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Gareth finds Dan at the optometrist, and Tristan arrives on a surprising mode of transport. This episode's guest is Maxine Kwok, first violinist in the London Symphony Orchestra. No stranger to the famous Abbey Road studios, Maxine has recorded with the LSO, and on a freelance basis, almost a hundred film and television soundtracks.Links Maxine's website: http://bit.ly/3oeflNo Say hello on social media: Twitter: @screenlesspod Instagram: @screenlesspod Facebook: @screenlesspod Find out all you need to know and listen to bonus content at www.makingasoundtrack.com Making A Soundtrack season 2 is produced by Gareth Davies, Dan Watts and Tristan Noon for screenless.  

Gareth, Dan and Tristan have a difference of opinion on the bus. Tristan chats with conductor Matt Dunkley, who has worked on a huge range of productions from The Dark Knight to No Time To Die. Links Matt's website: http://bit.ly/2Wb0RBu Matt's Facebook page: https://bit.ly/3nkeDh1 Say hello on social media: Twitter: @screenlesspod Instagram: @screenlesspod Facebook: @screenlesspod Find out all you need to know and listen to bonus content at www.makingasoundtrack.com Making A Soundtrack season 2 is produced by Gareth Davies, Dan Watts and Tristan Noon for screenless.  

Gareth, Dan and Tristan continue their orchestral soundtrack journey. Tristan chats with guest George Strezov, an orchestral fixer working in Bulgaria. George has worked on productions such as Solo: A Star Wars Story, His Dark Materials and Midsomer Murders. Links George's website: http://bit.ly/3kLvAzI Four For Music website: https://bit.ly/3l2LkhK Say hello on social media: Twitter: @screenlesspod Instagram: @screenlesspod Facebook: @screenlesspod Find out all you need to know and listen to bonus content at www.makingasoundtrack.com Making A Soundtrack season 2 is produced by Gareth Davies, Dan Watts and Tristan Noon for screenless.  

Gareth, Dan and Tristan talk about music preparation. Tristan chats with copyist Jill Streater. Jill ​manages large scale music preparation projects. This is mostly for film music recordings, but also for musicals, classical works, TV - anything where music prep or project coordination is required. Recent projects include Wonder Woman 1984, Enola Holmes and No Time To Die.LinksJill's IMDb page: https://imdb.to/33uWKob Say hello on social media: Twitter: @screenlesspod Instagram: @screenlesspod Facebook: @screenlesspod Find out all you need to know and listen to bonus content at www.makingasoundtrack.com Making A Soundtrack season 2 is produced by Gareth Davies, Dan Watts and Tristan Noon for screenless.  

Gareth, Dan and Tristan talk about what orchestration is, and Tristan chats with guest Alastair King. Alastair has orchestrated over 100 film, TV and video game productions including Wonder Woman, Harry Potter, The Martian, Downton Abbey and Doctor Who. He regularly collaborates with some of the leading media composers working today. Links Alastair's website: https://bit.ly/3iwQ7Gu Dorico: http://bit.ly/2HmwdRm Sibelius: http://bit.ly/2HpZnPu StaffPad: http://bit.ly/2FK5C0d Say hello on social media: Twitter: @screenlesspod Instagram: @screenlesspod Facebook: @screenlesspod Find out all you need to know and listen to bonus content at www.makingasoundtrack.com Making A Soundtrack season 2 is produced by Gareth Davies, Dan Watts and Tristan Noon for screenless.  

Gareth & Dan are joined by a very special guest host for the series. This week's guest is Segun Akinola - a composer for film and television - best known for his music in the latest incarnation of 'Doctor Who', starring Jodie Whittaker. LinksSegun's website: https://bit.ly/31sCyCk Doctor Who Series 12 soundtrack: https://bit.ly/3gtKKGM Say hello on social media:Twitter: @screenlesspod Instagram: @screenlesspod Facebook: @screenlesspod Find out all you need to know and listen to bonus content at www.makingasoundtrack.com Making A Soundtrack season 2 is produced by Gareth Davies, Dan Watts and Tristan Noon for screenless. 

From composer to screen: the journey of the orchestral score.We all know that the composer writes the music for a soundtrack, but what about all the people we don't see or hear about? Making A Soundtrack Season 2 will shine a light on all of the people who contribute their time, energy and skill to bring an orchestral soundtrack to life.Making A Soundtrack Season 2 will start on Friday 6th November, with an episode every two weeks until March 2021.Find out more at www.makingasoundtrack.comSay hello on social media:Twitter: @screenlesspodInstagram: @screenlesspodFacebook: @screenlesspod

Dan embraces his inner smurf while Gareth binge-watches Disney+. They also chat with these fabulous guests: Daisy Coole & Tom Nettleship (Composers) (Two Twenty Two Music) Claire Batchelor (Composer) Banks & Wag (Composers) Laura May (Music Publisher) Tristan Noon (Composer / Orchestrator) Links: PRS Foundation MU Coronavirus Hardship Fund Ivors Academy eatsleepthink Government guidance Subscribe to the podcast wherever you listen to them. Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

This is the final episode of series 1! Dan & Gareth reflect on the first series of Making A Soundtrack and how the album is shaping up. They also look back at the wonderful advice the series guests have provided. Subscribe to the podcast wherever you listen to them. For more information about the series and all of our fantastic guests, visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless.

Gareth adds strings and piano to the theme tune, and Dan talks through track 6 to illustrate his mixing process. Next week's episode will mark the end of series 1 of Making A Soundtrack (booo). To celebrate we are going to the Royal Festival Hall (Central Bar) next Saturday 25th January from 6pm. Anyone and everyone is welcome, so come along and have a chat. All the details are on the website, and there's an event set up on our Facebook page if you'd like let us know you're coming. ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless.

This week Gareth makes the 100 mile journey to Dan's studio where they approach track 2 (the theme tune) and make notes for the rest of the album. They also chat with Skywalker Sound's supervising sound editor, sound designer and re-recording mixer Tim Nielsen about all things sound (and maybe a little bit of Star Wars). You can find out more about Tim at www.skysound.com/people/tim-nielsen Follow Tim on social media: Twitter: @TimNielsen Instagram: @timnielsen71 ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Dan & Gareth are taking a Christmas break! The next episode will be on 10th January. In this episode they attempt a Christmas carol, progress track 9 and chat with composer Ian Arber about Mission Impossible and recent BBC drama 'The Capture'. You can find out more about Ian and his work at www.ianarber.com Twitter: @ianarber Instagram: @ianarber ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Dan practises his conducting and Gareth makes a start on track 9. They also chat to composer, conductor and orchestrator Jeremy Holland-Smith about his work on dramas Les Miserables and The Musketeers. You can find out more about Jeremy and his work at www.jeremyholland-smith.com Twitter: @jeremyhs1 Instagram: @jrhsmusic ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Gareth & Dan get together at Dan's studio to review tracks. They also talk about the development of track 8, and chat with Folkestone-based director Peter Blach about his debut feature, Seagull. Find out more about Peter and his work via Twitter: @peterblach74 Watch the Seagull trailer here. ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Gareth finds Dan trying to put track 7 to bed with interesting results. They also chat about how they have sculpted the sound for the album, what inspires them to write, how they know the collaboration is working and what to do with the album once they've finished it. ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Gareth talks through his surprising approach to track 7 and hands off to Dan for more tinkerings. They also chat with Simon Whiteside about his 'on set' music work. You can find out more about Simon and his work at www.simonwhitesidemusic.com Twitter: @cyberdonkey  Instagram: @cyberdonkey Facebook: @simonwhitesidemusic Soundcloud: cyberdonkey ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Dan and Gareth talk about track 7, and what approach to take. They also talk to foley artist Meltem Baytok about how she started out and her work on TV dramas. Find out more about Meltem by following her on: Twitter: @melmeltem Instagram: @melimeltem ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Dan and Gareth head into the liminal zone to create track 6. They also chat with post audio superstar Lucy Mitchell about her work. You can find out more about Lucy and her work at www.lucyjsound.com Twitter: @LucyJSound  Instagram: @lucyjsound  ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Dan and Gareth talk track 5 of their soundtrack album, another character theme. They also chat with director Steve Hughes, whose lengthy list of credits includes Creeped Out, Doctor Who, Wolfblood, Casualty, The Athena, Midsomer Murders, Suspects, Land Girls, Strike Back, Killing Eve, The Feed and most recently the Jason Bourne spin-off Treadstone. You can find out more about Steve and his work at IMDb Twitter: @moviegoblin Instagram: @moviegoblin ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless. 

Dan and Gareth move on to track 4, a character theme. They also talk to composer Sam Watts about how he arrived in the industry, working on live action kids' drama and the importance of maintaining a work / life balance. You can find out more about Sam and his work at samwatts.co.uk Twitter: @i_is_sam Instagram: @i_is_sam ___________Subscribe to the podcast wherever you listen to them. For more information visit www.makingasoundtrack.com Twitter: @mkgasoundtrack Instagram: @mkgasoundtrack Facebook: @mkgasoundtrack Making A Soundtrack is produced by The Sound Boutique for screenless.