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Restorying the Culture with camille and tanya

17 Episodes

34 minutes | Oct 13, 2020
Restorying the Voiceless
In Episode #17, Camille and Tanya share an honest and personal conversation about voice, voicelessness, and the future of Re-Storying the Culture. Tanya is rediscovering her voice following her ex-husband’s passing. At the same time, Camille feels called to her internal self, to mute her voice and listen for a while as new ideas gestate. How can these two close friends resist harmful narratives of Camille “abandoning” Tanya? By leaning into their individual truths, trusting each other, and returning to their original reason for creating the podcast. While Camille internalizes and quiets her voice, Tanya will expand her own voice and the conversation by bringing other people onto the podcast to share diverse perspectives on re-storying the culture. This new approach is centered on the leadership of many, honoring every person in the culture and creating space to share power and nurture new leaders for the future. It truly does take a village.   Episode Transcript [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubin's story mentor, and Camille Adair, family constellation facilitator. In this podcast, these long term friends explore how stories serve our lives. Their inquiry meanders into the realms of science, theater, health and consciousness. Moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments, in truth, so many of us feel isolated and alone in our deepest longing. Each one of us is necessary rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together. [00:00:51] Hey, everyone, welcome to Restoring the Culture, I'm here with Tanya and looking forward to a conversation on voice or voice, lessness, voice of the voiceless. [00:01:05] And we're we're both out with that. And today, instead of reading a quote, we're going to communicate in a different way. And so if you'll just take a moment with us, we'll do this. This honoring and of sound. And then we'll come back to the podcast. [00:01:53] All right. Well, we're not musicians. That's for damn sure. [00:01:59] I was reading about how words began as sounds and so words sound used to sound like what they meant. [00:02:08] So I was trying to think of words that sounded like what they meant when they were still could inhabit, you know, the right hemisphere of the brain. A feeling right now thinking of the word cushion. I mean, that sounds like what it is cushion. You can feel the khush. But so many words have become just words to describe something rhyme. So they're becoming more objective and less subjective and. And that's part of us becoming less relational or less embodied, less in touch with our sensations. And that leads me to a conversation that Tanya and I just started having. And we're really both sensitive to the changes. In the field and my field, your field, the collective field. And when we started this podcast at the beginning of Kofod, our commitment really was to have honest, transparent conversations between us as friends and to make those public, you know, as an experiment. Is this going to serve? But how refreshing to be able to have conversations like that that have meaning to us instead of thinking, oh, we're gonna have a conversation about a topic. Because we think it's going to have meaning to other people. [00:03:36] And then we manufacture our thoughts based on what we think the outer world wants. Right. This was more about how do we share our inner world instead of manufacturing ourselves. We just share ourselves. And so. Right, one of the things that's starting to shift and change for me is that I feel like I'm being called to this. [00:03:57] I'm going in more internal and into a time of these sounds, these feelings. [00:04:05] And those don't always translate into conversations in the same way. [00:04:10] And so for the last couple days, I've just keep having this feeling about about not backing out altogether of this podcast because I want to support it. But how can I, in terms of the sisterhood, support this mission, support our friendship, support these messages when you add it to it. [00:04:30] And then we started talking about it. And you said after Stephen died, after 19 years, you have your voice back. And after a 19 year stretch for me, which we had never done the math on, you're unbelievable, Turnell. And I feel sort of mute in a good way, like I'm communicating in different ways and something is gestating inside of me. So one of our conversations that we're actually making public because we haven't worked all this out together. But we wanted to share it with you in the spirit of how and why we came together in this podcast is that I may take a step into the quiet under world and I might inhabit more of the voice of the voiceless. [00:05:12] And while Tanya's getting her voice, may be inviting some other people to come in as other other guests, that we've wanted to have diverse voices in here and take this opportunity like it doesn't have to be you or me. And a third voice. It can be me and another voice until things shift and perhaps shift again. Right, exactly. [00:05:35] We don't know. But it's really it's like this is part of that thing of listening to what's in to what's moving and what's wanting to happen next. And and I think it's this thing of being with the unknown. [00:05:51] It's such a powerful guide. I mean, it really is the next phase of leadership. I think totally early emerging. It's emerging somewhat in us. And I think this is really what we've been leading into for a long time. And I think it's actually like it's growing in us now. Right. It's this is leadership to listen. It is leadership to stand in the unknown and to actually not have the answers, but to be guided by what's happening within and around us and to speak to each other fearlessly. [00:06:26] That's right. Because people are so afraid of truth. And certainly back in our own history, yours and mine. Right. We've had times when we needed to have boundaries with each other or change something and we wanted to please each other. I mean, not just with you and I, of course, in our own lives, like this is what we've been conditioned to do. [00:06:47] The people policing versus, oh, I didn't plan on this, but life wants me to go some place. [00:06:56] Slightly different now or I'm being called to do this in service to my own soul and it doesn't quite make sense. And the outer world. Right. [00:07:05] Right. Mine doesn't make sense in the outer world at all. [00:07:09] And I really am so grateful that you hear me and that you understand it for what it is and that it isn't another story. It is this story. And that. It's just as valid for me not to speak as it is for you to speak. Exactly. No, totally. I mean, it's like the truth isn't truly and how we give voice to that truth, whether, you know, I did a checkout today in my constellation training and I had us check in with a sound and check out with a word or a sound. And I found myself humming along Labi. And it took me to such a deep place to look at all these faces of these people I care so much about on my screen and my class. And to be humming this lullaby and to have that be my way that I exit. I think we're so much needing to connect in these deeper ways right now. Right. And I feel like I'm going into some underground preparatory school for something that I don't know about what it is completely. [00:08:13] I mean, and I see that. I see it in myself. [00:08:16] I see. New ways of being are really springing up at almost cut coming from our last conversation. Restring 2020, it's like like we've been stretched around how to connect on screens with people all over the world in an intimate rather than a compromised way. [00:08:39] And so when you talk about humming the lullaby, like we're being called to go deeper with our imagination out to the greater aspects of consciousness. Right. And find that we're actually together, we're actually can stay close. [00:08:57] Even Mahvish, all these shifts happen. We can stay close while you are quiet and I'm speaking. [00:09:04] That's right. That's right. [00:09:06] You know that we can take these different journeys. I think this is what I want to say, because you and I started this podcast and we've we have worked the edges of restoring our friendship for 20, 21 years now. [00:09:21] And our friendship should have been lost many times by conventional or ego standards because we've had different ways of being different ways of acting out or suppressing our own trauma. [00:09:35] Different things with mother issues and female issues. So in in restoring our friendship, which is what I feel is the original intent. [00:09:46] How can I support you in going quiet without making up a story about abandonment or that I can't do it alone or that you don't care as much about me? What I'm saying is the myths we put on top of people's soul truth stops us from doing what we need to do, which is always put that soul truth first and create relationships where we're safe to speak them and allow them and be uncomfortable without the split. You and I talk about the split. There's so many reasons that we find from an ego point of view to go into the split when in reality, if we support each other in following our own souls, what greater possibility of love comes out of that or even creation in the future that we can't even imagine? Right. [00:10:46] I think that's right. And I think that we're doing it. I would say to answer that question, the first one that comes to me that's most obvious as friends is pick up the phone if you're feeling. If any of that starts coming up for you. Just pick up the phone and I'll remind you. I would say the other thing is that it you know, in terms of the lineage of this podcast, it started out as a podcast between two friends. Totally. And all we do is speak the truth. This Calzada ride with Camille and Tanya, right? That's the order that we wrote it in. Camille and Tanya with a small C small T right wrist. And now I'm saying I'm going to do some. [00:11:29] I'm going to just stay for a while, you know. Can you carry restoring the culture and invite other people in? [00:11:35] And then I just say I'll be there in spirit. Remember me? Invite me on some time, call me and say I want to do a podcast about this. You may not be on it. Is there anything that you would add to the conversation? I mean, I'd love to stay close to it totally. [00:11:51] And that is the restoring process, right? [00:11:54] Hey, the toxic old culture we're moving out of is the one that can't hold different needs at different times. [00:12:03] And then what it does and as part of the split is then it puts people into exile. Right. You're either in or you're out for pressure. Right. Those are false dualities. Tim doesn't have to be in or out. It's just the truth that we started this together. And now I'm going to take some time to go into my voice soullessness because something else is growing inside of me that's really important that I listen to. [00:12:29] And you are coming into a time where you're going to be talking and having more conversations of restoring the culture with other people, that it will be in service to restoring the culture. [00:12:39] And if we're both in service to restoring the culture, then we know we're in the right place. No problem. Totally. You're both standing behind restoring the culture as the founders. [00:12:50] That will never change, but it doesn't mean you can't take it and carry it. [00:12:55] And I trust you to do that. [00:12:57] And I'm really grateful that you trust me to go underground for a while and just take something that can't come into words yet. So it will come into words, but I can't speak it until it's ready to be born. [00:13:10] Exactly. Now. Totally. [00:13:12] And what does that look like for you? I'm curious about the how how it would be restored for you between us. [00:13:20] Well, I think just even a deeper commitment to the divine directives that are coming through. It's very clear to me that right now you and I are both so highly aligned with our intuitive selves and our souls that are guiding us to individual purposes, manifested in us in great service in the world and. [00:13:48] And outright honoring that that that is why we're choosing to shift the form that it's not from any old story. It's from the new story of what does it look like to just radically allow ourselves to change any outer stories to serve the soul because the soul is guiding. [00:14:10] So for me, I think it means just following, like honoring the genesis of this is about our relationship and that energetically you're still in the field as a. [00:14:26] I wanted to say fairy godmother because I was looking at you with your red lipstick and I thought, you look like a fairy godmother today. Anyway, you know, it's like you're here and present. [00:14:39] And so it's honoring that presence of who you are. And I think just trusting that directive that what I hear you saying is you're trusting the directive of my soul right now to invite the people I'm most drawn to talking to. [00:14:56] And I sort of have this feeling that in the future, it could end up being a vehicle once again for you to invite in some of the people your most strong to talking. Right. Right. [00:15:05] You know, we can play with what that me can play with it, because now we've so established our voices here and who we are and what we're about, we can play. But for me, the vision is to just keep following the desires of my soul, the dictates of my soul in terms. [00:15:22] And asking other people, bringing in other diverse wisdom from different voices, people of a different gender or people of, you know, maybe who are non binary with their gender, who knows people of different backgrounds, different levels of expertize, both inner and outer diversity. Right. What is their vision of restoring? [00:15:44] Cause to me, where we're building a new culture that's based on our abilities, many different abilities of others who are also drawn to restoring the culture, who see the big sort of systemic issues and have different gifts to bring to the table because it's such a big inquiry. [00:16:08] Right? It's it started out small, but it's so big. [00:16:11] Interesting, because this is reminding me of, you know, I had a couple different midwives for solace. You were the first midwife in the very beginning of my movie. And then my friend Sylvia was a midwife toward the end of the movie. She helped me create a nonprofit. [00:16:32] You know, she really I mean, the last year of that push of editing and, you know, getting it ready to to move out and to be born. Right. Right. You know, I had a midwife in the beginning and a midwife at the end. [00:16:46] And I was thinking about that, you know, that maybe some, you know, in different ways were midwife things, something tons of heart of the story of the podcast of of what's happening here. And that that's a that's a special place. Right. And medicine and midwives don't stick around in the same capacity forever. Right. Right. They change and changes. Yes. And it can be purposeful to be in a place for a time. And and that role can change, right? I mean, it can evolve and it can change. Yeah, that's it. [00:17:17] I guess that is sort of the big takeaway for me is just feeling more comfortable being in the unknown and being willing to go with the change without having to know why. I don't exactly know why, but I'm getting this directive that's pretty loud and I think it has to do with a new time I'm going into at the same time that you're coming into a new time. [00:17:38] It's so fascinating. We hadn't talked about these 19, 20 year cycles, you know, until today, until today in the pot, right before the last podcast. [00:17:47] And and then and we've known each other for a little longer than that. So we have the privilege of the entire 19 years. I mean, I knew Stephen before he was. Yes. Schizophrenic, you know. Yes. Before I got married. Yes. It's really interesting, right, that we have known each other through two big chapters, you know. [00:18:11] Well, huge stories. And it's funny. It's true. When you said. [00:18:15] Yeah, I mean, I remember I mean, playing that role for you with the film and supporting you and coming to some interviews and I think helping facilitate the connection with Grant through and and Dara. [00:18:30] That's exactly right. You know, like those things that have to happen. And then now, OK, we're getting something new here in this form. [00:18:38] And yeah, I think it's I mean, I think it's a great metaphor to use. [00:18:43] Oh, and I was going to say that now when I work with people on their books, I say to. People, there's an illusion. You're going to have one person take you all the way through. But the way I've set it up with my team, I say you really need a story mentor to make sure you've got a story really worth telling. You need a coach, a writing coach who's going to show up every week like the midwife and get you through. Then you're going to need a different person to be that editor because they've really got to have that literary background to be a professional editor and then somebody who's going to help you get it published. So here it is. It's like, you know, same thing in a solo show. It's like you need the director and you know, you need the coach. You need the director. [00:19:23] There's a whole thing, the people backstage and that these one person projects. Right. That's so of this culture to assist in it when it's just really this beautiful circle of souls that always comes together that makes anything significant happen, no matter who's the one that's the quote unquote face of the project. [00:19:46] Well, it reminds me of that saying it takes a village, right? It takes a village to raise a child. [00:19:50] I've been thinking about that in terms of, you know, the depth psychology community. It really takes a village to grow, you know, someone in this kind of a container to do this work. [00:20:06] It takes years and it tears more than one person and it takes time to raise a child. [00:20:13] And in even when I think about like a friendship or a marriage or a business, you know, you have so many false dualities that say it's going to be one person. There are many ways that we get to love and there are many ways that we get to prosperity and there are many ways that we get to feeling fulfilled in friendship, right? Yes. Doesn't have to come through one face. And I remember. [00:20:43] You know, you and I used to talk about a couple years ago, we started talking about the new face of leadership and we were seeing a sea of faces right there, that that is the new face of leadership is the money. So it's kind of taking me full circle to that metaphor of it takes a village. [00:20:58] And when we know it takes a village, our only job is to listen so that we know when and where our right places in terms of serving the mission as a village person. Yeah. [00:21:09] I love that as a villager. Truly, again. And that's the thing, too, about I'm reading an amazing book right now called Sand Talk on Indigenous Leadership. [00:21:20] And it's the circle, right? It is the talking circle. [00:21:24] It's everybody being honored. It's indigenous wisdom from every corner called the Earth. [00:21:31] It's Pande Cultural. [00:21:33] And yeah, it's just making me think how if we're in right relationship and we talk about matriarchal circles, it's there. There's always we're just villagers. And that that's the new leadership where we're villagers. [00:21:48] And what's our right place at any given time. And then allowing that to shift. And one thing, can I just share one thing that came up like about American like power? [00:21:59] We were such we're grabbers of power and then we try to hold on to the power. [00:22:04] You know, last night and and this isn't to discredit at all the amazing contributions and the culture of Justice Ginsburg, who died yesterday, two days ago. [00:22:15] But she had an opportunity when Obama was in office to retire and have him replace her. And she stayed. [00:22:25] And and now, you know, there's this whole disruptive thing about on the wrong side gets to replace her. Well, all of us. And this goes so beyond red and blue, as you and I have talked about. [00:22:36] This is about power. And when we hold on to power, we and I see this in myself. [00:22:43] I understand it. I'm out of my space as a villager. And when I'm also reluctant to step into my power, I may be out of my places. A village or in the divine sense. Right. I see us almost like divine chess pieces not being manipulated, but rather being led in and out of different roles in the circle in Western culture is like hold on to that power forever. [00:23:07] You know, it's like it's a power grab and you know, and that's so much about the split in our culture rather than we can share. [00:23:15] And also, sometimes it's time to mentor younger people and to power other people into power. [00:23:21] Well, that's really where it's up for me. It's whether it's chronological age or it's going to be a new experience for some of us. Right. Right. That it's something is showing up for them. [00:23:32] And I think. That's I mean, it really is I feel like my. I feel like I've been turned inside out like I'm going to be somebodies teacher on some level, I feel like then I share their karma. [00:23:47] It's a big deal. Yes. To step in to train someone or teach them this isn't little stuff. Right. These are on some level like soul contracts that come in. And it is it's a big deal if you're really listening and you're really honoring, you know, the potential for what can grow inside of that kind of relationship. Not to say that there are boundaries and clear beginnings and endings and graduations because those things are really important. [00:24:13] But I do think that. We're just so much more connected than we recognize. And I think somehow maybe we're waking up to more of our connectedness, and that's a beautiful thing, which means we're really here to serve each other. [00:24:30] Period. Period. I don't care what the power structure is. Yeah. We're here to serve each other. And if we get off that track, we're going to suffer. [00:24:39] Period. Exactly. No. And it feels so important to me to just say, if we're being called to teacher lead in any way, you damn well better have trusted peers and allies as well as elders are self on this side or the other side of the veil. It's really important we turn to regularly to stay in our integrity because there are so many ways we can take missteps around our power. [00:25:09] Because that's right. How we've been conditioned, Frank. [00:25:12] That's right. And I think in a way, you know, it takes me back to my hospice days like this is all death and dying work, you know. Yeah. I mean, it's like we should all be in a process of succession planning. Yeah, for sure. I'll be 55 on my next birthday, but I can't tell you. I'm thinking every day I think about, you know, my my own process of succession planning as part of my dying process. [00:25:36] And, you know, that time setting up have been setting up my new business plan with the woman I've been mentoring for seven years. [00:25:43] Like bringing her in closer and bringing her in with other teachers on my team and older people and also honoring her own wisdom as a millennial. [00:25:54] But like, you know, we're having these conversations that I'm having these conversations with everyone on my team. That and even changing the name of my business from Taryn Taylor Rubenstein to sematic writing, because I want sematic writing to go on beyond me. [00:26:10] So. Right. [00:26:11] You know, and we you and I have talked about that with our potential work together, perhaps in the future, like how if we're not thinking in a systems way that can be in the greater service, we're missing huge opportunities and actually missing our part of real power, of being able to lead people in to sustainable practices that can deepen and deepen and deepen over time, whether we're here or not. [00:26:44] That's exactly right. And then then it's I find when I when I am in that place, it's such a great relief. Like the seduction tells us, there's not going to be enough. So we have to hold on to what's ours and be known when you let go of that. That's where the relief as you just it's like then it's like you just want to push other people up. That's really our greatest way of being. My God service and being as being known is to become somebody else's root system. Like, how do we become nourishment for the root so that these plants keep growing in this human world or in the, you know, the human ocean? [00:27:20] It's so I mean, I even see it in my business. I've been trying to play roles that aren't mine because it's not just my business. Right. [00:27:28] It's such a relief when I bring in other people to take that over. And it makes me bigger, not smaller. But noticing, you know, the fear from the ego around delegation, around spreading money around whatever, but like really standing behind myself allows for. [00:27:46] The spaciousness of others certain. [00:27:50] I want to kind of end my part with sharing a little story about succession planning and how surprising it can be because we don't always see the fruits of our of our service and our love. [00:28:03] Right. And I when I first started teaching in Nashville, there was a young woman who took one year of training for me. And it was before I put the whole program together and knew that I, you know, my way would be, you know, three different levels in order to really serve people. [00:28:17] And it was OK because that was a work in progress, it was evolutionary. But she. So this was three years ago. She recently had a baby who I think now is about four months old, and she sent me the most incredible video of her in the shower with her daughter, and she's holding her cat, her iPhone up. [00:28:39] And while she's making a little video of her baby girl, she's saying all these healing words to her like, you are my daughter. I am your mother. I see you. You belong. And the baby literally was like the look on her face every time this young woman would speak. This baby looked like she was like in this rapture, Jolie. It was just the most incredible thing. And I thought. I never in a million years would have guessed that that Constellation training would become such an integral part of how this young woman would become a mother. We did constellations while she was pregnant. We did a constellation before she conceived for this baby. Amazing. MIA So like I just thought, oh, wow. What is the ripple effect? We don't know. But it's such it's such a testament to saying true staying true to what our calling is, even if that calling takes us underground for a while as mine is doing. Right. Yeah. [00:29:51] And even if that calling manifests in the world in the last year of our life. [00:29:56] Exactly. You know, I had a I had an amazing acting teacher, Bill Hickey, when I was young in New York. And he was just always this sort of outsider character, you know? And oh, my God, he was incredible. So he would always talk about every story is a love story. You know, he was that guy I've told you about, you know. [00:30:15] And he was like 70 years old. [00:30:17] And he was like it just looked like he was always just going to be this amazing marginal teacher who every now and then got a role, a small character role on or off Broadway. [00:30:29] But, you know, and then at that at like 70 years old, he just he got put in a film and was nominated for an Oscar. He didn't win. But I remember watching him. You know, he had a shock of gray hair and his bow tie was like askew cause he was kind of just one of those. He almost looked like a homeless person, you know, dripping in his tuxedo like 90 pounds. I cried when I saw him. [00:30:53] But then from that opportunity, he worked as an actor constantly in film and movies for the rest of his life. And he never became a household word. But I always thought there he was like from 70 to 80. And after all those years of being so devoted to his craft and his students and his love of acting and his mastery, bam, you know, there it happened. [00:31:20] But even if he'd hadn't, he would've been on Bank Street teaching the classes, coming late to class, eat drinking because his whiskey out of his thermos. Right. [00:31:30] Because goes house, you wouldn't have been any less secure when you can as one person and so on. And it's a contributor. That's right. Right. [00:31:37] So it's like the devotion to our souls journey. [00:31:41] And if we ever waver from it to just come back, come back, come back, and the deepening deepening is going to take us where we go, no matter what happens at the outside in the world. Right. [00:31:54] You know, you look a great like Van Gogh who didn't sell a painting in his lifetime. And 100 years later, you walk into the Louver, his he's still present. Why are you laughing? [00:32:09] Oh, he's awake. You know. Well, I'm glad we'll still be laughing together. [00:32:16] I may not laugh for a while on this podcast, but I want to say it's really been an honor and a privilege to be a part of this. And. And I leave it with you. [00:32:29] I'll take it from you, Camille. And you win. And we'll just say in terms of the outer story, always to be continued to continue and to you and to yeah. [00:32:40] To all our listeners. Just know I'll be bringing on some amazing people in this during your inquiry. [00:32:47] In the meantime and I want to just give a special thank you shout out to Grant Taylor, my dear friend, and and the person who's been editing these podcasts for now. And he is a friend of both of ours. And he's another 19, 20 year relationship and a totally f part creative partner. [00:33:08] Well, wait. That was when we met him through. [00:33:10] And a Darah. Exactly right. A year ago. So much gratitude to Gray. [00:33:15] I know. I know. All right. Big love. [00:33:24] Thank you for joining Camille and Tanya for this episode of Restoring the Culture. If you were inspired, we would deeply appreciate it if you would leave a review on iTunes or any other platform where you heard our podcast. For more ongoing inspiration and support, please join our no cost global Facebook community. Restoring the culture. You can support our podcast by making a donation here. And remember, we are each restoring the culture as we reach story our own lives. See you next time.
32 minutes | Oct 5, 2020
Restorying 2020
In Episode #16, Camille and Tanya explore opportunities for silver linings in the many challenges we are all facing this year by radically re-storying 2020.   Tanya shares a deeply personal story of her ex-husband’s 19-year struggle with mental illness and recent suicide. Stephen’s death is tragic, but it has also provided a needed release for his family and loved ones, who felt like they had lost him years ago.   From mental illness to concentration camp memoirs to activism, over-identifying with the victim or the perpetrator can cause us to lose ourselves in our trauma. When we are out of our power, we cannot help or support each other.   In the short term, 2020 may seem like the year from hell, but in the long term it may lead to needed clarity. Tanya and Camille each share what they have lost and gained this year and how the challenges of 2020 have led them to reclaim their wholeness.   “When the worst happens...there is still the opportunity for incredible blessing through connection. That's what can't be taken: our connection with ourselves and with each other.” -Tanya Taylor Rubinstein   Episode Transcript [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubinstein Story mentor, and Camille Adair, family constellation facilitator. [00:00:11] In this podcast, these long term friends explore how stories servi lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments. In truth, so many of us feel isolated and alone in our deepest longing. [00:00:38] Each one of us is necessary rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together. [00:00:52] Hey, everybody, this is Tonya. And welcome back to another episode of Restoring the Culture with my dear friend Camille Adair and me. And today we are going to talk about radically restoring 20/20 and what that means to us. [00:01:11] And Camille's going to start with a little passage from Victor Frankel's man's search for meaning. [00:01:19] But in robbing the prison of its reality there lay a certain danger. [00:01:26] It became easy to overlook the opportunities to make something positive of camp life opportunities, which really did exist. [00:01:39] Leaves me speechless, right? [00:01:42] Amazing. Yeah, this speak by leaving us speechless. Sort of not unlike this year. Right. [00:01:49] There's a lot of speechlessness. And I think I mean, to think if you could find a silver lining. [00:01:56] And living in a concentration camp, surely we can find silver linings. For 20/20 with. [00:02:08] The pandemic. With massive fires, with many deaths from the pandemic. [00:02:17] With social isolation and the wave of depression that's resulting from that increased suicides. Right. [00:02:27] I mean, we can pay the the dark picture, but what's underneath it that's wanting to get our attention? I'd love to know your thoughts on that. Mm hmm. [00:02:38] Well, thanks for asking. It's such a huge. [00:02:42] Such a huge topic that we're biting off here. [00:02:46] And I just want to say to our listeners, as always, there's no dogma here. [00:02:51] There's no agenda here. [00:02:55] We just let you all in on our personal exploration, which is what Camille and I have been doing and our friendship for 20 years. So, I mean, it's it's a humbling thing. It's interesting that you chose Victor Frankl, because I have been moved to. [00:03:12] I've been rereading Elie Wiesel's night and day, also concentration camp memoirs. I'm thinking about the children at the border and concentration camps and also reading about the forced sterilization of people of color, women of color in Georgia. And you know just what's happening in this moment. Right. So I just want to first acknowledge this moment, September 20th, 2020, a couple days after Ruth Bader Ginsburg died. That being in the news also. Right. Right after Rosh Hashana. Right after Rosh Hashanah, the Jewish New Year. So and in the midst of it all were 40, I think 45 or 46 days from the U.S. presidential election. So so why are we both being called to return to Holocaust stories now? [00:04:06] It's like. Well, I think about Steven. Yeah. If we read story, what's going on personally, right? I mean, that takes me to the personal. [00:04:15] Well, it's very interesting. So Stephen was my is my was my daughter's father, and he committed suicide. [00:04:24] This in the last three weeks ago today. [00:04:30] And he had schizoaffective disorder. [00:04:33] He was. Jewish. [00:04:38] From L.A., sort of the nice Jewish boy stereotype or a trope or whatever, but he really was that very, very brilliant and. [00:04:51] His family had Holocaust drama on his father's side. I think this is what I want to say about all of it. What I want to come back to when you asked me that question. OK. There's trauma. We are a traumatized society where traumatized culture, we're traumatized species. And I think about like the Peter Levine work about in our animal self and our nervous systems, how animals have been attending to their trauma and had because of our mindset and because of things we talk about patriarchy, white supremacy and on and on colonization, all the things that have kept us in boxes and how those things traumatize us individually and collectively. So how do we seek liberation? [00:05:44] In the camps while holding space to get out of the camps. How do rats, how do we open to liberation in the prison of our trauma? Wow. Walking our way out of that trauma to the best of our ability. [00:06:02] I guess I'm curious to know in what way have you been released from a concentration camp since Stephen died? [00:06:10] Such a great question. Well. The love was liberated. The mental illness and his trauma. [00:06:22] Played into my own trauma when I lost my daughter's father and it was in a very traumatic so circumstance and what it did was it triggered my trauma and I started getting panic attacks. I stopped performing my own. One woman shows I became afraid to speak about my life publicly onstage when that had been my art form before. And I became terrified that something would happen to my daughter. It felt life or death to me. [00:06:57] When I saw what happened to Schizophrenic's, what I saw, there was no Stephen unknown in his eyes. [00:07:05] And he was trying to strangle me on my daughter's fourth birthday. And it was that was not who he was in any shape or form. You know, I said to you earlier. He was the least racist. Most feminists that I knew about in the best sense of the word, the least homophobic, white, cis straight man I ever met. He was truly committed to social justice. [00:07:29] He had been an anti-apartheid advocate when when he was in Berkeley as a young man. And he was just so about justice and about love. But when I lost him and this is the help mental illness, when you're on the other side of it and of course, for the person is we lose the ability to access. [00:07:51] But what happened was that trauma cut off my voice. [00:07:55] And like I was saying to you, as soon as he died, there was total grief. I smashed my finger really hard that night and had to go to the emergency room the night before. He jumped that night, that same night. And I smash my grandmother's wedding ring that I always wore the diamonds into my finger and it was bleeding and had to be cut off by the doctor. And a few hours later he'd jumped and there was some kind of cosmic connection. But and I screamed when when that finger was hurt, I screamed like this, this hellacious scream that I only remember screaming twice before and once had to do with his suicide attempt before. [00:08:44] Oh, wow. So. I think we're all cosmically connected. I know it, I know it in my being. I. [00:08:55] I think the support from the other side of the veil is greater than it's ever been teaching us, showing me personally that the connection and the love is always there. [00:09:07] All the ancestral work, both you and I have done all the personal healing work. I like to come to that the love is always there and that we can move back and forth the Brit across the bridge. And I love what Victus Franco says and Elie Wiesel to a different story. [00:09:23] But this thing of the opportunity of the present moment, even in the worst of circumstances, to me that's radical radical resilience. So how in 2020, you know, the year people are calling the hell a year. [00:09:40] How can we restore it to see the incredible opportunities to be in service to each other, to love each other more at this time? [00:09:52] Well, it's interesting. As I hear you talk, one of the ways that I wonder about. This restoring for you and for me, I met Stephen. Fortunately knew him before his mental illness. Yeah. You know, set sat in. One of the things that strikes me is that you refer to him as the father of your daughter. He was your husband. And I remember that hit me when you told me that he died, that he suicided. [00:10:25] I remember at 4:00, as sad as I was for your daughter, I was sad for you because you lost a husband who you divorced only because of his mental his untreated mental illness. You didn't divorce Steven. You divorced his mental illness. [00:10:47] It's a very interesting thing you are saying. [00:10:52] And because I was thinking yesterday, I mean, I wrote something up and I said, I don't have a problem. [00:11:02] With white people, I have a problem with whiteness. I don't have a problem. [00:11:08] I never did with Stephen. I have the problem with mental illness. [00:11:11] If we can separate out the toxicity, whether it's individual or cultural, and of course, it's not just toxicity that sounds so harsh. [00:11:21] It's a byproduct of trauma. All of it. [00:11:24] Well, and because of that, every race has that trauma, which absolutely watching that makes it really hard and how we language all of this. Right. [00:11:35] It's why I'm reading this book right now, my grandmother's hands. [00:11:38] And it's about racialized trauma and the pathways to mending our hearts and bodies. And it talks about the different things we need to do if we're in white bodies versus black bodies because it's all DNA memory from our own clusters. [00:11:53] And that's different. It takes on a different tone and tenor. [00:11:59] That's right. That makes a lot of sense to me. [00:12:02] You know, just like schizophrenia takes on a different tenor than somebody who loses somebody to drug addiction or somebody who loses somebody to cancer. There's all there's a loss and all those things. But there's a different human story right attached to it, which is why, once again, the thing you and I talk about the as above so below path. [00:12:25] But yes. And Steven was my husband. He was my best friend for sure. We shared values in a profound way, which was the only reason I agreed to have a child with him. I wasn't sure I wanted a child. I wasn't one of those women that always knew they'd have a child. It was his idea. And I was 32 when I got pregnant and. [00:12:53] The love once again is released and I feel him helping me. You were the one that said to me it's like after 19 years of losing him to mental illness. [00:13:04] I got the FA. I got the other parent back. That's right. Yeah. Yeah. You have him back? [00:13:11] I have him back as the other parent. And I do want to say that was always more our natural relationship was friendship and co parent. [00:13:20] It wasn't some big love affair on either side. There was love, but we felt familial immediately when we met. We felt so deeply familial. And in many ways I'd say, yeah, definitely like co parents and best friends. And so that's the honest energy of us. And I can own the honest energy of us because I think we spent a lot of time. We had problems besides his schizophrenia. That was what took us down. [00:13:52] But there was definitely a trying to make our relationship a big love affair, and it wasn't. [00:14:01] And so there's something to about like that was conflict in our relationship that had nothing to do with his mental illness. [00:14:06] We were great co parents and best friends. And we have a beautiful daughter together, a beautiful, brilliant daughter. [00:14:17] So I wonder, what is the relationship? I mean, I'm not saying there's an answer to this, because the most profound wisdom is I think at these in these days is held in the unknown. But I guess I want to skirt the edges of an inquiry which is feeling into the relationship between covered and Stevens, the timing of Stevens death. [00:14:40] Well, then I want to hear from you. The relationship between Kofod and everything that's changed in your life because, yes, like, well, people are saying 20-20 right is the worst year, the year from hell. And I would say through the Ecos lens. [00:14:57] That's the truth. [00:14:59] I mean, from the souls lands and from the long stories lands, because that's what we're here for, right? The long story, my friend and teacher, right now, produ taffin talks all the time about the long story of the soul and all the threads past, present, future, quantum time, no matter what's going on in the body now. [00:15:23] So in the long story, I feel like 2020 is a blessing. I could never say it will be a blessing that my daughter's father was in that much pain and that he had to end his life, felt he had to end his life that way. [00:15:41] But the the liberation that I feel personally and that that knowing he is also free of that suffering, there's like I feel like there's an outbreath. [00:15:53] And I was talking with his mother about it like that we're all taking an outbreath cause and eat and, you know, like we know how the story ends now. And there's something holding with that that's so hard. I think it's a metaphor for this time. [00:16:07] The tension part of what the tension of those 19 years did teach me was holding with the tension, not knowing the ending of the story. And it's hard to hold with that tension. [00:16:22] And then the story changed, right? It didn't really. And it changed. [00:16:28] Yeah, well, it reminds me of the living dead. I mean, I think it's that way with people, you know, who have Alzheimer's or dementia. [00:16:35] Yes. Yes. People with with severe mental illness, untreated mental illness. [00:16:41] People with, you know, late stage substance abuse addiction. I think it's like the person left a long time ago. And so what you are left with is this body that is acting things out in certain ways and a voice that may still sound like them. And, of course, their soul is still there in some way. [00:17:01] But the relationship that we had was interrupted. [00:17:08] Exactly. And and they become unavailable for a long time for the relationship. And it's actually in the release of the body that the love, the availability comes back. So for me, in terms of 20/20. Right, so many deaths. [00:17:24] And I think we're seeing like. The death culture we live in, the extreme materialism, the extreme pressure on us all to do something. Be something the. My God, the struggles, you know, and where it's taken us at this moment in humanity around the big issues and that the intimacy issues. So I don't know. But I just know you have for me that there's a clarity. [00:17:59] And I have my voice back in a way, and I feel him supporting me. And so what happens? Like Victor Frankl in the camps. What happens when the worst happens? And there is still this opportunity. For incredible blessing through connection, right? That's what can't be taken if we have connection with ourselves and with each other. [00:18:26] I think that's been the silver lining for me, even though the process has been hard, very hard at times, is that it's forced me inward, right? It's like I was traveling a lot. I had a lot of ways in which I was had developed really sophisticated coping mechanisms for some things that were difficult for me to face. [00:18:46] And. [00:18:48] And we all do that. Right. I mean, it's not a bad thing. That's like kind of some part of human brilliance is that we we find our ways. Right. [00:18:56] And and then to be someone who loves to travel and loves to engage with a lot of people. [00:19:02] And then here I am. And my you know, I mean, what is it? [00:19:06] It's like maybe 14 by 14 foot office where I spend most of my time. And so it has definitely driven me inside of myself. [00:19:18] And. [00:19:20] I have to be careful, right, that I don't get lost. [00:19:23] But I also feel like, you know, we've been moving into such a different direction in our culture. Right. [00:19:31] We've been doing this inflationary move for so long around, get bigger, get louder, be more visible. Right. And I feel like something's happened for me where I'm going into this reverse place and I'm finally I'm fine. And it's happening organically. It's not been something I've contemplated. It just is happening because of the circumstances. But it's become so deep for me that it's like I'm going. [00:20:00] I'm going into almost like a gestational phase. And I think it's really good. I mean, I think that that's really the blessing of it. Right. [00:20:09] It's and it's amazing. And you and I talked about it's almost like we're like the sliding doors because I realize her to me really went small and small for me. Doesn't necessarily look like small for somebody else. Like somebody could look at me and say, that's not small, that's big. But for me, I contained for 19 years and it was a big deal when I stopped performing and felt a lot of fear about what had always come naturally to me and what I'd been trained in as an actor. [00:20:40] And I know that right now, as you're going in, my call is to show up with my team now in the world and to lean all the way and with my voice and what I learned and what I've integrated. And all of a sudden there's a congruency in my voice that hasn't been there before. There was like fragmented. [00:21:02] I had parts of myself, but I actually feel that I have my whole self back. Maybe for the first time since I was a young child. [00:21:14] You know, it's interesting when I think about because you said you lost your voice when Steven's mental illness came as to play, right? Yeah. [00:21:20] And I think that there are many ways which in which the soul can become entangled. And it's not just past and future can be in the present. [00:21:29] But it almost makes me wonder if part of you. [00:21:34] Was occupying a space with Steven. And that that's part of where your voice went, was sort of in accompanying him in a way where he was at. Like, could there have been almost some kind of an entanglement in the present moment? That isn't about time, but it is about space and conditions, right? [00:21:53] Yes, there totally was. And you're so intuitive to ask that question, because what I got. And I haven't said to anybody out loud was when he tried to strangle me because his schizophrenia had kicked in. He was looking in my eyes and tried to strangle me and kill me on my daughter's fourth birthday. Somebody had to stop driving by and pull them off. And from my point of view, there was no conflict. Then I looked in his eyes that I went, Oh, Steven's gone mad. There's no Steven there. Nobody. He didn't have his diagnosis shed. Nobody believed me. But I knew there was something that was. I'm a cop, cautious with my words here, because it's not going to sound maybe politically correct, but there was an energy in him that was very. [00:22:47] Evil. It looks like a demon to me. And I met its gaze cause it was a Steven, I met this energies gaze and. The night Stephen died, when I set my finger was smashed and I yelled. There was that energy came out of me in the scream. [00:23:14] And it scared my scared my current husband. And I felt it come through my eyes. [00:23:20] And I looked up, said like Steven looked at me and I was like some part of me. I swallowed part of the energy perhaps for him. And it was suppressing me. [00:23:35] I mean, it was wild. And then when I when I heard about his death, I knew immediately the energy that had come out of me the night before that. [00:23:44] Like in quantum time before he jumped, I was released from that energy. [00:23:50] It makes a lot of sense and, you know, it's interesting because in one of the traditions I work in schizophrenia because of schizophrenia is an identification with both the victim and the perpetrator. [00:24:04] Well, Steven told me getting back to the Holocaust, I had a very, very strong belief and a past life memory that I was put to death in the camps as a Jewish pope, Polish woman. Steven had a very strong belief that he was a guard, a Nazi guard in the camps. [00:24:24] Really? Well, what's really interesting, when we think back on Victor Frankl, he that's well, that was his sanity. Was that. [00:24:32] He didn't identify with the perpetrators. He also didn't identify with the victims. He stayed, Victor. [00:24:41] So, like, how do we remain who we are amidst all of the turmoil is happening in the world and stay ourselves when we when we identify with the victim or the perpetrator. [00:24:54] It's like we don't even recognize that we literally have stepped in to some kind of like a toxic field. [00:25:04] Perdita would call it a puddle. [00:25:07] She calls it like we step in the puddle of our issue and our ancestral issue, perhaps. And certainly for me. [00:25:15] That has happened with particularly my activist self, like Around Black Lives Matter. And my relationship to really decolonizing myself and whiteness. But there was a point when I over identified with black women's pain. And then when we when I realized when I did that I was out of my power. I was actually out of even being useful to them. And it was I was re traumatizing myself. I also wasn't in deep relationship then. And you could always tell. I could always tell on social media, like white women who are just sort of like I just want to say kissing ass to black women. [00:25:54] And they're they're out of their power. They just think, now I've got to give all my power away. [00:26:00] I can't. And when the reality is it's not an intimate relationship unless we can actually address these things and talk about them. Right. So there's so many ways, so many puddles. [00:26:13] We can step in and be outside of our integrity, around the power we do carry. And being honest about it because of our overidentification with the victim or the perpetrator. And I do think in our culture we celebrate overidentification with victimhood. It's really hard to support ourselves in each other and standing actually and owning our full power. Right. And you and I have talked about the self victim. [00:26:39] Identifying with the victim leads to entitlement and then we become the perpetrator. Right. I mean, it really is. They really are on the same continuum. Yes. They're not separate continuums. They're completely related. [00:26:51] It's a different paradigm. And they we move back and forth between victim, perpetrator and inner victim, outer victim, inner perpetrator out of victim. Right. It's a different paradigm to say I'm here. I'm here with my ancestors. I'm here. I'm right. Relationships are willing to become right. [00:27:08] Relationship with everybody. Right. I mean, and it's messy. I do want to say it's not a linear process in my experience. Right. [00:27:17] Right. [00:27:19] So what else do you want to say about 2020, 20-20, like, what is your what is your wisdom? Like, if you had to distill it of like what you've gotten so far from this year and perhaps your hope moving forward, I think. [00:27:37] One of the things that's happened for me is that I've given myself permission to really have more limitation, like in awe. [00:27:50] It's almost like the pathway to me for me to unfold in my fullness is by saying, knowing when to say no and knowing when to say yes, that there is no price like the price of leaving part of myself behind is not negotiable now. That's become a reason. And that's a real shift inside of me. That is, it's changing me. And I would also say that I've. [00:28:17] I feel like I have cut I've come into contact with the intelligence of love and not just the love between people, but the intelligence of love. And I really feel like for me, that's. [00:28:36] It's not only the gift, it's like I'm waking up to something that I've always known. Mm hmm. So what Cobbett, what the pandemic and what all of this has done for me in getting more in touch with myself is it's actually more of a remembering than a learning something new. Right. It's detaching from all the distractions that kept me, you know, spending more time on the level of persona than the level of soul. Yeah, totally. [00:29:05] How about you? [00:29:09] I think this time has really awakened me to embodying. [00:29:16] Myself and has confronted my own spiritual bypass, my desire to spiritual bypass or do emotional bypass and really land more in my body land and become more human. [00:29:35] I feel like like containment is my medicine because I've been able to express myself throughout my life despite saying I lost part of my voice. [00:29:48] That's true. And I've still been able to express more than contain. So everything is about simplicity, structure. And that's to me, the sacred masculine I'm bringing in to the relationship with the divine feminine. I'm feel. [00:30:07] Much more whole from coming through this year. [00:30:10] And and great fall like for the expiated lessons of this year, because I know we have to learn now as a species, not individually only, but as a species in quantum time, because there is no time with everything that's happening in the big cosmic narratives. And my hope going forward is, you know, one of the things I've been saying to my clients is how are we going to write news stories of the culture? [00:30:40] I think it's now about getting smaller, not bigger. And why smaller? I mean, more intimate. [00:30:48] I do, too. Hundred percent sharing our deepest, most intimate stories and making the unspeakable, unspeakable. And moving past shame. Right. That's how we're going to. Those are the news stories said the old stories. They're also the news stories going deeper in that connection. [00:31:09] Sounds like we're moving, huh? Things are moving and shifting and. As always, it's a privilege to be here. I feel. [00:31:20] Yeah, this one feels important. That's all I'll say. Mm hmm. [00:31:24] Thanks, everybody, for listening. Yeah. Thanks, everyone, for being with us. [00:31:33] Thank you for joining Camille and Tanya for this episode of Restoring the Culture. If you were inspired, we would deeply appreciate it if you would leave a review on iTunes or any other platform where you heard our podcast. For more ongoing inspiration and support, please join our no cost global Facebook community. Restoring the culture. You can support that podcast by making a donation here. And remember, we are each restoring the culture as we reach story. Our own lives. See you next time.
37 minutes | Aug 27, 2020
Restorying the Business Culture
In Episode #15, Camille and Tanya discuss the relationship between love, desire, money, and business. They reclaim the playful, fun, attractive energy of money that comes from a space of abundance rather than scarcity. When our business model is based on love and our work is aligned with our personal purpose and values, we are not just financially stable, but abundant and thriving. Despite what our culture tells us, we do not have to do business alone. We can decolonize business by supporting others and allowing them to support us. Tanya and Camille share recent revelations (which came to them on the same day!) about re-storying their businesses as circular/communal rather than linear/hierarchical, effectively rewriting their business models as love stories. “When I let myself and my desires lead in the world, I allow myself to be seen in a way where money comes back to me to serve the mission and the purpose.” -Tanya Taylor Rubinstein   Episode Transcript [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubins Steele Story mentor, and Camille Adair, family constellation facilitator. [00:00:11] In this podcast, these long term friends explore how stories servi lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments. In true, so many of us feel isolated and alone in our deepest longings. [00:00:38] Each one of us is necessary and rediscovering the truth of our human story and listening to what is calling us forward so that we can read story the culture together. [00:00:51] Welcome to Restoring the Culture today. Tonya and I are going to be talking about restoring business, and I'm going to start with a quote by Lynn Twist, who wrote the book, The Soul of Money. [00:01:04] There are no haves and have nots. We are all haves and our assets are diverse in the alchemy of collaboration. [00:01:13] We become equal partners. We create wholeness and sufficiency for everyone. [00:01:21] I'd love to hear your thoughts on it, Tanya. Well, thanks for this topic today. [00:01:26] I mean, yeah, it's amazing to me that it's taken us so long to get here since I think this is, what, our 14th or 15th podcasts. And yet our lives in many ways have been consumed by our business because it's the container, right, for each of our callings. Purpose, you know, passion. I love Lynne Twist's quote. [00:01:50] I met her many years ago at Bioneers, and I know she's been at you, Pyaar, here in Santa Fe. I mean, I love that because. [00:02:00] I think on a deep spiritual level, there's a sense of we are all haves are worth. It's not based on money. Our worth is is. [00:02:13] Valued beyond being qualified or quantified in any way. But I love this piece of that in the spirit of collaboration. When each of us is in our right place and when we're able as leaders to facilitate others as well as ourselves into our right place, the incredible magic and alchemy, empowerment, sharing of resources, redistribution of resources that can happen from that place. [00:02:48] And what a beautiful way of talking about equity and inclusion. [00:02:55] And I would add to that love, because I've had a recent recognition and a very deep recognition about myself, that really it's as if I'm married. You know, we talk about being married to our work and that there's such a negative connotation to that. Your terms of being a workaholic? That's not what I'm talking about. But when your purpose and why you're here, it comes through in a business container. That's a sacred thing. And I feel a lot of love entering into my work and the people that I work with. It's almost like there is an alchemical element that love brings in when you mix love. And I know this is gonna sound strange, but I've been thinking about this for a long time. Something about the energy of love and the energy of money. Because money is currency like electricity. It's relational. And, you know, I've been talking about hot pink money and I've written about it. And there is a very feminine quality to money that and as currency as exchange that has been co-opted and made dirty. Right. [00:04:09] We think of dirty money and all the things, but that's very overlapping call. [00:04:13] Totally. And I think what we're talking about with restoring business is when business is it's also personal, like absolutely separate from each other. [00:04:27] I mean, I couldn't agree more. And I've never resonated with being a workaholic. I work a lot. I might want to work more or more like I might spend my whole life working. [00:04:38] And there's nothing wrong with me. You know, I don't. I don't. [00:04:42] And I really I mean, because I have such a deep calling passion. I'm excited. I wake up in the morning at five thirty in the morning. Sometimes I'm awake at 3:00 in the morning because I have a vision to bring story to the world, to serve, to serve more and more people in sharing their stories, because I'm so in love with the process of stories. But also, you know, that excites me more than going to Hawaii or going to Italy. Not that those things aren't wonderful once in a while, but I feel so blessed because my passion resides inside of me. And I know we share this. [00:05:17] And when I think about money, too, and when money arrives for me as a beautiful support of resource, for me to support others, for me to support my life, my daughter's life, my husband's life, creative projects, social justice, things that I'm passionate about, being able to also just enjoy taking my friends like you out to dinner or to or when we do do a little getaway. All those things I've come to think of money as attach money comes to me and my business. And yes, they're linked from love. And also very specifically from desire. The more I let myself have what I desire. Meaning connections with people. Meaning sexuality. Meaning food. Meaning speaking exactly the way I want to without editing myself when I let myself and my desires lead in the world. I allow myself to be seen in a way where, you know, money just comes back to me to serve the mission and the purpose. So there's a whole relational thing when I'm shut down and not in touch with my desires or trying to tamp myself down or not or big. Not giving myself support, having enough team, having enough other collaborators. That's when the money channel shuts off. And it's also when I get depressed or get feel isolated or cut off from a part of myself. I think I just want to say that this. [00:07:03] We're not talking about amount of money because there are only our people in the world who who really are suffering because they don't have enough of this currency. And what I want to say is I don't want to do any kind of like a spiritual bypass by not recognizing that. But what I want to. I totally agree with you. And I want to say that it's I think what you're saying is like money is relational. There is a currency. It's energetic. It's it's energetic. And I will never forget when I was I had led a constellation. And this was several years ago and it was in my house and it was something happened that's never happened before, which was because it's usually like with a lot of healing gatherings and modalities, it's often women that show up. Well. I was facilitating and it was all men. There wasn't one. I was the only woman. And somebody wanted to do a constellation about their business. And so we ended up bringing money in and we were short on representatives and on occasion, the facilitator will step in to represent something. So I did that. And when I became money, it was so incredible to just feel what it felt like to be money, because I simply was pure relation. I was relational. I was going to whoever could see me value you, who could see me, who could value me, who wanted to be in relationship with me. I felt almost a little bit seductive. [00:08:38] Not not sexual, but I felt like it. Like you're saying, there was an element of desire there. Like there was this kind of like free flowing, abundant feeling. And I wanted to play and I wanted to play with as many people who wanted to play with me. Like, the more the merrier it was. [00:08:57] I just love that totally. And I don't mean it at all. Anything I was saying is bypassed. [00:09:03] For me it's more about like when I shut off my power or we shut off our channels of power. I think it's it's just something we're not available. Right. And it's totally relationship relational. As you said, it's available to other people and we're in a collapse or or or money or opportunity. I think it's actually all relational. So where are my out with myself in relationship to this? And then how do I allow these things to flow in to support my purpose and vision in my business? And what structures do I use for that? Because I think that's the diff. They are not the opposite. But the the companion piece is then with what structures are we allowing these energies to play? Well, and I know we want to go there in this conversation, but what you just said is reminding me of a couple things. [00:10:01] First of all, that money is connected to. The same shocker that sexuality and creativity are. It takes me back to what you were saying about being in your power. And I think that's being grounded in that root chakra area of personal power. And when we're disconnected from our personal power, it's like the money, the creativity, the sexuality. It's like the valve is shut down prior to turn down. And you and I have had over the years, because we've seen it both in in both of our work in different ways. But it's been such a common thread between us is how much people who have a trust fund have been cut off from personal power. We see it so many times. You see it in and in people's writing and their process. And I see it so much in Constellation work. [00:11:00] Yeah. And
44 minutes | Aug 11, 2020
A Life in Love
In episode #14, Tanya interviews Camille about her decades of work in exploring the consciousness of love. Camille has embodied many roles in her career - as a hospice nurse, a filmmaker, mindfulness and emotional intelligence leader and Family Constellation facilitator, but at the heart of it all is the ability to be truly present with what is. Camille shares her path of being called into various career expressions leading into experiences of emotional intimacy, and what it really means to be with another person, to be transformed by love. Their conversation goes into the true meaning of presence in the face of life and death, moving into our vulnerability, and the impact of family, societal and ancestral systems in our healing. On love: “We do it all out of love. It can either be blind love or enlightened love. Blind love means we're doing things unconsciously. When you do this work, you can transition those elements of blind love in your system, in your life, into enlightened love. And when you do that, you understand, and then you really belong. And so does everyone else and everything else. You actually become a force of love in your own system. ” Camille Adair   Episode Transcript [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubinstein Story mentor, and Camille Adair, family constellation facilitator. In this podcast, these long term friends explore how stories serve our lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments. In truth, so many of us feel isolated and alone in our deepest longing. Each one of us is necessary rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together. [00:00:53] Hi, everybody, this is Tonya Taylor Rubenstein here with my dear friend Camille Adair. And we are here on restoring the culture today. And I'm so excited about this episode because I get to interview Camille. [00:01:10] About the evolution of her work. Her work in the world. [00:01:18] As so many things, an ancestral family, constellation, facilitator, nurse. [00:01:28] Camille, I'm going to let you talk about all the things you've done. Emotional intelligence work. It's it's so complex and so multilayered. But I'm so excited because I benefited from your work might. My daughter has benefited from your work. My husband has benefited from your work. [00:01:45] My clients all over the world, writing books in shows have benefited from your work. So it it means so much to me. You and who you are and your work in the world to me is inseparable from your heart and your soul as a person. [00:02:06] So I'm super psyched to talk to you today. [00:02:09] My thank you so much. That's that's such a very beautiful welcome into the conversation. And you've definitely been on this path with me for for quite a number of years. So when I think about my work in the world, I immediately go back to the years I spent working with dying people in hospice. And I've thought about their contribution to the work I do now. And and I think I was really exposed to different states of consciousness when I was with the dying and that. Wired. Something in me that led me to sort of these other modalities that I've incorporated into my work. But when I go back to it, there is it really is about a state of being. So it's you know, we can talk about all these things, emotional intelligence and mindfulness and constellation work. But I think that for me, underneath all of that, there's a fundamental state of consciousness. That is different than mind awareness. That is a profound dropping into something deeper, that is beyond words that I am tethered to that no matter what what I do. [00:03:32] So I do think that they were in a way, I was their hospice nurse and they were my teachers. [00:03:38] They were my train hers for the total of the work that I'd be doing in this life. And I have because I started in my mid thirties, I was so young. [00:03:46] Can we talk about that a little bit? For those who don't know, I I just jotted this down because you were very young. And I know that once you told me, if I'm remembering correctly, that when you began to train as a nurse, you were called to either hospice work or pediatrics like babies. Right. What is that? I want it. [00:04:09] Yeah, it was. Yeah. I wanted to either, you know, be there for birth or be there for death. I knew that. [00:04:14] Yeah. So can you talk about just that Genesis and the call and you, you are considered young, you were considered quite young to go into hospice work. [00:04:24] I was and I yeah. So I, I remember being a nursing student and I did some you know, I had mandatory clinical hours in the Labor Labor and delivery department at the local hospital. And I've known quite a number of midwives in my time and considered being a midwife when I was having my own babies, you know, over 30 years ago. And. But I just I just sort of knew, like, no, this isn't quite the place. The energy is very similar. But I felt really called to be with dying people. [00:05:03] I think part of that is that there's so much celebration around birth. Right. I mean, it's such a happy time. And it's not that I didn't want to be around happy times, but I think on some soul level, something I can't even really articulate. There was a part of me that needed to go to the deepest taboo subject in our culture, which is death, and get close to it. Because I just I think intuitively knew there was so much wisdom and so much about living that we were cut off from. [00:05:39] If I could go into those depths and into those shadow places and be there with those people. And I did it got to the point actually where. [00:05:50] It was almost a sort of a form of burnout, at one point I was more comfortable being with dying people than I was being with people who were oriented to being alive. Because it felt more real, it felt more genuine. You know, people who are dying are taking stock of the most important things in their lives. And it's a process of synthesis and review and deep contemplation. And. [00:06:16] And that really spoke to, I think, the truth of who I am. [00:06:20] And so at some point I had to take a break because I just I needed to get myself back into feeling excited about a future for myself. [00:06:30] I really just sort of the future dropped away and I was really living in the moment with these people. [00:06:36] And then you made a film about death and dying, too. I do. Solace, which is an amazing documentary. If people haven't watched that, I encourage them to look it up since they can see it online. But you had some amazing luminaries and there. Right, Steve and I try a la vine style of action that are Barbra and Larry Dossey. [00:06:56] Can you talk about really, you know, what that film did for you personally? Because the work is out there and stands alone. But what did it do for you? And how did what you learned from those people, not just the luminaries, but the hospice patients you were following? [00:07:18] How did that walk you into the next part of your own evolution? [00:07:23] I think the fact that I trusted the call, you know, I was not a documentary filmmaker. I was I was seeing a patient of my abiquiu. And I remember feeling literally feeling like a camera on my shoulder was almost this old fashioned feel of a camera, you know, and. And I just I knew I was supposed to make a documentary film because I wanted to show some of the things, the beautiful things I was seeing that people didn't get a chance to see, sort of like bringing death out of the closet. I think because I trusted that voice and because I did the hard work of all that it took to make that movie and then to make eleven additional teaching videos that followed that. I had an experience early on in that first, you know, I would say the first couple of years it felt like I was pushing this big boulder uphill. And then at one point it was literally like there was a river for a reversal of energy. The momentum changed. [00:08:24] And all of a sudden, it was like all of this support just started coming in from the most unexpected places. And it literally felt like something. Just as I was getting tired, something started pushing me from behind. And then I had an amazing dream where I was given a gift and a dream. And I was told by a voice, this great voice that said, this is your gift for making solace. [00:08:48] You get one tossed about this one. Yeah, I did. I did the Tadcaster Yosfiah podcast. I asked you a question based. That's right. [00:08:55] But just that it was it felt like such a profound thing that I think it gave me permission to walk into even deeper waters if there could be deeper waters than death. I think that prepared me. [00:09:11] What were the deeper waters? [00:09:13] Well, I think. I think facing our own I think, you know, the next part of it was facing, you know, you know, the reality of what it means to be alive, I think is actually sometimes a harder thing for us to face than death to be truly alive. Right. [00:09:31] Means to face yourself, means to be open to feeling your feelings, means to to get to some kind of a state of consciousness, really, where you see that you are not just your thoughts and your feelings. [00:09:44] And I think getting to that place can be sort of you can go into some existential realms that are easy places to be. Right. And and I went there and I mean, I've always said, you know, especially the last few years, if I can just live as a human woman before I die, that will be the miracle. Death isn't the miracle. Living in our living is our human selves and being able to love and be loved. That's the miracle I think you and I. [00:10:17] That's such a part of what we share in our friendship. Because I think we
33 minutes | Jul 28, 2020
A Life in Story
In episode #13, Camille interviews Tanya about her decades of work as a story mentor. Tanya shares her shame and terror at sharing her personal stories publicly and how she broke through that at 31 years old with her first solo show. Their conversation goes into the true meaning of sharing one’s story, the value in the process for the teller and the listener, and how getting into the specifics of our lives (and not spiritually bypassing them) allows for deep liberation. Listen in to hear Tanya’s journey of helping herself and others step into an inner diversity, expansiveness and lack of agenda that allows for truly groundbreaking material to come through. On breaking through the fear: “When I performed my first solo show I felt like I was going to die of shame. When I didn’t die, something broke open, was liberated in me. And it never shut back down.” - Tanya Taylor Rubinstein Episode Transcript [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubins story mentor, and Camille Adair, family constellation facilitator. In this podcast, these long term friends explore how stories servi lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments. In true, so many of us feel isolated and alone in our deepest longings. [00:00:37] Each one of us is necessary and rediscovering the truth of our human story and listening to what is calling us forward so that we can read story the culture together. [00:00:51] Hi, welcome to Restoring the Culture. This is Camille and Tanya. And today we're going to be. I'm actually going to be interviewing Tanya on her decades long work with story. And in our next podcast, she'll be interviewing me. And just want to let everyone know that we're going to be moving the podcast to twice a month from weekly to twice a month, so that we can just put more time and energy and intention into the content. We'll also be inviting guests in to join us. And so we're really excited about the evolution of how this podcast is going. So, Tanya, I'm so excited to talk with you about your story work. I have been really fortunate to have done some work with you and to watch you grow and evolve over the last 20 years or so. [00:01:41] And so I love to have you start off by talking a little bit about what the story work you've shared on the podcast before about your mentor, Spalding Gray. But it's sort of like what was what was the story like for you when you started doing story work in the beginning? Can you just sort of, like, capture that? [00:02:02] Because I'd love to hear like, how did how was it then and how has the work evolved as you have evolved? [00:02:10] I love that. And thanks for the opportunity. [00:02:12] I'm grateful that we're doing this and that I get to share with our listeners really my devotion to story and next week that we'll be getting into your deep, long devotion. So it's a great question. [00:02:28] So I would say it was abject terror for me when I began doing my story work. I was. I remember being maybe 24 years old in New York City and I met Spalding, but I was not liberated in my voice. [00:02:48] My voice was very much tethered. I was terrified to be seen, though I longed for it so much. And I was so lonely, lonely person, a lonely child. I think, you know, the first constellation I ever did, my biggest inquiry was why am I why have I been so lonely my whole life? So it was a pivotal question. So I had that ambiguity and I found this was so many of my students and people I've worked with. [00:03:17] It's is this thing inside where we long to connect and be seen and be intimate, insure stories and be untethered in our voice. And yet. It's terrifying. So this really came up for me. I mean, it took me about 10 years or nine years after meeting Spalding to finally perform my first solo show. [00:03:42] When I came to Santa Fe. I did Natalie Goldberg's writing process. She'd just come out with writing down the bones and Julia Cameron's artist's way and those things really helped. But. So I was practicing sharing stories. These little tiny baby steps. Like, I'd shut share one little free, right? That was a paragraph long with, like, my friend Karen and our artists were writing group. I was just terribly blocked by so much shame and so much silencing and so much like just trauma from the way I grew up. And I, I had this it was like a Cohen inside me. Like, how can I speak? Because I had spoken out as a child. And then by the time I was an adolescent, I'd become very shut down. And then more trauma occurred and I became more and more shut down. [00:04:36] So I never shared anything real, really with people or intimate or vulnerable that I remember writing my journal at that age. I so long. To be able one day to share some of these thoughts in my journal with one other person. But I would be so ashamed and I imagined that I would not be accepted and loved if I shared what was in my journal. So. [00:05:05] That feeling in me was also probably the impetus and drive and why I was so blown away by Spalding Gray and why I was so blown away by authentic storytelling. And he was that portal. So when I was 31, I finally was getting up on stage. I tried like five other times. I mean, I'd been an actor and hid behind other roles, not hit, but perform behind other roles. But my own story, I had scheduled I had a script, I had the director, I had the theater. [00:05:37] And I'll never forget the terror that came over me about a few weeks before. And I wanted to cancel so badly. [00:05:47] My ex-husband, I was just on the staircase sobbing. I cannot do this. And I wasn't anyone who'd experienced stage fright as an actor. It wasn't that it was abject terror of exposing my personal, intimate story. [00:06:02] And I remember feeling so much fear on opening night and opening night was like traumatic for me, but not because the people didn't respond beautifully and love it, because it literally took everything I had to get up there and. [00:06:24] Move past my shame, my condition, shame and trauma, family trauma, patriarch, kochan, trauma for sure, feeling defective. My whole life feeling very broken. And to speak. [00:06:41] And expose myself. I mean, I got standing ovations, I got, you know, a great review. I got a not so great review. It was sold out. We extended the run. But the second weekend was the real test for me because I just got a great review in the Santa Fe reporter. So a bunch of people I didn't know came to see the show. [00:07:00] And this man, I remember maybe three or four of them in the front row. They were just sitting with their arms crossed. [00:07:07] And they probably I was probably projecting them like I felt like they look we're looking at me like prove something to me. [00:07:15] And. [00:07:18] From the first weekend, people had laughed at this particular part in the opening 10 minutes and they didn't laugh and I thought they looked stern and I felt very judged. And what happened was I had this shame attack like I've never had in my entire life on stage alone in a solo show performing in front of 150 people in a sold out theater. And the soles of my feet started burning this heat and the heat came all up my body and I could feel it moving all the way through my face. I know my face was bright red, my chest. And I had this moment even after being a professional actor and being trained that way, where I was literally to stop the show. This thought went through my head. Stop the show. Give them all their money back. Apologize. Just get off the stage. So that was the level of terror. And I kept going through this through the shame attack, probably only because I had so many years of acting training. But it's a moment I've helped many of my clients with. To that moment of there is no way I can have this a lacerating self exposure. You know, I will hold me that moment. I felt like I was going to die of the shame. And when I didn't die, something broke open in me, was liberated. And it never shut back down. [00:08:42] I think it's so interesting. The you know, when we you talk about if someone if one other person could just hear my story and you talk about talked about being a lonely child and we're dealing now with sound like actual not I mean, we're dealing with the isolation of the pandemic, but loneliness is becoming a health risk. I mean, it's increasing right. In our culture. And and I just find that there's this really interesting intersection between shame, loneliness, voice and that the human need to share. It reminds me of Peter Lyons work that he talks about in Waking the Tiger. And he uses this example of, you know, right before an earthquake. They've done these studies in L.A. where goldfish can sense that an earthquake is coming before it's detected. And so one of the ways that they can tell that an earthquake is going to happen is when they see goldfish school, they come close, close, close together. And that's how they survive this. This, you know, potential trauma is that they come close together. And I wonder how much of this speaks to the part of us that's a human animal that longs to come closer together. And I remember doing my show at the Lensink when we did that, when we did the caregiver monologues. And I remember you and I used to talk about these bridges of feeling bridges of compassion being built when people would be onstage and they would share their story. And that because we get to the point where there's only one story. That's right. I mean, my friend Michael Stillwater talks about the one great song, you know, that he can he's traveled the world and he does all of this work with the song that it's, you know, eventually comes back to this one song. Do you feel the same thing about story that in when you're working with clients and over the years that you've done that
32 minutes | Jul 14, 2020
Restorying the Digital Culture
In Episode #12, Camille and Tanya discuss how the digital culture is at times, troubling our relationships as coaches, facilitators, and even friends. From racially charged spaces and discussions online, to people prying for gossip in a small town, they explore how we can truly create intimacy online and when it’s better to pick up the phone or meet face to face. Tanya shares an inspiring story about an online exchange that brought tears to her eyes and Camille her concern about trying to do business via text and the cries for intimacy she sees between the zero’s and 1’s. “One of the skills of the new leadership paradigm is helping people become more relational, lean in and understand that some of these compensations are really a reach for intimacy.” - Camille Adair Episode Transcript [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubinstein Story mentor, and Camille Adair, family constellation facilitator. [00:00:11] In this podcast, these long term friends explore how stories serve our lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments in true. So many of us feel isolated and alone in our deepest longing. Each one of us is necessary rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together. [00:00:52] Hi, this is Camille. Welcome to Restoring the Culture Today. Tanya and I will be talking about restoring the digital culture. And I'd like to start off with a quote from the book Every day, A Boon to Living Better Together The African Way. [00:01:10] And the last name of the author is spelled N, G, O, M, A and E. A boon to refutes the notion that a person can ever be self-made because we are all interconnected. We should not be fooled by the myth of the self-made individual as no one exists in true isolation. [00:01:35] And this quote seems so fitting for I think it is a myth that when we have an online presence and as we are moving more and more to digital communication one on one and in groups and relying on social media emails, texting and even phone calls, that it's we don't we're not having the in-person experiences as much as we were before. So as someone who spent so much time building and on digital business online, what do you and what are your thoughts about this, Tanya? [00:02:17] Well, first of all, thanks for suggesting this topic today. [00:02:20] You were inspired around this, and I think nothing could be tight, more timely. We're still in the age of Kofod as we're recording this in early June 2020. And. [00:02:35] And right now, you know, people are in the streets. Black lives matters. You know, the whole culture is in an enormous moment of change. [00:02:46] And I have been online pretty seriously for 10 years. [00:02:53] I was an early adopter with a Web site 20 years ago, 19, actually. [00:03:00] But really started selling online about 11 years ago and have gone deep, deep, deep dives into all the social media. And I was attracted to it immediately because what I saw in it was the possibility of what has come to exist, to build a be in touch with a global web of people. So first of all, I so love the piece about community and that none of us are self-made. And the illusion that someone is self-made can really be perpetuated and kind of in a very exploitative way online. It's a kind of. I think about, you know, the guru paradigm and the guru paradigm and this this image of the self-made individual online is actually, I think, something that is shifting and breaking apart at this time. So if we were in like early childhood online for the last tower over many years, feels to me like we're moving into some kind of an adolescence, some kind of a shift or I don't even want to say adolescence, but there's movement. There's maturity happening. And one of the things of this time is that it is about community, that it takes many of us, as it as you and I have talked about a lot lately, about diversity, diversity on the outer and diversity on the inner, and that it takes many skill sets and many gifts of many, many talents and many life experiences to create anything truly meaningful. But I think the thing that I'm noticing in the digital space right now is those that have set themselves up as gurus and not really acknowledging the tremendous amount of energy and beingness and experience supporting them and that are the ones crashing and burning right now. There's there's there's a shift happening development, to be for sure, in the entrepreneurial space, in the online coaching and teaching and facilitation space. And personally, I'm excited about that because it's becoming the opportunities to become more relational and to show the relationships and lead with the relationships rather than with that sort of very patriarchal image of this soul, often white person doing it on my own. [00:05:43] So from a systemic relational standpoint, if that's such a potent image, when you say somebody crashed and burned as a system, how do we hold people? Like how how would you see holding the people that are crashing and burning? Because we're in it. We're a closed container species. Right. And on a closed container planet. And what happens to one person impacts everyone else, right, in some way? [00:06:11] Yeah, well, it's interesting. I'm seeing so much love and compassion happening now in the end. Activism. So I'm part of three different groups online that are about they're specifically white spaces, not segregated spaces, but white spaces that where there is accountability with black people and or other people of color. For us to decolonize ourselves, deconditioned ourselves from the sickness that is white supremacy, that just like patriarchy and capitalism, has been the water we've been swimming in so that the problems or the unconsciousness. So what I'm seeing is people are being challenged. They're being challenged in their power. They're also being called in as much as they're being called out. So right now, I've never seen resources like this. And I want to say, you know, maybe that's my own bias that led with sharing about the white spaces. [00:07:15] There's so many black educators online now teaching white people, you know, people like Rachel Carr, girl who's been, you know, really big in the online space, breaking this apart. [00:07:28] Leila Sayad, who wrote me and White Supremacy. [00:07:32] There's so many resources on the black literary canon. You know, I. [00:07:39] I mean, stuff like James Baldwin and his work and just Mersea by Bryan Stevenson like stuff now and stuff that's more historical. Toni Morrison, it's being shared. There are so many resources available for us to do our work. And so my feeling is the people that are kind of crashing and burning because they were riding in an unconscious way and only centering themselves. It's not even just whiteness alone. It's this it's this kind of entitlement, this kind of elite ism and this kind of guru thing. Because I've seen it in spiritual circles that happens in educational other institutional circles. It's like it's it's a lead us and it's lone wolf. Right? It's a kind of I'm better than everyone. It's elevated. And of course, that goes with a white supremacist narrative. But our male supremacist narrative and patriarchy. [00:08:40] So there people are reaching out. Those people are being called out, but also called in. There is so much community support for people. [00:08:50] Who want to shift and change? Rachel Rogers, who's an incredible entrepreneur and leader. She's having a town hall calling people in to reimagine business. So I think if anybody who's willing to be humble. And come in from a space of I don't know, and I make mistakes all the time, and I'm saying that for myself, I make mistakes. I'm no expert on this. I've been committed to social justice for a long time. I've made so many mistakes and some public mistakes. And the thing is, though, not collapsing into our fragility. So the practice becomes, I'm making mistakes, but I'm living out loud. And my heart is here. Teach me. I'm willing to learn and I'm willing to do the work. So for the crash and burn people, it's like, you know, sometimes some of the more well-known people who have gone down or, you know, their businesses, I think will be impacted forever. And this happened with. I'm thinking of a couple women right now. That happened too recently. But I saw this happen with the men, including like Tony Robbins and the Metoo Movement. And there was a conflict with this woman and, you know, all kinds of things. I think how people survive is going to be are you willing to go low? Are you willing to say, I don't know, I've been unconscious this conditioning, because you do family, ancestral constellation work is not just me. This is this is centuries and centuries and maybe all the way back to millennial millennium of unconscious conditioning. [00:10:25] So how do we go low? [00:10:29] And stay open and stay an inquiry. And for me, my practice is to be listening to black women and learning from black women. [00:10:37] Right now. [00:10:39] It's interesting, I think part of my practice is, you know, I have this background in teaching emotional intelligence, especially in health care. And, you know, one of the big things, you know, that that I learned is that if if you have a difficult issue, you just don't do it on social media. [00:10:56] You don't confront on social media. You don't you don't even do it in a text if it has to do with a sensitive topic or it could impact a relationship. You pick up the phone because it's just we are just more relational when we can hear the intonations in a voice than, you know, there's just so much lost in the visual digital communication realm. [00:11:20] And I think one of the
34 minutes | Jun 23, 2020
The Relational Impact
In this episode of Restorying the Culture, Tanya and Camille discuss the significance of our human footprint and "The Relational Impact."  How do we understand this idea of our human footprint around drama? How much drama do we have in our lives, around our emotional footprint, our psychic footprint? And how do we change that? What is the ripple effect of how we walk in the world? What is our impact, and what are we leaving behind? What are we sending out into the future? A part of restoring the culture is becoming more intimate with our own life, the environment, the natural world, and growing our awareness about our human footprint.  We have narratives that tell us in a way, to charge forward, be independent, there are all these messages that we're living with that, in some ways, impact our human footprint in a way that isn't supportive of us walking lightly on the planet.  “In spiritual circles, we often bypass our own shame. And until we feel our shame related to holding whatever privilege we hold in the world, we're dissociated from that aspect of our humanity.” Tanya Taylor Rubinstein [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubins Steele Story mentor, and Camille Adair, family constellation facilitator. In this podcast, these long term friends explore how stories servi lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments. In truth, so many of us feel isolated and alone in our deepest longing. Each one of us is necessary rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together.    [00:00:52] Welcome, everybody. Last week, Tanya surprised me with the topic. And this week I'm actually going to be surprising her with a topic. So this is not something we've discussed. And rather than beginning with a quote, I'm going to share a dream I had in early 2000.    [00:01:09] And actually it was like mid 2008. So in March 2008, my documentary film, Solace, Wisdom of the Dying premiered at the Scottish Rite Temple in Santa Fe, New Mexico. And a couple of months after that, I had a dream. And in the dream, I was basically in the void and in the void there was a wall. And I heard a voice that in the dream. You know, I've sort of it felt like the voice of God for lack of other languaging. That's what it felt like to me.    [00:01:46] And. And the voice said.    [00:01:52] You have one question, you can ask any question. As your reward for making solace, wisdom of the dying, because this movie will help the world. And so my question was not a verbal question. It was. It was like a. It was almost like something. It was a reflection of something about my own being. Like the state of my being. And it was sort of an inquiry about something. That I already sort of knew, but I wanted confirmation and it wasn't even a formed idea in the dream. So without using words, there's this this, you know, communication between us of of my request. I'm taken over the other side of the wall. And. And I know that I am on the other side. As in after death.    [00:02:51] I'm in a living room. And I start walking quickly across the living room.    [00:02:58] And I'm so I'm walking like I'm in a hurry, which is, you know, it was sort of like Carolus and I bumped the side of the couch with my leg.    [00:03:08] And I looked down and I realize that the area around me has been bruised. So I realize the answer to my my non-verbal inquiry was on the other side.    [00:03:25] That there's there's no gap between doing and consequence.    [00:03:33] That we see the results of our actions immediately and that on this side of the wall, there's a delay, right? Which in a way makes you know, it makes me think about things like karma. You know, it's the delay between cause and effect and how, you know, we are learning our lessons in a much more slow down, you know, way that that likely has to do with being embodied and being in physical form. So.    [00:04:04] It was such a profound.    [00:04:09] Like teaching? Almost. And so what I'd like to talk about today is a concept that is that has come to me since that dream. And we talk a lot about carbon footprint. You know. Ah. And I'd like to talk about our human footprint. And that dream reminds me of the.    [00:04:32] The carbon footprint. We leave. All around us in ways that we're not aware of.    [00:04:41] By moving quickly, by not being mindful, by not being in our center, as my friend Michael Stillwater says, you know, when you go outside of your own medicine, you know, you're not operating from that set, that place.    [00:04:59] And so. I think also in terms of I've been thinking more about. How do we. How do we understand this idea of our human footprint around drama? How much drama we have in our lives, around our emotional footprint, our psychic footprint? And how do we. My hope is that that with the pandemic, we're gonna be more conscious about our human footprint so that it's not just about our carbon footprint, but also like.    [00:05:41] What is the ripple effect of how we walk in the world?    [00:05:45] What is our impact and what are we leaving behind? What are we sending out into the future?    [00:05:52] So, yeah, that's what I want to talk about, just that, like just last like just that cameo.    [00:06:01] So I thought you were good. See, you told me the other day you're like you're going to surprise you with a really light topic. I think fun. Is it okay.    [00:06:15] Life and death and living and dying. And because both an environmental equate should all psychic footprints. But like just that. Where do you want me to start?    [00:06:31] So, you know, it it's like whatever podcasts.    [00:06:39] I totally shocked you with the question. You were like, why? I like what's hardest thing in our entire being 20 years. Like what? That's how it feels. Right. I like. I think you're talking and I've got a whole DAP gig covered in notes that they're all Braddick and I like. I don't know. So do you want to focus at all? What would that be? Why would they be Burri?    [00:07:06] So this idea of I mean, the dream is the dream. And it was an important dream for me and still is. Yeah, I've been I think it's this idea of a human footprint. And if we talk about restoring the culture. A part of restoring the culture is like for me right now, is becoming more intimate with myself in my own life, with the environment, the natural world, and growing my awareness about my human footprint. Definitely.    [00:07:35] And we have narratives, right, that tell us like in a way, like charge forward, be independent, you know. I mean, there all these messages that we're living with that I think in some ways impact our human footprint in a in a way that isn't supportive of us walking lightly on the planet.    [00:07:53] Totally.    [00:07:55] It's a huge question and certainly an incredible inquiry, I'll just start with what is arising for me in this moment. I woke up this morning and. There was a few things that were coming to me. The first thing that came to me was a voice kind of in my head. You and I both get these deep voices that feel like they're part of us. And also beyond us in whatever way we define that in it. The voice said to me first, then when I woke up, you're out of exile.    [00:08:26] And I was like, oh, wow, I'm out of exile.    [00:08:31] I moved to Nashville this week, as you know, and 30 years ago.    [00:08:38] I was directed by an inner voice to go to Santa Fe, sight unseen. And I left in New York City. I think I've been an exile in the desert for 30 years.    [00:08:53] And I had to be because what I had to walk out.    [00:08:59] And it totally addresses what you're talking about. What I had to walk out was my shadow, my family's shadow.    [00:09:08] I had to walk in to cemeteries and sit with the dead myself. I had to you know, I grew up in Washington, D.C., a Republican family, pretty conservative, pretty elite, pretty privileged, as we've talked about here. Went to New York City. Was part of the AIDS pandemic. Not directly, but my my community as a theater artist died. A lot of people died. And that was the door to my awakening and where I got the directive. Come to Santa Fe.    [00:09:39] Go to Santa Fe. And I woke up this morning at fifty five years old. I was twenty six when I was sent it to exile by my inner guidance in the midst of my spiritual awakening. It wasn't to go to the light like I thought it was to go live in the darkness and to learn from the darkness. That's what New Mexico did for me and. I have such a deep attachment to the land there because it taught me everything. It wasn't it's not going into the light is going into the dark that I feel that exile was necessary for me to become somebody who even cares about my human footprint, who's even.    [00:10:28] Right. I didn't. I get that. I didn't care. I wasn't conditioned to care. I know you weren't.    [00:10:35] I mean, there was an inner empath in me that always cared about when we'd go to Beirut or Syria and see the children who were beggars. I was this little white privilege girl with my grandfather, who was the vice president of a university in Beirut. They had seven servants. I had we had we would travel around with what I call my Uncle Intune, a Lebanese man who was my grandfather's bodyguard, and we'd get out of the car and swarms of children who had nothing would try to sell us chocolates.    [00:11:09] The gum and I've talked about this before.    [00:11:11] And there was there was privilege in my my heart when my grandfather explained to me they didn't have food and they were trying to sell chocolates to buy their family bread and milk. There was an awakening in me
39 minutes | Jun 17, 2020
Restorying the Culture-The Danger of Viewing the World Through A Single Narrative
In this episode of Restorying the Culture, Tanya and Camille speak about the danger of a single narrative in a crisis.   We open with this quote by Canadian author Topoka, "The world needs your rebellion and the true song of your exile. And what has been banned from your life. You find medicine to heal all that has been kept from our world."   What lens are we looking through? How do stories become so polarized?   What role does social media play in shaping our narrative now?   What's the difference between how thinking vs. feeling informs our relationship to a narrative?   Emotional intelligence, grief, and navigating the right and left hemispheres of the brain.    How grief not only informs but changes our narratives.    "The planet is waking up and seems to be relieved and coming out of its exile as we humans feel into our exile more fully at this time. Tanya Taylor Rubinstein  10 Restorying the Culture-The Danger of Viewing the World Through A Single Narrative.mp3 [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubins Steam Story mentor and Camille Adair, family Constellation facilitator.   [00:00:11] In this podcast, these long term friends explore how stories survive lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments in truth. So many of us feel isolated and alone in our deepest longing. Each one of us is necessary and rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together.   [00:00:52] Hey, everybody, this is Tanya. Welcome back to another episode of Restoring the Culture with myself and my dear friend Camille.   [00:01:00] I want to start today with a quote. The world needs your rebellion and the true song of your exile. And what has been banned from your life. You find medicine to heal all that has been kept from our world. And that is by the author, Toko Україна Turner.   [00:01:23] So Camille and I decided we have all kinds of interesting and provocative conversations off-line all the time as we're dear friends and we've decided that we're gonna shake things up a little bit and make the conversations even more improvisational. Sometimes as if we're just on the phone and you're listening into one of our private conversations and to do this.   [00:01:48] We've decided sometimes to simply surprise each other with topics. And so I invite each other into an inquiry.   [00:01:59] So that's what we're doing today. So Camille doesn't know the topic for today. I'm just going to bring it up and why I'm inspired to bring it up. And what I want to call it is the danger of viewing the world through a single narrative and particularly in crisis. So, Camille. Thanks for joining me and and jumping in for this topic. I want to give you a little bit about just what what's been going through my head about this in the last few days. We're still in the middle of this pandemic. And I think it's going to be interesting to look back historically on our podcast in the midst of this pandemic and see like, you know, like as a cultural almost pop culture lens. Right. And the way the world's changing each week and our commentary on it. So I'm watching things online in different cohorts. I'm part of different groups of people like you. I'm a bridge person.   [00:02:57] I cross into a lot of different worlds are online, particularly on social media. I'm friends with people globaly from very different backgrounds and from very, very different contexts. I've got a lot of friends who are, you know, as strongly in a social justice world. People in the states, Europe, Australia, in in a business cohort. I'm part of friends from Santa Fe, from Nashville, different parts of the US to.   [00:03:25] And alternative communities. Santa Fe sort of counterculture vibe, and it's very disturbing right now to see the polarization and of people with each other. And certainly I've been polarized with others at times in my life. Viewing the world through my own lens, my own bias. And now as this crisis escalates. Right. And it's not only the corona virus crisis. It's the political crisis. It's the rise of fascism globaly.   [00:03:59] There's a lot of stuff around racism class. There's a lot of fear in individuals. How can I protect me? Mine are conspiracy theories, some may say, and someone else may say legitimate concerns about government, big pharma. But the polarization is painful. And as I'm hearing people speak, listening to the way things are around the face masks, for example, right now to whether or not to wear considerations around racial considerations, like if you're a white person, you have this privilege you have or or certain kinds of privilege, we can carry unconscious privilege and bias having money. Right now, some people are in food lines all over the country, food banks, socioeconomic privilege. It's really influencing how people think. I'm seeing some people I've really respected in the past. Professionals go into deep fear, a lot of new agey sort of conspiracy theories running rampant. So once again, what this all brings me to is that I don't want to come so much from my own bias or even so much from my opinion as I speak, from sort of the center of all of these narratives.   [00:05:23] Right. Because. And and and how do we shift?   [00:05:29] You know, this part of the inquiry I wanted to bring to you is to get your thoughts on because I feel pretty stumped right now. I know I need to speak through through the lens of different narratives and share more of my own experiences.   [00:05:42] But how what are your thoughts on navigating the polarities right now and the presumptions and the way to minimize harm? Because a lot of harm is happening emotionally.   [00:06:00] And I no harm always comes out of polarization when we stop talking to each other or talking to each other without out at being hateful or condescending, mean spirited. And at the same time, not shutting down the very real voices of people who are bringing up dissonance. Like it says the world. This is why I brought in this quote, The world needs your rebellion and the true song of your exile. And to be listening to people who are different from us and to be listening to people who've been exiled culturally, who don't have such dominant voices or be more marginalized for whatever reasons. So that's a mouthful, right? I know that. I just said it's a lot, but I'm thinking about the single narrative.   [00:06:51] And when we're in our own little microcosm and we're not able to extend and see other narratives and take these points of view in consideration, it just feels even more painful to me. It almost feels like we're doing violence on each other on top of the violence that's happening in the world. Mm hmm.   [00:07:13] Well, there are so many things that come up for me. I think the first thing and I'll just share with one of the things that I've been doing in these times to support myself and staying connected. But first, I'd like to speak to sort of this idea of one narrative, which is very, you know, in terms of, you know, the work that Ian McGilchrist and others have done on the right and left hemispheres of the brain. It's very left hemisphere to want to have an answer. It makes the left hemisphere of the brain feel safer because that's the competitive, language oriented side of the brain.   [00:07:54] And it's and that's not the side of the brain that's relational. So what I've been doing, because I live in a community and have a family, and I've actually noticed even the differences between the generations. You know, so I'm around people who have varying degrees of fear and and different thinking around how to be with the virus and how to be with other people with the virus.   [00:08:20] And I've started I kind of got to this place where, as I can know, I'm kind of sick of hearing what people think on what news you're exposed to or what articles you're reading. You know, it's like and that's a way we're feeding the left hemisphere of the brain. Right. We're just feeding ourselves all this information. Right. And there are a million different ways to like synthesize that and come up with, you know, your own version of what makes sense. And then people are sharing that. And as you're saying, they're polarizing.   [00:08:48] So I've just been for my self avoiding talking about what I think. Instead, I'm talking about what I feel, how do I feel about not just about the virus, but how do I feel in isolation? How do I feel right now at this time in my life? And I've been encouraging other people to tell me how they feel. If I if they start going into they're they're thinking around it. Because when we share our feelings, it softens the polarization, because you can have different thoughts about it, but you can have the same feelings. You know, you might have two people who are in fear. They both have different ways of interpreting what's going on.   [00:09:35] But they both feel fear or they both are having anxiety or they might both be having you know, they might find some kind of like a bridge or a middle point around.   [00:09:44] You know what I hear a lot of people now talking about, which is like, oh, my gosh, you know, like I've gained 15 pounds and I've you know, it's like I have, you know, my like, I haven't had a haircut or, you know, all the things that we're sort of used to having on our calendar. And those things really sound like things of privilege. But but those aspects of daily life also really do ground us, right. They their routines and they ground us in to the knowing that this is how we take care of ourselves. Right.   [00:10:17] And so, yeah, I guess that would just be the first thing I would say is that the narrative changes when it isn
35 minutes | May 19, 2020
Restorying Creativity
In this week's podcast, Restorying Creativity, Tanya and Camille speak about the role of creative process in their lives as well as the culture at large.   Some of the topics covered are:   What defines the role of an artist in the culture? Artistry vs. Creativity  Our lives as a creative process Projections that impinge creative freedom Personal expression vs. Mythic Expression The role of Archetypes in creative expansion Healing as an opening to deeper creativity   Episode Transcript [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubins Steam Story mentor and Camille Adair, family Constellation facilitator.    [00:00:11] In this podcast, these long term friends explore how stories serve our lives. Their inquiry meanders into the realms of science, theater, health and consciousness. Moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments is true. So many of us feel isolated and alone in our deepest longing. Each one of us is necessary rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together.    [00:00:51] Welcome to another episode of Restoring the Culture. This is Tonya.    [00:00:55] And today, Camille and I are going to be talking about creativity and restoring creativity, whatever that means to us. So I have two quotes today. The first one is by Steven Press Field. And it's from one of my favorite books on creativity, The War of Art. The amature believes he must first overcome his fear. Then he can do his work. The professional knows that fear can never be overcome. He knows there is no such thing as a fearless for your or a dread free artist. I love that line of dread free artist. And the other is just a one line quote from the musical The Amazing Musical Rent by Jonathan Larson, which is simply the opposite of war is not peace, it's creation.    [00:01:51] So with that, Camille, I'd love to hear. I did. I never read the quotes to each other ahead of time. We just sort of riff on them. So what comes up to you about either one of those quotes or both?    [00:02:05] I think, you know, for me, the word creativity has always tripped me up a little bit because I could never call myself an artist. And somehow I think of the word artist being connected to creativity. And I do think I'm a highly creative person. But I think the way that my art comes out is it's different. It's in the way that I think in the way that I feel and the way that I.    [00:02:32] Surgeons.    [00:02:34] Follow the bread crumbs in life and put things together in a way that that is I think I'm a synthesizer. And I think that that's a creative process for me. There's another part of creativity. I'm not quite sure why this comes up for me, but it's very dicey. And where it makes me kind of like want to like let my hair down or I think of myself as a creative and I think of my my wild side that I don't let out often enough. And I think it's interesting that as I've been thinking about this podcast that's from a lot of what's been coming up for me is the ability to.    [00:03:14] Give myself permission to not follow the rules.    [00:03:24] Follow the your inner, your inner. Directive or energy or longing? No. Well, you know, there's that kind of I have a while. You totally do. Right. That most people we wouldn't be such fools if you didn't. And I don't know why the word creative some people want. It's bringing that out. I think it needs to come out because I'm in isolation right now.    [00:03:53] It's it's sort of funny to me to hear you talk about creativity in that way and your ID or lack there of as an artist, because I definitely identify first as an artist in a pretty in my soul, no matter what else I'm doing. I do think there's something new and I have talked a lot about this. Right, the intersection of art and consciousness.    [00:04:15] And I think it's creativity that allows us to come to those intersections and to I've heard one definition of creativity is like I'm going to get this wrong, but it's basically all the different ways.    [00:04:30] Will you just use the words synchronized right or synthesize a way of synthesizing information?    [00:04:36] But it's very funny to me because something I know about you that many people don't is what an amazing writer you are, specifically what a right of what an amazing poet you are, that you're a closet poet, you're an amazing poet. And I've read your poetry. And I think it's amazing and profound.    [00:04:54] And I I see the artistry and everything you do, the way you cook your home, how you care for people, you know.    [00:05:05] And I think sometimes maybe we need to restore the word artist, because artistry to me is a way of viewing the world, not simply a form.    [00:05:17] So the forms we attach to artist are usually writer, actor, painter, sculptor. You know, the dancer, the traditional forms. And yet to me, it's about really the artistry of life, which I see you being such a actualized artist.    [00:05:38] Thank you. I mean, I really do feel that. I think I feel very creative and how I love and I feel creative in how I unfold my soul. So there are some ways of saying it. You know, there's like artistry and creativity that for me has to do with the energy of intimacy, love and and having this embodied soul experience. And you are such an artist and such a creative. I mean, it's really your platform in life. And so for me, it's like it's it's with you. It's how I know you in every way. I'd love to hear you talk a little bit about what creativity means to you right now, especially right now, like as we're sitting here in the middle of this pandemic. And I wonder about that. You know, there's also creative dissonance how the pebble in the shoe that we're walking around with, it's aggravating all of us on some level right now. And how is that being interpreted through the channels of creativity?    [00:06:48] Such is such a great question. For me, I would be dead. I would have been dead a long time ago without my creativity. And I mean that literally.    [00:07:00] So I'm definitely one of those people who says such and such saved my life.    [00:07:05] I remember Natalie Goldberg and one of her books, or she had an essay, How Poetry Saved My Life.    [00:07:14] By creative process is as natural to me as breathing. And I don't think about it because I'm engaged with it. I think in every decision I make. And moment to me, creativity is a process of being alive.    [00:07:31] And it's the lens through which I stay alive. And the times I've gotten depressed in my life or anxious or experienced to trauma. It was made worse or better by how much I could access my creativity.    [00:07:48] And only once when I had really severe panic attacks. And you remember this I think I was going through a divorce with my daughter's father. He had just been diagnosed with schizophrenia.    [00:08:01] The way it manifested in my body was to have these terrible, debilitating panic attacks where literally I'd stand up from my bed and faint and have to crawl to the bathroom.    [00:08:14] And the worst thing that happened to me during that time, because I couldn't sleep was I couldn't access any of my creativity. Somebody who writes every day, even if it's scribble.    [00:08:26] I'm not talking about writing for a book, but I I write every day. I write everything down. I speak. I process allowed and through writing. And I do create work art, even if it's a Facebook page like a Facebook post I'm creating.    [00:08:43] And during that time of acute anxiety, I was unable to create.    [00:08:49] And I could only like just lay there or I could watch a movie. I would watch Hedwig and the Angry Inch over and over it. Oh, my thing that brought me comfort about a. Then, you know, transgender Jr. the transition.    [00:09:09] And that gave me comfort because I just could be wild and out there and gave me this sense of comfort. It was funny. Whereas other people I knew felt disturbed by that movie and that brought me comfort in time of crisis.    [00:09:22] So and that's you know, it's I think creativity is like honoring our own wiring in terms of this time.    [00:09:32] It's it's my biggest resource as a leader. It's what allows me to keep bouncing along the waves of life. And I believe that this is the gift of creative process and practice when we embrace it.    [00:09:48] So it's like my mind or my being, I should say, it's not only my mind, but my creative. Being engaged is constantly seeking expression and a solution to problems.    [00:10:03] And there's a way that my own artistic voice manifests that is both about intimacy and resiliency. So it keeps my mindset focused on a way to serve, a way to express something I can write that is going to be support of it.    [00:10:23] So it supports me because it allows my expression to come through and that's how I process my life and integrate aspects of myself.    [00:10:32] But some of my creativity goes out there and serves whether I'm creating a program for clients or directing a show or right now you and I are creating a program, a writing circle that's going to go out globaly.    [00:10:46] Like for me, my creativity connects with my ability to serve in my family, my friends, my daughter, myself and the world.    [00:10:57] And it's the process itself. And not everything has to get done or even completed. But I see it as a way of being in the world. And I think it's something I teach. I believe it's for everyone. I truly believe that everyone is born creative and has access to creativity, whether they've been validated it or it and not or not may inform how they have an identity or not around being a creative or an artist of some kind, or that they see themselves as a creative in their work.    [00:11:35] Howev
30 minutes | May 12, 2020
Restorying Leadership in the Midst of a Pandemic
In this podcast, Camille and Tanya speak about their ever-evolving relationships to leadership, especially at this moment of personal and global transformation through crisis.    Some of the topics they cover include: Knowing when to go low, when to go high Leading by being Shifting from the guru to the guide paradigm The inquiry, “can we take others farther than we have gone ourselves?” Women, boundaries, and leadership The role of failure in leadership The sacred vow of leadership and what it demands of us What it means to truly collaborate and why it's critical for emerging leadership paradigms      Episode transcript   [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubins Steam Story mentor and Camille Adair, family Constellation facilitator. In this podcast, these long term friends explore how stories serve our lives. Their inquiry meanders into the realms of science, theater, health and consciousness. Moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments. And true. So many of us feel isolated and alone in our deepest longings. Each one of us is necessary and rediscovering the truth of our human story and listening to what is calling us forward so that we can read story the culture together.    [00:00:50] OK. Welcome to Restoring the culture. Today we are talking about restoring leadership. This is Camille. I'm here with my friend Tanya. And I'm going to start out with a quote.    [00:01:04] And this is from Clarissa Pinkel. Estas? Sorry. I'm going to start again. Welcome to Restoring Leadership. I'm going to begin by reading a quote by Clarissa Pinkel estus from Women Who Run With the Wolves. This is Chapter 1. I must reveal to you that I am not one of the divine who march into the desert and return gravid with wisdom. I've traveled many cook fires and spread angel bait round every sleeping place. But more often than getting the wisdom I've gotten in delicate episodes of the Calli and amoebic dysentery, such as the fate of a middle class mystic with delicate intestines.    [00:02:03] It might seem like a strange quote for leadership, but today Tanya and I are going to talk about how leadership is changing for us. And so I'd love to hear from you after hearing that quote for the first time.    [00:02:19] Yeah, well, it reminds me of my what it took me to immediately was my first one woman show Honeymoon in India, where I went to India with all these sort of like ideas of a colonized person, that it was going to be very glamorous somehow. And I was going to get enlightened on the banks of the Ganga River.    [00:02:42] And instead I got dysentery and parasites, you know, and I almost died. Do you know how to train? You know, that was somehow out in the middle of nowhere.    [00:02:53] And that was the awakening. The awakening was the discomfort. The awakening was having to confront my privilege, my perspective as an American white woman with ideas of fantasies of enlightenment versus the hard, hard work, the discomfort on inner and outer levels to, I think, become ourselves. And that's what it took me to immediately. And when I think of leadership, I'm I feel mostly that it's about how do we become ourselves or how do I become myself? Because unless I do that, I don't really have anything to offer. Everything else is artifice to me. So I love her. I love that book. I love that quote. She always just goes right to the heart of of truth to me. Yeah. So that's what I would say. What made you choose that quote?    [00:03:50] Oh, I think I think part of it has to do with where we're at right now with the pandemic and how as a leader, I'm feeling. Like, I'm sort of groveling around in my own shadow stuff in the midst of birthing something new, and that feels like there's no avoiding that and somewhere in there is a gift. And I also can look back at times when I've been asked to step into leadership. And little did I know that, you know, leadership, especially in health care, has pedestal energy. So there can be some inflationary stuff that comes with that. A lot of expectation and a lot of projection from other people who have are still, you know, working out stuff with parents or they're working out stuff with authority figures and really. Well, how I think not just in health care, but sort of in. The culture that I think we're working at restoring. It's really a setup because true leadership really is about authenticity and that's inner work. And most leadership training programs teach you how to step up on the pedestal. They're not about how do you go in and work with your own material and face your own shadow and learn to basically be at the bottom. Right. You push other people up from the bottom. It's the inverted pyramid.    [00:05:30] I couldn't agree more. I've been in. I think about that. Sure. You're coming from the perspective of health care, from our particular industry, from a to particular paradigm. And I think in Western culture, we're addicted to giving our power away. Getting back to my show, Honeymoon in India that I did years ago.    [00:05:53] That was for me a bottom around giving my power away in the guru paradigm.    [00:05:59] And I realized after following certain gurus, including American ones that wouldn't call themselves gurus, that. That my job and my work was to pull all that power out of projection back into myself and stop looking for the perfect mommy or perfect daddy, which is what I think happens when. Right. This sort of guru culture, putting people on a pedestal plays out.    [00:06:28] And I've put people on a pedestal and had the experience of being wildly disappointed in them, because that happens. And I've also had the experience of people putting me on a pedestal, which is the most dangerous place. And my work, because then you're going to fall to the bottom when you've been put up. And my work as a leader, whether I'm working with people on their stories, their writing, being doing my work as a theater director, working with people on business has been from the beginning to navigate that and and support people in in taking their own energetic back.    [00:07:06] So I'm a guide, not a guru.    [00:07:08] And I think that distinction is big because a lot of people want to be gurus, but there's a falseness to it, isn't there? There's a. And who wants to pull other people's energy away? What is that feeding in them? To me, it's a.    [00:07:25] It happens as leaders. It's going to happen like we're gonna have to experience that. I don't think it's a pure path. There's no like just ascending to understanding this. But from life experiences, like I've had to look at my ego, what part of me wanted to either take somebodies power and let them elevate me in some way because it felt good to me, felt validated into my ego or give away my power so I wouldn't have to do the hard work. But the movement of my soul for me has really been down, down, down on the ground.    [00:07:59] So I think the old, you know, old style leadership really kind of had this myth that you have to be something other than yourself if you're going to be successful in leadership. And I think. I think the leadership that is birthing right now and the world is the call to be more like yourself, to be as authentic as you can be and to step into your own humanity. And that truly is what all of us are hungry for and what we're hungry for from each other, because old style leadership puts up barriers to human intimacy and connection. And the new style of leadership really is all about coming into can human connection, interdependence, doing things together. You and I have talked about the two by two and about, you know, how the lone-wolf model of leadership doesn't work anymore. I've seen that play out so much in in hierarchical leadership models, in organizations. And and I think one of the things I've seen that play into that can be really harmful is something that I call founder's syndrome, that people have a really hard time passing on their wisdom, passing on passing the baton to the next generation. And as a as a previous hospice nurse, I've always linked the need for succession planning in an organization or in one's leadership role to the fear of death. Because if we can't come to terms with the fact that one day we're going to die and how are we going to leave our legacy and our work to keep it as alive as we can. If that seems appropriate for sustainability, you know, I think that that that I've found that to be a challenge for many people. And and I think so leadership, real true leadership is far from being a career pursuit. It really is a spiritual pursuit. It's some of the deepest it's some of the deepest work we can engage in in terms of the cycles of birth and death and our place in all of that.    [00:10:18] I so agree on and as you and I have both been on that path and seen each other and support each other, witnessed each other, all these things over the course of this thing, that it's it's a thing where it demands everything.    [00:10:32] And I remember making a vow to the guru twenty nine years ago. I want to say where I said at a party at ESTA in Estes Park, Colorado, at a little retreat center. Five hundred people. And in front of the guru, I said, I want to marry the truth with no possibility of divorce. She said, be careful. That's a dangerous vow. It's interesting to me because at the time I thought that vow meant right. The devotion somehow to the guru, some kind of like this illusion I had fantasy of awakening.    [00:11:06] But it's been this this thing that strips everything. Right. Like, take me down.    [00:11:15] They like I said earlier, you'd like to such humility, right.    [00:11:19] To really no escape, no emotional bypass, no financial bypass, no intellectual bypass, like all the way down.    [00:11:31] And then who am I there? I thi
49 minutes | May 5, 2020
Restorying “Calling”
In this episode of Re-Storying the Culture, Camille and Tanya speak of Re-Storying "Calling." Some of the topics they cover include: Tracking your calling back to early childhood What's love got to do with it? What have you always loved, and what clues does that hold to your calling? How to discover or re-discover your connection to your calling. What's the difference between calling and purpose? What does monetizing have to do with calling? Uncovering your calling. Embracing calling beyond form.   Episode transcript   [00:00:01] Restoring the Culture is hosted by Tanya Taylor, Rubins Steam Story mentor and Camille Adair, family Constellation facilitator. In this podcast, these long term friends explore how stories serve our lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments in truth. So many of us feel isolated and alone in our deepest longings.    [00:00:38] Each one of us is necessary in rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together.    [00:00:52] Hello. And this is Tanya Taylor Rubenstein welcoming you back to another episode of Restoring the Culture. I'm here with my dear friend Camille Adair. And today, we're going to be talking about restoring your calling core purpose. So a quote I'd like to share with you to begin is from Randy Pausch, who was the author of The Last Lecture.    [00:01:21] The key question to keep asking is, are you spending your time on the right things? Because time is all you have.    [00:01:32] And I wanted to share that quote today because I love Randy Pausch. And if you don't know who he is.    [00:01:42] He was a professor at Carnegie Mellon University.    [00:01:45] And one of the reasons I remember that is because I went there to their theater department for a while.    [00:01:50] And when he was diagnosed with pancreatic cancer as a fairly young man with three young children and diagnosed a terminal diagnosis, he he did a live lecture at Carnegie Mellon. That was just supposed to be for his students. And it went on and somebody videotaped it and it went viral on the Internet probably 10 or 12 years ago. And then he wrote that book and I thought it was so beautiful.    [00:02:25] And it just so profound, so simple. But basically asking ourselves, you know, what are we spending our time on?    [00:02:35] What we're spending our time on is the way we're spending our lives and embodying our purpose and our calling or not.    [00:02:47] Yes. So, Camille, I'd love for you to jump in and beautiful.    [00:02:51] Yeah. Yeah. Such a touching, such a touching quote. And, um, I guess, you know, what, it where it takes me is that I start to start that I start to think about purpose and calling. And you know, that they're sort of like different ways that we can think about that in terms of career, in terms of. But I guess, you know, I'm actually just sort of processing this as I'm hearing the quote. And it takes me to where I I went with my work when I was working in hospice as a nurse. And then I went into management and I was managing a lot of people. And I was really struggling with the lack of sustainability in the health care culture. So I started working on organizational development and an organizational health through this idea of systemic relational health. And I started studying emotional intelligence and became certified as an assessor and was teaching emotional intelligence to health care professionals primarily and leaders. And and one of the things that that you do in building your own emotional intelligence, which is a set of skills, is that you basically identify what your you know, what you're your purposes are, what you know, in one organization, six seconds that I trained with. They call it your noble goal. And and I think that that that requires a certain level of self-awareness and a certain level of identifying what your values are. So I guess where that takes me is when I think of calling and purposes, that's as we grow and evolve and change on and and know ourselves. So does our our calling and our purpose will kind of evolve and change. I think with that, as I noticed, mine has. How about you? You have your purpose. I mean, you're your link to story. Work has been so consistent for so long. I'd love to hear about that.    [00:05:04] Yeah. Are you sure? And one of the reasons I love that quote from Randy, I think and I was just I watched his last lecture over and over.    [00:05:13] It was very meaningful to me. He talks a lot about child like Wonder.    [00:05:18] And he created a whole career around that.    [00:05:23] And I often have had, for whatever reasons, a lot of my coaching clients, a lot of my story clients coming to me over the years and people I've worked with on their stories who will sort of even off to the sick side say, and sometimes they're in their 40s or 50s, 60s, 70s. I never found my purpose.    [00:05:44] And the question I always ask them is, why did you'd love to do when you were very young? What are the first things you remember? Because there's often a clue there. And for me, I can honestly say, you know, sort of the the. And I remember this well. My mom said to me that as soon as I could put two words together, I was putting it, stringing them together and writing poetry and would do, you know, push it under her door. Little poems with three or four probably misspelled words. And I remember that I was proud. It was before I even went to kindergarten and she was a school teacher. So she taught me to read and write very early. And I remember just being fascinated by. Yeah. Bye bye. Bye bye, star.    [00:06:31] Re reading my stories, I would read over and over and over, I'd fall in love with a story like Charlotte's Web and Weidner Summer, my mother said I read it like 20 times because I couldn't bear it when Charlotte died. But if I started reading this story over, she was alive again.    [00:06:53] And I think I connected some kind of magic to that.    [00:06:58] Our stories keep us alive. There was something young in me and then I became an actor. But it was when I met my mentor, the late Spalding Gray.    [00:07:10] When I was 20 in Boston, my acting professor took my class to see him.    [00:07:18] And for those who don't know, Spalding was a very became a very well-known monologue. US, though, not a household name to everybody.    [00:07:26] And I met him at 20 and he was onstage sharing about his life. And he was sharing stories that could be considered taboo in in our kind of culture. About his mom suicide, about his quest for the moment, in a moment about his sexuality, about his struggle with depression.    [00:07:49] And I walked out of the theater at 20 and I felt liberated and I thought, I'm going to do that. I didn't want to be behind the artifice of characters. I didn't know that until I met Spalding. But I felt alive and awakened. And he gave me permission.    [00:08:08] And I've pretty much spent my career giving myself permission to speak.    [00:08:15] Authentic story and help other people do that, and it's really true, it's like my outer career. Whenever I stick with stories one way or another, it always works and always had. And whenever I move away from story and think I should do something else, whether that's I think I should, you know, get a real job. And for a while I became a P, you know, work for a PR agency, had nonprofit jobs when I was younger. Number one. I'm miserable. But number two, my life falls apart. So it's interesting because for me, sticking with story is not only my barometer, but when I stick with story, my life just unfolds the way it feels like it's supposed to.    [00:09:04] So it's really. I know I'm very fortunate that my purpose presented so young and that it's like my North Star that I always can return to.    [00:09:16] Mm hmm.    [00:09:18] So beautiful, it makes so much sense, I felt like you were, you know, like Hansel and Gretel walking through the forest and leaving breadcrumbs for me to follow what was really I just had this complete reverie. And your story is gorgeous. Thank you. Yeah. Not sure about the Hansel and Gretel.    [00:09:36] I love the image I had. Totally. No.    [00:09:39] And those experiences, for me, it was our marriage, right? It is you, the inner part of your inner marriage.    [00:09:45] Is your relationship to story and how that's playing out inside of you. And I mean inside of you and how that manifests outside in the world.    [00:09:54] Yes. And it continues to deepen. Right. In this podcast. My favorite part is when we share stories. And you know what? I know there's a spiritual component in story work, too, that feels like at this age in my life, in my 50s. The part that I most expl interested in exploring that distort that intersection between spirit and storytelling, something that intersects in in my work with you, in our work together. But when people aren't sure their purpose, just getting back to what you said about Hansel and Gretel, I think bread crumbs are an important thing because I think the world can put heavy pressure on us around. Do you have your big purpose? So I think the inquiry is what is as close to me as my own breath. You know what's always been there for me? It may not look like a vocation or even a vocation that the world.    [00:10:54] But it's in there and it's it's a great inquiry to go back to childhood because often our deepest gifts are so natural to us that we don't always recognize them.    [00:11:08] I think that's really true, yeah. They're so close. They're some 30, so part of who we are that we don't see them as something that we would bring to the world through us.    [00:11:20] Exactly. An
40 minutes | Apr 28, 2020
Restorying Friendship
In this episode of Restorying the Culture, Camille and Tanya explore the topic of Restorying Friendship. In their most intimate talk to date, the two decades long friends open up about deeper truths and obstacles that so often run through female friendship and how they have navigated them. In this talk they share around their own experiences on: The myth of the "BFF." Confronting hard truths around how the culture separates us from each other. Transforming codependency to vulnerability in female friendships. Committing to friendships with the same passion we commit to marriages/romantic partnerships. What makes it worth the commitment? The dance of dissonance and healing Why two women visibly sharing power is radical and rare   Episode transcript   [00:00:02] Restoring the Culture is hosted by Tanya Taylor, Rubins Steam Story mentor and Camille Adair, family Constellation facilitator. In this podcast, these long term friends explore how stories survive lives. Their inquiry meanders into the realms of science, theater, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments in truth. So many of us feel isolated and alone in our deepest longing. Each one of us is necessary in rediscovering the truth of our human story and listening to what is calling us forward so that we can restoring the culture together.    [00:00:50] Hi, welcome to Restoring the culture with Camille and Tanya. And today we'll be talking about restoring friendship from our two decades plus friendship with each other. And I'd like to start this episode with a quote from David White. Friendship not only helps us see ourselves through another's eyes, but can be sustained over the years only with someone who has repeatedly forgiven us for our trespasses as we must find it in ourselves to forgive them in turn without tolerance and mercy. All friendships die.    [00:01:35] Welcome and I. I'd love to know what you think about that, Tanya.    [00:01:39] Oh, well, that's such a profound quote I said ahead. There's so much there. There's so much there.    [00:01:48] I mean, what comes up for me is, one, the deep truth of a right to have to forgive each other over and over in small ways and big ways. And what also comes up for me is what conditions create the motivation or the inspiration to do that. Like for myself, when has it been worth it for me to really make that big a commitment?    [00:02:19] Right. Because that's a tremendous commitment. It's a spiritual commitment.    [00:02:23] It's a.    [00:02:26] It's like a marriage commitment to you to have that kind of commitment in a friendship.    [00:02:33] And how do we get there and sharing about our stories, how have I gotten there? How have you gotten there? There's just so much there, isn't there?    [00:02:42] Well, there is. And one thing I keep thinking about is that it takes a certain kind of for me anyway to do that. An internal condition of my own sovereignty to be able to hold that kind of space for another person living. In other words, I have to feel a certain amount of wholeness within myself so that I can pull back projections and I can have tolerance and mercy and and not pathologize or not allow a friend to make mistakes or have their own kind of their own stuff.    [00:03:17] And I think that's you know, I've been thinking a lot about this in terms of for me in my own life, friendships that I have with men and women. And it's not just in my life, but I've heard other women talk about this, too, that I think women have a tendency to, too. Go really deep and bond and relationship, but I think we have a harder time often allowing for space and sovereignty between each other. And that and that can kind of get in the way. You know, that it's it's actually one of the wounds of of Howard where. I think what we're trying to do in bringing the feminine and developing the feminine more is bringing in also those internal sovereignty boundaries that allow us.    [00:04:11] To be okay with someone else.    [00:04:16] Even when we're not okay. Or when they're not OK that we know where we stop and where another one starts.    [00:04:22] Right. And obviously, yeah, the codependency or the enmeshment model. And when there's not a space to speak in to disagreement or dissonance, where it's not a big enough container, I think that's one huge issue that blows up female friendships. But I'm also thinking about this morning I saw something that and Doyle wrote on Instagram about also in patriarchy, how we've been conditioned to turn on each other rather than turn on the toxic conditions. So I think that happens a lot in female friendships. Right. You and I have talked so much about this competitiveness. Is it okay for me to be big in you, to be but big?    [00:05:16] Is it okay for me to really genuinely celebrate your wins without feeling threatened about my own? There's so much to navigate.    [00:05:29] Well, there isn't that. And everything you're saying really is like the sort of the sign of a mature adult who owns their own space in life. In their life. Right. And sometimes I kind of feel like.    [00:05:45] We have been wounded so much, I think, in our lives and our friendships that there's maybe a part of us that stops growing in that way and kind of has the tendency to go into this like this uber boundary place of protection, which is understandable because sometimes the wounding between women actually can can really be trauma inducing. And then we carry that for our lives. Like, I sometimes feel like even older women still carry some of that energy of like, oh, this is my BSF. It's like we can be seduced into the old hallmark model of what it means to have a girlfriend told lies that it's like some superficial feel good thing when it couldn't be further from the truth. If you're really in it as to whole people, it's completely rewarding. But it takes it takes work and it also calls us into our authenticity and into being able to hold suffering with another person.    [00:06:47] Yeah. And to learn to do that when most of us anyway. And this is cultural as well as personal carry so many wounds from our own mothers as most of our mothers carried wounds from our grandmothers. And I think for me and I and I really do want us to get personal about our friendship to share, because it I think it's easy for people to project on us and go, wow, look at them. They have this amazing long term relationship.    [00:07:16] Like, I'd like to know the real back story of Oprah and Gail's long term relationship, because I think you and I have had as many ups.    [00:07:24] We've had a lot of ups and downs and spaces in between, a lot of different manifestations and coming in carrying the wounding of our mothers and then hoping to have, I think, A A B, Afaf. Right. Who's a, quote unquote, perfect mother or substitutes for the mother we didn't have or the sister we didn't have or that what our past wounds.    [00:07:49] It's a lot to navigate. And I'd love to care from you.    [00:07:53] I don't know if I've ever asked you this. I mean, we've never even really had this exact conversation before. And then I'm happy to share what it's been like for me. What is it been like? What have been the the hardest parts, maybe in the best parts of navigating are very depth based, complex friendship for the last 20 years.    [00:08:23] Thanks for asking.    [00:08:30] You can tell that we don't script these parts.    [00:08:39] So you think I know the value.    [00:08:45] You have a tendency to go for the jugular. And I have to admit, I kind of admire that about you. I mean, I feel like with you I know where I stand.    [00:08:55] You know, and that's one thing I I admire for better, for worse.    [00:08:58] And sometimes knowing where I have stood in your life has been painful.    [00:09:06] I think you and I also even though there's a lot that people might look at us and think that we're so much alike, there's a lot of ways in which we're different. And I think that's difficult for women to navigate. I think you and I have had a lot of opposition stuff come up. And how do we hold the tension of opposites? You know, we've had this conversation before, which is that, you know, you have had a tendency, you know, you're I mean, you're an introvert, but you're very extroverted.    [00:09:33] I think in the way that you deal with situations. Right. And I think I enter I've been I've had a tendency to internalize a lot of things and try and and navigate in a maybe in a quieter way. But from a from an observational standpoint. And I think that's been hard for us in the past. You know, I think I mean, you and I had a I remember when we had a break almost 20 years ago for a while and it was actually very calm in the beginning.    [00:10:11] But we just sort of said it was like, I want to do this and this is what I need. And you said, well, that's not okay with me. And I said, OK, but I need to hold onto what I need. And you said and I need to hold onto what I need.    [00:10:22] And we kind of walked us profit for a while.    [00:10:25] And that was that was painful. And there was some stuff that happened around that that was, I'm sure, hard for both of us.    [00:10:32] But I think the thing I want to emphasize is that there are very few people, not that our friendship hasn't been honestly one of the most challenging for me at times as a marriage could be wrong.    [00:10:46] It has been, yeah. But it's like you keep coming back and being willing to stay in the game. And I think that to me is what's so profound about our friendship. It's not that you and I have this, that we don't have a lot of complexity and that we haven't had dissonance and that we haven't judged each other and that we haven't heard each other. But like you are willing to step in when many othe
28 minutes | Apr 21, 2020
Restorying Community
In Episode #5, Camille and Tanya explore the role of community, both familial and extended and how it shapes our identities. Close friends for two decades, these friends explore their starkly contrasting experiences around community (or lack thereof that impacted them well into adulthood.  From Farmers Markets to Local theater events, they wonder how a deeper community can and will unfold in the current climate of isolation as we have all been called to "stay at home." Their conversation drifts from Camille's famous literary neighbor in Portland, Oregon to Tanya's first acting class in the D.C. area, to the 12 Steps inclusiveness and how these things all weave together to create individual and collective experiences of community. On building community: "I think more and more of us are called to walk back and forth on that bridge between perceived inside and perceived outside." -Camille Adair   Episode transcript   [00:00:01] Welcome to episode number five of Restoring the Culture. This is Tanya and I'm here with Camille today, and we're going to be speaking about restoring community and Camille's gonna start us off with the quote.    [00:00:16] This quote is from a book called Blue Moon over Thurmon Street by Ursula Gwinn. And the quote is by a man named Homer Medica, who she has a photograph of.    [00:00:29] In this book, everybody that I grew up with has moved away, not out of town, across town, mostly, but moved away.    [00:00:42] So beautiful and we were just talking about being in our homes during this time. You know, whether you're listening to this and we're all still in quarantine all over the world or we've moved out of it. We're recording this podcast about ten, twelve days in here in New Mexico. Something like that, since most of us have started started to self-quarantine. And then the governor gave an order later earlier this week. And Camille and I were talking about community in a time when we're all in isolation. But yet community is springing up. And it let us go back to talking about how we grew up a little bit. We didn't go too far in the conversation. But Camille, can you tell us about this quote and about your relationship with the author? And like growing up in that I can talk a little bit about because we have such good contract sticks start, right?    [00:01:34] Sure. I was I lived next door to Ursula Gwin when I was growing up. Not for a long time, but for a couple of years. And I used to play with her son and I would put my mom's blue eyeshadow on and I would go over and hop around in the backyard. And I remember she would look at me and say, you're such a pretty bunny. So I have such fond memories of her and that time. And living on Thurman's Street in Portland, Oregon, in a house that was four stories and had an intercom system. And basically we have like four families living there. So my family, we had one floor and then another family had another floor. And it was really such a different time. And it makes me think about. Community. You know what it was like being born in the mid 60s, and for me, growing up in a counterculture family and what community was like for me growing up in contrast to what it was like for you growing up.    [00:02:42] Well, let me ask you this before I get into my story a little bit. What was community like for you growing up? Like, who were the players? What did it feel like? How did you experience community like in your family and in your town? In Portland, in your city?    [00:02:58] My mom had really good friends. So I remember there was like a feeling of a lot of fun and activity. And I had very young parents. There was a lot of social activism at the time going on. I mean, I remember a lot of the unrest during Watergate and my mom was involved in like social marches and things like that. I also was a latchkey kid, and so I spent a lot of time by myself. And, you know, I made friends with a bus driver in Portland. And so I instead of being home by myself, at the end of the day, oftentimes I would get on the time at bus in Portland and I would do his whole route with him. And no one knew where I was. Were you phones? I was like in the second and, you know, I would get off. And there was this show called The Ramblin Rod Show in Portland. And I would get off and I would just wander in because they had birthday parties. Right. Were they people would reserve and you would get on the Ramblin Rod show and so they would do cartoons. But like on the you know, in between cartoons, the Sky Ramblin Rod would interview kids in the audience. And I remember a couple of times wandering in there and saying and just saying, can I be on the show? And I think they felt sorry for me. So they would let me on the show or I would get off the bus driver would have him let me off. And Fred Meyers and I remember remember those some small balls, like a cartoon that was like a milk carton. And I would do that. I mean, whoppers. They were whoppers. You're right. And I remember sitting on this like brick wall and people watching and eating walkers. And that was a different time. Nobody knew where I was. It was like in a way, the world was my community. And I think, you know, we're the last of that generation that had that kind of freedom. So there was a lot of freedom, not a lot of boundaries, not a lot of container. And then when my family moved to a rural town in Oregon, then the community changed. And it was very much a tight knit people sharing, you know, produce from their gardens. And the counterculture families really bonded together. You know, and in this town, you were either like from a logging family or farming family or you were from a counterculture family. So that definitely created a lot of identity in its own way in this tiny little town. I want to hear. Oh, I know. I mean, I I've heard your stories about what it was like for you walking in and having a maid and being able to let your coat slip off and.    [00:05:44] Well, I mean, yeah, we couldn't have grown up in more different families, a family. Just to give her an idea. Talking about Watergate and all, one of my first very clear conversations that I remember with my grandmother was she walked in the room and she was crying.    [00:06:00] And I said, what's wrong, nanny? And she said, I'm so upset for Mrs. Nixon. This is so unfair.    [00:06:09] This is just terrible what they're doing to Mr. President and Mrs. Nixon.    [00:06:15] I mean, my grandmother would choose the she was the president of the Ladies Republican Club of Maryland for like decades. And then the rest of the time, she and my grandfather lived in Beirut, Lebanon.    [00:06:28] And. And so that was one thing that was interesting. And they were very politically conservative. And, you know, and I was an only child. And we lived on, oh, 80 or 90 acres out in Maryland outside of d._c. But I had my freedom was in the woods and my animals were my community. I was an only child. I rarely got to see other children. So I was very afraid of them. I was very shy. And like when I hear your adventures on the bus, I'm just so envious.    [00:07:02] I'm like, I'm like, God, you could just get on. And like, you know, I create sort of your own adventures and experiences and community. And my the way I reacted was, well, I know I became an artist because of my early childhood. I became a writer. I would write poems all the time. I would write short stories. I got a lot of validation of my family from that. And yes, in Beirut, my my family had, you know, all Americans were kind of treated like royalty abroad back then, especially in certain cultures. And so they were in Beirut. And before that, they lived in Pakistan, in Karachi. That's when my mom so, you know, graduated high school.    [00:07:46] But. It was sort of America through that lens, though. White supremacy and hierarchy. And and there's a lot of shadow in that world. Right. There's a lot of price one pays in these sort of with the global elite.    [00:08:11] And my family wound up being like at the top of that food chain.    [00:08:16] You know, we're connected with, you know, and very involved with diplomats and and and and the top politicians in any country in various countries.    [00:08:31] And my my sense of community as a child who's being very alone and isolated.    [00:08:37] And it's easy on you because I was, too. So we have such different stories.    [00:08:41] But I was very lonely as a kid in spite of yourself inside of myself. Totally. So, I mean, I that's why I think I fell in love with acting when I was 14, my first acting class, because it was my first sense of a real community where I fit in, I fit in. And of course, as we've talked about here, theater is a form of healing and it's shamanic. And the people who thrive in it are parks. And there is this total overlap. So interesting. Yeah, we both felt isolated. And I've certainly heard a lot of stories over the years of people with very big families and. All right. That the child who is often the empath, also the one who's the disruptor in any family system, no matter how that looks, but challenges authority, challenges the way things are, is moving, as you would say in Constellation work, the family story further. We're often lonely, right, because we're marginalized. So then there's a longing. There was such sexual longing for me as an adult to make community. And I did you know, I made community in the acting world in New York. I made community with friends from that time who are still my dear friends coming to Santa Fe. I had a longing to create family of my own make community. What about I mean, what about you in all of that? And like, what is your relationship to community now? And as we were. Could be called to go deeper locally in our communities while expanding out into the world globaly. How do you think part of the restoring peace comes in, in your own life and in what you're examinin
36 minutes | Apr 14, 2020
Restorying Grief
This week, speaking from their homes in Santa Fe as the pandemic continues to ravage life all over earth, Camille and Tanya plunge into the multi-layered sensation of this moment, namely, grief.  How do we meet it, befriend it, re-story it into something of value and importance?  Throughout time, as humans we have been overwhelmed and terrified of feeling grief. It manifests through us and touches every aspect of our lives. In this conversation while speaking of mentors and healers on this topic, including Stephen Levine, Camille and Tanya speak about how they have been learning to meet, rather than avoid, the topic and all that accompanies it. Sharings on: How to let go of our personal dreams at this time in the collective The price we pay for ignoring our "unattended sorrow" Teachings and inspiration from poets and wisdom teachers including Stephen Levine, David Whyte and Peter Levine.  Moving from isolation in grief and into community Camille speaks on what it means to be able to process grief in health care systems and how un-met grief is related to burn out in doctors and nurses. Being re-triggered in former loss each time we experience new loss and how to honor and integrate it.  Tanya tells a story of a hospital stay related to anticipatory grieving in this pandemic. Grief as a zen bell..."wake up, wake up, wake up"   Episode Transcript   [00:00:02] Hi, welcome to podcast. Number four today, Tanya and I are going to be talking about restoring grief and to begin, I'm going to read a quote from Stephen Maligns book called Unattended Sorrow.    [00:00:15] If we listen for unattended sorrow, as we might for a cry from a crib in the next room, we can hear it calling to us to have mercy on ourselves and move it forward with a heart full examination of our lingering disappointment and distress. Instead of turning our back on it, when we turn away from our sorrows, we intensify our pain and close off parts of ourselves.    [00:00:46] And. I love that so much.    [00:00:50] Yeah, I mean, I loved and Stephen, of course, is like Stephen Vine just such has been such a voice for a long time. When I was in New York City and I was twenty seven right before I came to Santa Fe. That was really the first big spiritual book I ever got. Was his book Healing into Life and Death. At the time, it was in the middle of the AIDS crisis and I don't remember if somebody gave me that book. And I was I felt young to have that book about mortality and death and dying. And it was, you know, just just he just everything he always talks about, it's so profound in that concept of unintended sorrow is so heartbreaking and so poetic at once to me when I think we all have.    [00:01:41] A certain amount of unintended sorrow. Just living in Western culture. Because, you know, we're not supported in facing our suffering and facing grief. You know, we are you know, we're sort of conditioned to bypass a lot of that. And instead of going deeper into our humanity.    [00:02:00] And so, you know, it reminds me of something David White says, that when you have a big event in your life, that there's that you're you're moving toward a big event like the loss of a job, a death, an illness, a divorce. Like what we're facing now globaly with this pandemic. You know, he said we hit those walls with this tremendous velocity and then everything kind of like has to fall apart because we have not kept up with our lives. And I think that for me, this idea of unattended sorrow is one of the ways that we're not keeping up with our lives. And so when it hits, it is such a shock to the system.    [00:02:45] Totally. I mean, a complete shock to the system. And, you know, and and there's something to I mean, I just noticed that of myself. I was having a conversation with my husband today because something like hits, right? And then have all of the unattended sorrows of the past come out. We were talking because, you know, every time he meets grief or or things falling away because things are out of control, he goes back to when he lost his daughter, who was eleven years old, from cancer. But there's this whole recycling almost. But I'm also thinking about grief and from our conversation and how projection. It's like this at the unattended star almost to me, it's like get out a projection. It's almost like the Zen bell is in it. Like when it comes on fast and hard like this.    [00:03:43] Let go, let go, let go, let go, let go.    [00:03:46] You know, we were going to build didn't let us show where we're talking about it six weeks ago. You know, he was up for possibly a role in any New York City theater production, implosive. You know, and his two films had come out and now all those film festivals are canceled in an artist a mile and started the way my business was going. And these things align. And then it's like here it is, the Zen step, right. And when the Zen stick comes that our projections or our human desires to control it come like like up like a force unto me. Somehow what they're they're carrying or covering, I should say maybe they're covering it are the unattended sorrows. And then the way in are our day to day life. We're trying not to feel all of that and we're trying to just stay on the course of these these these big are big life, you know, parks, or so we think. But then this other force is like a tsunami in some way.    [00:04:48] Does that make sense? It makes a lot of sense. I mean, to me see, I'm feeling that. On the one hand, you know this we are talking about velocity and kind of even the noises you made in the crashing and the image of a tsunami and how much power there is behind that and simultaneously how Greece brings us down. And so to me, it's this sort of the juxtaposition behind the power and how Greece slows us down, whether we like it or not. And I've been noticing that in myself, which is partly why we decided to talk about restoring Greek today because of what's going on in the world. And you and I are so fortunate to be seeing clients on zoom in to be where we are and to be relatively safe. And I and and yet I feel like because I'm and I'm sensitive like many, most people are and all people are natural. It really is is that I get tired. I think I was telling you, like I'm getting really worn out by like two in the afternoon. I want to go calling dad. My rhythms are off. I've been getting up in the morning and just making myself walk at least two and a half to former, whether it's windy or cold or whatever. And just really forcing my that just is like a non-negotiable now, my physical health. But I think I'm still really feeling this collective grief. So there's this thing that, you know, grief is personal, but it's also collective. And I. It takes me to the image of, you know, the Aspen Forest, how the Aspen trees look like individual trees. But they're actually one organism connected by a common root system underground. And I think we've maybe used that metaphor before in the podcast. But I think when I think about collective grief, like we're our root systems are connected and we're feeling these things and it's really with me for some reason today, I guess I'm really feeling well.    [00:06:50] There's something to even about. Yeah, I'm I'm noticing that I'm hitting a kind of wall energetically and self-care is just non negotiable. Drinking water, taking walks, taking vitamins, being really vigilant about what I'm eating, all of it. And of course, we're being called to boost our immune systems. Take care of ourselves. But it's a deeper thing. And I you know what you said about collective grief for me my entire life, I've kind of been unkind of somebody who receives a lot of information about it event at the front end, which, of course, you know, know this. But our listeners don't. At the very beginning of this event, I was in the hospital overnight and never have been in my life.    [00:07:38] But several times in my life, I've had this experience of kind of because you and I are both impacts that I know many of our listeners are impacts, you know, sensitives healers.    [00:07:53] A lot of coaches, facilitators, health care workers as well as artists tend to be writers. That's right. So we're almost like the canary in a coal mine thing. We're feeling it before it even happens. So for me, I ended up in the hospital and I realized because I was having live racing heart stuff and wanted to do the EKG and all that. But ultimately for me, the way out. What I realized has happened is I was feeling this what's happening? It made me collapse actually, before it even happened. And you and I, of course, all up talk a lot about point in time. And and the people are had different people based on our sort of nervous systems and our energetic spiritual systems. Grief is hitting us all in different levels of waves. So it's almost to me like collectively, some of us are feeling it more intensely at different times, almost like. And talking about going back to the root system of the Aspen's. I think we're we're all not only crossing assessing individual grief, but collective grief and that this is the grief of a love, a way of life. And even if there were toxic elements have been many, many toxic elements in this way of life. There's no spiritual bypass away from our human meeting, the feelings. And as the comfort of that way of life is stripped away. And it's a thing even I remember years ago when I was going through a divorce, the minister who married my former husband and I. He said something that really touched me related to this. He said, I know you're not just reading the individual. You're grieving a dream.    [00:09:44] And right now, globaly. We're grieving, right?    [00:09:50] The dream only collective dream. You know, it's interesting when you're in the hospital, you know, I I went and I was with you for a short time in the E.R. and it was sort of it was the beginning of the lockdown time for t
36 minutes | Apr 7, 2020
Restorying Healing
What does it mean to be a healer? What is a healing process? What does it mean to view life through a healing or artistic lens and do the two always intersect? These are some of the topics that Camille and Tanya explore in this episode of Re-Storying the Culture.  They also delve into professional experiences to share their perspectives on why some stories are helpful, and why other stories harm or re-traumatize.  From a cultural lens, Camille speaks of certain pressures or obsessions that those of us in Western Culture often experience around telling a personal narrative or experiencing a personal  healing. She offers thoughts around how to hold this in a gentler manner and re-story the energetic by calling in our connection to a much bigger familial story.  Tanya speaks of cultural movements through the lens of storytelling and the end of the era of the guru. Camille shares on her own experience with a life threatening illness, and her work as a hospice nurse to humanize health care and mental healthcare.  Tanya speaks of writing mentor, Natalie Goldberg and what it's like to go deeper and deeper in writing practice to access underground stories.   Subscribe to the podcast Join our Facebook Community Restorying the Culture: https://www.facebook.com/groups/restoryingtheculture Learn more about Tanya and Camille: www.camilleadair.com www.storyleaderglobal.com Support the podcast by donating to Living bridges: https://living-bridges.org/donate/     Episode Transcript   [00:00:01] Hi, welcome to Episode 3 with Tanya and Camille Restoring the culture. Today, we're going to be talking about how we restoring healing. And I'd like to share with you a quote first by Diane Wolke Steen and Samuel Kramer in the book Inanna Queen of Heaven and Earth. Life must be properly nourished and cared for before it can take root and begin to be differentiated. And we'll start by asking you, Tanya, how are you restoring healing in your work?    [00:00:45] Thank you, Camille. You know, it's funny because I never thought when I was starting out in any way that healing, first of all, was not something that interested me. Which is amazing because my whole career and life and work now, I feel is defined as a story worker, as a writing coach, solo performance coach, helping people extract their stories. My work has evolved into something completely of a healing nature.    [00:01:16] And for many years, I didn't even want to come out of the closet about that. I thought it would somehow diminish my credibility as a quote unquote, real artist. What I've learned is that real art is is ultimately about transfer formation. As a matter of fact, there are two kinds of stories that I've identified. And one is a toxic story, actually, and people don't think of storytelling can be toxic. But I'll explain in a moment. And one is a healing story, a transformational story. It's also the highest form of artistry to me is to go to the transcendent.    [00:01:52] So one thing I learned, as I have learned as a somebody who works with people so deeply on their personal narratives around one person shows and memoirs is the shadow of this kind of story. Work is self-indulgence from the ego. Or actually getting more attach to the victim's story or the story. Yet mostly the victim's story and the trauma story and reinforcing it by telling the story over and over and over. And interestingly, I had one client who was really an amazing client, but I start and very talented comedian, improvisational actor, but he was doing very deep trauma story. And what I started to realize was that rather than the story moving to a place of transcendence for him, he was getting really attached to doing it over and over and over and over. And I and I saw he was retaught traumatizing himself. And he was also getting validation from the audience as a victim. So this is real tricky. Knew what shadow stuff and many story workers and writing coaches, they and people at work with people in their books like I do.    [00:03:14] But I know a lot of people in the literary world, other other story coaches, writing coaches, they don't quite know how to work with us.    [00:03:21] And I mean, I've been working with this for a long time, but it's like behind the scenes, we all know it, but it's hard to identify it because it can be hard to verbalize it and help people move past it, because there's almost like the sacred thing around story where it's untouchable.    [00:03:39] But the reality is, it's all about a framework in which stories helps.    [00:03:44] And some years ago, I knew that I had to do something about this myself so that I could find a way to language with my clients what to do if I as their facilitator, which really means holding spaces, a healer for them to move through the story without looping, looping, looping on the trauma story to the point that it became their identification. Now the other type of story in the story in my work that I'm always working to move people towards is the story where they're actually telling the story not for the sake of the story itself, but to release an identity, to release trauma, to release. And suddenly as their own perspective, where they've gotten locked in on a story to live in, to the mystery, to oh open to the unknown, to live into a more expansive story for themselves. And when they do that, they're actually modeling that to the reader, to the audience, to who whoever they're serving them with their story. Because when we do tell a story, I feel. Yeah. A lot of my work is about the responsibility of telling stories and how they're helped because stories can retraumatize. And it doesn't mean there's not a place for the big breaking open.    [00:05:09] But how is one how one is presenting it right, especially as a work of art, as a solo show, as a whatever. And one story brings us closer. And when actually locks people either more into egoic identity or even pushes people away from them, that's also a danger when somebody stuck in a victim story or what can be read as self-indulgent. They're doing it to achieve more intimacy. But what happens instead is they push others away.    [00:05:37] Well, you know, as I was listening to you talk, I was.    [00:05:42] Taken immediately to the number of clients that we've shared and how we've talked about how our work together is is going beneath the story, right? It's about finding the story under the story, and that's where the healing and transformation take place. And it actually is taking me back to the quote I shared that has to do with that. Life must be properly nourished and cared for before it can take root and begin to be differentiated. So there's a paradox here where oftentimes I think the stories that we tell are not healing stories, because in order to differentiate, we have to tap into our root system and a lot of stories take us away from our root system. So I guess what I'd like to say is that.    [00:06:32] In my work, I find sometimes an over identification with the concept of healing. And a lack of connection and nurturing to the life that was passed on to us through our lineage and that it's the.    [00:06:49] It's the it's the going low and going slow.    [00:06:53] That helps us to reconnect to where we came from, that I think helps us sort of release.    [00:06:59] Even sometimes what I would think of is like the panic ground around our story and our healing. Right. Like that somehow that we're not okay just as we are or that we're not able to be vulnerable enough to to to have the people behind us who passed life on to us parents, grandparents and ancestors.    [00:07:23] Like with all that it costs them.    [00:07:26] And with all that it cost us for life to be passed on. And so I've developed something called systemic relational help. That's a framework that it's really not new. It's my it's language that I'm ascribing to concepts are very old. So I think I think that Spiderweb, you know, in any system is like a web. You touch one part of that system itself by all other parts of the system. So really our work is looking at the relationships between the things in the Web and and really understanding that we are relational beings, that we are we are organisms that are part of a greater organism. And how do we come into greater conscious awareness around the things that drive us in life, the things that influence us? And I think, you know, it's about for me, healing now has more to do with consciousness than anything else. And then I and I go and that actually takes me plenty how we come full circle. Right. So takes me back 20 years to when I started working in hospice as a nurse and making documentary films around Death and Dying. And and and I remember having one of those big aha moments when I realized that some of the most significant healing I was experiencing was the healing of dying people. And just to see the health and wellness are on a continuum, but they don't define who we are as people, that healing can happen. In any bodily condition and that it's not just about the body, right? Healing is multidimensional. And and I think the more conscious we become of ourselves as multidimensional beings, the more we can see that the body is is a part of that. But it isn't the whole story.    [00:09:26] How have you restoring healing in yourself?    [00:09:32] Well, one thing I wanted to say as a story worker is, and including myself as a story worker, as a performing artist, as a writer and ways I've worked with story as well as healing and how they've interrelated in my own life. But one thing, just going back a minute, I wanted to say all stories.    [00:09:55] In my experience, must be welcome like that, there's a sense of belonging around stories. And then it's appropriate developmental. Lee And I could say this in my own experience with truth of like really leaning into being an intimate storyteller, like my ment
36 minutes | Apr 7, 2020
Restorying the Body
Camille and Tanya speak on the topic of Re-Storying the Body from their homes in the first weeks of the quarantine in the U.S. In this episode they speak of the virus, and what it's triggering individually and collectively in relationship to our bodies and to the body of the earth.    Topics and explorations in this episode include:  Vulnerability and The Body How we identify (or not) as a Body The Body as a Tuning fork The Stories We Carry in our bodies. The body as an instrument, presence in the body Ancestral trauma and grief in relationship to our bodies. Breaking through shame to embrace our own sexual nature.   Subscribe to the podcast Join our Facebook Community Restorying the Culture: https://www.facebook.com/groups/restoryingtheculture Learn more about Tanya and Camille: www.camilleadair.com www.storyleaderglobal.com Support the podcast by donating to Living bridges: https://living-bridges.org/donate/     Episode Transcript   [00:00:00] Meal is great to jump in and share.    [00:00:02] Ah, oh, that relates to our topic this week.    [00:00:06] Hey, everyone. So this some this quote on restoring the body was from humming the blues. I cast English.    [00:00:16] You're not a trophy. Not some kind of ornament, a decoration for the sky. You're a priest. You're the healer. You're the wild God who turns her ear toward heaven. Who digs her feet into the earth. Who whispers in the wind?    [00:00:40] That quote felt really appropriate for where we're at in the world right now, just so we're here to to honor the body, to honor the body during a time when when things related to the body feel very fragile. And also to talk about how we can reach story the body as part of restoring culture. So we're going to start out with Tonya actually talking about where she sees people, her clients and people that she's been working with for decades.    [00:01:12] How? How?    [00:01:15] What is their relationship to the body in terms of story?    [00:01:21] Thanks so much, Camille. And first, I just want to acknowledge that incredibly powerful quote that you shared. And I also want to acknowledge that it's March 22nd, 2020, and we are in about a week into for most people, some a little more, some a little less here in the US in to be asked to quarantine self-quarantine. Certain cities in the US have the state stay in place thing happening.    [00:01:51] So I want to acknowledge we're in quite a moment with the body and in terms of the work, I've done so for really about the past two decades, starting with my own work as a solo performer, but then moving on and building space as a story worker with such a diversity of people.    [00:02:09] I've worked with veterans. I've worked with over 100 people who've experienced cancer in their bodies as well as their beloveds, people with HIV AIDS. I've worked with marginalized voices. I've worked with prostitutes, gay, lesbian and transgender people. So I really Palestinian and Israelis with you on peace monologues many, many years ago. We did these incredible shows helping people open up their stories. And what I want to say in terms of the relationship to the body to me.    [00:02:47] OK. Couple of things.    [00:02:49] The the the issues that create the most suffering on the planet related to the body. I think if I look at if I can pull it back in a few different lenses. One is believing that one only is the body because one has not opened up to the experience of the soul, the deeper knowing of the soul and has been indoctrinated through religion, through you know, we know the whole other thing. We're always talking about patriarchy, educational systems, family systems. And I also want to acknowledge that it's trauma. And my experience with people, grief and trauma, unprocessed grief from trauma primarily that blocks the ability to a right connect with that greater sense of identity that we're soul, not just the body, that there's something deeper going on here in a field bigger than what we experience in the physical. So there's a lot about that. But also the grief and trauma lock people. Which is why it's so important to sign the words, to speak, to write through the stories, including writing through the grief, trauma, marginalized identities and painful experiences. Because when those things are unspoken and there's a sense of this is to tap to be spoken or this goes against my religion, to speak it or it goes against my family to speak it. That continues to keep people locked in to a relationship with their body. That is very frightening and very I think leads to a lot of other behaviors that don't serve, including addiction, including I mean, it can go in a lot of different directions. Right. So the biggest thing that I want to say is that trauma and grief and process locks the ability to tell the deeper stories and shift the identification in terms of yes. On the body. And that I'm a I'm as that poem said, I'm a priest in the body and the wildness in the body.    [00:04:57] I'm the infinite. I'm connected to the infinite in the body.    [00:05:02] And the body is not in contradiction to it. Actually, the body is the vessel to get there. And the stories are the vessel to get our so. Now, Camille, I can turn the question around to you in your work with ancestral healing, you have such an amazing background. You've been a clinician. You were formerly a hospice nurse. You've done so much work, including as a documentary filmmaker around Death and Dying. And you're you. You're my wonderful friend and you're you. And you're such a full being in person. Like what? What's your weigh in with this topic of, you know, the the aspect of the relationship to the body and those you've worked with in yourself? But primarily, let's say, those you've worked with through the years where where there's a calling for the topic for the identity to be restarted.    [00:06:05] Well, I think a lot of what I've learned in working with people over the years, both people who are dying and people as a family, constellation, facilitator and teacher, I would say that if I start thinking about the dying first, you know, when people know that the physical body is is the temporary shell, they start to identify oftentimes with a deeper part of themselves. Right. I mean, that's the that's really the invitation at the time of death. And hopefully we do it before then. That was a lot of my work is how to bring the wisdom of what dying people go through that actually allows them to be more alive at the end of their lives. How do we bring that to the living? And that's relevant these times right now with the scare of the Corona virus, the real, very real threat to our human lives. And so I think, you know, there's a liberation that comes from that when people on the one hand. They they get in touch with that part of them that is greater than than just the physical body, and at the same time there can be a real tenderness and a real surrender to this body has been the beloved vehicle that's taken me through this lifetime. And having a deeper appreciation of it and also just how it's you know, it's very humbling that when we experience pain, you know, oftentimes we forget about how difficult it can be to be in a body. Right now. Everyone's. Obviously, we're all trying to avoid exposure to the virus. Right. I also have seen so many people at the end of life who can't wait to leave. They literally one of the most common things that hospice people will say is, I can't wait. When am I when can I go home? And that's and that's not a product of dementia. That really is a way you start to feel like you're almost there, but you're still in this audience. The heaviness of body and pain bodies are to almost weigh the soul down. And so I guess that. Then really leads me to my constellation work and what it's been like for the last 12 to 15 years to really be able to grow myself in that framework and in mind, it's changed my work. And so it's as. When you're in a constellation, as you know, Tanya, because you're such an incredibly highly sensitive constellation representative in your own right, that when you step into the knowing field in that way, your body becomes like a tuning fork for the soul beyond space and time. And so the body is an instrument. And I have been really working with more and more as this this this body has this incredible circuitry. We have you know, we have the the the intelligence of the microbiome in the gut. You know, we have the heart intelligence that has more receptors in the brain. Right. We're so used to relying on the brain, but we're realizing that we have more than just one intelligence and we're learning how to use that.    [00:09:20] I have there's a physician, retired physician met with periodically to to do work with in terms of because we're both family constellation facilitators. And he has this wonderful process because lending his nervous system. And so it's he's taken what he has learned as a family constellation, representative and facilitator. And he actually brings that sort of into daily life with people in a presence in a way that's very healing. And so I think we're just now sort of skimming the surface for what's available in terms of healing and in terms of empathy through the body. We know that the brain has mirror neurons.    [00:10:05] So I would say that we can actually be in service to the soul through the sacred instrument of the body. And I think that's the big, big shift of moving into a more feminine way of relating to one another in the body.    [00:10:26] So I guess now what I'd love to hear from you, Tanya.    [00:10:31] Because you're actually somebody who I feel like has you. You have such a big soul and a big spirit and you have found ways that I've seen really express that in the body and really inspiring to me. I think, you know, you have kind of you've had a radical path on many levels. And I would include the
31 minutes | Mar 31, 2020
Restorying the Mother
Restorying the Culture is hosted by Tanya Taylor Rubinstein, Story Mentor and Camille Adair, Family Constellation Facilitator. In this podcast, these long-term friends explore how stories serve our lives and how they don’t. Their inquiry meanders into the realms of science, theatre, health and consciousness, moving the individual and global narratives forward as they draw upon their relationship as the laboratory for their experiments in truth. So many of us feel isolated and alone in our deepest longings. Each one of us is necessary in rediscovering the truth of our human story and listening to what is calling us forward so that we can restory the culture together. In Episode One, "Re-Storying the Mother" Camille and Tanya explore the archetype of "The Mother" through different lenses. 1. Personal Storytelling around what it means to mother and be mothered 2. "Mother as Nature" and how our consciousness impacts the earth 3. The Mother Wound 4. Archetypes of Mother: Critical, Loving and Collective 5. The Call of the Mother: What is our part in healing? 6. Patriarchal Wounding and Motherhood 7. Collective Consciousness and Mothering: How it's shifting the dominant paradigm.   Subscribe to the podcast Join our Facebook Community Restorying the Culture: https://www.facebook.com/groups/restoryingtheculture Learn more about Tanya and Camille: www.camilleadair.com www.storyleaderglobal.com Support the podcast by donating to Living bridges: https://living-bridges.org/donate/     Episode Transcript   [00:00:02] Welcome to the podcast Restoring the Culture, The Conversation, Medicine for Small Talk with Camille and Tanya. This is episode number one. And our topic today is restoring the mother. And before we get started, I just want to welcome our audience and introduce us a little bit. And in terms of the intention for this podcast, Tanya and I have been friends for over 20 years and we've gone through what longtime friends go through illness, divorce, having children, worrying about our children, you know, having business successes, having business losses, relationship challenges. And what we've decided that we want to do is to take the vulnerability of this friendship with all that that we hold with it that contributes to our wholeness and bring it to the public as a model for how women can be leaders together through vulnerability. And so you'll hear us sharing a lot about our personal relationship. And that's one of the great gifts of this life, is to have a female friend who's willing to walk through the stuff in the same way that maybe we think we're committed to walking through with them in a marriage partnership or something. But oftentimes, we don't bring that kind of commitment and intimacy to our female friendships. So what I'd like to do in introducing our podcast, Restoring the Mother, is I'd like to have Tonya talk a little bit about why restoring. Thank you so much, Camille. And hello to our new listeners, were so excited to be here with you. So at this moment in the culture and where we actually are actually standing while we are making this very first step of sode of our podcast that we planned it earlier is in the midst of the Corona virus, where most of us in the U.S.    [00:02:15] right now are being asked to stay at home. So standing in this place, obviously, clearly the paradigm is shifting the global. The way we've done things locally in families, in the culture and globaly at large, ever. All bets are off. Right. Everything's changing. Old models are blowing up, breaking apart, and something new will be growing out of something new. There is opportunity here to create new narratives for how we live or how we love, for how we work, for how we relate to each other, for how we communicate. There will be new ways of work working, new ways of being. And and the call, of course, is towards a more sustainable future for our children, our grandchildren and the earth herself. So Camille and I both have decades of experience between us. Camille has been a hospice nurse. She has been a documentary filmmaker, eh? And she is currently an incredible ancestral family, constellation facilitator, deep, deep, deep healer. I have been a in my life a solo performer, a writer, an actor. And that's my deep root system and a story, coach and story for helping thousands of people over the last 20 years share their stories in books and on stages. So between us, we have incredible background and experience and it's very complementary yet also very unique in terms of in terms of story and the importance of story. And so we're here to share that and hopefully inspiring support you in restoring your own your own lives. And I'll just add to that part of how restoring came up for us is that we have often shared clients and what we've realized is that there is a story beneath the story and that oftentimes the story that's above ground, that's in our conscious awareness, that actually that story can reinforce suffering and and difficult dynamics in our lives.    [00:04:43] And so we we kind of came together in this commitment to help bring out a new story that is not inside conscious awareness and between the two of us. We have tools for how we do that, how we take people deep to recognize things about their own story and their own families that they may not be consciously aware of. Some now time is going to share a quote on Reece that's dedicated to restoring the mother. Exactly. So this quote is actually a quote from a friend of mine, a very dear mentor of mine for many years, Peggy O'Meara, who was the founder of Mothering magazine and which was a very, if you don't know it, innovative magazine about attachment parenting and restoring the narrative of parenting in our culture. She has impacted many, I would say hundreds of thousands, if not millions of children and families. So this quote from Peggy is the way we talk to our children becomes their inner voice. The way we talk to our children becomes their inner voice. So just sort of moving into our conversation, Camille, and I know, you know, Peg goes, well, I know that quote. What does that quote mean to you? I think. What it means to me is, is it takes me actually to sort of this this lineage place, which is not a way that we think about ourselves and in this culture because we have a tendency to be so individualistic. And I think what it speaks to is the interconnectedness that the mother lives inside of us. Always. And and I think that we have sort of lost our way to track. The thing that gave us life, the things that is sort of like informing the very, very root system of our being.    [00:06:56] And so too, that's that quote for me brings that concept into conscious awareness just about how children are. These are vessels that we that we fill. And and then as the children like, part of how Tanya and I are restoring is to say, what was I filled with? What were those voices that I was filled with? And rather than. And actually being in being vulnerable, we feel the. The blessing of some of that and we feel the pain of that. And and then how do we lean into that and and move into a place of sovereignty in our own lives where we are able to take the mother with all that it cost her and all that it costs us as the one who gave us life. Some of us have have really active relationships with our mothers as friends, and and it's a very loving connection. Some people don't. Some people have very difficult histories. But the one thing that is a truth for all of us is that we all have one person who passed life on to us who is the link to our ancestral lineage. And by acknowledging that and seeing the mother as the one who passed life on it makes us stronger. And I'd love to know what you think, Tonya. Yeah. I mean, I love everything you've said, Camille, and it's so much of our work here. And I want to share very intimately a little bit about my own process with my mom, because I think about that, how the places and myself and of course and I also want to see this extends to Kosh, to all my clients I've worked with over many years, working with so many people. I'm getting on stage to share their own stories with people around their, you know, stories of having had cancer, all kinds of issues, many performers, all the intimate story.    [00:09:04] And and what I noticed is where there's creative block and where there's an inner critic. It's very likely a mother's voice. It is occasionally a teacher's voice. But the mother is so close, the aspects of our self and all that. I'll just say this for myself. The aspects of myself that have been hardest for me to heal and actually not, you know, to embrace have been areas where my mom's been critical of me. And this morning before I just sort of sit before Camille and I started this podcast, I had a little breakdown and started crying to her and saying, you know, I feel very comfortable sharing my vulnerable stories. That's actually part of what I've always been attracted to and do as a solo performer story worker. But I really judge myself and I'm highly critical of myself for where I feel unfocused, disorganized and and like messy, like I'm messy in my paperwork. I'm messy in my house. I was never formally diagnosed with ADHD as a child. I was as an adult. I often help my own clients reframe that diagnosis. I call it creative brain and Sharman's brain. You know, there's a spiritual and creative component to the way it's neurodiversity issues to its to the way we're wired. But my mom was very she was a neat nick and a bit of a control freak. And so she would really shame me honestly around like being messy. And I wasn't intentionally messy. I just didn't know how to organize things outside of myself. I can organize story internally and I can track the tiniest details to a story and never forget. But I don't organize spatially in my environment. So, you know, here I am, fifty five years old and we're doing this podca
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