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Telling stories is how we keep memories alive, and THE EDGE OF NIGHT reimagines a favorite family story as musical theater: Mrs. Annie Brown is determined not to miss her favorite soap opera but has to grapple head-on with segregation in the 1950’s south in order to succeed in her quest.

Somewhere between Google Image searches for pornography, family dynamics, college roommates, and low-wage jobs, BOY FACTORY is Milo Cramer’s funny and heartfelt monologue tracking a young man’s search for self-acceptance.

This week, we are pausing our normal release schedule to recommend some some fiction and non-fiction podcasts by BIPOC producers, writers, directors, reporters, and hosts. Check out soundstagepodcast.org for links to everything mentioned here and we invite you (please!) to email and tweet us about other shows and episodes and makers you love.

An astronaut goes to space. He can’t sleep. He can’t tell anyone. He can’t go home. He’s lonely. He doesn’t want to leave. He’s in trouble. NIGHTNIGHT takes the audience into mission control and into outer space to overhear ordinary workplace conflict in an extraordinary environment.

Heather Christian (writer, composer, and performer of Soundstage Episode 1: PRIME, A Practical Breviary) talks about what's inspiring to her about breviary masses, why she loves being in the studio - as well as the theater - and what creative life has been like for her since theaters have been shuttered by COVID-19.

A son keeps trying to get his charming (if frustrating) immigrant parents to tell him a true war story from their lives in Vietnam to help him write a new play. Imagined as edited found interview tapes, Outtakes is both funny and heartfelt, drawn from the playwright's real-life experiences.

It's our off week, but we wanted to say hello anyway! Our next full episode, Qui Nguyen's OUTTAKES drops next week, May 14th. Stay well and see you soon!

Listen to this track first! A masterful feat of timing and sound design, our third episode of Soundstage lets you and a fellow listener become actors in a head-trippy psychological drama. Your apartment becomes the stage, and your listening companion a mysterious stranger. Are they there to help or hurt you? Press play.

The first thing you have to know about this podcast, is that you can’t listen to it alone. You need a partner. If you haven't yet, go back and listen to the introduction track that should be just above this in your Soundstage feed - there's important instructions there.You and your partner will be listening to two different, but simultaneous tracks. One of you should pick Person 1 and the other should pick Person 2. When you’re ready to begin, both you and your partner will press Play at exactly the same time. (You could even do a countdown: Three, two, one and go.) See you on the other side...

The first thing you have to know about this podcast, is that you can’t listen to it alone. You need a partner. If you haven't yet, go back and listen to the introduction track that should be just above this in your Soundstage feed - there's important instructions there.You and your partner will be listening to two different, but simultaneous tracks. One of you should pick Person 1 and the other should pick Person 2. When you’re ready to begin, both you and your partner will press Play at exactly the same time. (You could even do a countdown: Three, two, one and go.) See you on the other side...

If you haven't listened to Episodes 1 & 2 yet, now's your chance to catch up! Soundstage is moving to an every-other-week publishing schedule, but we're here on our off-week to give you a preview of Jordan Harrison's upcoming release because this one will be more than just a little different...

Using the high-stakes drama of a spy thriller format, GATHER is a suspenseful and hilarious tale of a series of mysterious disappearances. GATHER was written and directed by Robert O'Hara. Visit soundstagepodcast.org for complete episode credits. Soundstage is a production of Playwrights Horizons. Follow us at @phnyc for more! If you like what you hear and want to support the Soundstage program, we hope you will consider making a donation. To support us, text SOUNDSTAGE20 to 44-321.

Inspired by breviary masses performed by cloistered monks, PRIME employs modern language and rich, contemporary musical arrangements to reimagine what a modern prayer for a Tuesday morning at 6AM might sound like. PRIME: A PRACTICAL BREVIARY was written and composed by Heather Christian. Visit soundstagepodcast.org for complete episode credits. Soundstage is a production of Playwrights Horizons. If you like what you hear and want to support the Soundstage program, we hope you will consider making a donation. To support us, text SOUNDSTAGE20 to 44-321.

Over a year in the making, a new, original series of portable stories from Playwrights Horizons.