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Martin and Chris chat about Soulard, the Lemp Brewery, and more!

Charlies Wilson from Scoops and More joins Martin on the show!

Martin gives us a short run down of how things are going, what's coming up, and what else you can look forward to this summer!

Rhonda Broussard and some very special guests join Martin!

Two Guys and a Garden join Martin talking about their delicious salsa and pickles available every weekend at the Swap Meet! Engineer Adam Frick finally gets to taste some of the delicious studio eats!

More MORE!

Em Piro runs St Louis Fringe and once shared an office space with Martin, hear the wild stories and all about Fringe in this week's episode!

Plus the STL Vernacular Story Booth!

And there's even a few links in the studio!

James McKee of the Marine Villa neighborhood Association!

Michelle builds stuff out of pallets. Awesome stuff. 

Vendors! Performors! Comptetetive cup stacking! (what?)

Puddles! Giant Dogs! Weather! We did it!

It's obvious Martin really really wants to be a nerd.

Like Martin, Ben Murray is trying really really really really really really really hard to stop working in politics. We talk about  St. Louis politics, the recent elections and Batman.

Adam Frick of Hugmonster Sound returns to talk about the intro and outro music and soundscape!

Zachary McCullough drops by to chat about Dabble, what it is, how it works and why St. Louis is better than Austin.

Brenton Brown chats with Martin about Bootleggin' BBQ. Brenton left a job in telecommunications to build his love of BBQ into a business. He talks about how he developed his recipe, his business and his recent deal with the Pour House to become the food provider.

  Adam Frick talks about sound design and why he started Hugmonster Sound and STL Vernacular. He and Martin work on the intro music to the podcast and Adam immediately shoots it down because Martin's ideas are madness.

  Chris Geden, co-founder of the St. Louis Swap Meet talks about lessons learned from helping get the Tower Grove Farmers Market off the ground. We would also use this space to tell you what the title means-- but you are just going to have to listen to find out.