Rosemary’s Baby (1968) - Feminist Allegory or Patriarchal Fairy Tale?
Rosemary’s Baby (1968) is a movie with baggage - a Rorschach test of a film that is really hard to reckon with even fifty years after its release. In one light, it’s a genius body horror film that uses Satanism as a powerful metaphor to depict the nightmare that is women’s sexuality and reproductive health in the United States. On the other hand, it is the work of none other than Roman Polanski, a man who remains a fugitive from justice, fleeing charges of sexual assault against a minor. How do we reconcile the undeniably influential legacy of this film with the reprehensible actions of its creator? Rosemary's Baby is a 1968 American psychological horror film written and directed by Roman Polanski, and starring Mia Farrow, John Cassavetes, Ruth Gordon, Sidney Blackmer, Maurice Evans, Ralph Bellamy, Angela Dorian, Clay Tanner, and, in his feature film debut, Charles Grodin. The film follows a young, pregnant wife in Manhattan who comes to suspect that her elderly neighbors are members of a Satanic cult, and are grooming her in order to use her baby for their rituals. (via Wikipedia.) *** Support the show on Patreon! (https://www.patreon.com/join/cosmicblair) Visit us at Cosmic Blair Network for more podcasts like this! (https://cosmicblair.com) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/pop-of-the-morning/support