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Jay Prychidny sits down with Gordon to discuss editing Snowpiercer and how to tackle editing something that is geographically restricted.

Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In A Day 2020.

Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make a movie internationally, when the entire crew is located in separate countries.

Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. How does Werner craft the structure, how do they decide what the V/O should be, and more importantly, the prickly topic of the implications of the Voice of God style documentaries?

Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillions, a series that explores the fraud in the 1990's McDonald's Monopoly game. We discuss editing the series and the scenes that got cut.

Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people in the background, lighting an entire episode with candles, and more!

Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix documentary Circus of Books.

Gordon sits down to talk to Emmy Nominated editors Kate Sanford and Tim Streeto to discuss their work on the Marvelous Mrs. Maisel.

Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazon Prime's hit show The Boys.

Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.

Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Cheer. They discuss the detective work required to structure a doc and the character they didn't want to cut but had to.

Gordon sits down with German Cinematographer Sebastian Thaler to discuss his work on the Joseph Gordon-Levitt vehicle 7500. Sebastian talks about tackling shooting in tight spaces and lighting in a small cabin for a jet.

Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own adventure," and its final cut is over three-hours long! Using custom made technology, Kyle worked with the producers to find the story and bring together the multiple strands for comedic timing.

Doug Abel sits down with Gordon to discuss editing Netflix's hit, Tiger King. They discuss getting through the mounds of footage, dealing with the different versions/cuts, the various stories they worked over, and much more!

Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.

Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.

Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.

In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.

Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.

Gordon sits down with Jeffrey Ford and Matthew Schmidt to discuss the editing of Endgame.