Cristina Hartmann: Stringing Words Together
“I’m a storyteller and I believe that the best way to change someone’s mind about anything is to tell them a story.”
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After abandoning a career in law, Cristina Hartmann is pursuing a career as a full-time writer. She is also deaf and blind. We corresponded over a shared Google Document where she gave me long-form answers to my written questions. Because everything was already written, the entire conversation has been copied to this post.
Thanks to Jessica Su for reading her answers and doing a great job.
Jeff: I want to start off with a quote from one of your answers. You write: “Most people have never met anyone like me. I’d go as far as to say a lot of people are afraid of me. The worst thing is that I understand why. I’m their walking nightmare: someone whose perceptions are so different that they can’t possibly start to relate. Funny thing is, I understand them far better than they understand me.” Tell me more about this quote, and how this sort of interaction affects you.
Christina: The thing is that … most people assume that others’ perceptions are similar if not identical to theirs. They depend on auditory and visual cues for many social interactions. For example, before talking to a stranger, you tend to make eye contact. It gives you implicit permission to talk to that person.
When people encounter someone like me–which isn’t often to begin with–whose visual and auditory perceptions aren’t all that great … they don’t know what to do. They don’t know if they should shake my hand. They don’t know how to talk to me. They don’t know how to touch me. What most people perceive to be ordinary quote-unquote rules for social interactions aren’t there anymore.
I make people uncomfortable because the rules no longer apply. They don’t know what to do. A lot of people hate not knowing what to do, so they either resent it or avoid it.
Other people just assume that a life without sight or sound is a terrible life. I’ve even had people suggest suicide to me as a viable option, which, by the way, isn’t really good advice for anyone. I don’t think they were trying to be cruel, but some people are just so attuned to the sensory worlds that the prospect of losing their sight and hearing is too awful to even consider. From their vantage point, no life seems better than life without sound or sight. I think they’d think differently if they were actually in my shoes.
Jeff: How do you feel about those interactions, where people suggest suicide?
My first reaction is always anger. To blithely suggest suicide to anyone is really an insensitive thing to do. Suicide isn’t something anyone should take lightly, particularly when they don’t know a lot of facts about that person’s life.
My second reaction is a deep sense of sadness that there are people out there who assume my life isn’t worth living, that nothingness is better than what I have. It’s a depressing thought that I try not to indulge in very often.
My third reaction is disgust. These people who have such cavalier attitude toward suicide see it as an easy way out. It’s not. Even if a person stop living, that person leaves behind others who loved them. If I decided to commit suicide, I’d be leaving behind a family who’d be crushed by my choice, friends who would question what they could’ve done to save me, and two cats who won’t get fed because I’m gone. Even if I wanted to off myself, I couldn’t do it in good conscience. I’d leave behind a lot more hurt than I’d cure.
I don’t take these people seriously, but the mere existence of those people depresses me a bit.
To be honest, I hate the fact that I make people uncomfortable and afraid. That’s the last thing I want … I’d just like people to be relaxed and cheerful around me. I also hate the fact that people think my life isn’t worth living. I just want a toned-down and easy interaction, but that’s not always possible.
But, there’s not a whole lot I can do about other people’s discomfort toward me. I can’t change what I am.
If I want to get all psychoanalytic on myself, I’d suppose a lot of my drive comes from the desire to prove people wrong, to prove that my life is worth something. Maybe I won’t ever become Picasso or a master cellist, but I can do some stuff.
And … you know, I’ve done a lot of things that I’m proud of. I’ve traveled to a lot of places. I’ve learned a lot of things. I’ve met a lot of people. I’ve had a lot of great experiences. I’ll have to get off the psychologist’s armchair and settle for that.
Jeff: I understand that your deafness and blindness have affected who you are, and I do want to talk about that–but I also want to talk about who you are outside of that. What are you doing day-to-day as an occupation? What are your goals and pursuits?
Christina: Well, I’m a writer … or, more accurately, trying to be one. In a weird way, my disability has given me the freedom to do what I want with my life. I get enough money from the government to survive, so I write.
My life is tediously ordinary. I get up, feed the cats, make breakfast. I read a little before I write … and sometimes I end up writing more on Quora than I should. Bad for business. I cook a lot–and right now I’m really into braising meats–and try to keep my place reasonably tidy and clean, which I’m usually not so successful at. Boring, ordinary stuff, really.
Right now, I’m finishing up a book that has been a long time in the works. It’s called “The Formula,” which is about a nerdy computer science student who becomes … da da dum! … a pick-up artist! I’ll admit that I had entirely too much fun creating my own pick-up technique, which I hope is an improvement on existing PUA approaches. There’s also a lot of other things in this book, like gaming and the financial industry, but pick-up is at the heart of this novel.
I took a lot of wrong turns and ran into a few dead ends with this book–which is my second, by the way–but I think I’ve found my niche in terms of stories I want to write. I discovered that science fiction is something I love to read, but not necessarily something I’m good at writing. I’m more into contemporary issues that relate to the Internet and our culture.
In terms of my goals and prospects, I’ll admit to being entirely too single-minded.
My shorter-term goal is to finish “The Formula” (probably in the next two weeks) and shop it around for traditional publishing. I’d absolutely love it if I could get this one on the bookshelves somewhere.
Jeff: Why don’t you self-publish? Isn’t that more lucrative and straightforward? Dealing with gatekeepers seems like a big negative of the publishing industry.
Christina: I self-published The Secret Value of Zero, so I’m pretty well-aware of the upsides and downsides of self-publishing in general.
Self-publishing is great if you’re good at publicity and are targeting a niche audience. For example, that’s how Fifty Shades of Grey jumped ship from self-published to commercial publishing … the author had a pretty concentrated audience of erotic readers who liked Twilight fan fiction. If you have a niche audience, your publicity push is much easier since you can go to speciality websites, contact certain blogs, et cetera.
Self-publishing is a do-it-yourself project at its biggest. You’re not just the writer, you’re also the publicist, you’re also the one handling the fomatting, you’re the one managing the different sales platform. It’s great for people who can do many of those things very well and I’m not really one of them.
The thing about my book, The Formula, is that it has a more general audience. It’s more of a coming-of-age story of a nerdy computer science student who desperately wants to quote-unquote better himself and gets involved in the pick-up artist and seduction community. That’s more of a general fiction kind of book, so I’d have a really, really hard time marketing that as a self-published book. Not just that, but I think this book has a shot at making it big since there’s not very many–if any, since I can’t find any–fiction books out there that takes a hard and in-depth look at the seduction community. Of course, you could argue that a lot of the PUA manuals are fiction, but we won’t go there. I really believe in this book so I want to get it out there to as many people as possible and commercial publishing is–bar none–still the best way to do that, distribution-wise and publicity-wise.
Publishing–either self-publishing or commercial–is kind of a devil’s bargain. With commercial publishing, you sacrifice some profit margins for a far bigger audience reach and a more polished product. With self-publishing, you maintain a higher profit, but you’ll have a smaller audience size and it’s very difficult to turn out a product that is equally polished and diversified as a commercial publisher’s. It is indeed possible–some self-published authors do this–but I don’t have enough patience or attention to detail to be able to do a smash-up job on formatting, marketing, and all that. Being self-published can be very rewarding, but it’s also very, very hard and requires a lot of overhead … and it’s just not something I’m skilled enough at.
I’m rather curious to see how agents and publishers will react to this book. Hopefully, it’ll be a positive reaction, but we’ll see.
My longer-term goals are in