kind of do that, which has always been very exciting for us.
00:13:11:21 – 00:13:14:18 – Shay
Do you hang out with the fans after the concerts?
00:13:16:03 – 00:13:37:27 – Gerrod
Yes, unofficial. I guess so, yeah. We like to hang around and we watch the other bands play and we’re always happy to talk to people. And it’s always I think it’s at least I think Mike agrees with me on this one. But like, when people bring stuff like or they buy a CD and they’re like, hey, can you sign it? We’re always like, do you want we want our signature. You’re like, that’s like we’ll definitely do it. But it’s like, do you want.
00:13:43:22 – 00:13:49:14.- Shay
Nobody’s perfect. Do you make mistakes when you perform? And if you do, how do you handle it?
00:13:51:20 – 00:14:16:19 – Mike
I mean, I make mistakes constantly when we perform. I kind of like move around so much and I’m like jumping around. I pretty much I just keep going. You know, if I stumble over a word or I stumble over Cecil’s patch cord. I just try and keep it going and just.
00:14:16:21 – 00:14:33:23 – Gerrod
Yeah, I think that’s, you know, for all of us. And, you know, half the time I don’t even care when any of us or myself are making a mistake. It’s just so loud and, you know, afterwards. So, it’ll be like, oh yeah, you know, I did this in this song and I’m like, what are you talking about?
00:14:34:19 – 00:14:40:210 Shay
Well, sometimes mistakes become iconic, you know, like the smashing of guitars.
00:14:42:15 – 00:14:44:04 – Group agreement
That became a thing.
00:14:46:18 – 00:15:05:07– Shay
Of course, the band has had to cancel their tour to the pandemic. How did you guys, just like how did you rethink things like that? Because I’ve seen a lot of action, a lot of positive things happening. So, I know that Gerrod, and that you rethought to what you do.
00:15:10:08 – 00:17:19:03 – Gerrod
You know, it was it’s tough to manage a band in a regular year, and it’s an entirely different monster in in a pandemic year. So, for us, we were in the studio recording in January, February before all this happened. And “Blow” was scheduled to release in at the end of March, early April, just like how it did. But we were going to have a single release party at Snakeheads in Toronto and that was obviously canceled. But the release came out on as planned. And we had a couple of days that were more or less booked for the spring to follow up with. And then obviously those were canceled. And we for us, we’ve been planning 20, 20 for so long that it was in twenty nineteen that we found out we got a factor, Grant, and that’s when we were like, OK, we’re going to go back in the studio, and this is how we’re going to roll out the new music. And we just released our second single To the Gallows like two, three weeks ago, two weeks ago.
And for us, the original plan was to have a second single, an entirely different song into the gallows, which was supposed to come out in May or June. So, you know, everything has been kind of delayed and pushed back. And the amount of times that the plan has changed, even within like a couple of weeks is crazy. And I think we’ve done a really good job of staying on top of it. We managed to put out two singles, two music videos, and we did a couple of live stream shows. And the Spotify numbers were incredible this year, a significant improvement from last year to growth. So, yeah, we’ve we’ve bounced around and kind of roll with it and turned around. I mean, I think we were ultimately just very lucky that we were sitting on new music that was already recorded. Before that, you feel like we were in a good position, but even those shows were canceled. We weren’t scrambling to figure out how we can move forward.
00:17:20:23 – 00:17:27:15 – Shat
So, talk about some of the ideas, things that you have done to keep moving forward with your music.
00:17:28:23 – 00:19:49:15 – Gerrod
I recently read Ari Hurston’s book, How to Make It in the New Music Industry. So, I we are trying out the new transparent sort of attitude that he talks about. And I read it and he was saying that people where social media is so ever present, gone are the days of the mysterious image of like Bowie and Prince, where you can just be this figure that was weird, and no one knew what you were up to.
00:17:57:08 – 00:18:23:09
And, you know, it’s really hard to have something like that in today’s day and age where you’re your digital all the time. And, you know, the book talked a lot about this idea that. If artists are more transparent and just kind of open and honest with their audience, it works for a really sort of successful model of business, I guess. And I had recently started talking to Phil from Phil Freeman from Small Town Titans, and they’re a fantastic band out of Pennsylvania. And they put out an amazing album this year.
00:18:36:15 – 00:18:37:00
And they have a very similar sort of stance. So, I think especially with the pandemic, the way the whole industry has shut down a level of authenticity. And just being open with your audience is beneficial for musicians.
00:18:55:18 – 00:19:02:19 – Shay
So, what changes do you see as an artist? What changes do you see that need to be made in the industry?
00:19:04:03 – 00:19:49:15 – Gerrod
Oh, I don’t know. I think I think with the way the pandemic’s gone; I think we’re all just kind of figuring it out day by day. And, you know, I’m starting to map out, what 2021 looks for us. And then the news comes out that a vaccine is on the way and suddenly the potential for more opportunities opens. But at the same time, it might not. And I think I think the most I think the best advice anyone can do is just to pay attention to what’s going on in their community, in the province, in the country, and use that to kind of gauge what is socially responsible and how they can use that to move forward. I think I think artists should be better compensated for streaming, things like that.
00:19:56:13 – 00:20:22:12 – Mike
Spotify is fantastic for reach ability, but to fund the artistry through streaming and getting paid what they get paid. I mean, Jimmy Page came out this past week in our world that he said that artists are not getting compensated enough on Spotify. And it’s true. I mean, it’s really, really tough to make a living through music nowadays.
00:20:22:16 – 00:20:25:22 – Gerrod
And I mean, everything that we do ends up costing so much.
00:20:26:09 – 00:20:54:03 – Mike
And when you get your Spotify wrap up at the end of the year and you see how many hours of music you’ve streamed for 10 bucks a month, you know, it’s it it’s kind of being in a band makes you look at that and be like, is this truly OK? I mean, I used to continue to buy CDs when HMV and Sunrise Records were all around everywhere. But now it’s hard to do that. Yeah.
00:20:55:21 – 00:20:58:14 – Shay
So, what are the goals for the band going forward?
00:20:58:29 – 00:22:00:04- Mike
I, I still think that for me, music has always been for the love of playing on stage as the band has grown. I guess my sort of expectations and realistic dreams have grown along with it.
But two years ago, I guess maybe even last year when we heard our song on “Ninety-Four Nine”, like our first major radio station, come on right after Panama for hearing myself, hearing my music on a major radio station was my top goal. And then we hit that, and it was like, OK, what’s next, what can we get through now? So, for me right now, my sort of realistic long-term goal is definitely having the band be able to just through the music and through what we make, through our merch sales and music, be able to finance a trip to Europe. Yeah, that would be my long-term band goal.
00:22:00:10 – 00:22:14:02 – Gerrod
Yeah, I, I mean, I have to agree with my Mike. It’s definitely for the love of playing the love of music and performing to a room of people that are there to see you.
00:22:14:04 – 00:22:37:16
Mike: nothing like it. Gerrod: I’m at the back-end stage like Mike. It’s the full effect. But when people are there the you and they’re singing along and you can see that love, they’re just having a good time. Like it’s a feeling that’s unlike any other. And again, I’m just at the back of the stage, so I get I get like a sample of it when I can kind of see out between the three of them,
00:22:39:06 – 00:23:20:27 – Gerrod
I think, yeah, I like being able to fund like a successful tour of Canada, dipping into the states and heading over to Europe and being able to travel and see different places and maybe even perform in like historic society, like, you know, like places that the Stones in the Beatles were playing at and in the UK and heading out to L.A. and hitting up like the Rainbow Room and Whiskey and just these venues that are. Yeah, the Troubadour, just these venues that have so much history and carries so much weight to them that, you know, that’s that would be.
00:23:20:29 – 00:23:27:06 – Mike
Yeah. There’s there’s nothing like feeding off a crowd and playing our music for people. It’s amazing.
00:23:29:01 – 00:23:34:19 – Shay
What is the best advice you have been given from somebody in the music industry?
00:23:35:13 – 00:23:37:28 – Gerrod
Best advice that worked out? I don’t.
00:23:39:01 – 00:24:48:14 – Mike
OK, you know what? We recorded a demo album with Scott LaFlamme in Boston, and he always told us to never compromise on the artist. You can work with people on different things. But if you feel like advice for your music is not what your music needs, then don’t take it. He was always about taking advice when it’s given to you, but he was very firm in This is your music.
This is how you see your music. You’re making it because this is who you are, and you should never compromise on the expression of yourself. And I think that’s something, you know, we’ve grown as songwriters, the four of us, since we’ve started a band. And it’s great that we’ve never changed our lineup at all. So, the four of us have gotten very good at feeding off each other, but we been very good and true to not compromising on how we think our music needs to be presented. And I would say that that is probably the best advice that I’ve been given that I would pass on to somebody else.
00:24:48:18 – 00:25:37:26 – Gerrod
I’m going to go with that, too.
Shay: So, tell us about the newest release “To The Gallows” We’re going to hear it next up
00:24:59:03 – 00:2 – Gerrod
“To the Gallows” is our latest single, it was recorded earlier this year, I guess early 2020 January at Phase one studios with Marie Daigle.
00:25:11:18 – 00:25:37:26
For us, it’s this sort of experimental track that funny enough, when we wrote it and none of us thought it would ever be a single despite loving it. And here it is. And I think it’s interesting and probably the most, most unique way to end off a crazy year like 2020 with a darker departure from our expected style.
00:26:12:23 – 00:29:16:20 “To The Gallows”
00:30:14:18 – 00:30:33:21 – Shay
That was outstanding, Gerrod. You’re a writer for SPILL Magazine, and I must say write excellent reviews. You’re also a teacher. How have those roles influenced or impacted your music and the path that you’re on right now?
00:30:37:24 – 00:31:43:23- Gerrod
You know, I …being a teacher has you know, when I used to teach classes at like the different community center and things like that, for me, that’s when it really motivated me to take on more of a managing role in the band and kind of push us and push, I guess, our collective expectations of what was possible. Because I was working these hours and I was like and like, wouldn’t it be great to do more with the band than we’re currently doing? Yeah, that’s kind of that as a writer, you know, it’s definitely influenced. Again, more on the business side, just being able to look at professional PR, look at professional press kids. What draws writers like myself into wanting to listen to a band they’ve never heard of? And on the musical side, like I get to listen to a lot of bands and artists that I never would have heard of otherwise, and that’s always very exciting.
00:31:47:13 – 00:31:59:22 – Shay
What did you have to develop, try to learn to create this release, is there something different I can’t put my finger on? This song was basically a product of.
00:32:01:01 – 00:33:13:24 – Mike
Cecil getting a brand-new delay pedal and with wacky effects on it, he started to play that opening riff and in the beginning of the song, you can hear it kind of build-up in the expression.
And that sort of, for me, created this soundscape of eeriness and just almost terror. And it made me want to scream. And that is why at the beginning of the song, I have this explosive scream as if I’m trying to break out of something because the song put me or the riff, he played put me on such edge and the lyrics kept going in the same vein of creepiness and fantasy. And I think that it is all down to Cecil trying something weird with his delay pedal. And you know what? It worked and it worked really well. And we’ve created this awesome soundscape to start the song off. And I think that was a big part of creating the different tune that “To The Gallows” is.
00:33:15:11 – 00:33:26:26 – Shay
And what was the most challenging aspect of this release, or actually, what’s the most challenging aspect of making music during this current time?
00:33:28:18 – 00:33:30:17 – Gerrod
Finding a good time to release it.
00:33:33:00 – 00:33:39:15 – Mike
Like trying to find a time to record a music video in between all these lockdowns and different rule changes.
00:33:39:17 – 00:35:32:25 – Gerrod
Yeah, and I mean, we’re making sure that everything we do is with accordance of not only the laws, but health recommendations for our own sake, for the sake of everyone that we work with, for the sake of anyone that would otherwise kind of come out to see us. And, you know, like I said earlier, we’re supposed to release the second single back in May, June, July, that sort of area. We’re supposed to release flow and then film a new music video right after and just go into it. And that never happened. And all throughout the summer, it was kind of we were talking with Diego del Rio, who has directed all of our music videos, and we were talking with him about possible ideas for music video and how we can do this when we can do this, where we can do this and how we can be safe. And, you know, we kind of carved out a window in the fall to film another video. And sure enough, like two weeks before the video shoot, a new set of restrictions came up. And the video we had planned for a completely different song was suddenly illegal. We could not do it. And it was a very, you know, shout out to Mike on this one because this was like this video was his baby. And we’re looking forward to bringing this video to life in the new year when we can. We did not. Again, going back to not compromising. We didn’t want to compromise and do a similar video or a watered-down video for that song. So, we completely shifted gears with To the Gallows. We did a new song, entirely different video concept, and we found a window of time that worked with the restrictions and things like that and safely recorded the video.
00:35:35:09 – 00:35:42:17 – Shay
That’s amazing, and what is it like working with this genius?
00:35:43:11 – 00:37:03:11 – Mike
Genius is a great way to express that. When we did our first video bills to pay, we had a good idea that we wanted it to be an expression of what our live show is. And he captured it so well. And then he took it into a studio and was able to keep that live vibe around. And after doing that first one for the other ones, we were basically like, Diego, this is the vibe we want our song to look like. And then he created the whole script and the whole lighting features and I mean, the people that he works with and that he handpicks to collaborate with us on our videos are also just mind boggling. When we did our music video for “Blow”, one of his associates, Kathleen, built us an L.A. logo of our chamber. And if you watch the blow music video, you’ll see it in almost every shot. And it just was so amazing, and it created such a really cool effect for the video, and I think that every video we do with him is something different, but he always is able to capture exactly what we’re going for and I’m really excited to work on this next project with him when we can.
00:37:03:11 – 00:37:23:25 – Shay
Yeah, he definitely does put out videos that are different from each other. Actually, what I was looking at the video and saw that he had done, and I thought, you know, I think this genius does all of their videos, but then I thought, no, they’re so different. Let me check. Well, next up is the track of that amazing video below. Up next.
00:38:06:08 – 00:38:09:10 “Blow”
00:41:01:29 – 00:41:13:11 – Shay
Awesome track! So, what’s next for you? We’ve talked a lot about the uncertainty in 2021 and there could be the video released when you get it moving? Are you just sort of staying pattern until all this blows over?
00:41:19:19 – 00:41:54:08 – Gerrod
Well, we definitely we have music we need to put out there in 2021 that’s already recorded. And having this opportunity during the pandemic to unfortunately not play a lot of shows has given us the ability to write quite a bit as well. So, at some point, we’re going to need to get our new written material recorded. I don’t know if that’s going to be able to happen in 2021, but we’re definitely sitting on some stuff and there’s lots in the chamber that we’re working on.
00:41:58:02 – 00:42:18:12 -Shay
I love that. I love that. Actually, I do. And I love your name. It’s amazing. So, I’m going I’m going to wrap this up. Jared and Mike, thank you so much for coming out, guys. Where’s the best place to follow the band, buy, download, stream your music?
00:42:20:18 – 00:42:56:26 -Gerrod
Everything is up on the website, the website is www.OITCBAND.com. So, it’s just our initials and then .dot com band, You know, everything up there in terms of links to our social media, is there a streaming service, downloads, merch? Everything’s up there. We’re very active on our Facebook and our Instagram pages. And again, you could actually just search up at a band and you’ll find us.
00:42:58:10 – 00:43:16:14 – Shay
Well, thank you again for joining us and thank you for listening, those out there. If the studio energy is any sign of the experiencing this band live, One In The Chamber is a top one to see on a list when things open up.
00:43:20:09 – 00:43:43:23 – Shay
All right, next up, so Friday, January the 15th, we have musician, songwriter and indie artist Baywud, and talent manager and music publisher Patrick Conseil, they both are based out of L.A. and putting out great music. Next up, cheers.
Guests: singer/guitarist Mike Biase, drummer Gerrod Harris
Music: Pyramids on Mars™, Kevin Estrella “Nacht Waffen” Edge of The Black
