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So much of the story we hear about China today concerns Covid-19, or the economy—how over the past few decades, it has risen from poverty and ruin to become a global powerhouse. But there’s a story beneath the surface, of the artistic avant-garde that resisted rule from above and inspired generations of ordinary Chinese citizens to seek freedom of expression. From their countryside re-education posts to the abandoned warehouses of Beijing and the short-lived Democracy Wall, Chinese artists flourished at the edge of acceptability—until the entire edifice came crashing down with the Tiananmen Square massacre. Madeleine O’Dea joins us to talk about her book, The Phoenix Years, which follows the lives of nine contemporary Chinese artists to tell the story of how art shaped a nation.Visit the episode page for portraits and archival images of the artists and their work.Go beyond the episode:Madeleine O’Dea’s The Phoenix Years: Art, Resistance, and the Making of Modern ChinaPeruse the exhibition catalogue for the seminal 1993 Hong Kong show, “China’s New Art, Post-1989” (now out of print)Guo Jian’s artist websiteXhang Ziaogang’s work on artnetAniwar’s work on Artsy, if you’re looking to buyListen to our first China-focused episode, “Unlikely Encounters,” for an interview with Julian Gewirtz the least likely visitor to the People’s Republic: Milton FriedmanTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

The tiny village of Gapun in Papua New Guinea is home to an equally tiny language called Tayap. No more than a few hundred people have lived in Gapun, so no more than a few hundred people have ever spoken this isolate language, unrelated to any other on the planet. Our guest this episode, the anthropologist Don Kulick, has been visiting the village since 1985, at one point living there for 15 months to document the Gapun way of life, eat a lot of sago palm pudding, and study Tayap—which, even when he arrived more than 30 years ago, was dying. Today, only about 40 people speak it, and Kulick predicts that the language will be “stone cold dead” in less than 50 years. How did that happen? Perhaps more importantly, what cultural and economic losses paved the way? The answer might lie in the backward way we’ve been framing language death. This episode originally aired in 2019.Go beyond the episode:Don Kulick’s A Death in the RainforestKulick returned to Gapun one year—proudly bearing a copy of his new dictionary—only to learn that all of the village’s young men had possibly rendered themselves impotentExplore these dazzling maps of the 851 individual languages of Papua New Guinea (including Tayap, listed as number 187)Watch the arduous process of harvesting sago palm, a staple food in the countryNational Geographic reports on various initiatives to save the world’s disappearing languages, including the Rosetta Project and WikitonguesTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

As an artist and activist, Betty Yu has spent her career focusing on the community around her: Sunset Park, Brooklyn, where she was born and raised. Whether, as a member of the Chinatown Arts Brigade, engaging art galleries on their role in gentrification, or projecting tenants’ life stories on the sides of buildings slated for redevelopment, Yu’s work has stressed the connection between art and social change. But what happens when Covid-19 makes interacting with your neighbors life-threatening? Yu, who first began turning the camera on her parents’ family life in 2019, joins us on the podcast to talk about getting even more personal in the pandemic. Go beyond the episodeBetty Yu’s website features a selection of film and videos exploring her family historyIn our Winter 2021 issue, we ran a photograph from (Dis)Placed in Sunset Park, an ongoing multimedia installation about urban gentrification, which includes this short video about Yu's own storyIntimate / Distant, an interactive project documenting several generations of Yu's familyVideos from Resistance in Progress, a group show that opened during the pandemicTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!  See acast.com/privacy for privacy and opt-out information.

Giorgio Vasari has been variously called the father of art history, the inventor of artistic biography, and the author of “the Bible of the Italian Renaissance”—a little book called The Lives of the Artists. It’s a touchstone for scholars looking to get a peek at life in Michelangelo’s day, and quite fun, too, depending on whose wildly embellished life you’re reading. Ingrid Rowland joins us on the podcast to tell the story of the man behind the men of the Renaissance that we know so well—and, of course, to gossip a bit about Florentine egos, and even a few naughty monkeys. Visit the episode page for a slideshow of Vasari’s work.Go beyond the episode:Ingrid Rowland and Noah Charney’s The Collector of Lives: Giorgio Vasari and the Invention of ArtPage through a scanned 1568 copy of The Lives of the Artists on Archive.org (beautiful even if you don’t read Italian)Explore the Palazzo Vecchio, which includes dozens of Vasari’s works, on the Google Art ProjectOr take a hilarious video tour of the Palazzo Vecchio—which Vasari renovated and lined with his own paintings—with “Giorgio Vasari” (played by an actor far more attractive than Vasari was in real life)Can’t book a ticket to Florence? The Uffizi offers a virtual tour of its halls, also designed by VasariTune in every two weeks to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!  See acast.com/privacy for privacy and opt-out information.

The phrase “Russian spies” conjures up all sorts of Cold War thrills: hidden cameras, dastardly poisons, The Americans, John le Carré. But from the 17th to the 19th century, the best Russian spies were pencil-pushing bureaucrats along the long border with China, as Georgetown historian Gregory Afinogenov argues in his new book, Spies and Scholars. These career apparatchiks succeeded at gathering intelligence on the Qing dynasty from their quotidian positions at diplomatic offices, religious missions, and frontier outposts, though they never seemed to get much credit for their work. The irony is that while the intelligence they shared bought Russia greater prestige among European powers, these encounters with European ideals of intellectualism also radically changed what kind of “intelligence” was considered worthwhile.Go beyond the episode:Gregory Afinogenov’s Spies and Scholars: Chinese Secrets and Imperial Russia’s Quest for World PowerItching to learn Manchu? Check out the Manchu Studies Group, which includes examples of Manchu scriptFor 20th-century Russian spying, no one beats John le Carré, in life or fictionTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!  See acast.com/privacy for privacy and opt-out information.

John Baldessari is one of America's best-known conceptual artists, noted for pieces that pushed the boundaries of art, language, and the idea of the image. His 1971 work, I Will Not Make Any More Boring Art, commissioned by the Nova Scotia College of Art and Design in Halifax, Canada, is perhaps his most famous; it was executed long-distance, for the cost of a postage stamp. Sierra Bellows, who wrote about the artist for our Winter 2021 issue, joins us on the podcast to discuss this seminal work as “an emblem of the Covid era”—particularly poignant given that Baldessari died in January 2020, just before the pandemic began.Go beyond the episode:Read Sierra Bellow’s essay, “Long-Distance Punishment,” from our Winter 2021 issueWatch John Baldessari’s 1971 video edition of the piece and the 2012 short film A Brief Introduction to John BaldessariView more of Baldessari’s works on his website, or at MOMARead Calvin Tomkins’s 2010 New Yorker profile of the artistTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Humans have been accompanied by horses for thousands of years. They’ve carried us across the plains, farmed our fields, marched us into battle, fed us, clothed us, soothed us—in short, done so much to make life a little easier. But the horse is tucked away in our history, always present but never quite center stage. Susanna Forrest’s book, The Age of the Horse, puts Equus caballus squarely in the spotlight, from our first encounters to the dazzling array of skills we’ve developed alongside them. This episode originally aired in 2017.Go beyond the episode:Susanna Forrest’s The Age of the HorsePeruse her blog about horse history and newsOur host has definitely read every horse book on this listMove over, Secretariat: the best horse movie of all time is Spirit: Stallion of the Cimmaron (2002)For a dark, dreamy twist on equine friendship, watch Horse Girl (2020), starring Alison BrieTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

When disaffected teens in East Berlin first heard the Sex Pistols on British military radio in 1977, they couldn’t have known that those radio waves would spark a revolution. In the DDR, or East Germany, everyday life was obsessively planned and oppressively boring. To be punk was to be an individual, someone who wasn’t having any of the state’s rules. That didn’t exactly endear punks to the Stasi, the DDR’s dreaded secret police. Punks lost their jobs and families, were spied on for years by their own friends, had their homes searched and trashed by the police, and were even thrown in prison for dissidence. But every time the state cracked down, the punks only fanned the flames of resistance, ultimately firing up a nationwide, mainstream protest movement. American writer, translator, and former Berlin DJ Tim Mohr joins us on the podcast to tell the story of how punk rock brought down the Wall. This episode originally aired 29 years to the day after it came tumbling down, November 9, 2018.Go beyond the episode:Tim Mohr’s Burning Down the HausFor photographs of East German punks, peruse the online gallery for the exhibition Ostpunk! Too Much FutureWe’ve compiled a playlist of DDR punk songs—many of them demos or live recordings from the ’80s—which include hits from Namenlos, Schleim Keim, Planlos, and Müllstation, of varying sound qualityFor something a little less scratchy, check out this 2007 remaster and rerelease of Feeling B’s songs from the Ostpunk era, Grün und BlauIf you understand German, check out the documentary Too Much Future: Punk in der DDR. Another good one, sadly only available on DVD from Germany, is Flüstern und Schreien, which was released in 1989.Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Music featured from Namenlos (“Alptraum”) and Schleim Keim (“Kriege machen menschen”). Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

About 50 books are known to exist in the world that are allegedly bound in human skin—and it’s possible that there are many more. Believe it or not, these dark books were not made by Nazis, serial killers, or occultists, nor were they churned out in a nightmare factory during the French Revolution. No, they were made mostly by doctors in the 19th century. How and why such books came to be is the subject of Dark Archives, by rare-books specialist and UCLA medical librarian Megan Rosenbloom. She’s one of the founders of the Anthropodermic Book Project, whose team has used a simple protein test called peptide mass fingerprinting to confirm that, as of October 2020, 18 books were bound in human skin. What sort of person would do this? How did they get away with it, and what does this ghoulish practice tell us about the clinical gaze? Megan Rosenbloom joins us on the podcast this week to discuss the history of anthropodermic bibliopegy, the evolution of medical ethics and consent, and the controversial question of what we do now with the very human remains of this grim legacy.Go beyond the episode:Megan Rosenbloom’s Dark Archives: A Librarian's Investigation Into the Science and History of Books Bound in Human SkinCurrently, the Anthropodermic Book Project has tested 31 books,The first anthropodermic book to be confirmed using peptide mass fingerprinting was at Harvard’s Houghton Library; the same year, 2014, its other book suspected of having human skin binding turned out to be made of sheep leatherExplore the anthropodermic book collection at the Mütter Museum, which has the largest known collection (of five books)Follow librarian Beth Lander’s quest to learn more about Mary Lynch, the woman whose skin binds three of those booksSi vous pouvez lire le français ... here is the story of a French edition of The Gold Bug by Edgar Allan Poe, the 18th book confirmed by the Anthropodermic Book ProjectTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note:...  See acast.com/privacy for privacy and opt-out information.

Caitlin Doughty is the death professional behind the Internet’s favorite show about death, Ask a Mortician, and founder of the Order of the Good Death, which works to overcome our culture’s anxiety about dying, grief, and the afterlife. She runs her own funeral home, Undertaking LA, which offers alternatives to traditional, formaldehyde-soaked approaches to burial. In her book From Here to Eternity, she travels the world in search of the good death, from Mexico and North Carolina to Japan and Bolivia, learning about the ways in which other cultures have approached the end of life. We originally spoke to her in 2017, digging in to the subjects of corpse interaction, alternatives to the casket, and what death means to her.Go beyond the episode on our website: https://theamericanscholar.org/in-search-of-the-good-death/Caitlin Doughty’s From Here to EternityCheck out Landis Blair’s illustrations for the book on our episode pageAsk a Mortician all about coffin birth, ghost marriage, and the iconic corpses of the world on Caitlin’s YouTube channelRead more about the Order of the Good Death, an organization of funeral professionals working to change attitudes about deathVirtually visit the high-tech Ruriden Columbarium in Tokyo, Japan with head monk Yajima TaijunTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!  See acast.com/privacy for privacy and opt-out information.