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After Lorenzo de Medici’s death in 1492, Botticelli gave up painting, abandoned his humanist studies, and became a hardcore fundamentalist Christian. As did a lot of Florentines. The reason? They all fell under the spell of the original fire and brimstone preacher. He wasn’t rich. He didn’t have an army. He wasn’t of the nobility. He wasn’t sent by the pope. In fact, the Pope hated him. But he managed to do what so many rich men with armies had failed to do for decades. He overturned the government of Florence, kicked out the Medici family, and took control of the city. And… to top it off, he was a precursor of the Reformation. He is famous for the Bonfire Of The Vanities. His name was Girolamo SAVONAROLA. Oh dear! This page contains Member's Only content... and you aren't logged in! Sucks to be you, seriously, because the content you are missing is really funny. And clever. And probably very, very sexy. So sign up now and your life will be improved substantially. The post #94 – Savonarola Part 1 appeared first on The Renaissance Times.

During Lorenzo de Medici’s life, no fewer than three of the outstanding artists of the Renaissance are thought to have spent at least a brief formative period of their early lives in the Palazzo Medici: Leonardo and Michelangelo and the one we’re going to talk about for the next few episodes – the great Sandro Botticelli. Oh dear! This page contains Member's Only content... and you aren't logged in! Sucks to be you, seriously, because the content you are missing is really funny. And clever. And probably very, very sexy. So sign up now and your life will be improved substantially. The post #89 – Sandro Botticelli appeared first on The Renaissance Times.

This episode starts with a correction about the skin colour of the Moors, brought to you by our Moroccan listener Mohamed. Then, to set the scene for this episode, we have a special song – “The Alhambra Decree” by legendary contemporary folk singer-songwriter David Rovics. Crazy coincidence – I’ve been a fan of David’s work for 15 years and have been on his mailing list forever. And the same week I happened to be preparing this episode, I saw his latest email that contained this song. So I reached out and he was nice enough to give me permission to use this track. So what was the Alhambra Decree? It was the 1492 decision, by Isabella and Ferdinand, after they concluded their war with the last remaining Muslim region of Granada, that all of the Jews were to be banished from Spain. But did they really want to banish them? Or just give them an added incentive to convert to Christianity? And why would anyone want to convert to Christianity after the hell the Inquisition had just put the conversos through? Some gave in under pressure and converted – some stuck to their guns and migrated to Portugal, whose King promised them refuge. Which was great – until the King of Portugal decided he wanted to marry the daughter of Isabella and Ferdinand. The post #87 – The Alhambra Decree appeared first on The Renaissance Times.

In 1184, Pope Lucius III issued a papal bull, Ad Abolendam, to combat the Albigensian heresy in southern France. They were known as Cathars, or Good Christians. They were going around doing horrible anti-Christian things – like saying killing was bad, being vegetarian and treating women as equals was good, and that the church was too rich. The Pope decided they had to be stopped. How? In the words of the army commander he sent to them: ‘Kill them all. God will recognise his own.’ The post #82 – The Cathars appeared first on The Renaissance Times.

In the aftermath of the Pazzi Conspiracy, Florence found itself excommunicated en masse by Pope Sixtus IV unless they handed over Lorenzo De Medici. When the city refused, Pope Sixtus went to war. 1479 drawing by Leonardo da Vinci of hanged Pazzi conspirator Bernardo Bandini dei Baroncelli   The post #79 – The Papal War appeared first on The Renaissance Times.

Two days after the death of Piero de’ Medici in December 1469, his eldest son, Lorenzo de’ Medici, aka Larry The Med, became the new ruler of Florence. He was 20 years old. He was a major patron of the Renaissance and the father of the future Pope Leo X. The post #76 – Larry The Med appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #75 – The Artist Who Stole A Nun appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #74 – The Pitti Party appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #73 – Piero de Medici appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #72 – Duke Filippo Maria Visconti appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #71 – The Greek Invasion appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #70 – Gutenberg Part 6 appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #69 – Gutenberg Part 5 appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #68 – Gutenberg Part 4 appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #67 – Gutenberg Part 3 appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #66 – Gutenberg Part 2 appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #65 – Gutenberg Part 1 appeared first on The Renaissance Times.

Born 1401 as Tommaso di Ser Giovanni di Simone, “Masaccio” (his nickname) was regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, he was the best painter of his generation. The first painter in the Renaissance who really understood linear perspective. He died age only 26, in 1428. “Masaccio,” said Leonardo da Vinci, “showed by perfect works that those who are led by any guide except Nature, the supreme mistress, are consumed in sterile toil.” His masterpiece was the Holy Trinity fresco in the Santa Maria Novella in Florence. The post #64 – Masaccio appeared first on The Renaissance Times.

Born Guido di Pietro but known to us as Fra Angelico which means the “Angelic friar”. Despite his early talent for painting, at age 12 he entered the Dominican order and spent the rest of his life in convents, painting their walls. Admired by Cosimo de Medici and extremely influential to the early Renaissance artists, he was one of the first to start to incorporate linear perspective. We also talk about Pope Nicholas V, the first humanist Pope. Born into relative poverty, he spent most of his adult life in Florence as an assistant to an Archbishop and a Pope, while hanging around with the humanists, until his surprise election to the top job. He decided to Make Rome Great Again, by bringing as many of the top scribes, translators, architects, painters and sculptors to work for him as he could ge this hands on – including Fra Angelico and Leon Battista Alberti. He’s also the guy who created the vision for the modern Vatican Palace and the Vatican Library. The post #63 – Fra Angelico & Pope Nicholas V appeared first on The Renaissance Times.

The first written work of art theory, produced during the Renaissance was “De Pictura”, or “On Painting”, written in 1435 by Leon Battista Alberti but not published until 1450, in which he explained the science behind linear perspective. He was a humanist author, artist, architect, poet, priest, linguist, philosopher, mathematician and cryptographer. He also wrote the first autobiography since St Augustine. A true polymath and the first Renaissance Man, who inspired every Renaissance artist who followed him. The post #62 The First Renaissance Man appeared first on The Renaissance Times.