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Today is a conversation with Sheila Jasanoff about her book ‘The Ethics of Invention’ and her research and work as the Director of the STS (Science and Technology Studies) at Harvard.  *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.seanlally.net Thanks to Richard Devine for Sample permission:  

My conversation this week is with Astrophysicist Adam Frank is a leading expert on the final stages of evolution for stars like the sun, and his computational research group at the University of Rochester has developed advanced supercomputer tools for studying how stars form and how they die. Today we’re discussing his book, ‘Light of the Stars: Alien Worlds and the Fate of the Earth’.  *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.seanlally.net Thanks to Richard Devine for Sample permission:  

Chris Forman is a physicist with a PhD in protein engineering, conducting research at Northwestern University into the organization of soft matter using experimental, theoretical, and computational approaches. Claire Asher is a biologist with a PhD in evolution and genetics, specializing in the behavior of ants. A widely published science writer, she has performed at the Edinburgh Fringe Festival and the Bloomsbury Theatre and appeared on BBC 4 and BBC Radio 4. *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.seanlally.net Thanks to Richard Devine for Sample permission:  

Henry Greely is Professor of Law at Stanford University and Professor by courtesy of Genetics, Stanford School of Medicine; Director, Center for Law and the Biosciences; Director, Stanford Program in Neuroscience and Society; and Chair, Steering Committee of the Center for Biomedical Ethics. *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.seanlally.net Thanks to Richard Devine for Sample permission:  

Emanuele Coccia is an Associate Professor at the École des Hautes Études en Sciences Sociales (EHESS) in Paris. He received his PhD in Florence and was formerly an Assistant Professor of History of Philosophy in Freiburg, Germany. He worked on the history of European normativity and on aesthetics. *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.SeanLally.net Substack Instagram Thanks to Richard Devine for sample permission.

Today is a conversation about science fiction with Sherryl Vint. Sherryl is Professor of Media and Cultural Studies at the University of California, Riverside, where she directs the Speculative Fictions and Cultures of Science program. *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.SeanLally.net Substack Instagram Thanks to Richard Devine for the use of several sample permission.

This week is a conversation with curator Boris Magrini about the 'Radical Gaming' exhibition currently at the House of Electronic Arts (HEK) in Basel Switzerland. *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.SeanLally.net Substack Instagram Thanks to Richard Devine for the use of several sample permission.

Margret Grebowicz is an environmental philosopher living in upstate New York. She is the author of four books--Mountains and Desire: Climbing vs. the End of the World, Whale Song, The National Park to Come, Why Internet Porn Matters--and is currently finishing a new short book, Rescue Me: On Dog Abundance and Social Scarcity. *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.SeanLally.net Substack Instagram Thanks to Richard Devine for sample permission.

Daniel A. Barber is Associate Professor and Chair of the PhD Program in Architecture at the University of Pennsylvania. His research and teaching narrate eco-critical histories of architecture and seek pathways into the post-hydrocarbon future. We discuss on this episode his most recent book 'Modern Architecture and Climate: Design before Air Conditioning (Princeton UP, 2020)

This week is a conversation with Jackie Higgins. Jackie is a television documentary director and writer, who read zoology at Oxford University, as a student of Richard Dawkins. She made wildlife films for a decade, for BBC as well as for Channel 4, National Geographic and The Discovery Channel. She then joined the BBC's science department, researching and writing, directing and producing programs such as Tomorrow’s World and Horizon. Today we’re talking about her book ‘Sentient’.     Music samples used. Richard Devine, 'Etch n Sketch'  Cinematic Laboratory, 'Eurotrack Starter Kits ep. 01

'Rehearsing our Feelings'   When it comes to trying to plan for the future, various tools are used to help us with the process. If you have a series of appointments to attend in the coming months, you'll likely use a calendar to schedule time and place. If you plan on building a structure or a landscape, you'll likely turn to drawings to define shapes and qualities. But you could lump these two examples together (the scheduling of time and the representation of a shape) as tools that help you deliver something you know you already want. In many ways, they are both instructions to manage something you already know. We're of course aware that this isn't exactly the case. The tools we use for design have proclivities embedded within them that inform the decisions we make while using them.   But maybe we're missing the whole point here when discussing how to represent the future for people. Instead of showing them examples of how it might look, (one form or shape being better than the other) we instead need to allow people to experience a future that doesn't yet exist. There are various reasons why this could be of importance. It's possible that pressures like climate change, new forms of communication, social dynamics and an evolving human body are going to be delivering a near future so different from what we know today that there is a need to rehearse potential futures now. As my guest today, Aubrey Anable has said, 'rehearsing our feelings'.  Video games are a medium that allow the player to experience environments and social scenarios in ways that other representation can't. This is in part because they can often be played many times with different outcomes each time. And these varied experiences within games give players an active interaction that is spatial, has aesthetics and often social, moral contracts embedded within. This concept of 'rehearsing our feelings' is a way for people to be embedded in unknown realities that could very well help prepare us for a future that is uncertain. A future that might require difficult choices in how we live in a changing climate, how we engage ecological anxiety, or even how we might live together (wink wink). Rehearsing our feelings, our expectations and our imaginations for what the future might hold is likely going to include the strengths that video games can offer.  Aubrey Anable is assistant professor of film studies at Carleton University, Canada. Anable’s research is broadly concerned with film and media aesthetics in North America after 1945 with an emphasis on the ways digital computers have changed visual culture. Her book Playing with Feelings: Video Games and Affect (University of Minnesota Press, 2018) provides an account of how video games compel us to play and why they constitute a contemporary structure of feeling emerging alongside the last sixty years of computerized living. Her articles have appeared in the journals Feminist Media Histories, Afterimage, Television & New Media, and Ada. She is currently co-editing The Concise Companion to Visual Culture (Forthcoming from Wiley Blackwell).  Also try...Ep. 065 _ Dr Lisa Feldman Barrett _ ‘How Emotions are Made’   

There is probably no bigger name in science fiction in the last 50 years than Kim Stanley Robinson. Robert Markley (who I’m speaking with today) wrote a book with that very title, 'Kim Stanley Robinson' that looks at his work. The book looks at the works including the alternate histories of The Days of Rice and Salt, the future through the Mars Trilogy, as well as books like Shaman that take place 30,000 year in the past before written language. Ultimately, the work looks at how we as a species and civilization might move forward as we come to grasp the pressures facing us today.  Robert Markley is Trowbridge Professor and Head of English at the University of Illinois at Urbana-Champaign. His recent books include The Far East and the English Imagination, 1600-1730 and Dying Planet: Mars in Science and the Imagination. 

What does it mean for architecture to have character? Stewart and Allison are co-founders of Design With Company, who's work is interested in concepts that are shared between architecture and literature, including: narrative fictions, type, and character. The work has earned awards such as the Architecture Record Design Vanguard Award and the Young Architect’s Forum Award and has been featured in exhibitions such as the Chicago Architecture Biennial and Design Miami, as well as at the V&A Museum and Tate Modern in London.  Allison has lectured at institutions like MoMA in New York, the Vancouver Museum of Art, the Art Institute of Chicago, the Graham Foundation, and universities across the country and abroad. Stewart is an Associate Professor of Architecture at the University of Illinois at Chicago, and an Associate Dean of the College of Architecture, Design, and the Arts.  Mas Context 'Character' Issue

Elena Manferdini, principal of Atelier Manferdini. She currently teaches at the Southern California Institute of Architecture SCI-Arc where she serves as the Graduate Programs Chair.

Amy writes about arts, culture, and the environment. She is the Deputy Publisher of Guernica magazine and the Editor-in-Chief of the Chicago Review of Books, where she also writes a monthly column called “Burning Worlds.” It explores how contemporary fiction addresses issues of climate change.  She is also the co-editor of the anthology, House on Fire: Dispatches from a Climate-Changed World, forthcoming 2021 from Catapult. She received her PhD in English from the University of Massachusetts Amherst  and has won numerous awards including from the National Science Foundation.

Michael Benedikt is an ACSA Distinguished Professor of Architecture at the University of Texas at Austin, where he holds the Hal Box Chair in Urbanism and teaches design studio and architectural theory. He is a graduate of the University of the Witwatersrand in South Africa and of Yale University. Although he has practiced at small scale, he is best known for his writings and lectures. Architecture Beyond Experience is his ninth book. He also edited and contributed to fourteen volumes of CENTER: Architecture and Design in America, on a wide range of topics. Some of Benedikt's writings can be found at http://www.mbenedikt.com. The event and publishing activities of the Center for American Architecture and Design can be found at http://soa.utexas.edu/caad. The ISOVIST app for OSX and Windows, written by Sam McElhinney of UCA Canterbury, can be downloaded from http://www.isovists.org.

This week is a conversation with John May and we’re discussing a book he recently wrote called ‘Signal, Image, Architecture. It’s a short book with an objective to define the playing field today for this discussion. The book makes a clear distinction between that of a drawing, a photograph and an image. And in doing so makes it clear that those first two (drawing and photograph) are not what architects and designers are likely to be producing in school or practice anymore.   Instead, we’re producing images that can look like a photograph or a drawing. The distinction is important because the argument could be made that we are not taking full advantage of the proclivities of the images and therefore not engaging the tools that might best help us understand and shape our times. There are fundamental differences to the image, and it’s best to understand them and how they are likely intertwined with how we engage many of the pressures surrounding us today.    John May is founding partner, with Zeina Koreitem, of MILLIØNS, a Los Angeles-based design practice. John May is Assistant Professor of Architecture and Director of the Master in Design Studies Program at the Harvard University Graduate School of Design. He previously served as a visiting professor at MIT, SCI-Arc, and UCLA, and was named 2012 National Endowment for the Humanities Visiting Professor in Architecture at Rice University. He is the author of Signal, Image, Architecture and the founding co-director and co-editor (with Zeynep Çelik Alexander) of Design Technics: Archaeologies of Architectural Practice—an exploration of the philosophical and historical dimensions of contemporary design technologies. 

Today is a conversation with Holly Jean Buck and we’re discussing her book After Geoengineering: Climate Tragedy, Repair and Restoration.   I think for many of us that like to think we’re working in at least the general wheelhouse of climate change, we still don’t have a firm grasp of what geoengineering entails. For most of us, it’s a singular black box technology that will either help our current situation or make it worse. It’s often portrayed as a technology more so than as policy or even design. It’s characterized as a singular action rather than as a series of discrete, temporal actions that are rather wide ranging in approach. It’s also often assumed to be an already defined action waiting to be executed, which it is not.   In After Geoengineering, Holly Buck brings into focus the importance of asking what we as inhabitants of Earth are looking for on the back end of these climate remediation projects? What are we working towards and who has been part of these discussions? The book and the discussion here raise questions for the need of participatory design. The book highlights the upcoming struggle in preparing for infrastructure scale projects that if successful will be temporary in some cases. How do we restructure our value systems in order to work collectively at such a global scale.   Holly Jean Buck is an Assistant Professor of Environment & Sustainability at the University at Buffalo in New York.  She researches how communities can be involved in the design of emerging environmental technologies, and works at the interface of geography, social science, and design. Her diverse research interests include agroecology and carbon farming, new energy technologies, artificial intelligence, and ecological restoration. She has written on climate engineering including humanitarian approaches, gender considerations, and human rights issues, and is the author of After Geoengineering: Climate Tragedy, Repair and Restoration, from Verso Books. 

James Bradley is an author and critic. His books include the novels, Wrack, The Deep Field, The Resurrectionist and Clade, a book of poetry, Paper Nautilus and the Penguin Book of the Ocean and of course most recently Ghost Species.  Today is a conversation with the author and critic James Bradley and we’re discussing his recent novel Ghost Species which looks to the implications of the great upheaval occurring around climate change.   But instead of focusing solely on the technological or statistical indicators that often represent change - or focusing on a cataloguing of climate catastrophes to drive home the point – the book instead follows the lives of resurrected extinct species including our own long lost relative the Neanderthal. And it's through this storyline that we as readers' begin to question our expectations for our future, we question our terminologies and disciplinary structures set up for defining everything around us through difference.  As we learn the important of diversity, we are somehow simultaneously trapped in our own systems of cataloguing difference to express that diversity.  James gives us a quick introduction about his book just as the episode begins so I’ll leave it to him in just a moment. I really enjoyed the conversation; it was a pleasure speaking with him. Hope you enjoy it as well. 

Today is a conversation with Sylvia Lavin and we’re discussing her recent book ‘Architecture Itself and Other Postmodernization Effects’. Book Sylvia Lavin is Professor of History and Theory of Architecture at Princeton University. Prior to her appointment at Princeton, Lavin was a Professor in the Department of Architecture and Urban Design at UCLA, where she was Chairperson from 1996 to 2006 and the Director of the Critical Studies M.A. and Ph.D. program from 2007 to 2017.   She is the author of Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture. Her most recent books include, Kissing Architecture, published by Princeton University Press in 2011 and Flash in the Pan, an AA publication from 2015.   Professor Lavin is also a curator: including, Everything Loose Will Land: Art and Architecture in Los Angeles in the 1970s, was a principal component of the Pacific Standard Time series supported by the Getty Foundation and traveled from Los Angeles to New Haven and to Chicago.  Her installation, Super Models, was shown at the 2018 Chicago Architecture Biennial and most recently Architecture Itself and Other Postmodernists Myths, was an exhibition at the Canadian Center for Architecture.