Listen Now

Season 4 of THE CROWN is the most exciting and anticipated yet. Listen as cinematographer Adriano Goldman ASC BSC ABC shares behind the scenes stories, filming Princess Diana and bringing the royal family to the screen. Adriano and Go Creative Show host, Ben Consoli, discuss the show's visual evolution, lighting and cinematography challenges, why season 4 is special to Adriano, shooting on the Sony Venice, and much more! Subscribe Now! What you will learn in this episode Remotely collaborating with the colorist (01:32) Evolving look throughout the seasons (08:29) Biggest lighting challenge of seaons 4 (18:37) Portraying Princess Diana (29:02) Shooting season 4 on the Sony Venice (35:59) Prepping for a new Star Wars show (42:44) Filming with 4 cameras (45:24) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links The Crown on Netflix The Crown Season 4 trailer Follow Our Guest Adriano Goldman's Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Avoiding master shots and filming in New York City are two of the challenges that cinematographer Philippe Le Sourd ASC AFC faced while filming Sofia Coppola’s On The Rocks. Philippe and Go Creative Show host, Ben Consoli, discuss the visual approach to On The Rocks, why establishing shots aren't always necessary, working with actor Bill Murray, the choice of shooting on film, filming in NYC, and so much more! Subscribe Now! What you will learn in this episode Working with director Sofia Coppola (02:00) Filming New York in a unique way (06:18) Why On the Rocks wasn't shot as a romance/comedy (07:51) Capturing the height of New York on film (08:48) Capturing the warmth of characters (10:58) Working with a hands-on director (16:30) Working with Bill Murray (17:58) Shooting on film (22:34) Challenges of filming in New York (27:23) Approach to lighting On The Rocks (31:47) Why establishing shots were avoided (37:01) Lens package and shooting shallow (45:31) Not worrying about where the film will be viewed (48:53) Working with the film's colorist (55:53) Working during the pandemic (59:08) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links On the Rocks IMDb On the Rocks trailer On the Rocks on Apple TV+ Follow Our Guest Philippe Le Sourd's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Filming the word's smallest creatures for the Apple TV+ documentary series TINY WORLD was a giant undertaking. Learn how executive producer, writer and creator Tom Hugh-Jones got it done.  Tom and Go Creative Show host, Ben Consoli, discuss the fundamentals of filming creatures in their natural habitat, the series' crazy short filming schedule and logistics, using probe lenses, why the dung beetle was the most challenging to film, and much more! Subscribe Now! What you will learn in this episode How Tiny World is different from other nature docs (02:30) What an executive producer does (05:57) Why the shooting schedule was so quick (08:42) Logistics of shooting across the world (11:45) Pre-production and planning of nature docs (14:22) Fundamentals of filming nature (18:12) Essential coverage to tell a story (23:23) Camera and lens package (30:16) Using probe lenses and mirror prisms (32:34) How to avoid scaring animals while filming (35:39) Why dung beetles were most challenging to film (38:06) New challenges in season 2 of Tiny World (40:23) Carefully-chosen lighting equipment (47:23) The fun job of recording sound for nature docs (51:24) Why Avid was the best choice for post production (56:46) How Tom got into wildlife photography (01:00:29) Tips for aspiring nature photographers (01:06:57) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Tiny World — Official Trailer l Apple TV+ Tiny World on Apple TV+ Tiny World on IMDb Phantom VEO Laowa Probe Lens Optex Excellence Probe Lens Follow Our Guest Tom Hugh-Jones' IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

With all the new restrictions, social distancing, and guidelines due to COVID-19, it's hard to keep everything straight. Jamieson Shea, a health and safety consultant for production, comes on the show to discuss how we can all return to work. Jamieson and Go Creative Show host, Ben Consoli, discuss the importance of having a safety consultant on set, guidelines for small and large productions, bubbles for talent to keep them safe, and much more! Subscribe Now! What you will learn in this episode Importance of a health and safety consultant (02:04) COVID-19 guidelines for small productions (10:27) Challenges of working with talent during COVID-19 (26:02) Clients remotely watching video feeds (28:03) COVID-19 guidelines for Hollywood productions (31:14) How Jamieson got into the industry (40:25) How the music industry is affected by COVID-19 (43:07) Jamieson's experience in the music industry (47:16) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links White Paper Industry Wide Labor Management Safety Committee Task Force Safe Way Forward Follow Our Guest Jamieson Shea’s website Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

The future of filmmaking is here and it's virtual! Learn what it takes to be a virtual filmmaker and how productions such as The Mandalorian are using this virtual technology now. Cinematography Database's Matt Workman comes on the show to talk all about it. Matt and Go Creative Show host, Ben Consoli, discuss how the COVID-19 pandemic ushered in a new way of virtual filmmaking, what you need to get started with virtual productions, the challenges you may face, and so much more! Subscribe Now! What you will learn in this episode Best microphone for podcasting (02:03) How COVID-19 has brought virtual filmmaking mainstream (04:11) Matt's experience with virtual filmmaking (06:49) How The Mandalorian used virtual filmmaking (09:28) Aspects of virtual filmmaking you can control (15:35) How to monitor virtual filmmaking (19:06) Challenges of virtual filmmaking (23:35) Getting started with virtual filmmaking (36:43) Finding virtual filmmaking studios (41:05) Using green screen with virtual filmmaking (45:46) Finding virtual sets (50:07) Offering virtual filmmaking to clients (52:33) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Unreal engine nDisplay Unreal Engine Facebook Group Follow Our Guest Cinematography Database on YouTube Cinematography Database on Instagram Matt Workman's website Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Learn how color theory, surreal lighting, and camera motivation bring Ryan Murphy's Ratched to life with cinematographer Simon Dennis BSC. Simon and Go Creative Show host, Ben Consoli, discuss the connection to One Flew Over the Cuckoo's Nest, shooting on the RED Helium camera, giving a dream-like feel with ultra-hot highlights, lighting 360 degree sets, and much more! Subscribe Now! What you will learn in this episode The world of Ryan Murphy (02:15) Use of color theory in Ratched (05:37) How Ratched ties into One Flew Over the Cuckoo's Nest (07:09) How production design can influence cinematography (13:14) Shooting on the RED Helium camera (21:20) Giving a dream-like feel using blown out lights (25:05) Challenges of lighting for 360 sets (35:30) Techniques for filming crazy characters (40:13) Filming blood and gore (47:04) Building tension in a scene (49:30) Use of camera filtration for Ratched (56:08) The current ways of filming while wearing PPE (59:40) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Ratched IMDb Ratched on Netflix Ratched trailer Follow Our Guest Simon Dennis BSC’s IMDb Simon Dennis BSC’s website Simon Dennis BSC’s Twitter Simon Dennis BSC’s Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Cinematographer Robert McLachlan ASC CSC takes us behind the scenes of HBO's Lovecraft Country and teaches us how he blends fantastical science fiction with a grounded 1950's period look.  Robert and Go Creative Show host, Ben Consoli, discuss how Indiana Jones and The Goonies inspired his work, creating believable science fiction, natural lighting, strategies for filming underwater, how to light legendary actors, and so much more! Subscribe Now! What you will learn in this episode Stock vs custom Zeiss lenses (01:33) Working with and lighting talent (14:10) Why Robert chose the Sony Venice (26:47) Natural approach to lighting Lovecraft Country (32:33) Challenges of filming with water (41:38) Filming underwater in Lovecraft Country (50:46) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Zeiss Supreme Prime Lenses Dedolight Octodome Arri Maxima Litra Lights Follow Our Guest Robert McLachlan’s IMDb Robert McLachlan’s website Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

The founder of Sandwich, Adam Lisagor, changed video production and advertising by inserting his own personality into his work for brands including Slack, Warby Parker, Airbnb, Uber, and more! Learn how Adam built his enormously successful production company, Sandwich, and his thoughts on the future of video production. Adam and Go Creative Show host, Ben Consoli, discuss how he became a hit spokesperson, harsh lessons learned with clients, the important way to approach pitches, how Adam's team is producing videos during the pandemic, virtual filmmaking, and so much more! Subscribe Now! What you will learn in this episode How Adam became a hit spokesperson (02:51) The beauty of being straight-forward in ads (13:32) Adam's early experience with production (17:48) Harsh lessons learned with clients (26:04) The important way to approach pitches (34:23) How to approach client budget (44:22) Sandwich's pre-production process (47:07) Lessons learned during Adam's career (55:52) Adam's favorite project he's worked on (59:04) Remote camera production (01:02:13) How virtual production is the future of filmmaking (01:11:00) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Follow Our Guest Sandwich’s Website Sandwich’s Slack advertisements Sandwich on Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Go behind the scenes of Ridley Scott's new HBO series, Raised by Wolves, with cinematographer Erik Messerschmidt ASC. Erik and Go Creative Show host, Ben Consoli, discuss creating the unique look of the series, the challenging locations for scenes, differences between American and South African film crews, lighting challenges with multiple cameras, and much more! Subscribe Now! What you will learn in this episode Getting involved with Raised by Wolves (02:20) American crew vs South African crew (04:34) About Raised by Wolves (10:11) Challenging locations of the series (12:31) Giving a feeling of vulnerability (18:20) Collaborating with other cinematographers (23:33) Allowing the camera to participate in the scene (29:04) Approach to lighting (32:30) Shooting day for night (37:30) Visual approach to flashbacks (48:36) Erik's favorite scene to film (53:14) Filming in-camera effects (55:28) What's next for Erik (59:09) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Cinematography of Mindhunter (with Erik Messerschmidt ASC) GCS219 Raised by Wolves trailer Raised by Wolves IMDb Follow Our Guest Erik Messerschmidt ASC’s IMDb Erik Messerschmidt's Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Legendary camera operator Mitch Dubin SOC ACO has worked with Steven Spielberg on 17 films and he shares his experience with us!  Mitch and Go Creative Show host, Ben Consoli, define what it means to be a camera operator, how Mitch got involved with Steven Spielberg, filming Saving Private Ryan, and so much more! Subscribe Now! What you will learn in this episode Defining the role of a camera operator (02:13) Working with legendary director Steven Spielberg (04:58) Relationship with director vs DP (17:19) How to prep for camera operating (22:50) Shoot schedule for a camera operator (26:17) How to stay out of the talent’s way (29:07) Providing your own camera operating style (31:45) Filming Saving Private Ryan (35:47) Why type of camera doesn’t matter (44:25) Shifting from film to digital (46:06) Filming during COVID-19 (47:26) Filming the new West Side Story (51:22) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Garry Winogrand The Black Stallion Film SOC: Getting back to work during COVID-19 Follow Our Guest Mitch Dubin on IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Disney's highly-anticipated live-action remake of Mulan is here! Cinematographer Mandy Walker ASC ACS gives us a behind the scenes look at making the film. Mandy and Go Creative Show host, Ben Consoli, break down Mulan's epic battle scenes, gender roles in cinematography, the perfect camera and lens combination for the film, using custom specialty lenses to draw focus, and more! Subscribe Now! What you will learn in this episode Having this version be different from the animated classic (03:23) Visual inspiration from Chinese culture and films (08:56) Filming the great battle avalanche scene (14:46) Filming Mulan differently as a man vs woman (26:08) Filming the locked-down tracking shots (30:32) Prep to film battle scenes (34:27) Crafting and testing custom lenses (35:19) Lighting in a quick but effective way (42:07) Benefits of using a base LUT (50:05) Challenge of lighting for moonlight (53:19) Returning to work during the pandemic (56:07) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Disney+ Mulan IMDb Mulan trailer Follow Our Guest Mandy Walker’s Instagram Mandy Walker’s website Mandy Walker’s IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Learn how the golden age of photojournalism inspired the cinematography for the Emmy-Nominated “The Plot Against America” with director of photography Martin Alghren.  Martin and Go Creative Show host, Ben Consoli, discuss his use of deep focus to create a believable alternative history, and  the perfect camera/lens combination to achieve the unique look. Plus the challenges of filming car scenes, changing camera movement throughout the series, shooting day for night, and more! Subscribe Now! What you will learn in this episode Visually creating an alternative history piece (02:56) Having a period piece not feel sentimental (11:12) Choosing the perfect camera and lens pair for deep focus (13:06) Shooting with deep focus (18:42) Accommodations for lighting a period piece (29:45) Building practical backgrounds on set (34:56) Challenges of filming car scenes (37:51) Changing camera movement throughout the series (44:37) Martins approach to using a LUT (46:30) Shooting Day for Night (50:09) Martin's most challenging scene to film (56:15) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links The Plot Against America on HBO The Plot Against America IMDb The Plot Against America Trailer Follow Our Guest Martin Ahlgren’s IMDb Martin Ahlgren’s Website Martin Ahlgren’s Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Emmy-nominated cinematographer Benedict Spence joins us to discuss his strict visual approach to season two of Netflix's End of the F***ing World. Benedict and Go Creative Show host, Ben Consoli, discuss his process creating a strict visual rule book, using center framing to make characters feel isolated, working on a very tight schedule, most embarrassing moment on set, and much more! Subscribe Now! What you will learn in this episode Obstacles of joining a show in its second season (03:20) Approaching visuals in a minimal way (11:17) Creating the show's visual rule book (20:38) Making characters feel isolated using center framing (23:49) Only getting essential shots on a tight schedule (27:08) Shooting on the Arri Alexa LF with Zeiss lenses (33:28) Benedict's best and worst shot of the season (42:02) Zoom lenses and filtration (44:58) Approach to lighting (47:20) Filming an entire scene at blue hour with no lights (52:47) Best part of filming the series (59:29) Most embarrassing moment on set (01:00:41) Importance of a gaffer (01:02:02) Which crew member would you live with? (01:03:30) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links The End of the F***ing World on Netflix The End of the F***ing World IMDb The End of the F***ing World Season 2 Trailer Follow Our Guest Benedict Spence’s IMDb Benedict Spence’s Website Benedict Spence’s Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Go behind the scenes of Netflix's popular superhero series, The Umbrella Academy, with director of photographer Craig Wrobleski CSC. Craig and Go Creative Show host, Ben Consoli, discuss combining the visuals of comics with reality, shooting on the Alexa 65 and using wide lenses, Craig's philosophy on camera movement, the importance of communication on set, and much more! Subscribe Now! What you will learn in this episode Filming during COVID-19 (03:05) The Umbrella Academy synopsis (14:18) Combining comic visuals with reality (16:51) Visual differences between season 1 and 2 (25:14) Shooting on the Alexa 65 and using wide lenses (29:40) Philosophy on camera movement (36:24) Challenges of filming a period piece (39:59) Incorporating color and lighting (45:16) The importance of communication on set (01:01:20) And more!  Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Umbrella Academy IMDb Umbrella Academy Season 2 Trailer Umbrella Academy on Netflix Follow Our Guest Craig Wrobleski’s website Craig Wrobleski’s Instagram Craig Wrobleski’s IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

We review the hottest new camera releases from Sony, Canon, and Blackmagic with Matthew Allard ACS of Newsshooter. Matt and Go Creative Show host, Ben Consoli, discuss how COVID-19 has impacted trade shows, if the Sony A7S iii a worthy upgrade, Canon's new EOS R5 and R6 mirrorless cameras and their overheating controversy, Blackmagic's 12K Ursa Mini Pro camera, and more! Subscribe Now! What you will learn in this episode Are trade shows a thing of the past? (02:28) Thoughts on the newly announced Sony A7S iii (09:33) Is the A7S worth the upgrade? Canon’s new EOS R5 and R6 (31:01) Is the Canon R5 truly 8K? Should you purchase the Canon R5 or R6? The incredible specs of the Blackmagic Ursa Mini Pro 12K (43:05) How the Teradek Serv Pro will help remote shoots (53:43) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Sony A7S III Canon EOS R5 and R6 Blackmagic URSA Mini Pro 12K Follow Our Guest Matthew Allard Twitter Newshooter.com Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Learn the unique challenges and skills it takes to edit dramas, comedies, and documentaries with Mrs. America editor Todd Downing ACE. Todd and Go Creative Show host, Ben Consoli, discuss his process going through all the raw footage, working with assistant editors, why he likes to make an edit work without music, the challenges of editing comedies and documentaries, his work on FX's Mrs. America, and much more. Subscribe Now! What you will learn in this episode Starting on a project as an editor (02:24) Making an edit work without musical score (07:33) COVID-19's effect on Mrs America (12:15) Editing so many different genres of projects (16:00) Challenges of editing comedies (19:53) Skills to be a great documentary editor (23:45) Going through all the footage in Mrs America (31:04) Process working with assitant editors (34:22) Editing the hallucination scene in Mrs America (36:29) Determining a show's pacing (40:51) Choosing between takes as an editor (44:48) Collaborating with other editors (46:36) Post production process after editorial (49:23) Advice for new editors (51:39) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Mrs. America IMDb Mrs. America Trailer Mrs. America on Hulu Follow Our Guest Todd Downing’s IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Discover the challenges of filming a comic series based in a dramatic reality with HBO's Watchmen cinematographer, Xavier Grobet ASC. Xavier and Go Creative Show host, Ben Consoli, discuss overcoming the visual challenges of Watchmen, the difficulties of lighting and filming masked characters, the unique camera rig used for Looking Glass' reflective shield, advice for new cinematographers, and more! Subscribe Now! What you will learn in this episode Visual challenges of shooting a comic series based in reality (02:30) Xavier’s prep process for Watchmen (16:16) Shooting on the Alexa Mini with various lenses (23:52) Discussing Watchmen's various looks (25:27) Approach to lighting for Watchmen (29:38) Challenges of filming masked characters (31:42) The camera rig used for Looking Glass’ mask (36:13) Collaborating with the VFX team (39:08) Xavier’s approach to blocking scenes (42:24) Beginning a film career in Mexico (46:51) Advice for new cinematographers (48:18) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Watchmen IMDb Watchmen on HBO Follow Our Guest Xavier Grobet’s Website Xavier Grobet’s IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Listen as we explore the cinematography of the Apple TV+ film GREYHOUND with Director of Photography Shelly Johnson ASC. Shelly and Go Creative Show host, Ben Consoli, discuss working with legendary actor Tom Hanks, recreating a WWII battle at sea, Shelly's focus on camera performance, using a white screen instead of green screen, the challenges of naturally lighting the interior of a dark battleship, and much more. Subscribe Now! What you will learn in this episode Filming for theatrical vs streaming (03:22) Visual approach to Greyhound (07:00) Why it took Tom Hanks 10 years for financing (13:25) Shelly’s focus on camera performance (18:05) Recreating a battleship as a set (29:06) How Shelly didn’t test his lenses until day one of filming (35:27) Lighting the dark battleship interior (41:17) Using a white screen instead of green screen (45:55) Filming and lighting the night scenes (53:02) Challenges of filming with water (58:56) Working with Tom Hanks (01:03:43 Shelly’s favorite sequence in Jurassic Park 3 (01:09:16) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Greyhound trailer Greyhound on Apple TV+ Inside look at Greyhound https://www.panavision.com/products/sphero-65-lenses Follow Our Guest Shelly Johnson’s IMDb Shelly Johnson’s Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Learn what it takes to shoot incredible sci-fi and action films with Devs, Annihilation, and Mission Impossible: Fallout cinematographer Rob Hardy BSC.  Rob and Go Creative Show host, Ben Consoli, discuss the unique visual and lighting approach of Devs, working with director Alex Garland, shooting and lighting VFX shots in Annihilation, the incredible sky diving sequence in Mission Impossible: Fallout, and so much more! Subscribe Now! What you will learn in this episode Rob's career after Ex Machina (03:28) Collaborating with the production designer on Devs (09:42) The unique way of lighting the cube set (11:57) Why Rob and Alex Garland don't reference other films (20:16) Lighting philosophy of Devs (24:55) Camera and lens tests and shooting on Sony Venice (36:00) Resuming production after COVID-19 (43:47) Rob's love for shooting anamorphic (47:30) The long take style of Devs (51:01) Lighting outdoor scenes of Annihilation (52:50) Shooting VFX heavy shots (56:38) Filming stunt shots on Mission Impossible Fallout (59:34) Filming the skydiving scene in Mission Impossible Fallout (01:12:42) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Devs on Hulu Devs trailer Devs IMDb Bathroom fight scene in Mission Impossible: Fallout Skydiving sequence in Mission Impossible: Fallout Follow Our Guest Rob Hardy’s IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Master the art of creating visual tension and suspense with Michael Gioulakis, cinematographer of Us, Servant, It Follows, and more! Michael Gioulakis and Go Creative Show host, Ben Consoli, discuss working with directors M Night Shyamalan and Jordan Peele, using untraditional coverage in 'Servant', the challenges of shooting with doppelgängers in 'Us', giving a sense of unease in horror, and much more! Subscribe Now! What you will learn in this episode Working with director M Night Shyamalan (01:32) How M Night Shyamalan uses camera movement (11:16) Working on an Apple TV+ show (13:00) Challenges of shooting Servant (16:18) Using untraditional coverage in Servant (17:54) Lighting the house in Servant (20:27) Using high contrast soft lighting (28:01) Filming dark cinematography (29:17) Working with Jordan Peele on Us (32:32) Filming with doppelgängers and lighting approach (35:29) Camera package for Us (41:09) Filming the final fight scene (44:25) Giving a sense of unease in horror (46:18) Approach to lighting It Follows (50:38) Visual approach for Under the Silver Lake (52:07) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Servant IMDb Us IMDb Photographer Gregory Crewdson Follow Our Guest Michael Gioulakis’ IMDb Michael Gioulakis’ Instagram Michael Gioulakis’ website Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter