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<h3>Research:</h3><p><a href="https://ebookcentral-proquest-com.ezproxy.lib.davidson.edu/lib/davidson/detail.action?docID=2101667" rel="noreferrer noopener" target="_blank"><u>The History of Music</u></a>&nbsp;</p><p><a href="https://ebookcentral-proquest-com.ezproxy.lib.davidson.edu/lib/davidson/detail.action?docID=2101667" target="_blank"><u>Killcoyne, Hope. 2015. The History of Music. Rosen Publishing Group</u></a>. (Retrieved August 4, 2021.)</p><p><a href="https://www.uh.edu/~tkoozin/projects/ogan/MIDAGES.html" rel="noreferrer noopener" target="_blank"><u>The Middle Ages</u></a></p><p> <a href="https://www.uh.edu/~tkoozin/projects/ogan/MIDAGES.html" rel="noreferrer noopener" target="_blank"></a></p><p> <a href="https://www.uh.edu/~tkoozin/projects/ogan/MIDAGES.html" rel="noreferrer noopener" target="_blank"></a><a href="https://courses.lumenlearning.com/musicappreciation_with_theory/chapter/introduction-medieval-music/" rel="noreferrer noopener" target="_blank"><u>Music Appreciation &ldquo;Introduction: The Middle Ages&rdquo;</u></a></p><p><a href="https://www.britannica.com/art/musical-performance/The-Middle-Ages" rel="noreferrer noopener" target="_blank"><u>Musical Performance &ndash; The Middle Ages</u></a></p><p><a href="http://www.musicappreciation.com/lecture7.htm" rel="noreferrer noopener" target="_blank"><u>Music Appreciation &ldquo;Week 5: The Middle Ages&rdquo;</u></a></p><p><a href="https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/daily-medieval-life/" rel="noreferrer noopener" target="_blank"><u>Western Civilization &ldquo;Daily Medieval Life&rdquo;</u></a></p><p><a href="https://www.britannica.com/biography/St-Gregory-the-Great" rel="noreferrer noopener" target="_blank"><u>St. Gregory the Great</u></a></p><p><a href="http://www.medieval.net/medievalholidays.htm" rel="noreferrer noopener" target="_blank"><u>Medieval Holidays</u></a></p><p><a href="https://stcatherinecenter.wordpress.com/2018/11/09/gregorian-chant-for-christmas/" rel="noreferrer noopener" target="_blank"><u>Gregorian Chant for Christmas</u></a></p><h3>Music:</h3><p>&ldquo;Victory In Praise&rdquo; by Cast of Characters</p><p>&ldquo;The First Delphic Hymn To Apollo (Ancient Greek Melody c.138BCE - Arranged For Replica Kithara)&rdquo; performed by Michael Levy</p><p>&ldquo;Parallel Organum: Rex Caeli, Domine&rdquo; performed by Schola Gregoriana of Copenhagen</p><p>&ldquo;Melismatic Organum: Benedicamus Domino&rdquo; performed by Schola Gregoriana of Copenhagen</p><p>&ldquo;Missa Aeterna Christi munera, Alleluia &ndash; Justus ut palma&rdquo; performed by Schola Cantorum Budapestiensis</p><p>&ldquo;adeste fideles&rdquo; performed by Jaroslav Orel</p><p>&ldquo;Christmas Mass &lsquo;Puer Natus&rsquo;: Graduale &lsquo;Viderunt Omnes&rsquo;&rdquo; by The Cistercian Monks of Stift Heiligenkreuz</p><p>&ldquo;La Messe De Nostre Dame: II. Gloria&rdquo; performed by Jeremy Summerly and Oxford Camerata</p><p>&ldquo;Thank You&rdquo; by Demure</p>

Episode Notes Resources:London’s Pirate Pioneers by Albert GlinskyThe Last Pirates How Pirate Radio Went DigitalRadio is My Bomb Music:“Theme One” by George Martin“flowers in the rain” by the move“Hotshot” by Scott Holmes“base” by parallel park“Just give it time” by pierce murphy“Counterattack” by parallel park“lovechances” by mikaih beats“past the barbary” by Ava LunaOther Audio:Pirate Radio AfloatJackie final BroadcastLWR sampleMiscellaneous tv news samplesTheremin bleepLive Jackie broadcast (recorded 8/13 by Karbo)Foundation FM interview

Episode NotesPictured: Composer Chen Yi; by Jack Mitchell/Getty Images.Music:“cdc1” and “cdc2” by Kosta T“Thinking of My Home” and “Spring Festival” by Chen YiMozart’s Symphony no. 40“Red Detachment of Women"“Veris Bellum Sonus” by Silva de Alegria“National Spark” by Krestovsky“Night March” by Dee Yan-Key“Arctic” by Chad CrouchOther Resources:“In Her Own Words: Conversations with Composers in the United States" by Jennifer Kelly“Speak It Louder: Asian-Americans Making Music” by Deborah Wong“Musicians from a Different Shore: Asians and Asian-Americans in Classical Music” by Mari Yoshihara“The Echoes of Chinese Exclusion” by Irene Hsu

Episode NotesPictured: Leon Theremin demonstrating Termenvox; by Bettmann, Corbis - (polish), Public Domain"Theremin: Ether Music and Espionage"Music from MC Productions:The SubconsciousLover Come Back to MeL'Ardente NuitYou're Driving Me CrazyLonesome LoverDancing with Tears in my EyesMusic from Carolina Eyck:Les BerceauxEternityDelphicVocaliseU.N. Spy Debate. Reds 'Bugged' American Embassy Lodge ClaimsNeil Armstrong Talks to the Space Center - Audio

Music on this Episode- Parsival- Valkeries- Hungarian Dances - Hungarian Rhapsody - Nürnberg - Die Meistersinger von Nurnberg - Overture (organ arr.) - Beethoven - Symphony No. 3 in E Flat Major Eroica, Op. 55 - II. Marcia funebre Adagio assai- Tannenbaum- Swan Lake Op.20 - Act I Intro - U.S. guard drums - Water Music from the Handel Show by The United States Army Old Guard Fife and Drum Corps- The Star Spangled Banner - Mendelson - Symphonie Nr. 3 a-moll, op. 56 ("Schottische")About UsCo-hosts Ross Hickman and Alexander Karbo explore stories about the power of music, the music of the powerful, music as a means to power, and what happens when music and power go head to head.

In this episode, Ross and Karbo take a look at Nina Simone’s participation in the ‘politics’ of her time—and not only the Civil Rights or Black Power movements but the broader politics of Black identity in the mid-century. How long until all Americans can take Simone’s political voice seriously?Heard on this Episode:Imagination by Yakov GoldmanMississippi Goddam by Nina SimoneThe Well Tempered Clavier by Bach and performed by Raymond SmullyanFour Women by Nina SimoneLadies of the Damned by John VallisIn Former Rings by Unheard Music Concepts Dakota by Unheard Music Concepts

Karbo and Ross examine the political messages of Calypso music from Trinidad &amp; Tobago. The popular genre has perhaps the most vivid and explicitly political words of the series. Calypsonians engage in history and identity with compelling frankness, fusing music, and journalism to speak truth to power. RESOURCES🎵Lord Brynner. “Independence Song.” 1962. 🎵Lord Cristo. “Mock Democracy.” 1966. “Election Violence.” 1962. 🎵Lord Invader. “Rum and Coca-Cola.” 1943. 🎵Mighty Sparrow. “Our Model Nation.” 1962. 📚Quevedo, Raymond. Atilla’s Kaiso: A Short History of Trinidad Calypso. St. Augustine: University of the West Indies, 1983. 🎵 “Commission’s Report.” 🎵 “Country Club Scandal.” 🎵 “The Banning of Records.” 1938. 📚Ramm, Benjamin. “The Subversive Power of Calypso Music.” BBC. October 11, 2017. 📚Regis, Louis. The Political Calypso: True Opposition in Trinidad and Tobago, 1962-1987. Gainesville: University of Florida Press, 1999. 🎵The Andrews Sisters. “Rum and Coca-Cola.” 1945. 🎵The Mighty Stalin. “The Immortal Message of Martin Luther King.” 1968.