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I had thought about death and the decomposition of all the particles in my body many times—to the extent that it didn’t frighten me—in fact, my true wish was to be completely annihilated. The only thing that frightened me was that the atoms in my body would mix with the atoms in the bodies of the vulgar. This was an insufferable thought. Sometimes I wished that after death I would have long arms and extended fingers with which I could gather all my own atoms and hold them with both hands so that the atoms that belong to me would not enter the bodies of the vulgar. Sadeq Hedayat’s novel Blind Owl is brief, curious, and often disquieting. It tells the tale of a man who paints pen-case covers, who paints the same image again and again—and old man sitting beneath a cypress tree, an alluring young woman offering him a water lily, a stream running between them. And he is haunted by this image, and especially by the woman in this image—who may also be his wife, his cousin, his mother? The setting of the novel keeps shifting, the props in the novel keep reappearing, and the characters all seem like hazy echoes of the two figures in the painting. Chris and Suzanne try to stay grounded as they discuss this marvellous gem of Iranian modernism. Content warning: The book contains some potentially disturbing imagery, and so does our discussion. Thank you to Michael Collins for helping us edit this episode. SHOW NOTES. Next: Sadeq Hedayat: Blind Owl. [Bookshop.] (We read the translation by Sassan Tabatabai.) Not enough of Hedayat’s other work is available in English, but see also Three Drops of Blood (a collection of short stories) and The Fable of Creation (a play). Previous episodes that we mention: Invisible Man. Persepolis. Symposium. Paradiso. Frankenstein. An example of a nineteenth-century painted pen case from Iran. Lingam puja. Edgar Allan Poe: Berenice. Junji Ito: Frankenstein and The Enigma of Amigara Fault. Support The Spouter-Inn on Patreon. Thank you.

I know the rest of the night will be as devoted to work as love as I’m now resting in this expensive sentence and in the end I’ll spend it fast writing to you anyway, addressing you and a solution or night beginning like a letter, just a few words more freely seeing everything more clearly than the rest of life and love tends to be like windows facing mostly south but surrounding us, I’m thinking of you. Bernadette Mayer’s Midwinter Day is a book-length poem entirely written on December 22, 1978. It documents her day—early morning dreams, midday chores with her toddlers, late night all-night writing sessions with her partner—in a panoply of poetic modes. Chris and Suzanne read the poem alongside some of the other books they’ve read this year, and consider Mayer’s works and days. SHOW NOTES. Bernadette Mayer: Midwinter Day. [Bookshop.] Other books by Bernadette Mayer: Memory. Studying Hunger Journals. Eating the Colors of a Lineup of Words: The Early Books of Bernadette Mayer. Sonnets. A Bernadette Mayer Reader. The Helens of Troy, NY. Milkweed Smithereens. 0 to 9: The Complete Magazine, 1967–1969. Bernadette Mayer’s pages at the Poetry Foundation and PennSound. Some of her early works can be found at Eclipse. Obituaries in the New York Times and Artforum. Our episodes on Times Square Red, Times Square Blue, Ulysses, Mrs. Dalloway, the Metaphysical Poets, the Iliad, and The Waste Land. Catullus. Geoffrey Chaucer: The House of Fame. Ted and Alice are Ted Berrigan and Alice Notley. John Donne: A Nocturnal upon St. Lucy’s Day. Sonnet [You jerk you didn’t call me up]. Bernadette Mayer’s Writing Experiments. Next: Sadeq Hedayat: Blind Owl. [Bookshop.] Support The Spouter-Inn on Patreon and hang out with us in a private Discord.

Summer surprised us, coming over the StarnbergerseeWith a shower of rain; we stopped in the colonnade,And went on in sunlight, into the Hofgarten,And drank coffee, and talked for an hour.Bin gar keine Russin, stamm' aus Litauen, echt deutsch.And when we were children, staying at the archduke's,My cousin's, he took me out on a sled,And I was frightened. He said, Marie,Marie, hold on tight. And down we went.In the mountains, there you feel free.I read, much of the night, and go south in the winter. T.S. Eliot’s poem The Waste Land is a monument of modernist poetry built out of fragments. But the poem also turned 100 in 2022, and so Chris and Suzanne wonder: What does it mean to read this poem today? What still delights us, and what frustrates us? And what are the various languages, dialects, and registers all doing in this poem, rubbing up against each other like that? SHOW NOTES. T.S. Eliot: The Waste Land. (And Eliot’s endnotes, usually published alongside the poem.) Also a new edition of a facsimile of the original drafts of The Waste Land, with Ezra Pound’s notes, was published for the centenary. And you can listen to Eliot reading the poem. Other works by Eliot: The Love Song of J. Alfred Prufrock. The Hollow Men. Four Quartets. Murder in the Cathedral. The Cocktail Party. Support us on Patreon and hear Chris and other Megaphonic hosts talking about the 1965 epic The Greatest Story Ever Told. Jessie Weston. The Beatles: Revolution 9. Our episode on Ulysses. Rothenberg & Joris, eds.: Poems for the Millennium, Vol. 1. Some books that have been published for the centenary: Matthew Hollis: The Waste Land: A Biography of the Poem. Jed Rasula: What the Thunder Said: How The Waste Land Made Poetry Modern. Robert Crawford: Eliot After The Waste Land. Next: Bernadette Mayer: Midwinter Day. [Bookshop.] Support The Spouter-Inn on Patreon and hang out with us in a friendly little Discord.

Encodings were precious. The little girls heard the stories at their mother’s knees, when their mothers had time to tell them…. How women, in the long ago time when women could vote and be doctors and fly spaceships—a fantasy world for these girlchildren, as fabulous and glittering as any tale of castles and dragons—how women, even then, had begun the first slow gropings toward a language of their own. The tales were told again and again, and embroidered lovingly with detail; and prominent in their ornament were the jewels of the Encodings. A word for a perception that had never had a word of its own before. … [Encodings were] precious because they were truly newborn to the universe of discourse. … “A woman who gives an Encoding to other women is a woman of valor, and all women are in her debt forevermore.” Suzette Haden Elgin’s novel Native Tongue is a feminist science-fiction novel first published in 1984. The future it describes features an America in which women are considered biologically (and thus legally) inferior to men. But it’s also taking place in a time when humans are in contact with aliens, and only a handful of families have the ability to communicate in their alien languages. And the women of these linguist families are constructing a language that should make it easier for women to express their thoughts—which in turn will have powerful political implications. Suzanne and Chris explore the tremendous world-building of this novel. Thank you to Michael Collins for helping to edit this episode. SHOW NOTES. Suzette Haden Elgin: Native Tongue. [Bookshop.] Other words by Elgin: Judas Rose. Earthsong. The Gentle Art of Verbal Self-Defence. A Third Dictionary and Grammar of Láadan. The Science Fiction & Fantasy Poetry Association. The homepage for Láadan. The Sapir-Whorf Hypothesis. An article on Láadan and emotional labour. Another article on Elgin’s influence. Diane Wilson: The Seed Keeper. Next: T.S. Eliot: The Waste Land. Support The Spouter-Inn on Patreon. Thank you!

The Two Towers’ landscape passages… a lot of the book is from Sam’s POV, and he’s the gardener, and Ithilien is packed with flower names in a way that not even the Shire is when he’s not the viewpoint character. So there’s so much lore that he clearly is collecting as he goes. Which I think is so beautiful. Jared Pechaček is a writer and artist whose recent work includes illustrating the acclaimed horror novel Red X by David Demchuk. He’s also one of the hosts of By-The-Bywater, a podcast here on the Megaphonic network that’s about all things Tolkien. He lives in Seattle, where he can generally be found either tweeting about fashion or drifting over the beach at low tide. Jared joins Chris and Suzanne for a wide-ranging discussion on The Two Towers, including a look at the characters of Sam and Frodo, a reading of the landscape of Ithilien, and a sampling of rabbit stew. SHOW NOTES. Follow Jared on Twitter or Patreon, or listen to him on By-The-Bywater. By-The-Bywater episodes on food, the Ents, and Orcs. Jared made rabbit stew for a Kitchen Party livestream (which happens occasionally on the Megaphonic twitch channel). Support The Spouter-Inn on Patreon.

The second part of J.R.R. Tolkien's The Lord of the Rings.

“I want to know everything, everything,” screeched Harriet suddenly, lying back and bouncing up and down on the bed. “Everything in the world, everything, everything. I will be a spy and know everything.”  [Ole Golly said,] “It won’t do you a bit of good to know everything if you don’t do anything with it. Now get up, Miss Harriet the Spy, you’re going to sleep now.” Louise Fitzhugh’s Harriet the Spy is a novel about a young girl who wants to be a writer — or maybe a spy. She constantly writes her candid observations about other people in her private notebook, and she is given love and attention by her nurse, Ole Golly. But what would happen if Ole Golly were to leave? Or if her notebook got into the hands of her classmates, and they read her unfiltered thoughts about them? Suzanne and Chris reconnect with a book that meant a great deal to them as children, appreciating its careful and striking construction, and teasing out the queerness in the book. SHOW NOTES. Louise Fitzhugh: Harriet the Spy. [Bookshop.] Other books by Louise Fitzhugh: The Long Secret. Nobody’s Familiy Is Going to Change. Sport. Sandra Scoppettone: Suzuki Beane. Leslie Brody: Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy. (An excerpt.) Our episodes on other children’s books: Little Women. Charlie and the Chocolate Factory. Charlotte’s Web. Our episode on Invisible Man. Next episode: J.R.R. Tolkien: The Two Towers. [Bookshop.] Support The Spouter-Inn on Patreon. Thanks!

In the South everyone knew you, but coming North was a jump into the unknown. How many days could you walk the streets of the big city without encountering anyone who knew you, and how many nights? You could actually make yourself anew. The notion was frightening, for now the world seemed to flow before my eyes. All boundaries down, freedom was not only the recognition of necessity, it was the recognition of possibility. Ralph Ellison’s monumental novel Invisible Man is a picaresque coming-of-age story. Our unnamed narrator grows up in the American South between the World Wars. After a series of incidents gets him a scholarship to—and then expelled from—college, he travels to New York City. There, in the bustling, anonymous city, he realizes he has been invisible all along—which is to say, that no one seems to be able to see him for him. Suzanne and Chris explore this powerfully written book, and how sight, sound, and taste can connect its narrator, even as the city isolates him. SHOW NOTES. Ralph Ellison: Invisible Man. [Bookshop.] Also by Ralph Ellison: Juneteenth; Essays (Includes “Living with Music”). Our episodes on: Gertrude Stein, Dante’s Inferno, Moby-Dick, Ernest Hemingway, the Decameron, The Book of the City of Ladies, and The Jungle. Voltaire: Candide. Jane Jacobs: The Death and Life of Great American Cities. Walter Benjamin: The Arcades Project. China Miéville: The City and the City. Charles Dickens: A Tale of Two Cities. Italo Calvino: Invisible Cities. Next: Louise Fitzhugh: Harriet the Spy. [Bookshop.] Support The Spouter-Inn on Patreon. Thanks!

—Mr Brandes accepts it, Stephen said, as the first play of the closing period. —Does he? What does Mr Sidney Lee, or Mr Simon Lazarus as some aver his name is, say of it? —Marina, Stephen said, a child of storm, Miranda, a wonder, Perdita, that which was lost. What was lost is given back to him: his daughter’s child. My dearest wife, Pericles says, was like this maid. Will any man love the daughter if he has not loved the mother? —The art of being a grandfather, Mr Best gan murmur. L’art d’être grand... —Will he not see reborn in her, with the memory of his own youth added, another image? Do you know what you are talking about? Love, yes. Word known to all men. James Joyce’s novel Ulysses is sometimes considered the greatest novel of all time, and sometimes considered an impenetrable brick of a book. In celebration of its centenary and on the anniversary of the day the book is set (Bloomsday!) Chris and Suzanne trace the paths of its characters through the streets of Dublin, revel in its sensuous writing, and consider what approaches to reading the book encourages. SHOW NOTES. James Joyce: Ulysses. [Bookshop. Project Gutenberg.] Also by Joyce: Chamber Music. Dubliners. A Portrait of the Artist as a Young Man. Finnegans Wake. We refer to several books we’ve discussed in previous episodes: The Odyssey; Mrs. Dalloway; The Divine Comedy; Middlemarch; A Moveable Feast; W; I Am Woman. Don Gifford: Ulysses Annotated. Harry Blamires: The New Bloomsday Book. Patrick Hastings: Ulyssesguide.com and The Guide to James Joyce’s Ulysses. The Joyce Project offers a heavily annotated copy of the text. An overview of the censoring of Ulysses in the US. An image of the edition with giant letters. A lecture by Johnna Purchase on graphic design and Ulysses. Écriture feminine. James Heffernen on Woolf’s reading of Joyce. The pharmacy mentioned in Ulysses. Tracing Stephen Dedalus's gay desires. Kate Bush is having a moment right now, so let’s add her adaptation of Molly’s speech, The Sensual World. Next: Ralph Ellison: Invisible Man. [Bookshop.] Support The Spouter-Inn on Patreon.

Clarissa had a theory in those days—they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not “here, here, here”; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Virginia Woolf’s Mrs. Dalloway is a novel that traces the lives of several characters over the course of a single day in June 1923. The novel jumps between characters, tracing their inner monologues and their memories as they go about London, reminisce about their younger days, and worry about where their lives have brought them. Suzanne and Chris explore this web of connections and parallel lives, and dwell on particular moments of intensity: an overheard conversation at a party, an unexpected kiss, or even riding a bus. [Content warning: the novel and the episode contains discussion of mental illness and suicide.] SHOW NOTES. Virginia Woolf: Mrs. Dalloway. [Bookshop.] Some annotated editions of Mrs. Dalloway have come out recently. Our episodes on To the Lighthouse and Orlando. The Hogarth Press. We didn’t talk about the effect of the pandemic on the book, but here’s an article about reading Mrs. Dalloway in the shadow of our own pandemic. Ned Blackhawk: Violence over the Land: Indians and Empires in the Early American West. Charles Wilkinson: Blood Struggle: The Rise of Modern Indian Nations. Bram Stoker: Dracula. Chris talks about Dracula on another podcast. Dracula Daily. Our episode on John Donne. Next: James Joyce: Ulysses. [Bookshop.] Support The Spouter-Inn on Patreon. (Thanks!)

I’ve always struggled, since I went to art school, with the question of: What is the career of making paintings in the twenty-first century? Of sitting alone in a room and painting in a way people did 500 years ago, in the world of technology and movies and stuff. So I always wanted to make works that are about now, but then show that they’re coming out of the history of art and are tied to art history… And to say, look, see how the history of art keeps moving forward, and it’s still connected… It’s sort of a way to try to prove that painting matters. Sandow Birk is an artist whose works have dealt with contemporary life in its entirety, exploring themes such as inner city violence, graffiti, political issues, travel, war, and prisons, as well as surfing and skateboarding. Some of his work specifically engages with the kinds of “great books” that we explore here at the Spouter-Inn, including an illustrated version of Dante’s Divine Comedy, reworked with Marcus Sanders, from 2005, as well as the American Qur’an, published in 2016. Sandow joins us to discuss these two projects and the impulse of reading a centuries-old text and saying: What if this were here and now? What would that look like? SHOW NOTES. Sandow Birk’s website includes illustrations from the Divine Comedy, the American Qur’an, and other works we discuss. The Divine Comedy. [Bookshop.] American Qur’an. [Bookshop.] A talk Sandow gave about the American Qur’an (introduced by Karla Mallette, who spoke with us about Purgatorio!) Gustave Doré’s illustrations for the Divine Comedy. Matthew Collins, ed.: Reading Dante with Images. Dante’s Inferno, the animated film. Kent Monkman. The Chester Beatty. Arion Press and their editions of The Fairy Tales of Oscar Wilde and Moby-Dick. Machado de Assis: The Posthumous Memories of Brás Cubas. Roberto Bolaño: 2666. Support The Spouter-Inn and our network, Megaphonic, on Patreon! Thanks.

At this point I admit my defeat; no poet, comic or tragic, ever was more outdone by his theme than I am now for, as sunlight does to the weakest eyes, so did the mere thought of her lovely smile strike every recognition from my mind. From the first day that I beheld her face in this life till the vision of her now, I could trust in my poems to sing her praise, but now I must stop trying to pursue her beauty in my verse, for I have done as much as any artist at his best. Dante’s Divine Comedy comes to an end with Paradiso, as Beatrice guides him through the nine spheres of Heaven to his ultimate encounter with God. But how does Dante approach describing a place filled with people who are satisfied basking in God’s indescribable glory? And how does he reconcile his obsession with measuring out time while also trying to contend with timelessness? Suzanne and Chris think through endings and puddings. SHOW NOTES. Dante: Paradiso. [Bookshop.] That’s the Mark Musa translation; see also the Singleton and the Sanders/Birk versions. Our episodes on Inferno and Purgatorio. Also by Dante: De Vulgari Eloquentia; La Vita Nuova; Convivio; De Monarchia. Sandow Birk’s Dante illustrations, including the Rose. Our episodes on Paradise Lost and the Confessions. Rare audio of Erich Auerbach giving a lecture on “The Three Traits of Dante’s Poetry” in March 1948. Robert Heinlein: The Door into Summer. The relevent episode on Chris’s other podcast will be out in a few days. Jorge Luis Borges: Labyrinths. William Shakespeare: The Winter’s Tale. Audrey Niffenegger: The Time Traveler’s Wife. Amal El-Mohtar and Max Gladstone: This Is How You Lose the Time War. The Seven Sleepers. Walter Miller: A Canticle for Leibowitz. Next: Virginia Woolf: Mrs. Dalloway. [Bookshop.] Support The Spouter-Inn and our network, Megaphonic. Thanks!

W.G. Sebald's curious book The Rings of Saturn.

Our cluster on Time begins with Augustine's Confessions.

I came into this world anxious to uncover the meaning of things, my soul desirous to be at the origin of the world, and here I am an object among other objects. Locked in this suffocating reification, I appealed to the Other so that his liberating gaze, gliding over my body suddenly smoothed of rough edges, would give me back the lightness of being I thought I had lost, and taking me out of the world put me back in the world. But just as I get to the other slope I stumble, and the Other fixes me with his gaze, his gestures and attitude, the same way you fix a preparation with a dye. I lose my temper, demand an explanation.... Nothing doing. I explode. Here are the fragments put together by another me.We like to begin each year with a book that will challenge us with some theoretical perspectives and insights, which we can have rattling around our minds as we carry on the year’s reading. This year we are beginning with Frantz Fanon’s 1952 classic Black Skin, White Masks. A collection of essays exploring the construction of the author’s psyche (as a Black man from Martinique), Fanon looks at the personal impacts of colonialism, the ways that psychoanalysis might be adapted to understand the colonized psyche, and what possible futures might lie ahead. Chris and Suzanne explore the book’s argument and its literary qualities, as well as reflecting on how Fanon’s essays continue to resonate today.SHOW NOTES.Frantz Fanon: Black Skin, White Masks. [Bookshop.]Also by Fanon: The Wretched of the Earth.An overview of Fanon’s thinking.Stuart Hall: Why Fanon? [requires institutional access, alas]Manichaeism.Interpellation.Aimé Césaire.Léopold Senghor.Glen Sean Coulthard: Red Skin, White Masks: Rejecting the Colonial Politics of Reconciliation.J. Kēhaulani Kauanui: “A Structure, Not an Event”: Settler Colonialism and Enduring Indigeneity.Next: Augustine: Confessions. [Bookshop.]Support The Spouter-Inn and our network, Megaphonic FM, on Patreon.

Admit this, all of you. I laugh too loud, can’t hold my brownie properly in polite company and am apt to call shit “shit.” I can’t be trusted to be loyal to my class. In fact, the very clever among the elite know that I am opposed to the very existence of an elite among us. For me, the struggle for self- determination will end with the dissolution of this elite and the levelling of the CanAmerican class structure or it will continue—for a thousand years if need be.You have acquired your knowledge, friends, through the spoils of a colonial system which intends to use you to oppress my poor country-cousins. I owe no apology for refusing to go along with that.At the end of each year, we like to read a book by an author who passed that year, and in 2021, we lost someone very close to the show: Lee Maracle, whose book Memory Serves we talked about in a previous episode, and who joined us in a bonus episode about Great Expectations. We chose to read her book I Am Woman, a collection of essays (interwoven with memoir, story, and poetry) subtitled “A Native Perspective on Sociology and Feminism”. And, in addition to responding to the specific issues that the book brings to the forefront, and appreciating Maracle’s craft in putting these issues on the page, Suzanne and Chris think together about how it feels to read and talk about a text that might not be addressed to you at all.SHOW NOTES.Lee Maracle: I Am Woman. [Bookshop.] [The book went out of print shortly after her passing, but should be back in stock next month.]Also by Lee Maracle: Memory Serves. Celia’s Song. My Conversations with Canadians. Hope Matters [with Columpa Bobb and Tania Carter].Our episode on Memory Serves and our bonus with Lee Maracle on Great Expectations.Our episode on Bear.Lee Maracle delivers the 2020 Margaret Laurence lecture, which addresses many of the questions we had about literature, gender, and the power of story.The New York Times’s (unfortunately headlined) obituary.An overview of Lee Maracle’s life.Gratitude for Lee Maracle from Hiromi Goto, Rita Wong, and Larissa Lai.The Literary Legacy of Lee Maracle with Drew Hayden Taylor, Tanya Talaga, and Waubgeshig Rice.LitHub’s list of notable literary deaths in 2021.bell hooks: Talking Back: Thinking Feminist, Thinking Black.Norton Juster: The Phantom Toolbooth.Beverley Cleary: Dear Mr. Henshaw.Next: Frantz Fanon: Black Skin, White Masks. [Bookshop.]Support The Spouter-Inn and Megaphonic FM on Patreon.

In this territory are the Dog-headed people.Here live the Griste, an extremely wicked people, for among other vile things they do, they make clothes for themselves and saddles for their horses out of the skins of their enemies.The east-to-west extent of Europe, from the outlet of the Sea of Azov to the Strait of Gibraltar, in a straight line, is 3,427 miles….HungariansSlavs.Ostrich: Head of a goose, body of a crane, feet of a calf. It eats iron.The Hereford Mappa Mundi may or may not be a book. But this medieval map of the world combines geography, theology, zoology, and history into a text that’s fascinating to explore. Suzanne and Chris trace out a few itineraries along the map, pointing out what they find along the way and some of the narratives it traces, and they consider what it means to take this seriously as a text—and a text that might teach us something about how other texts are read. SHOW NOTES.Virtual Mappa includes a detailed, if sadly not annotated version of the map.S.D. Westrem’s The Hereford Map is a transcription and annotation of the map.Hereford Cathedral’s site devoted to the map.Wikipedia has a good overview of the types of medieval maps.A reproduction from the late 19th century which is very clear (but not annotated, and missing some colour information).Orosius: History against the Pagans.Bartholomeus Anglicus: On the Properties of Things.Our episode on The Metamorphoses.Martin Delany: Blake, or The Huts of America.Thomas Pynchon: Mason & Dixon.John Crowley: The Solitudes, first book in the Ægypt series.Robertson Davies: Murther and Walking Spirits.Jordy Rosenberg: Confessions of the Fox (about “Honest Jack” Sheppard)Graham Nelson: Jigsaw.Brian Moriarty: Trinity.Walter M. Miller Jr.: A Canticle for Leibowitz.Leo Tolstoy: War and Peace.Next episode: Lee Maracle: I Am Woman. [Bookshop.]Support The Spouter-Inn and Megaphonic on Patreon and help us make another 50 episodes! Thanks.

When news of this being’s phenomenal genesis was first released to the world, a certain phrase was used that has—at varying times—been attributed both to me and to others. On the newsflashes coming over our tvs on that fateful night, one sentence was repeated over and over again: ‘The superman exists and he’s American.’ I never said that. [...] I presume the remark was edited or toned down so as not to offend public sensibilities. [...] What I said was ‘God exists and he’s American.’Watchmen, by Alan Moore and Dave Gibbons, is an superhero comic about time, history, power, and the threat of the Cold War. In other words, it’s very 1980s. Chris and Suzanne reflect on their own experiences of the 1980s, and they become particularly fascinated with Dr. Manhattan—a character who experiences all of time at once, but also moves through time linearly. They also consider the book’s reckoning of an apocalypse, its deeply intricate formal construction, and what it means if these characters are kind of unlikeable.SHOW NOTES.Alan Moore and Dave Gibbons: Watchmen. [Bookshop.]In memoriam Lee Maracle.A recent interview with Lee Maracle.Our episode on Memory Serves and our bonus episode talking with Lee Maracle about Great Expectations.Our episodes on Middlemarch and Persepolis.Jon Osterman (Dr. Manhattan) disintegrating.The shadows left by the nuclear bombing of Hiroshima.The Doomsday Clock.Our episode on Orlando.An example of the opening pages of Chapter XII (from this interesting page).Chris’s other podcast.Our episodes on Frankenstein and Paradise Lost.Michael Chabon: The Yiddish Policeman’s Union.Richard McGuire: Here. [Full book version.]Christine Brooke-Rose: Subscript.Next: The Hereford Mappa Mundi.Support The Spouter-Inn and all of Megaphonic on Patreon.

The Silk Roads aren’t stuck in time. They’re so often depicted as just a certain period of time and a certain geographic range, and I think we’re kinda blowing that apart! [These objects span] a thousand-year history, but also [range] from Japan all the way to Mexico. We’re breaking outside the box and really thinking about: Wait a second. What do we all have around us today that was influenced by this intercultural trade and exchange of ideas? And it’s everywhere.Melissa Moreton is a codicologist and cultural historian who studies the material aspects of old books and manuscripts and the people who made and used them. Her research started in Italy, but has broadened to include the study of global manuscript culture, the spread of book technologies, and book use across Africa, South Asia, Europe, and the Middle East. She combines interdisciplinary methodologies drawn from material book studies, history, art history, and the quantitative sciences, and has been known to make parchment, paper, and to bind books. She is currently a Research Associate at the Institute for Advanced Study in Princeton and helped organize the current exhibition at the Aga Khan Museum in Toronto, entitled “Hidden Stories: Books Along the Silk Roads.”Melissa joins us to talk about that “Hidden Stories”, which our own Suzanne was one of the curators of! (Hence why we’ve been a little quiet recently.) Chris, Suzanne, and Melissa discuss how the objects in the exhibition tell stories both as texts and as objects, what it’s like to put together such a show during a pandemic, and some of the marvellous pieces they were able to put on display.Show Notes.Hidden Stories: Books Along the Silk Roads is at the Aga Khan Museum in Toronto until February 27, 2022.The digital companion site to the exhibition, where images of many of the objects we discuss can be found.The textile Qur’an.Two unexpectedly preserved pieces.The baptismal register.The antiphoner (and its music).The list of all the objects in the exhibit (still under construction).The Women’s Studio Workshop.Support The Spouter-Inn on Patreon! Thanks if you do.

Virginia Woolf’s genre-bending novel Orlando.