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To mark the first day of vacation, Jeff Caldwell, extremely jet lagged after a day of travel and two nights of little sleep, took a surfing lesson and broke his big toe by jumping off the board straight onto shallow reef. Rather than spend hours in a waiting room, he returned to their rental house, found an emergency medical kit, taped his big toe to the one next to it, and crammed his foot into a shoe as if it were a cast. He had hoped to be done with shoes for the week, but flip-flops were now out of the question. | Copyright 2021 by Marc Laidlaw. Narrated by Stefan Rudnicki, Judy Young.

My reasons were selfish, but I hoped the dinner guest would succeed. She had made an effort to be presentable, even though that only amounted to plaiting her hair into a few coarse braids and shaking some of the filth from her clothes before she stepped out of the lightless passageway and into our home. But small actions carry great weight in the Mine. Husband didn’t agree. “You won’t survive this,” he said. “I can tell.” The dinner guest’s determined expression didn’t waver. | Copyright 2021 by A.T. Greenblatt. Narrated by Nan MacNamara.

It is a frequent yet mild aggravation to return to one’s car in a public parking structure and find stuck beneath the windshield wiper or in the door handle a postcard peddling Chinese delivery or Jesus, which is then folded angrily and left in the pocket of the driver’s side door until you remember to clean it out---but it is a sight more unsettling to find, instead, a black postcard advertising in bold red letters: “Exorcisms.” In the greenish fluorescent light of the cement structure, surrounded by empty spots, you might pause over the ad, might even chuckle. | Copyright 2021 by Joanna Parypinski. Narrated by Gabrielle de Cuir.

“For how long must we keep doing this?” the first lich asked the second. His dreadlocks were dry and had faded near to white, a smell not of fragrant oils, but of something long past due permeating the air around him. His eyes were tired and sucked back into his skull. “As long as it takes,” the second answered. Bent forth on his crooked staff, he observed the cauldron’s brew. “Keep churning.” A third lich stood by silently, as if deep in meditation. After a time, he too leaned his wicked bones over the pot and spit. “That should do,” he said. | Copyright 2021 by Woody Dismukes. Narrated by Stefan Rudnicki.

Like the time you put the shoes on you hadn’t worn for maybe two years but you just saw there in the corner of the closet and you wondered why you’d stopped wearing them since you kind of liked who you were that summer or at least you remember that summer favorably, and these shoes were definitely part of it, so, trying to maybe live a little bit of that time again, you hauled them out, stepped both feet into them, right first then left, like always, only what you didn’t realize but should have considered was that maybe a dark forgotten shoe-cave like that in the way back of the closet might be the perfect cool musty place for a tarantula to sleep one off for a month or two... | Copyright 2021 by Stephen Graham Jones. Narrated by Stefan Rudnicki.

We are not where we are buried. We are where they kept us. We float now, and see the low building in the woods from above, the long plates of rusted metal, the desiccated grass bundling against the sides like a pyre, the orb spider poised over a corroded edge. But when we were alive, we only knew the inside of the basement, where we had all the usual things girls have when they are being held and killed. There are thirteen of us girls. You might be thinking, oh, but can you really call yourselves girls? | Copyright 2021 by E.A. Petricone. Narrated by Justine Eyre.

I watch the closet door. I watch around them as they pray above me, their eyes closed and their hands clasped in ecstasy. Their voices drown out all other sounds---like, for instance, the creak of a slowly opening door. So I can’t close my eyes, though my head is aching. I have to watch the door. Their prayers rise and fall and bleed into one other, a nonsense incantation of sacred gibberish. They’re crying and sweating. There is no air conditioning in the old farmhouse, and the humid bedroom is fragrant with their body odors. | Copyright 2021 by Desirina Boskovich. Narrated by Judy Young.

Javi is short for Javier. Javier is short for Has the Perfect Scam. He hasn’t told anybody about it yet. Especially not the hotels. It’s not the kind of thing you get rich with---one fancy watch or a pair of earrings doesn’t exactly pay the rent---but it is the kind of thing that’s good enough for a smile at three in the morning. | Copyright 2021 by Stephen Graham Jones. Narrated by Stefan Rudnicki.

“The problem is,” she says as she spears a piece of crispy bacon skilfully enough that it doesn’t shatter, “you’ve got a revolving door for a heart.” He doesn’t like hearing things like this, mostly because she’s generally right. Ilsa’s clear-eyed about him. and that makes their friendship remarkably unfraught (apart from these moments). Unlike his other relationships. She sees him for who he is, but doesn’t stop talking to him, doesn’t judge him, not really, or if she does, she’s still friends with him. His father used to say he was his own worst enemy. | Copyright 2020 by Angela Slatter. Narrated by Stefan Rudnicki.

They lived on the last street that had been constructed before investor money ran out, and behind their row of seven houses was a long unfenced field marked KEEP OUT, within it a little hill and little retaining pond, and a row of three streetlights along an unpaved road that stopped abruptly at the foot of the hill. Trees rimmed the field, and the streetlights still lit up, so there was a touch of Narnia in every evening. Even in the brilliant summer sun, the trees were thick enough to give the woods an inviting fairy tale darkness. Narrated by Judy Young.

Welcome to Introduction to the Horror Story. This is an upper level course with extensive reading and writing assignments as well as a practical component. It has no prerequisites other than existence and consciousness, which I believe all of you possess, though I may be wrong. | Copyright 2020 by Kurt Fawver. Narrated by Stefan Rudnicki.

Every day after school, Emmy feeds the tiger with her sin. Deep in the park’s brush, past poison ivy and a rotting lawn chair and dented beer cans, the tiger dens under a dead tree. No matter what time Emmy arrives at the park, it’s always late afternoon in the tiger’s grove, tired light decaying to dusk. Under the tree gapes a great black mouth riddled with grubs. Yellow eyes gleam in the darkness. They would gobble Emmy up if she let them. | Copyright 2020 by KT Bryski. Narrated by Kate Orsini.

Amber needed a book. It was The Estates of Sarah Holliday, a delicate comedy of manners following a young woman’s trials and tribulations in 1870s New England, and it was the most obscure novel by one Charlotte Winsborough, a fussy and now almost completely forgotten nineteenth-century author Amber had chosen for her dissertation. Winsborough had enjoyed three decades of critical and commercial success in her own time, and was by about 1900 lionized as a female Twain. | Copyright 2020 by Adam-Troy Castro. Narrated by Pandora Liane Kew.

When he comes home that evening, he wants to talk. He tells her about his day, about an argument with his boss, about the new contract. He relates a funny story narrated by a colleague. He wants her to react. She has difficulty feigning the correct demeanour, or even recalling what it should be. What does sympathetic annoyance look like on her face? How do her features register amused interest? | Copyright 2020 by David Tallerman. Narrated by Stefan Rudnicki.

For the first week, she thought he belonged to the power plant; after that she knew better. She had read the obituaries. She saw him first as a silhouette, one more line of the industrial geometries overhanging the boardwalk of Broad Canal. It had been a wet, dispiriting winter full of gusts and mists, but with January the water had finally hardened into a thick pane of cormorant-black ice. | Copyright 2020 by Sonya Taaffe. Narrated by Justine Eyre.

You would have hated your funeral reception. Potato-nosed husbands clomping around our parlor in their cheap suits, stinking of naphtha and condolences. Wives with sweat-streaked powder caked in the creases of their necks, like flour-sacks brought to life by a pair of magic dentures. That’s what I kept staring at: dentures, bridges loose over gray gums, gold-mottled molars gleaming in the wells of mouths. | Copyright 2020 by Ray Nayler. Narrated by Stefan Rudnicki.

I chew the leaf and spit out my red days. They splatter. You chew the leaf and spit out your hours of mad redder. They splatter. They chew the leaf and spit out the reddest moments they have ever seen. They splatter. This is a scene of crime, chalk me, morn me, eve me. My red life drying on my chin. Your red history a bitter powder crust. Their thin red lines, their spun red webs, their red praxis and deceit. | Copyright 2020 by Vajra Chandrasekera. Narrated by Stefan Rudnicki.

Our bones are cold. It is the type of cold that comes only after death, and it will never leave us now. We mourn what must have come before: hands holding ours. Sunlight warming the tops of our heads. Cats on our laps and nightclubs where we danced out of our minds and Pop-Tarts straight from the toaster. Life, pulsing hot and fat beneath our fingers. Mother keeps us in a chest freezer. | Copyright 2020 by Claire Wrenwood. Narrated by Kate Orsini.

On Saturday afternoon we piled into Ben’s old Civic, the five of us and two dogs, and as we drove out to the edge of the state forest to hunt mushrooms, we all kept a hand on each other, in case someone vanished. Ben was driving as usual, and instead of me up front sat Hunter, his new girlfriend. They’d been together almost a year, but as a far as I was concerned, Hunter would always be Ben’s new girlfriend. It was me, Mara, and Andre in the backseat, holding each other’s hands. Narrated by Stefan Rudnicki.

The house is haunted, of course. That’s why the rent is so cheap. It doesn’t matter that it’s only April, that ghosts dream quietly when the world is in full bloom. Nearly any haunting will be small: flickering lights, a mysterious lullaby, an intrusive thought chasing the living from room to room. Fatalities are incredibly rare, though most people, even the disbelievers, fail to find that reassuring. December is not most people, not when it comes to the dead, but she promised herself twenty years ago: when I’m grown up, when I can choose, I’ll never live with a ghost again. | Copyright 2020 by Carlie St. George. Narrated by Stefan Rudnicki.