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Ric eagerly awaits summer with rare music by Ronnie Mayor (Tours) and Tom Hartman (Aerovons). Lost soul singles by Bettye Swan and Nella Dodds are celebrated and a tape of Jonathan Richman is used to say goodbye to winter. A new sponsor is welcomed to the show. Recommend More Lost Time to a friend, subscribe on iTunes and rate the show five stars.

On the first More Lost Time of the new year, host Ric Dube plays rare UK music by the Shy Limbs, the Nips and the New Hearts, underrated German rock from 18th Dye and Wuhling, all-American '60 garage rock by Don (Pierce) and the Agitators, and stunning vocals from Angola by Teta Lando. Dube ruminates on his recent flu and self-prescribed regimen of non-stop Bob Newhart episodes.

Host Ric Dube discusses the advantages and disadvantages of bothering to pay attention to one's health. He also plays rare music by several acts including Dolly Mixture, the Clean and the Spelling Mistakes. He wonders about a Chicago dance craze heard about on a record by the Daylighters -- and plays another great one from Canada, by Simply Saucer. A former sponsor is welcomed back: Crash Landing, the combination energy drink and sleep aid.

Host Ric Dube plays rare music from his collection including an early recording by the Fleshtones, UK power pop by the Exits and Excel, blue-eyed rock and soul by the Rob Hoeke Rhythm and Blues Group and much, much more. The end of summer is mourned, and the return of a long-lost sponsor (My Friend Sticka 100% Horse-Free Glue) is celebrated.

On this More Lost Time, we stand on guard for thee Canadian rock by under-appreciated acts including (but by no means limited to) Modern Minds, the Bureaucrats, the 409s, Ferrari's of Canada (sic) and Huevos Rancheros. A very mysterious 1979 record by Dundas is considered, the lost early works of Edward Bear are unearthed, and the various flavors of Top Ramen are not hotly debated.

This More Lost Time features crossover rock and soul by the Isley Brothers, middle American genius by the Embarrassment, west coast brilliance by the Pop-O-Pies, east coast icon Jonathan Richman and much more. Stooges drummer Scott Asheton and Stax soul artist Judy Clay are remembered. A performance by the Stooges is the sponsor of the podcast, and while it's too late to see the show, it's worth mentioning that you could have bought your tickets at Orange Julius.

More Lost Time host Ric Dube talks about Boston rock legends the Cars and plays rare demos and a selection of cuts produced for other artists by frontman Ric Ocasek. Additionally, a live track is played within a brief argument presented less in defense of the Cars as performers and more in condemnation of their weakness as a live act as a useful topic of conversation. Ocasek's solo material is highlighted. Also, an exclusive interview with the Cars...is assembled from old audio clips.

Host Ric Dube welcomes 2014 with lost UK pop by the Stereotypes, soul sides by the Van Dykes and Ann Peebles, rare stoner rock by Fu Manchu, and a seldom heard ballad by the mysterious Mr. F. Seeing the bright side of beginning a new year by way appreciating the end of the holiday season is discussed. The show's sponsor is the jukebox edition of the Buckinghams' "Kind of a Drag."

On this installment, an underground funk classic by Prophet and the Disicples, UK rock from the Fall and Blue Orchids and Japanese pop by Nakatsuka Takeshi and Cornelius. Also, Ric Dube realizes where the name for the Bagster comes from.

The best way to support the family of the late singer/songwriter Charlie Chesterman is to contribute to: Friends of Charlie Chesterman, c/o Juliann Cydylo, 18 Mayhew Street, Dorchester, MA 02125. The best way to celebrate his life is enjoy the rare music on this installment of More Lost Time, which includes live recordings and radio sessions by Charlie Chesterman's bands, Scruffy the Cat and the Law.

With the end of a summer hiatus comes a new More Lost Time featuring a pair of UK power pop singles that echo the massive effect XTC had on England during the late '70s and two brilliant examples of Australian rock from the same period. Also, '60s garage rock from the Dennisons, a psychedelic classic from the Sands, and the closing of Hoboken nightclub Maxwell's is mourned via a rare live track by the Bongos -- the local live act that inaugurated the best known incarnation of the tavern's existence. This episode of More Lost Time was sponsored by a famous LP collection of classic rock available via mail order (hint: it celebrates the "freedom" of rock).

On the new More Lost Time, music archivist Ric Dube shares a secret for dulling the sting of aging (hint: it involves being around people even older than yourself). Also, live music from the UK's legendary Jam, power pop by Scotland's the Questions, stoner rock by Dutch bands Dragonfly and Bag. The episode is sponsored by an offer for a record you may not borrow: "My brother, you've got to buy your own."

Host Ric Dube celebrates the 50th More Lost Time with rare punk by the Purple Hearts and Woody and the Splinters, neglected soul by the Temptations and the Foundations, and lost pop singles by the Uniques and the Next Exit. The value of designating official state rock and roll songs is addressed and mocked. Guests Jay Kumar (of the Completely Conspicuous podcast) and Jay Breitling (ClickyClickyMusic.com) drop by the studio to congratulate Ric on 50 podcasts.

On the first More Lost Time of 2013, host Ric Dube plays rare recordings by the usual broad range of acts including a pair of career re-defining cuts by Bo Diddley, '80s UK pop by the Bluebells, regretfully forgotten '70s punk by the Desperate Bicycles, lost '60s garage rock by the Todds, and unfamiliar 60's French novelty pop by Edouard. Also, a briefly notable supergroup of the late '70s that, while not particularly distinguishable from other acts of its sort, represents a method of charity fundraising wildly preferable to equipping Trick or Treaters with coin boxes. Listeners are encouraged to help grow the audience.

Music archivist Ric Dube selects rare music from his collection once again, including Huntington Beach punks the Crowd, Brighton UK's Emma Sharpe and the Features, and both sides of a lost soul 45 by Joe Matthews. Speaker melting guitar and organ garage rock by the Ultimates and Grapple is showcased and More Lost Time bids goodbye to its fall intern.

The latest More Lost Time features Dutch power trio Big Wheel, whose initial vocalist, Cyril Havermans, left to join Focus, and included in a later lineup guitarist Aad van der Kreeft, who’d left Blue Planet. Neither Havermans nor van der Kreeft are featured on the 45 featured on the podcast, though host Ric Dube pleads a case for using whatever trivia he could find. Listeners of the show are asked to research the origin of a famous lie from old TV commercials for mail order records. Other rare music included in this installment include cuts by Johnny Foreigner, Mary Timony, 60's garage rockers the Legends and Thursday's Children, and an acoustic track by Teenage Fanclub.

It's not THE Scorpions, it's just SCORPIONS, explains More Lost Time host Ric Dube, as a premise to spinning no records by the iconic German hard rock act. Instead it's rare pop by Bishop Allen and Banjo Spiders, funk and soul by the Counts and Brenton Wood -- and both sides of a lost 45 by Long Island legends, the Good Rats. Also, Mark Spitz and Paul Westerberg, in that order.

For what might the most globally diverse installment of More Lost Time yet, host Ric Dube plays rare recordings from Nova Scotia, Solihull (UK) -- as well as 60s Indonesian legends Dara Puspita. US acts are represented by Boston, Seattle, New York and where ever Mac Davis is from. That's right. Mac Davis.

For a Labor Day weekend installment of More Lost Time, record collector Ric Dube does not mention Labor Day even once, though he does point out that it has become easier to see a drive-in movie than shop for rare records. He also plays selections by Wales Wallace, the Ramones, the Miracle Workers, Vince Mole and his Calcium Orchestra, as well as Davy Jones. Not that Davy Jones, another Davy Jones. And not that other Davy Jones, a different one. Also, Dube attempts to defend a commonly maligned British Invasion act, with either successful or unsuccessful results, depending on how you look at it.