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The Literary Whip

48 Episodes

32 minutes | May 5, 2019
“What Leaves and How I Loved What I Leave” by Emily Bowles
In Disturbed Areas, I Grow Like a Weed My grandmother and I sought them out:flowers that exploded into a universe ofpurple starscircling apurple center.We never learned their name.We simply plucked them from the cracksin the sidewalk and carried them with us. I found them again,thirty years later with my daughter.Our world was about to split open then,another explosiona universe ofpurple stars circling a purple center.I forgot about them until they fell out of my book, brittle already.They had lost their geometric precision,that seductive spiralization that made me pick more, even when my grandmother my daughtertold meenough was/is enough. It wasn’t, though. I had to know their name. The flower was/is ornamental,a cover plant andin disturbed areas,a weed. Ornamentation continues to cover up domestic disturbances. Coverture didn’t stop in the nineteenth century.   Botanical Designs/Stay, Man Linnaean botany was, at first, a suitable subject for women, whose botanical drawings became part of their parlor-room portfolio.    A skillful hand could replicate each line.    Replication is too much like reproduction, especially when pistils and stamen are labeled, especially when pencils and stories are libeled. Botanical designs entice me, and I draw pistilsthe color of fire.I draw the stamen.Stay, man, my penciled-in linesbeg him, until I seethe rest of the root,an ugly,gnarled thingI cannot (you will not)pull out. It must be time for weeding not a wedding.   Sterne Passages “I cannot get out,”the skylark saidin Sterne,thenAusten. same walls | different barssame bars | different wallsand bathroom stalls look!look anewlooka newservitude.   What You Want (Is Not Me) Those fantasies of yoursdo not include…me…elliptically marking the circles we run around in,the spaces I do not inhabit, the desires I cannot read…pause where it hurts, where I am not enough to meet youyour needs…what you want is missing / me.   Swift’s Goddess Criticism Shedressed in scraps, fragments of language. His words,hers.Satire ofonthe femalebody, never minds  (never mind, she thought, as shere-dressed herself asfor the defenseagainstCriticism).   Switch You turn me onEinsteinFrankensteina shocka chargeassaults my body, brainuntil either darkness or death resumes its power over me.   Liar This is a layera liarlike me[please like mepleaseme]needs, a liar a layer a lairwhere I inhabita space, a story that I can-notnotend.   I Never Wanted Moor after Emily Dickinson and for the woman who read her with me I never saw a moor never wanted more (for you, I do). Please, take more be more than me. I never saw the sea never saw what you see. wave to me what a wave must be. And here is the book Kolleen mentioned: Gloss by Ida Stewart. And here is Kolleen’s book A Live Thing, Clinging With Many Teeth Editor’s Note: We would like to apologize for any unintentional misgendering of Joey Gould, whose correct pronouns are they/them. We are deeply sorry for the oversight.
33 minutes | Apr 20, 2019
“The Union” by Sky O’Brien
Today, Lise and Kevin explore “The Union” by Sky O’Brien, submitted to Zoetic Press for NonBinary Review #19: Dante’s Inferno The Union            EP. XXIX            10/24/18 ACT TWO FADE IN: INT. NBC STUDIO – DAY / NIGHT HOST is standing in front of THE AUDIENCE, looking into camera, recovering from a joke. He beams, lets dimples out, shows teeth. THE AUDIENCE, a unified sigh of giggling, tittering chortlers, claps and cheers and claps.                          HOST Last week The New Yorker flew two writers to Hell. Laughter.                           HOST “They’ll go anywhere for the truth,” they said. Applause. HOST Thank God Hell is in New York City. Laughter.                     HOST In a tower. Cheers.                           HOST Seven blocks away. Laughter, some nervous. HOST steps back. To his left a crew finishes assembling the set of a high-rise office. There’s a view of Manhattan, sky, clouds. On set a desk, chairs, paintings. THE PRESIDENT is seated behind the desk, turned away, looking outside. The audience moans in delight as two more actors walk onstage. THE WRITER weeps. VIRGIL looks at his watch.                           THE WRITER This is Hell. Laughter.                           VIRGIL We break only for commercials. Laughter.                           VIRGIL I briefed you: the place is big. THE WRITER and VIRGIL step closer to the desk. THE WRITER So presidential of you. “Big.”                           VIRGIL Tremendous. Gigantic. Capacious? Chuckles.                           THE WRITER Careful. We need to be understood.                           VIRGIL I have the best words. Laughter. THE PRESIDENT makes a slow pirouette in his chair and looks at THE WRITER and VIRGIL standing before him. Visible on THE PRESIDENT’s hands, face, and neck are scabs, rashes, and spots. He scrapes his nails over his skin. THE PRESIDENT, it seems, is part-human, part-chair, his movements confined to seated spins and twirls.                           THE WRITER Mr. President?                           THE PRESIDENT God Bless America! Laughter. THE PRESIDENT orbits in his chair, as his chair. THE WRITER and VIRGIL look at each other.                           THE PRESIDENT Who are you?                           THE WRITER We’re from FOX.                           THE PRESIDENT Oh, thank God! Laughter.                           THE PRESIDENT What kept you? THE WRITER and VIRGIL look at each other. VIRGIL addresses THE PRESIDENT. His tone is earnest and serious.                                        VIRGIL Tall building. Many floors. Big. Huge. Bad.                           THE PRESIDENT I’m glad you think so. Chuckles.                           VIRGIL We have some questions, Mr. President. THE PRESIDENT looks suspicious. He circles in his chair.                           THE PRESIDENT What for?                           THE WRITER The truth? HOST appears stage left. His hands are trembling. He jiggles his head. He covers his ears. Something is amiss.                           THE PRESIDENT I’m sorry? Cheers.                           THE WRITER Why are you here? More cheers. VIRGIL sees the HOST, looks to THE WRITER. THE WRITER sits on the desk in front of THE PRESIDENT. THE AUDIENCE looks from HOST to THE WRITER to VIRGIL to THE PRESIDENT.                           THE PRESIDENT I have the best people. HOST runs on stage.                           HOST End scene! End scene! THE WRITER ignores HOST. THE AUDIENCE screams. VIRGIL falls to the ground. THE WRITER retrieves a pen from her pocket. Shrieks. Gasps.                           WRITER Why are you here?                           THE PRESIDENT Scratch me! Chokes. Wails.                           HOST Cut. Cut. Cut. Groans. THE AUDIENCE roars but it cannot move from its seat. The studio is warm. Corrupt flesh charges the air.                           HOST I’m sorry. We’ve lost—. A crew crawls on stage and wheels the set away. In homes around the country people watch THE WRITER scrape a pen over THE PRESIDENT before the studio disappears into a car salesman in a showroom.
38 minutes | Apr 6, 2019
“Into the Inferno” by Jordan Fash
Today, Lise and Kevin explore “Into the Inferno” by Jordan Fash, submitted to Zoetic Press for NonBinary Review #19: Dante’s Inferno. “What is Dante’s Inferno?” Dan asked. “Come on,” Gabe replied. “The fact that you’d even ask me that is insulting.” The two boys stopped at the crosswalk; several cars zoomed between them and the school. “I’m just trying to help you review for the exam,” Dan replied. “I know for a fact you haven’t been doing the reading.” “Two things,” Gabe said. He stepped forward and they began to cross the street. “First, this exam is two months away. Second, I read the Inferno.” Dan gave him a dubious look. Gabe amended his statement with, “I read most of it.” When Dan’s expression didn’t go away, Gabe added, “Fine. I skimmed a lot of it. But I did read some of it.” They got to the sidewalk and headed into the parking lot. “I appreciate the honesty,” Dan said with a smile. “I just want you to do well on this. Everyone says Mrs. Stearns’ semester final is the hardest one we’ll ever take in high school.” Gabe gave a dismissive wave of his hand. “This is what’s frustrating about you,” Dan continued. “You just act like you don’t care about anything.” “That’s not true,” Gabe corrected. “I care about plenty of things. What I don’t care to do is spend all my time worrying about quizzes and note cards instead of actually being part of real life.” They arrived at the glass double doors. “And by real life,” Dan said, “I assume you mean Riley Collins?” Gabe stopped short of grabbing the handle and wheeled around. “That’s not what I meant,” he said and pulled the door open. They stepped inside to join the swelling mass of students moving through the halls. “You can’t fool me,” Dan said. “I know that deep down you’ve been in love with her since that day in the library.” In the first few weeks of school that year, they had been shooting a video for Gabe’s segment of the school’s weekly newscast. They both joined video production when starting high school, Dan taking the role of filming and editing while Gabe became the on-camera talent. This usually included ridiculous costumes, pranks, and occasional announcements on the school PA system. They were halfway through filming an episode that involved Gabe battling the spirits of long dead janitors in the library while dressed as a Ghostbuster when a blonde girl they didn’t recognize approached them. Gabe went silent at the sharp expression behind her dark rimmed glasses. “Do you mind keeping all the noise down? It’s pretty annoying,” she said. Gabe was speechless, never having had his antics treated this way before. It was Dan who said something first and apologized. They soon find out she had recently moved to town. To Gabe’s dismay, Riley quickly joined the student council and started pushing for school sponsored ACT prep at Burlington High. The momentum of the crowd continued to carry Dan and Gabe forward. “What is it about her, Gabriel?” Dan asked. “What makes your heart burn with red hot love for Riley Collins?” he asked. “You’re ridiculous,” Gabe snapped. “I’m not in love with her. She wants us to start going on college visits. We’re juniors! Why are we thinking about college right now?” They turned down the English hallway. The crowd began to thin. “She just wants to be ahead of the curve,” Dan said. “I think you secretly like that. And that she called you out. She’s pretty and smart. What’s not to like? Not that you really have a shot though.” “I appreciate that,” Gabe replied. “I’m just saying. She’s very studious. And you?” Dan shrugged, hoping that motion would finish the statement for him. “You know?” “To answer your question,” Gabe said, “You know, the one that started this whole digression? Dante’s Inferno is an epic poem written by Dante Alighieri, an Italian poet from the thirteenth century. In it, Dante is taken on a tour that descends through hell, beginning in the dark wood and ending in his ascension through the center of the earth.” Satisfied at the surprised expression Dan wore, Gabe gave him a smug smile. “Not bad for skimming,” Dan replied. Gabe turned to face forward again. The classroom was a few feet ahead on their right. Directly in front of them, Riley Collins was waiting to walk inside. The boys came to a stop. Gabe’s heart picked up. A familiar sensation returned. He felt his stomach churn, a feeling he feared might make him throw up but also one that he didn’t want to leave. “Hey, Riley,” Gabe said with an involuntary wave. “Hi,” she said back. She swept past them and into the classroom. Dan turned to Gabe and nudged him. “Nice, man,” Dan whispered. “Shut up,” Gabe said. He pushed Dan aside and walked into the room. Class started with a sweat inducing vocabulary quiz that Gabe had completely forgotten about. He glanced around the room every time someone stood up and handed theirs in. They went one at a time until he was last, keenly afraid Riley was watching him. But why was he afraid of that? Once Gabe turned his in, Mrs. Stearns started her lecture. “Continuing our unit on Dante,” she said, “we’re going to be going over Beatrice today.” She began to write on the board. “Dante said she was the guiding force behind his whole life. She influenced everything he did and wrote. While she’s referenced as a character in the Inferno, having sent the poet Virgil to guide Dante through hell, it’s generally agreed that she was a real person.” As she went on, a question occurred to Gabe. “So Beatrice was his girlfriend?’ he asked. “Did he ever get a ring on it?” Several classmates laughed. “No,” Mrs. Stearns said. “She married someone else. So did Dante. Beatrice died young though. Likely in her twenties. It took a large toll on Dante.” Perhaps it was Gabe’s personal bias, but he found that story quite compelling. While he didn’t usually pay complete attention, Gabe took diligent notes the rest of the period. When the lecture had concluded, Mrs. Stearns grabbed a sheet from her desk. “Before we leave,” she said, “I’m going to assign your partners for our final project. As you know, each group will take one of the texts we’ve read and make a presentation on it. Along with your final, this will make up fifty percent of your grade. So here we go.” She began to read names. “Paradise Lost: Ryan and Brad.” Ryan and Brad simultaneously let out excited exclamations on opposite sides of the room. “Morte D’arthur: Jean and Kamar.” Gabe was waiting for her to inevitably read off how he’d be working with Dan like usual when she read, “Inferno: Riley and Gabe.” Had he heard that right? Riley’s head whipped back to look at Gabe, confirming he heard correctly. Mrs. Stearns read rest of the names and finished as the bell rang. Everyone started to collect their things. Gabe was doing his best to repress the desire to say something to Dan when Riley walked up to them. “Hey,” Gabe said as she approached. “I guess we’re partners.” “I guess so,” she said back. “I want to get working early on the project.” “For sure,” Gabe said. “Me too.” She raised an eyebrow, a look that said she didn’t think that was true at all. “We can start tonight then,” she said. “Tonight?” Gabe asked. “Yeah, tonight is good.” He went silent for a moment. “Would you want to maybe, I don’t know, grab something to eat?” While Gabe didn’t turn to look at Dan, he knew his friend was likely suppressing a grin. “Or we could just get some—” “We can meet at the library,” she said. “I’ll be in one of the upstairs study rooms at six. I want to have a topic and outline by the end of the night.” Gabe usually balked whenever Dan proposed similar strict timelines. But this wasn’t a usual assignment. “I’ll see you at six,” Gabe replied. Riley reminded him not to be late and left. The room had cleared out except for Gabe, Dan, and Mrs. Stearns. “I thought it would be good to separate you two for once,” Mrs. Stearns said. “But I’m worried I may have done something much worse.” Dan said that she had. Gabe gave an embarrassed smile. “This might be your only shot with her,” she went on. “Make it count.” *   *   * Gabe and Dan naturally talked about his upcoming evening for the rest of the day, an appointment that Dan continued to refer to as a date. “It’s not a date,” Gabe texted him as he walked into the library that night. While he’d done his best to downplay it, Gabe did feel a good deal of anxiety when deciding if cologne was appropriate; he’d compromised with a few extra swipes of deodorant. It’s not a date, he told himself as he got to the study rooms. Riley sat in the one closest to him. Her back faced the wall and she stared at her laptop on the table in front of her. She glanced up, said hi, then looked back to her screen. Definitely not a date, he thought. Gabe pulled out his own laptop. They sat across from each other in silence while he tried to think of how to start a conversation. “So,” he said, “anything good yet?” “I’ve got some ideas,” she replied. “I’ve been researching the bindings of the various editions.” Bindings of the editions? “Oh yeah?” Jake said, trying not to sound completely unexcited by the idea. “Like what?” “The binding method had some interesting variations in early editions.” The prospect of such a dull topic had a crushingly deflating effect on Gabe. “What do you think?” she asked, seeming to expect praise for her proposal. Gabe thought for a moment. “I’ll be honest and say that’s probably the most boring thing we could do,” he said. Her mouth involuntarily opened then snapped shut. “Really?” she
41 minutes | Mar 23, 2019
“Ghosts” by Dan Forkapa
Today, Lise and Kevin explore “Ghosts” by Dan Forkapa, submitted to Zoetic Press for NonBinary Review #19: Dante’s Inferno. “Better to reign in Hell, than serve in heaven.” The tolling of church bells shakes me from my evening slumber. I wipe the sleep from my eyes and throw open the curtains, squinting out into the horizon. The sky smolders its last few embers as the sun begins its descent; brilliant strokes of magenta burn streaks across the sky as a maze of skyscrapers – towering stone and steel – casts shadows over the landscape. I begin preparing myself, consuming a cup of coffee to nourish my body and sustain my mind throughout the evening. I have a job to do, and I’ll be journeying to my personal hell to complete it. I won’t be allowed past the gates unless I’m wearing the proper attire, so I dress myself accordingly; a simple cloth shirt, emblazoned with the company logo and stained with the blood, sweat, and tears of countless hours of harsh labor – enough sacrifice that even the devil himself deems me worthy of entry into his domain. As the sun sinks lower and lower, I begin my own descent through the concrete jungle, cutting through crowds of costumed creatures that roam the city once every year. Bands of skeletons, devils and demons masquerade all around me. My thoughts drift back to my past; a child-like apparition amongst the monsters, not fearing them, but embracing them. I was safe behind my plastic mask, pillowcase of candy in hand as I paraded the streets with ghosts and goblins. These tortured masses surrounding me put their existential sufferings on hold under false pretense. Samhain, a Gaelic celebration marking the end of harvest and start of the darker half; a liminal eve in which sprites and spirits can transgress the boundary between our world and the otherworld with ease. These paganistic roots, buried deep and forgotten, have given blossom to falsified religious festivities. Ironic how a day dedicated to slaughtering cattle before the first frost became a day to pay respects to dead saints. Even more ironic that these cattle will inevitably slaughter themselves. *     *     * In my efforts to circumvent the masses crowding the streets, I encounter a fairy in a yellow dress, wings fluttering about as she emerges from one of the steel structures dotting the landscape. Her beauty is unparalleled; hair like copper silk gave way to glowing bronze skin. Her eyes burned like fire. She looks at me and flashes a smile that hides a million secrets, rounding a corner and disappearing further into the labyrinthine metropolis. Every fiber of my being wants to follow her, but I have a job to do. As I approach my destination, heavy drops of rain spill steadily from above. The spirits parading around the streets flee to nearby shelters to stay dry and begin their ritualistic consumption of poison. The passageway to the underworld is guarded by a collective Cerberus of security; three heavy-set heads chomping at the bit to chew up anyone that doesn’t belong and spit them back out into the rain-soaked gutters. They recognize my shirt, nodding as they step aside and allow me access to the stairs that will lead to the devils doorstep. *     *     * As I descend the cracked concrete steps, the all-to-familiar smell of stale beer and Pinesol invades my nostrils. A steady pulse of bass grows louder and louder with each step, like an excited heartbeat pounding through the thin walls of the establishment. As I reach the front entrance, I prepare myself for the task at hand. Just do your job and go home. No bullshit tonight, please. I reach for the handle, pulling back the heavy steel frame of the door, and step into hell. *     *     * Smoke fills a dimly lit room as multi-colored lights swirl and flash against the walls. An overflowing crowd of tangled limbs, writhing and flailing to the pounding of music, occupy the entirety of this tiny space. I push my way through the heaping masses of flesh in search of the ruler of this underworld – Satan, also known as Justin. He’s a tiny man, but his horns give away his location easily from across the room. I approach him in the far corner to sign in, offering another fraction of my soul for a pocketful of cold coins. T’s crossed and i’s dotted, the next eight hours of my existence belong to him. He hands me a small glass of liquid; something to take the edge off before the crowds come pouring in, he tells me with bloodshot eyes. His breath wreaks of fire and brimstone; thick wreaths of smoke spew forth from his lungs. He’s bound to this place; trapped here for an eternity while he plots to regain his former glory. He once saw great success in the district above, managing a respectable establishment with a close-knit staff reminiscent of a family. When the business fell apart, his fall from grace landed him here, struggling to claw his way back to the top. I throw back the liquid, throat burning as it passes my lips. Fireball. I hate it, but there’s no sense in turning down an offer from the devil when he already has ownership of your soul. I thank him and fight my way back through the crowd, working my way towards my usual post near the front door. Mobs of painted beauties and masked beasts continue to pour into the enclosure, clambering for glassfuls of poison to ease their pain, if only for an evening. My job is to remove the fools that consume too much, losing control of their faculties or allowing the temptations of sex and violence to consume them. From my vantage point near the front of the room, I survey my surroundings: To my left, a princess cries tears of whiskey, wiping her eyes while a lumbering elf locks a sultry-looking skeleton into a romantic embrace behind her. Not far from them, a vampire desperately tries to guard a case of Budweiser, fending off a gaggle of thirsty witches as a thief slips in and sneaks one away from behind his back. To the right, a zombified Jesus elicits cheers from the crowd as his group of apostles simultaneously waterfall their Coors Light down his throat. In the far back corner, I watch as a knight and a monk go at each other’s throats over spilled Miller; the scene is short-lived, however, as several of my fellow henchmen swarm them like buzzards attacking a carcass, pulling them apart with ease. I help carve a path through the crowd, clearing the way as the men are restrained and dragged out, pleading for forgiveness. The pleas fall upon deaf ears. One slip-up is all it takes to be removed from their tainted slice of heaven; excommunicated from this hellish Garden of Eden. To the tortured masses dwelling here, each of us henchmen is a god. Our word is final, capable of banishing those that are deemed to have consumed too much of the forbidden fruit. Overconsumption poisons their minds, mistaking purgatory for paradise – this cesspool for a celebration. Lucifer said it best himself: “the mind is its own place, and in itself can make a heaven of hell, a hell of heaven.” The crowd continues to grow. From amongst the masses, a familiar looking fairy flutters towards me. Her yellow dress cuts through my drab surroundings like a match in the darkness. She looks at me and smiles; yet again I fall victim to her spell. She speaks, but the sound is drowned out by the deafening heartbeat of bass reverberating off the walls. I offer up a half-assed smile and nod, oblivious to whatever message she was trying to convey to me. A look of frustration falls upon her face as she beckons me closer. I lean in and her arms wrap around my neck, pulling me toward her. “You don’t scare me, baldy.” I feel her kiss me on the cheek, face burning as she hovers back into the throng of bodies and disappears from view. I want to follow her, but I have a job to do. From across the room, Satan laughs and gives me a thumbs up as I wipe at the spot on my cheek with the back of my hand, smearing glitter and lipstick into my beard. The poison continues to flow like water as the clock ticks and tocks away the time. Soon, my soul will be my own again and I can leave this forsaken place. *     *     * By midnight, this underworld has reached maximum capacity. Spirits and sprites are packed body-to-body from wall-to-wall. A thick musk fills the air; flesh, rainwater, and stale alcohol. Like a precursor to death and decay, the scent reeks of mortality, reminding me of how finite our time here really is. Up to this point, my night has been filled with the forced removal of several soulless husks that overdosed on poison, dragged out to the street where Charon awaits to ferry them back to their pitiful lives. By this point, every living thing has had too much to drink, giving way to a grotesque orgy of man and beast. Satan stands atop his outpost, scotch in hand, pointing out the rule-breakers. A gigantic unicorn that was caught trying to steal a keg is carried through the crowd by red-shirted henchmen, futilely trying to resist until he is lugged out into the gutters. The fairy in the yellow dress appears once again, but this time her magic seems to be wearing off. Her wings are lopsided and her eyes are glazed over and bloodshot. The scent of booze is seeping through her pores. She speaks and the words are garbled, almost unintelligible, but I’m able to make out her message this time. “Listen, I know I shouldn’t ask you this since you work here and you’re the big, bad wolf and all, but my boyfriend just broke up with me and I just really want some cocaine. Please don’t be mad at me. I’ll fuck you if you can find me some.” *     *     * Just like that, the spell is broken. I stare at her for a few seconds before telling her that I can’t and
34 minutes | Mar 9, 2019
“High Desert New Mexico” by Lisa Mase
Today, Lise and special guest David Walker talk about three poems, “High Desert New Mexico,” “She Is Everywhere,” and “Jetlag,” submitted to The Golden Walkman.  High Desert New Mexico The White Place claims its samesplendor, chalk and rocks rising sky high.Cathedral pillars finger down the red canyonwhere ancient water cannot return. Thin rounded peaks reachto scribble tight scrawl along the morning.Limestone valley wakes, desperateto rinse cracked throat and sore foot soles.  Sun licks dry each leafless cottonwoodwhile wide ribbed clouds ignoremoist union, drape shade blanketsthin on day’s edge.  Chaste desert wishes for water,its smooth, empty pools parchedby sun’s false shimmer. Drawing the day over thirstysaguaro limbs, scrambling betweenheat-stolen moments until silted ledges crumble beneath, afternoon steals any hopefor escape as sweat markseach stop on the climbing trail. Sangre De Cristo range carvesblue lines across the horizon, longingfor cool moon slow on burnt skin. During sunset journey across the mesaa low voice echoes its mosque toneand night’s light breeze whistlesthrough an empty valley. She Is Everywhere Cottonwood shadows draw longagainst adobe wallsas sunset lets cold night comeand Earth Mother whisperswisps of piñon smoketo cleanse this wild town of its sins — even though no one can forgethow the Spanish scorchedPueblo land in the name of a Lordwho does not redeemlos Indios, indigenous ones. Conquistadors tried to buryany memory of that massacre,turned it into fiestas,selling embossed silver crossesand stolen turquoise in marketstailored to Texans — but no one can forget how New Mexico droughttook acequias from its children,bean fields dry and bowls empty. At dawn, Earth Mother dressesin chocolate and clay, decorates herself with the ashesof those sins, ready. Scent of morning fires rises on the wind so she can pray,shaking dried corn stalks,asking, “what you would do if you did not know your name?” Jetlag A biting wind tugs at the sailsof morning. I squeeze my eyes shutas if they could keep out the sunrise. How could it bethat an almost sleepless nighthas already hooked meinto tomorrow, flounderingfor a single dream whose whisperebbs on the shores of my mind? Sweating, I flash the lights onat midnight to see myself alonewithout the craggy limestone peaksand golden larch branchesof the land that raised me italiana, buttoning into my ironed uniform,patient for timeless days spent making marmellata with Nonna Dinaduring breaks from Catholic school. Flown across oceans just yesterday,my body is still there,soaking in the rosemary sun. Sun rises but I wish it were night,standing on dream shoreswhere longing twistspeaks and branches into memoriesfloating on waning light.
28 minutes | Feb 23, 2019
“Friar Alberigo’s Bad Fruit” by Julie Simon
Today, Lise and Kolleen explore “Friar Alberigo’s Bad Fruit” by Julie Simon, submitted to Zoetic Press for NonBinary Review #19: Dante’s Inferno. I felt the blow across my face and I could scarce believe what had but just occurred. My brother turned and stormed away, his hand still clear upon my cheek. Within a day his rage had died, but mine had not begun. The tempest grew within my breast, each day the wind blew more till it consumed my soul. The argument was soon forgot, a spat about some coins. But better men than I could not forgive a brother’s bruising strike. “Alberigo, you do not eat!” my maid at last exclaimed. “I must needs fast,” I lied, and she believed. How could she doubt a man of God? In truth my stomach burned with hate. All drink was poison; food was ash to me. I could not eat. I could not sleep. I feared I soon would die. I needed justice, no, revenge! His crime was worse than just one strike. If this continues I will die. He will have murdered me. Not if I kill him first. For days, then weeks, I paced and thought and schemed of how to do the deed, for aged friars such as I know nothing of such arts. Would poison work? No, that’s no good. He must die violently, for naught else would suffice. “I need a certain gentleman to meet a sticky end.” With narrowed eyes the knave replied, “Why would a man of God like you make such a grim request?” I tossed a bag of coins his way. “I do not think you care.” He grinned and bared his teeth at me. “You’re right, good holy man. Give me a name and then you’ll not see him again.” I shook my head. “I want to see him die.” His eyebrows raised, but then he grinned. “That too can be arranged.” “My dearest Manfred, how are you? It seems an age since we last spoke. Do come and dine with me next week. We brothers should be close.” “Alberigo! Of course I’ll come,” the fool replied at once. “I am so glad you asked.” He continued, “I had thought that you were cross with me.” I laughed, “But why? Oh yes, that little argument I long ago forgot.” My flesh burned at the sight of him but he, suspecting nothing, smiled at me. “My son and I will see you soon,” he said. “Your son? Of course, why not?” I had nothing against the boy, but it was just as well. The father’s sins must trickle down to the infected fruit his woman bore for him. At last we all sat down to dine. My face hurt at the sight of them; my brother and his boy. But neither halfwit ever dreamed a killer waited in the dark to take their worthless lives. The time had come at last. “Bring in the fruit!” I called. My brother turned and saw not figs, but death come through the door. Before he thought to move or shout the blade was at his neck. My knave was quick; before I knew both man and boy were bleeding out. The crimson pool spread hungrily, and when it brushed my shoe I felt a ripping, like a tear ran through my very soul. I fell backward, but to my shock I saw myself still standing there. A black thing rushed inside. I saw my own face turn and grin at me. And then I fell and fell and fell before an iron door. Above the gate there stood a frightful sign. ABANDON HOPE it read. Blindly, frightened, I went through the door. I came upon a dismal shore where souls were gathered wretchedly. “What is this place? Who are you all?” I cried. “If you are here then you are dead, and God has damned us all.” The voice that spoke was empty of all hope. “It cannot be! I live! My brother’s dead, not I.” The shade just turned away, for he had troubles of his own. I stared around in awe and fear. I looked on Hell itself. But how could I, a living man, be here? The ferry came and I got on. A force was pulling down on me. I could no more have stayed behind than stopped my beating heart. But no heart thumped inside me now. I looked into the water and a ghost stared back. The boat touched land and off we got, all off to meet our doom. I came before a beast with tail so long he could reach out and grab me by the throat. Instead he growled, “Now soul, tell all your sins to me.” My tongue obeyed. Try as I might I could not hide a crime from him, for every evil thought and deed came tumbling from my tongue. At last I spoke of trusting guests and murder in my hall. The mighty tail wrapped round and round his trunk. Nine times it circled as he judged my soul. “You traitor to your guests,” he snarled, “will freeze far down below. For crimes so great it could not even wait for your demise. Now go!” I stumbled forward like one deaf and blind. I passed though every step of Hell but saw not one thing on the way. Between my sick mind and my tears I knew not where I was. I wish that I had looked around, for now I cannot see. The ice has blinded me. You cannot know nor can I say the pain that ice can bring. Encased up to my nose in crystal cold, I freeze until I burn. My blood is ice; my flesh is ice; my eyes can weep no more. My tears have frozen them. I cannot writhe. I cannot scream. Now all I feel besides the pain is icy wind blow over me. So was it worth it? No, but still I see my brother’s corpse and I would smile in triumph if I only could.
37 minutes | Feb 9, 2019
“A Wise Perch and a Warm Hearth” by Roberta Goli
Today, Lise and Kevin are doing something a little different – below is the original short version submitted to Zoetic Press for NonBinary Review #12, The works of Edgar Allan Poe. Following that is a longer, erotic version that was published in her collection Unfettered. We’ll be heading back to high school to do a compare and contrast with the two pieces. Version 1 Rain pelted the raven’s feathers as she dove towards the building. It was late, just after midnight, the light peeking through the gaps in the curtain creating a welcoming glow, visible the wet ground. She landed on the sill, shifting her head as she peered through the glass, her sharp vision taking in the capacious and resplendent room. At one end, a huge bookcase loomed, each shelf bursting with thick tomes. The other end displayed a welcoming hearth, though its embers were dying, causing ghastly umbras to stretch across the floor. A man was seated in a large chair facing the fire, the shadows dancing across his face as he rested his head upon a velvet cushion. He slept restlessly, an open volume upon his lap. The raven tapped at the window with a strong beak. The man jolted awake, startled by the sudden noise on such a dreary night. He stood; eyeing the chamber door with unease, then jumped when the purple curtains fluttered from an unyielding mistral; the old window not quite meeting the frame perfectly. The raven watched curiously as the man muttered to himself, and languidly made his way to the door. He paused, then flung the door wide open, to be met by nothing more than darkness, for the raven sat upon the windowsill. He stood transfixed, the opacity threatening to consume him as he muttered the name of his lost love into the gloom. The bird heard, not the man’s voice, but rather the echo ‘Lenore’, a susurrus that reverberates around the room, washing over the man like an ocean of disconsolateness. The raven tapped the window again and this time the man turned, his face a bloodless mask of anguish and fear as he approached the window to investigate the sound. He drew open the curtains and lifted the pane, inviting in the cold wind, which carried with it, the onyx fowl. She perambulates about the room, shaking out the water in a flutter of feathers, then ascends to find purchase upon a bust, which sits atop the chamber door. The man smiled, relieved and beguiled, closing the window to the frigid night, and begins conversing with his feathered guest. She sits preening her ebony plume, not paying much attention during his allocution, until he asked her name. The raven paused, cocking her head and answered with a single word, “Nevermore.” The man staggered back, his face crumpled in shock. After a moment of recovery, he begins to question the name, disbelieving the raven. Her obsidian eyes bore into the man’s watery blue orbs as she watched his increasing agitation. He wonders whether the raven is performing an act of mimicry, or if she is an ominous messenger on the dispiriting December evening, planning to abscond by daybreak, leaving the man alone again with his grief. As he pondered the significance of the raven and their colloquy, the bird watched, occasionally silencing his aberration by saying, ‘Nevermore’, as she sat undaunted upon the bust. The man, becoming hysterical begins asking the raven a myriad of questions that she cannot know the answers too. She repeated, ‘Nevermore’, and watched as the man descended into his own tormented hell, never comprehending that he grieved for the lost Lenore and seeks a glimmer of hope that they will be reunited in death. He man gesticulates wildly, attempting to shoo the bird away, but she doesn’t flit, doesn’t blink, and merely sits, as the lamplight stretches her avian shadow across the floor, spreading over the man’s heart and mind as he crumpled in a heap of frenetic madness. The raven, merely wishing to dry her feathers and seek shelter from the tempest, watched on, musing about the next time she sees the inviting glow of a fireplace through a window during a storm. ‘Nevermore’, she thinks. Version 2 Rain pelted my feathers as I studied the outside of the manor house, so heavy as though the gods had emptied their chamber pots. Light from a hearth-fire shone through only one window, just to the left of the spectacular rose window which dominated the façade. The full moon peeked out from behind a smudge of gray clouds and I saw two gargoyles adorned the gables, flanking the single tower. Grotesque forms with hardened wings jutting from their backs, talons hooked over the edge of the roof; an ominous sight. The stately home was surrounded by large trees. Grey leafless branches, specters swaying in the breeze as fog drifted around their trunks like sentient life forms. It was late, just after midnight and the evening was graveyard quiet. The orange light filtered through the gap in the curtain, creating a welcoming glow. I took flight and dove towards the window, landed on the sill. Wind pounded the brickwork, rattling shutters and sneaking in under my feathers to chill my bones. I shifted my head as I peered through the glass, my sharp vision took in the capacious and resplendent room. Chandeliers hung from the ceiling, their candlelight flickered as air moved through the drawing room. At one end, a huge bookcase loomed, each shelf bursting with thick tomes. The other end displayed a welcoming hearth, though its embers were dying, causing ghastly umbras to stretch across the floor. The man was seated in a large chair facing the fire, the shadows danced across his face as he rested his head upon a velvet cushion. He was dressed in a white shirt, dark vest and black trousers. A long black coat had been flung over another chair and he’d kicked off his shoes, one stockinged foot lay across the other. He slept restlessly, an open volume upon his lap. I tapped at the window with my strong beak. It took several more raps at the glass before the man jolted awake, startled by the noise on such a dreary night. He placed the book aside, nudging the empty teacup that rested on the rickety side table. He stood; eyeing the chamber door, then flinched when the purple curtains fluttered from an icy gust of wind; the old window not quite meeting the frame perfectly. I watched curiously through the curtain’s gap, as the man muttered to himself and languidly made his way to the door. He paused, then flung it wide open, to be met by nothing but darkness. He stood transfixed for a moment and I thought I heard him mutter something; perhaps the name of his lost love. “Who’s there?” he called into the gloom. “Leave me to my misery.” He slammed the door and leaned against it, hand to his chest. I tapped again, more gently this time, the man turned to the window, his face a bloodless mask of anguish and fear. He approached to investigate the sound and drew the curtains aside with a trembling hand. His body sagged with relief when he saw me; a simple raven and lifted the pane and welcomed me inside. I flew up to the bust, which sat atop the chamber door and shook out the water in a flutter of feathers. “You startled me,” he said. He closed the window to the frigid night and returned to his wingback chair. After a time, he became drowsy and drifted off to sleep. Now was the time. To have done it earlier would risk frightening him or worse, having him question his sanity. I had to take care. I flew from my perch and drifted in circles until I came to rest upon the floor in front of the hearth. The air shimmered as the transformation took place. My feathers were absorbed only to reappear as hair as I misted into my human form. I stood naked in front of the hearth, my locks the same ebony color of my feathers, drifting seductively down my back like a silken waterfall, a small tuft between my legs. So dark in contrast to my pale featherless skin. As a woman, I’m young and nubile, as far as humans go; twenty-five years old, all the better to appeal to this charge who was only a few years my senior. I took a breath and centered myself, becoming familiar once again to these lanky appendages. With practice, I’d become as graceful as when in raven form. This was my first time as a harbinger of pleasure. I’d had sex in my human form before, I knew how to please a man, or woman, or both at once if need be, but this man would be my first charge. That alone made me anxious and a cold lump settled in my gut. If something went wrong, or he refused me, then I’d be demoted, losing my freedom to fly where I pleased, at least temporarily. I knew a harbinger who’d had her wing clipped, rendered unable to fly for almost a year until her next molt, for that very reason. I pushed the negative thoughts aside as I closed my eyes and focused on my training. A memory of a time I’d been with Mordella came to mind, she’d become my favorite trainer, partly due to her sense of humor and natural beauty. Like me, her true form was Raven, but when I nuzzled the dark fur between her legs, I found her human musk enticing. She’d taught me which parts of the woman to press, which to stroke with a firmer hand and I recalled delicately probing her clitoris with my tongue and fingers and becoming excited by the glistening sheen that appeared on her pink lips. I’d pushed two fingers inside her then and used my thumb to rub her bud as I rhythmically moved my hand back and forth, faster and faster until she moaned loudly and her body shuddered. Afterwards, she’d told me I was ready for my first assignment. My clit twitched and my nipples hardened. I was ready. I cawed softly, but the sound was melodic through my human lips, a siren’s call to lure the man. His eyes fluttered open and he sat upright in his chair, his jaw dropped. “Who are you?” “You needn’t be alarmed, I’m here to aid you.” I smiled, hoping to put him at ease. “Aid me with what?” “Your pain.” He st
30 minutes | Jan 26, 2019
“Canto III The Opportunists” by Linda Johnson
Today, Lise and Kolleen explore “Canto III The Opportunists” by Linda Johnson, submitted to Zoetic Press for NonBinary Review #19 Dante’s Inferno. I AM BUT ONE WAY TO THE CITY OF SUFFERING, I AM A WAY TO ETERNAL PAIN, THROUGH ETERNAL FAME, I AM THE WAY FOR A SELF-CENTERED PEOPLE. SKEWED INTENTIONS MOVED MY ARCHITECT. MY MAKER PERCEIVED ITSELF AS DIVINE, AS ONE WITH WISDOM, INTELLECT AND LOVE. BEFORE ME NO BEING WAS TIMELESS, NO BEING WAS ENDLESS. BUT THROUGH ME EXISTENCE IS IMMORTAL, ALL IS SAVED ETERNALLY. ABANDON EVER HESITATION, EVERY SENSE OF JUDGEMENT, ALL WHO ENTER HERE. These mysteries I read inscribed in 12-point Times New Roman I question their meaning. My guide of understanding replies: “Here one gathers their soul against all cowardice, against all inhibitions. For we have reached the space of which I spoke, where you will see the fallen people, those of fabricated lives— souls who have denied the good of the true intellect.” Then with a wry smile he placed his hand upon mine, upon the mouse, and clicked me in, among the hidden things. Here sighs and lamentations and loud cries were echoing across the heavily worded air, overwhelming me to tears of confusion and horror. Strange political utterances, horrible pronouncements, angry accusations of fault and blame, words of insult voices shrill and faint, without filter. Voices screaming through words and keystrokes, creating an unbreathable air of toxic filth throughout the whole of the space. In my horror, I ask my guide, “What souls are these that click and post amid this gray haze of trending air?” To me he replies, “These are the sorry souls who in life claimed no blame and sought only self-fame. Here they mingle, with the fallen angels, those who touted alliance with all good and aversion to all evil, but were truly faithful only to themselves. The beauty of Heaven has rejected them in their indecision and the depths of Hell will not receive them in their arrogance. Forever they remain an unknown, an outcast from all.” “But what compels them to weep and wail so loudly, with such intent anger and pain? What drives them to lash out with such coded verbiage?” His reply, “As in life, they deeply desire that which they do not have and for them, death is unattainable. Therefore, they have no hope of final escape. Now made known to them, the world did not remember them They are but a mere fraction of a byte, forgotten in an infinite cloud. Speak not of them: stare with disparagement and pass on.” Upon closer look I saw a viral banner circling around and around, then racing back and forth without warning, without pause, moving at immeasurable broad bands of speed per second. Fervently chasing the banner were all the souls for each one’s name and profile were written upon it. The great number of views was incomprehensible to my mind. With the recognition of many, I realized, these are those whose professed loyalty changed like the wind, blowing this way and that way with the latest trend of the moment. Those seeking full exposure in life, they now run naked, being stung over and over by the hornets and wasps of public rejection that swarm them constantly. Despite all their efforts, the stingers strike relentlessly. The wounds fester and ooze, mixing with their tears, streaking their selfie faces with blood and pus. The putrid fluids drizzle down their no longer photoshopped bodies and are fed upon by the trolling worms and maggots that make up the ground upon which they run. Yet they continue to run with great speed, chasing their banners with a false security of data, believed protection from hackers and viruses, safety and defense from the very trolls they feed. They continue to wail loudly and post, to voice themselves and their perceived self-importance, believing they deserve all affirmation and attention. It pains me deeply to watch their endless efforts, their infinite suffering and pain poured out in tweets, replies and comments. I ask my guide of understanding, “Why? Why is this their fate?” To me he replies, “They sought only self-satisfaction in life, never choosing good or evil. Therefore, they attain only self-dissatisfaction after life, which is neither good nor evil. Mental and physical pain that can never be relieved. This is their eternity, for they have already received their viral rewards.” And with those words I fell from the grid upon which we stood, and logged off, into a deep sleep.
28 minutes | Jan 12, 2019
“Under the Influence of the Internet” by Eric Forsbergh
Today, Lise and Kolleen Carney Hoepfner explore “Under the Influence of the Internet” by Eric Forsbergh, submitted to Zoetic Press for Issue #19 of NonBinary Review. Calf deep through roiling surf I wade.                     Elsewhere, fixated millions   plash in electron’s froth as well. Opaque foam bursts against my legs,   pippling away as evanescent lace. I reach out with a lurch.   Shoes !     They hover, almost dancing, retreating backwards on their toes, a coy come-on.   My size    My style I thrash my legs a little harder yet.         Keep up keep up My mind tacks, stumbling backwards onto last night. In half-sleep, had I presumed to scan in Alighieri’s hand? Virgil admonished Dante on the cliff to plant his/    My attention frays then snaps.    /heels on each descending stone.  Abrupt.    Swifter shoes catch my eye like a sweater brushing across a nail. A few gluey strands of kelp in brownish rot wrap around my knees, beseeching me, then slither off. Waves in tumults      Random specks of light      Bubbled curling surfaces. As Virgil testified/    As Virgil/     I squibbed away from Virgil’s train of thought, but crimped my face to capture it again. As Virgil testified, to Dante’s shock, “Those shrieking hogs flayed raw? The credit thieves.” Back-lit baubles shimmy.  Retreating waves scoop sand holes around my feet, embedding them another inch.      I draw out with a sucking feel. One special offer is Italian, hand-sewn, bespoke. But another ten pairs of stamped-out gudge are priced with ten more pairs at fifty percent off. How do you box yourself? To be shipped out? Not free? Plovers outrun claws of waves, racing back to pick out sea-lice in the squirming sand. Will I try to swim toward deeper calm? Can I see the motionless sandy bottom, twenty feet below? Has my composure lost its   stroke then breathe, stroke then breathe? Any color desired? Even rainbow for the neoprene soles?   Gulls screech close above. Another box is laid at my front step with a single doorbell ring and run, one of abandonment.  I’ve adopted any attribute purchased by my enhanced self.  Surf sounds like static, like tinnitus. It drowns each complex harmony. Ankle highs or low-cuts?          Cross-fit or basketball? A textured surface pretends to lend the uppers depth. With fourteen thousand lines, now Dante viewed the bowl of hell complete, as Virgil analyzed the scene in depth. The rocky path had bruised their legs and/ Cornucopia at pornographic scale. A million hands quiver as each approaches from behind to mount the mouse.
36 minutes | Dec 29, 2018
“Three Parts” by Simona Zaretsky
Today, Lise and Kevin explore “Three Parts” by Simona Zaretsky, submitted to Zoetic Press for NonBinary Review #19: Dante’s Inferno. The bone bowl cradled the melted flesh like jazz music in autumn heat. The air hummed like California rain. The stars perched on the horizon. The sun rose like a question. He watched the moon whisper goodbye, wished he wanted to cry. He mourned the absence of sadness. The ache he didn’t feel the loss that felt like wealth, golden and green and blossoming. The gravel in his hands coated his fingers with white dust. He let the stones fall back to the ground, their scrape against each other raw like his throat. He swallowed against the rocks. He turned from the moon, the prowling sun, and returned to the path. The bowl remained cradled in the rock, cinnamon sticks and sizzling scents suffusing the air. He returned to the path. The still trees, dewy in the eyes. The opening patch of morning and sky faded behind him. The reaching gnarled branches let him remember only the roughness of disappointment against his skin, the promises of a Beatrice that was three parts wrong. He paused, hoping for the return of feeling, like it hadn’t seeped into the dry rose bushes outside his house two years ago. A slow sigh of water from can, that left him hollow and oddly refreshed. It took so much less out of him when there was nothing to take from the dusty ground. Just another layer of grey dust. Her third offense, the least egregious, was loving him wrong. He used to wonder how this could be, how love could be wrong, before he realized that he, the offering, was the second most offensive wrong. He was the egregious one, the sacrifice that was insufficient. He was yet to be the music in the breeze, the bells in the air. She was already the yellow melody, playing long before they met and well after. He looked for anger under all the rocks in the garden, but all he found were worms sitting in the shade. A hot breeze cradled his face and tempered the branches above. The bark of the trunks seemed to shift like dripping honey; he reached out a hand, fingers shaking in the pre-dawn darkness. He turned back and found that he couldn’t see the beginning of his path. There was only a suggestion of a silver crescent etched deep in the shuddering black branches. He couldn’t help but wonder at the suddenness; worry began to tease at the blue edges of his red heart. He turned back. Her image threatened him and he banished his Beatrice back to the hollow in his mind, to cover her with dirt from tangled roots and gravel from the uneven path all beneath the drifting golden leaves of his childhood where unkempt promises played. She was his candle through the dark hours of early morning, but he couldn’t remember where he’d left the match. Lately, he couldn’t remember much. His name was even someone else’s treasure. All he could see was her sifting outline. He pushed angrily at the images holding him in place. He walked forward, conjuring someone else’s memories in his mind of joyful, glimmering times. Maybe they were his, maybe they were Beatrice’s, maybe they were the children of time tumbling in his mind. Regardless, their sweetness fouled his numbness; cracked him with the possibility of endless nights spent walking across bridges and eternal days lounging under shady magnolia trees. The smell of candles burning softly and grass pressed against his cheek. He turned again, dizzy from indecision. The smell of peeling bark and wet earth filled his nose. His mouth watered. His fingers trailed in the sweet resin of the trees, fell deeper and slower into the mosaic. The music trilled from his fingertips to the hollow hum of his bone to the buzzing salt in his skin. The hot wind was blowing harder, pricking sweat from his quicksand skin. The grass burned long ago, buried under gravel and broken bottles and their own ashes. He wished for something to break. A bottle a bone a heart. He walked straight, narrowly avoiding the howls of far off lovers and dreaming optimists. His fingers dripped sap slowly. Each step jarred his broken sentiments, threatened to shake the dirt from Beatrice’s grave. Their past lay cradled by silkworms and pill bugs and the shredded remains of three lost love letters. Long strips of handwritten effusions and bouquets of earnestness; satiation for his hungry impulses. He was supposed to pray for salvation, but he just prayed for Beatrice and told himself it was the same. The night stars burned less brightly than her eyes. The first day he met her was ordinary, the second was golden with opportunity, and the third was like looking up at the darkest night and a million chirping stars before he even knew he’d tripped. The air was thick and the sun set so slowly those days. It took him a while to realize she wasn’t with him in the woods anymore. He looked for Beatrice in the red fissures of rock, in the bend of the beetle’s legs, in the wrinkles of trees. His reckless hunger burned him. The bone bowl beckoned him back the way he’d come; in his mind he could see the smooth, ivory edges, the slopes and bumps that fit in his hand. The first offense, the cruelest, was the beginning. The song the rosebush sang when they planted the pink seed beneath the cool dirt and he turned to Beatrice and saw her divine. He found the edge of the crackling woods. Nowhere near where his memory told him it should be. His past visits with Beatrice through the shrouded, crooning woods with her hand folded tightly in his and their worn letters shedding pulp tears to guide them back. The sun threatened him at the edge of the woods, the green grass stretching and rolling to the edge of his vision. The sanctimonious stars slept. The sound of darkness sifted from his memory, like dust and ash over the driest throat. The sun preached and he listened. He wasn’t sure if he was dead or Beatrice. He wasn’t sure if it mattered. He looked for the red rosebush and three bone bowls. He hoped it was enough.
23 minutes | Dec 15, 2018
“Turkish Fruit” by Jennifer Tonge
Today, Lise and Kolleen Carney-Hoepfner explore “Turkish Fruit” by Jennifer Tonge, submitted to Zoetic Press for its Viable chapbook series. Apple Endlessly you hang among our minds’ boughs, light-limned; your skins glow golden, blushed, and red. Magic you promise, wisdom, riches, health; all those things after which we reach and reach. Apricot Keep to yourself your secret, absolute as ice. Should you yearn to tell, recall only in that unchaste split-second surrendering the last time—how it took forever the tree— Fig If you would know me, you must break my skin—see, it’s bruised Nearly black with readiness. It will just tauten, then Cleave and show my many constellations. Don’t grimace; Injury is part of every union. You want my Ruddy pulp; you can’t get it without using your teeth. Melon Khan’s favorite, from plateaus poised like cool hands Above fevered plains, rough-skinned site of his most Verdant longing; you think you know your own, but Under your hand it is changing—not a globe, Now you’ve opened it. Hollow without its seeds— Mulberry Dis-dark beneath the broad, shade-giving leaves, urgently dark—they must be eaten now; tomorrow their sweetness will taste of rot. Peach See if you can do this cleanly: the cleft velvet Envelopes—no, purses—unimaginable Fullness; it will gush at your bite, it will drench you. Think this hyperbole in what words you choose, staid Adam reaching, then know it in the flesh: it is Luscious beyond recall. But, you think, this region Is famed also for its baths and its thick, thick towels. Pear A moment of renunciation—the world Recedes beneath the sudden flush, gilt with lutes’ Minstrel notes. Each one flickers its tart edges, Undone by that whispering sweet, the same sly Tantalus that made you reach, that made you bite. Plum Ever the beloved: first-fruit rich on the altar, soft landing in lap. Ever luscious, ever sere. Killingly do we covet it. Sour-Cherry Volition is such a shuddery net, it can’t ever hold. You can see what we publish in our Viable chapbook series by becoming a Patreon donor. 
27 minutes | Dec 1, 2018
“Reynolds’ Tale” by Adrian Ludens
Today, Lise and Kevin explore “Reynold’s Tale” by Adrian Ludens, submitted to NonBinary Review Issue #12: The Works of Edgar Allan Poe. It has been written that there are secrets which should never be shared. I am in partial agreement with this assessment. Men and women die daily and nightly, guilt gnawing away at their resolve to live. The thread of their long-kept secret steadfastly unravels the fabric of their mortal coil until they no longer have a tether to this earthly realm. Up these thoughts must drift into the endless inverted abyss. But what if the dreaded secret were revealed at a time not inopportune? Could one’s conscience be eased and death staved off? Perhaps. I have two secrets. I shall endeavor to share one of them, lightening the burden that I bear and thus extending—I fervently hope—my life. I only ask that you hear my tale and judge me not. Call me Reynolds. A few years ago, on the second of October, 1849, to be precise, I sat at a large bow-window of a coffee house in Baltimore. For some weeks I had been in ill health. My body endured the challenges associated with an extended illness, while my mind underwent certain changes. But now I found my strength returning in unprecedented abundance. So also, joie de vivre enveloped me. A happy and inquisitive mood enveloped me. I rushed headlong into each new day with an alacrity and curiosity heretofore unknown to my personality. With a newspaper still folded on my knee and a fine cigar hanging idly from my lips, I found myself continuously distracted by those who bustled along the dirty street below the window. The street, being one of Baltimore’s principal thoroughfares, was crowded with humanity. As the lengthening shadows assimilated into the growing darkness that comes with the retreat of the sun, the tumultuous sea of faces below filled my mind with a hundred flights of fancy. I gave up completely on my paper and cigar. My coffee grew cold. I became absorbed in contemplation of the ever-changing scene below me. At first my observations were random in nature. My eyes would fall upon a face, or perhaps only a single feature—a woman’s nose, for instance—and with a preternatural clarity, I could know everything I cared to about that person. I noted at a glance the birds of a feather. I mentally sequestered groups of noblemen, merchants, tradesmen, clerks, gamblers, lunatics, pick-pockets, drunkards, murderers, clergymen, and lawyers. Each aforementioned grouping descended in the scale of what could only be termed gentility. Deeper and darker character studies presented themselves for my speculation. As the night deepened, so also my interest in the ebb and flow of humanity below me deepened. The character of the crowd altered, growing more sinister and more decadent. Ruffians seethed and searched for violence by swaggering down the center of the thoroughfare. Heavily painted women of the night kept to the shadows and attempted to seduce and beguile with toothless, slack-jawed smiles. The rays of the gas lamps spotlighted many interesting visages. The sight of a legless man rolling himself along on a small, wheeled cart brought forth in me a smile so broad that I felt my dry bottom lip split. I relished the discomfort. Then a pick-pocket misjudged his mark and the intended victim clamped down on the miscreant’s wrist and drew him in close. The mark used a grimy thumb to gouge the shifty fellow’s right eye out. The pick-pocket howled and the crowd parted around them, but never stopped moving. The intended victim’s lips moved and I interpreted his words clearly. “How’d ya like it? Me taking sumthin’ from you? Now ya knows how it feels!” The pick-pocket scurried up the street, his hand cupped to his empty socket. The angry man held a pose reminiscent of Jack Horner for a few moments. Then, apparently realizing this “plum” on his thumb could lead to unwanted attention he shook it loose and hastened away in the opposite direction. I stifled a titter and, taken aback, wondered why the events I had witnessed caused this reaction within me. My eyes skipped over the throng when there came into my view a countenance so forlorn—so haunted—that I lost interest in all else. His presence among the throng was like that of an exotic fish among a school of carp. I pressed my brow to the glass and scrutinized the object of my instant fascination. The man was short in stature, and quite thin. A shock of hair the color of raven’s feathers contrasted with his waxy-white face. A mustache perched atop lips that twisted in a petulant frown. A broad forehead and prominent nose lent strength to his features. Conversely, the deep hollows beneath and the furrowed brows above the stranger’s eyes revealed a profoundly troubled heart. But his eyes held the most damning evidence. From only the briefest of glances, I felt as if I experienced firsthand his vast mental capability, his excessive terror, his fervent desire to love and be loved, his avarice, his hopefulness, his overwhelming guilt, and his supreme despair. He disappeared for a moment, lost in the waves of filthy, ragged humanity. I readjusted my gaze and found my own reflection in the glass. An overwhelming interest in the stranger pressed me into motion. I threw a few coins on the table, put on my overcoat, and seized my hat and cane. I made my way onto the street and pushed through the crowd in the direction I’d seen the haunted-looking man take. With only slight difficulty, I found him among the throng and fell in about twenty paces back. A thick fog, refracting the rays of the gas lamps, illuminated the scene with a garish luster. I followed my quarry and gradually closed the distance between us. His clothes were shabby. He hunched his shoulders against the clamminess of the night. Never once did he turn his head to look back. By and by he passed an alley and I seized the opportunity to speak with him in a semi-private environment. I lunged forward, grasped his right arm just above the elbow, and pulled him into the alley. My quarry thrashed and struggled to free himself. “Unhand me!” he shrilled. I spun him so that we faced each other. “I shall, but do not flee. I have friendly intentions and wish only for a moment of intelligent conversation.” Our eyes locked and after a moment’s hesitation, the stranger gave me a brief nod. I released his arm and he waited with countenance guarded and mistrustful. “Who are you and what business would you have with me?” he asked. “Call me Reynolds. When I saw you on the street, I first mistook you for a long-lost friend.” The lie would do him no harm. “I drew close enough that my error became apparent. I realized that I would not rekindle an old friendship on this night after all, but thought perhaps I could forge a new one instead.” I lifted my inflection and turned the statement into a question. The despair so prevalent in his deep brown eyes gave way to a spark of hope. I fanned the flame with an encouraging smile to which he tentatively responded. “Do tell me,” I invited. “What your name is, good sir, and what is your trade?” A giddy, mad gleam came into his eyes. “I am Poe. I am a writer.” This time he seized my arm and steered me deeper into the alley. We strode between tall, worm-eaten tenements that leaned over us as if they would topple at any moment. Our path wound in random directions and my new friend spoke rapidly and with vehemence as we trudged along the crooked paving stones and rankly growing grass. “I write, but I must censor myself at every turn. It is my most fervent desire to write about love. But-” he broke off and shuddered. “The love I feel—the love I believe in—cannot be discussed rationally or with intelligence in general company without threat of persecution. I am a vox clamantis in deserto, a voice crying in the wilderness. Inside my chest beats the heart of a romantic. I laugh, I cry, I love with reckless abandon.” I nodded my encouragement and Poe continued. “For instance, some years ago I had intended to write a love story about an old man and his live-in companion. I had the first line of the story written: ‘I loved the old man’. Yet I knew such a tale would never sell, would only ruin me. My own inner fears preyed upon me and twisted my original intentions into an abomination. What started as a story about love had devolved into one of murder, guilt and madness. “In another tale, I intended one character, Valdemar by name, to reveal his love for a colleague while under the influence of hypnosis. I included in the first draft a scene of passionate lovemaking between Valdemar and my narrator. My body and soul were alight with desire as I wrote, but upon completion I took the pages and hid them away.” Poe’s voice cracked with emotion at this revelation. I put one arm around his shoulder in a gesture of consolation. We did our best to ignore the filth that festered around the dammed-up gutters. The overall atmosphere around me, including the author himself, conveyed nothing but desolation. “Every story or poem I have ever written started out vastly different. But always the evil creeps back into my heart and into my work. My corrupt revisions are of death, sorrow, loneliness and madness! Why must it be that way? I have become my own worst enemy. My works, upon my re-reading of them, rear up and spit in my face! “The treasure-seeker and his servant in The Gold Bug were meant to be lovers! Another of my characters, Roderick Usher, buried his sister alive in the published version of his tale. My original draft pitted Roderick and his sister in a precocious battle for the affections of the unnamed narrator. Oh, the adventures in lovemaking they shared!” My new acquaintance seemed far away for a moment, placing his self in the story, perhaps. Then his shoulders sagged and
31 minutes | Nov 17, 2018
“Land Animal” by Daniela Buccili
Today, Lise and Kolleen Carney-Hoepfner explore “Land Animal” by Daniela Buccilli, submitted to Zoetic Press for its Viable chapbook series. Eco-suicide Doctors prescribed eight ounces a day. We had so much water. The sleepy centipede drank drips from the basement laundry tub. I showered daily under a shower head of brontosaurus grace. Water gave us cover to sob ugly. Water rushed toward water in cellular reunion. Though it fell easy all around us, so holy that we dipped our infants, blessed our foreheads from public stoups, it could not clean us, or our victims, the returning soldier, the dry-skinned farmers, the diesel mechanic, the duck, the surgeon, the hands of the police. Teachers promised children they were mostly water. Water was not a metaphor. Hard water collected metal. It gurgled through soil & rock, into the houses, stained ceramic sinks with rust blood & dulled our brains. We didn’t know how to remove it. We pretended it wasn’t poison. Crick Curve in the crick where the blueberry bush gives up three or four to the birds, I stand in love with you. Just me & you among the elephant ear shrubs, in between the dumping days, when you are clear enough that I can make out my face. I could drink you. They have made bike trails out of old train tracks, but the drillers are coming. Today, I pull mid-century trash from your bank, you wash my hands. On the occasion of the naturalist’s visit Given that sometimes the naturalist Enters the ecosystem as a predator, Given that we all have the predator instinct, I wonder what mine has been doing all my life. Given that the Naturalist asks The class to look at the trees, Given that no one knows the name of any tree or bird, He names them for us. Given that the lotus trees Seem to be hosting a party outside the window, Given that I am not supposed to Anthropomorphize trees or personify birds, Given I Stand around exposed like a tree, Given I do A kind of internal churning, Given I do not know The language of trees— Are the young Oaks too friendly with the starlings? A solitary ash takes into account soil-time. The sole & lonely ash has dressed in shelf mushrooms. The flying saucers have crashed into her cliffs. Errant frisbees. Given that to the left of the forest A bus has spilled University students Who now wait with ostrich intensity At the corners of Forbes & Morewood, Murmuration with bookbags, Joy pops bubble wrap In my chest. Given the little space there is here, It only follows, therefore, The occasional naming Of a tree & bird, or the not naming, Harmless, especially to the angry red Clump of feathers in a ski mask Who has paused its twitching & scratching to consider me Trapped beneath A frozen sheet of water. Dear resident/resistor, For the last five yelps & yodels, Rape Ransom, LLC / Range Resources has been producing gasbags & gasps. Over your yells & our yes-men, we have become a party to your confusion from millionaire dolts to robin incinerators. RR has strived to be a good neighbor & a compassionate paramour. As such, we recognize there are some assassins among our impresarios, who committed virtual infractions to residents. With those in mind, we recently decided to adhere to & comply with – look, a lapwing! designed to protect the residues of Mt. Pleasant & allow us to operate safely without competence. In fact, our organ-machined lashes go further than any legal rehashing we have seen to dazzle, with termites of scorn & scowling resistors, many of which are excessive mandated realities. Some jabs include: informational melancholy with resolutions for entrepreneurial townies & sexy megalomaniacs for any residue within 2,500 footfalls of a well-proportioned gas-masked gatekeeper. A voluntary Cod of Cons that restrict access for pirate ships so that the drilling pedi remains fashionable, clean, & orderly for all teleportations back to Texas. Rape Rangers, LLC numbingly debated your mountain otters, & impressed them with our intentionally complicated order, as it is so much better than the one they wrote. RR is confident that our work will be universally loved as a model for how to dick around residents & produce violence for the benefit of you pissers. Thank you for your tenuous life. Land animal song I’ve had bruises but the bruises faded. My breasts have holes where cysts existed. My skin flakes in paper patches. Knees have scars & so do faces. An Italian doctor carved me a navel. A laparoscopy wrecked his work. In the hollow dark of my pelvis, a cervix cut & singed. Razor nicks, hoary ghost worms. One night I was strangled, but not to death. My nose holds the stain of a pinch to the bridge. The bite to my calf moved & shifted a vein, a highway redirected, a forest burned & replanted. Instructions Walk out like a man with his hands behind his back. Look for a dove who lights out from the weeds— There’s some courage for you. Walk like the cafeteria lady worried about onions. It doesn’t matter how you do it. I’ll be there where I said I would. You’ll see a mountain. Look. Walk through the spindly chicory. There will be time in the shower to pick the ticks from the folds of your crotch. Walk. I know a hillside filled with yellow-headed rabe. There’s enough to eat. Hang your arms over the railroad tie bridge. Tease the top off the water. Breathe the silt. Look. Rain has strained itself through the rocks & grass to meet us here. Put this book down. Or take it with you. Leave the room. Find me. You can see what we publish in our Viable chapbook series by becoming a Patreon donor. 
25 minutes | Nov 3, 2018
“Absurd” by Caleb Alexander
Today, Lise and Kolleen Carney-Hoepfner explore “Absurd” by Caleb Alexander, submitted to Zoetic Press for the Viable chapbook series. Yodeling Yogi “What are your intentions today?” She asks and pauses for 5 seconds, like that’s enough time, or that there is enough time. What are my intentions today? I intend to become immortal, so that I can nap for a while. What are my intentions for this? Is there even a way to avoid Deja Entendu with the answer? And why do I care so much about saying something original? What are your intentions old crow? With your medicine showing through a glass door cabinet. Anti-aging creams, vitamins, a lesson in longevity, so we can live a little longer, keep asking questions, thinking there is poetry hidden in the answers. Ode to a small South Carolina town I could spell out your name, maybe even a fun nickname Alex called you on ironic afternoons spent eating Wendy’s and watching Scorsese movies. The easy thing to do would be to make jokes. Point out racism, sexism, homophobia. Instead, I’ll conjure up an image of a group of teenagers, laughing on a train trestle, in a park we weren’t supposed to be in after dark, on tracks that hadn’t been used since the town died with the textile mills. Cops bored enough to look for us, tracing the echoes of our laughter for a clue something wasn’t right. April Showers Your cigarette hangs like a candle wick beside an antique wicker chair. Three cheers to being locked outside on a balcony with your spring- time sad books. I’d like to add that nothing stoic ever hurts too bad, but I’ve seen you weep over Seneca’s forced suicide. Sometimes being stitched back up is the really painful bit, but today, galoshes sit damp in your foyer, yesterday’s puddles pooling on linoleum. periodic cell rotation There’s a difference between hoping for the best and doing nothing, and I don’t much feel like starting, but I hope one day I will. There’s a difference between who I am and who I used to be, but I still act like Theseus is my name when someone asks. I wonder which cell cluster told me to write this. I wonder which one made me wonder that. Invisible Gardener Problem I sometimes start a sentence before I really even know where it might just maybe/ perhaps end up; oh there it is. And lately I’ve been thinking about unicorns in the sky sprinkling sickness and health and wondering: if they can do both, are they really doing anything at all? Fighting Flight I’ve heard that after Jaws was released some people feared the bathtub. There are tales of sewer gators in underground grates, greatly exaggerated I’m sure. We’ve all read about spiders, dying and birthing in our mouths while we sleep. Bigfoot, mothmen, thunderbirds, and mermaids, krakens cracking open wooden ships. And with all of that said, the thing that really fears sure death, are the millions of cells, that use you for bread. islands And men Solipsism is the only one thing that I can’t be bothered by thinking too deeply about because, you see, I am only one of those guys and you are only one of those girls, and I can’t yet tell if that’s a creation or a construct or a fact. I think I have my own thing. But I just haven’t found it, or maybe I gave all of those abilities to You. April 28, 1998: Golden Gate Suicide 50 and 25 go for a walk one day through golden Gate arches. 25 asks if 25 more will make much of a difference. 50 says “not in my experience.” 25 jumps into San Francisco Bay. 50 hesitates for a moment. Maybe 25 seconds or so, then follows accordingly into the water that’s never quite as warm as you might expect. Dead-beat-to-death Farewell to the fair, well at least as far as the well fared before the accident that affected your welfare. Little Timmy trapped, Lassie yelping to firemen, the whole nine. And I guess you never really recover from these sorts of things, you just dream about them always when you think, “well fair is fair” and “nothing is free” Ear Drum Beat Predictably at some point probability says I’m going to get the wrong cup of water in my ear. Flesh eating bacteria, the whole 9 yards. (Did you know that phrase is an epistemological wet dream?) I want to write poetry like jazz. Personal truth mixed with a universal one, and hope it gets l o s t in enough noise sometimes that it sounds familiar. And hope there’s a steady drummer somewhere to fill in the transitions that don’t make s e n s e. Anthropology Photos at a funeral have only been a thing for less than 200 years, photos of every street corner for less than 20. The corner store has been torn down for at least 2. But google doesn’t seem to know. You told me that pictures won’t be able to lie to future historians or statisticians, so I showed you Bigfoot, mermaids, Sci-fi cinemas, moon landings, moon fakings, giants’ bones, Martha Stewart and Bill O’Reilly, cave paintings of hybrid hominids, fertility statues, emojis. Pepe Silvia What does it say about us that solitary confinement drives us insane? What does it say that half of us remember Berenstein and a non-redemptive Mandela? My brain developed to be an inventor, but I can’t create a way out, or proof that overwhelms solipsistic dream worlds. I think I’ll just take a walk, maybe clean the dishes. I Feel Fine Did any dinosaurs go extinct with their heads looking up? A fireball screaming across the heavens to remind us that the Earth has never been the center of anything besides a chaotic bullseye from time to time. The rodents that scurried along the forest floor, were no longer something to ignore they changed and grew, invented the blues, until another meteor evens the score. And then at last, we’ll be the past, the Earth will take another path, it will repeat, beneath our feet, until the insects learn to laugh. You can see what we publish in our Viable chapbook series by becoming a Patreon donor. 
36 minutes | Oct 20, 2018
“The Strange Foresight of Madame Le Fèy” by Marta Tanrikulu
Today, Lise Quintana and Kevin Sharp explore “The Strange Foresight of Madame Le Fèy” by Marta Tanrikulu, submitted to NonBinary Review #12: The Works of Edgar Allan Poe. “Madame La Feè, Psychic,” the sign proclaimed to French Quarter tourists and locals alike. “Specializing in Tarot, Palmistry, Horoscopes and Voodoo.” Potted ferns hung in profusion from the balcony, failing to disguise the peeling paint on the ground floor or the thick layer of grime coating the display windows. “This place?” Zachary Edgar asked his fiancée. “I don’t know, Claire, it doesn’t sound terribly authentic.” “Well, you’ve been telling me to keep an open mind, and Mindy swears Madame’s predictions are amazingly accurate.” “Mindy’s just a New Age blogger.” Zach hoped that would be the end of the matter, but Claire pursued it. “Not everyone believes only the descendants of Marie Laveau possess the true sight.” Zach let Claire grasp his arm and tug him toward the shop. With her free hand, she shoved the door to open it, recoiling with a whimper. “What’s wrong?” Zach saw Claire’s eyes rolling back; for a second, he was afraid she would pass out. “My hand. It still isn’t healed.” Zach felt her reproach. Noting the puffiness of her fingers, he said, “Maybe we should have it looked at after all.” Claire shook her head and went inside. Zach followed her and was enveloped by cold air heavy with the scents of incense and mold. He shivered, suppressing a sneeze. The sunlight barely penetrated dirty windows framed with torn cobwebs. He stood at the door, hearing Claire’s footsteps reverberate as she made her away around the small shop. A trio of flickering candles lit a skull on an altar-like shelf and cast eerie shadows on a neighboring rack of stickpin dolls and statues, fetishes and charms. Another shelf held herbs and potions, incense and oils, candles and crystals. On the other side of the entrance, dusty collections of precariously leaning books and stacks of tarot cards competed for attention. At least it wasn’t selling mugs and T-shirts. A jingling at the back of the shop alerted Zach that they weren’t alone, moments before a woman with deeply wrinkled cheeks emerged from a curtain of faded red brocade. A garish coin-studded scarf around her head and a matching one around her waist clashed with her skirt. Bangles covered her arms. Zach found this stereotype of a gypsy fortune teller in poor taste. In his travels, he’d encountered real Romanies. Their clothing wasn’t so loud. “How may I help you, dears?” the woman asked in a distinctly French accent. Before they could answer, a voice came from somewhere above. “Mama? Did you need something?” “That’s my daughter,” the woman explained, then shouted, “We have customers, Anne.” “I’ll be right down,” the voice said. Ponderous footsteps started down a staircase next to the curtain. The woman looked first at Claire and then at Zach. “You are perhaps looking for Madame La Feè?” “Yes,” Claire said. “I am she. How may she serve you?” Claire explained she wanted their fortune told, and the woman guided her by the elbow behind the curtain, gesturing for Zach to follow. Three badly upholstered cafe chairs framed a small table covered with a glittery cloth; on it stood a smudged crystal ball, a Ouija board and a worn deck of tarot cards. Madame motioned for them to sit. “Shall we start with palm readings?” asked Madame. “Only ten dollars apiece.” “Not me.” Zach folded his arms. “But of course, you must go first,” Madame said. “Even though you know better, you are the skeptic.” Strange how she echoed his grandmother’s “you know better.” Gran had been a true practitioner. Reluctantly, he held out his hand. “No,” Madame said. “Your other hand.” She peered at his palm, muttering to herself. “You are a traveler, no?” Zach said, “A merchant sailor.” “And you have recently returned from a long voyage.” Zach figured that was easy enough to infer, but the woman had Claire’s rapt attention. “Your future… it is murky. It will depend on many choices you make.” She looked at Zach sharply. “Do not laugh! You stand to lose everything.” Zach yanked his hand back. “My turn!” Claire held her injured hand out to Madame, who gasped. “Oh, my! What happened to your hand?” “Zach’s … ” She glanced at Zach. “Our pet bit it,” she said. “Oh, dear.” Madame gawked at Claire’s palm. “I’m afraid the wound, it obscures your lifeline. We must try another approach. Perhaps the three-card spread of the tarot cards?” Claire looked at Zach, who shrugged, and the woman dealt three cards face up. Zach didn’t have much faith in tarot cards, but he smiled as Claire gazed entranced at their exotic designs, waiting for the woman to interpret them. Madame appeared flustered, biting her lip and fidgeting with a bracelet. Finally, she spoke. “This one, it is the ten of swords. It is your past. This card can mean many things. Perhaps you have recently had something very bad happen to you?” “No, not really…” Claire said. Zach rolled his eyes. No doubt the woman assumed being bitten was very traumatic. “This one in the middle, the moon, it is your present. It can mean fear, or that things are not as they seem. Or it may mean that you are imagining something.” Or it could mean anything at all. “What does this creepy one mean?” Claire asked, pointing to the third card, showing a skeletal knight on a white horse. “This last card, it concerns me, particularly as it follows these other two. This is your future.” “And what is it?” “A drastic change may be in store for you. It is the card of death.” Claire’s eyes filled with tears and her lower lip trembled. Zach shoved his chair back. “That’s ridiculous! You’re nothing but a charlatan who tricks people into paying for your lies. Shame on you for frightening my fiancée!” “I’m not lying!” Madame said. Claire stood and stumbled toward the curtain, throwing it back haphazardly. Zach went after her. The voice belonging to the daughter cut in. “You can pay here.” A shape draped in gaudy scarves materialized from a dark corner to intercept them. Claire jostled her aside and pushed open the shop door, letting it slam behind her. The woman blocked Zach’s exit. From outside, Zach could hear Claire cursing the shop. “What about my money?” Madame asked. Zach fumbled for his wallet. The fortune teller held out her hand, and he quickly placed a couple of ten dollar bills on it. She lifted them, then paused, peering at her palm, eyes widening. Zach darted toward the door to follow Claire, glancing back to nod curtly when the daughter let him through. Madame was still staring at her palm. *     *     * Claire complained of feeling faint, so Zach returned home with her to their apartment. The rhesus macaque he had smuggled into the country was in another frenzy. “Wicked beast!” Claire said, pressing her hand across her forehead. She let her purse fall to the floor and stretched out on the couch. Zach dropped a few grapes into the monkey’s cage to shut it up. “Want any?” he asked. Claire wrinkled her nose. “No. I’m really not feeling well.” “Can I get you anything?” “No, I just want to be left alone. Maybe I’ll take a nap…” “All right if I join the guys for a beer, then?” Claire mumbled something incoherent and dozed off. *     *     * Zach amused his dock buddies with an account of his morning adventure. An hour or so later, he texted to Claire. “Hope you’re feeling better. Home for dinner.” When he returned to the apartment, the monkey was mercifully quiet, rolled into a ball in the far corner of the cage. He was surprised to find Claire still on the couch, but decided to let her sleep. When he kissed her ice-cold cheek that evening and she didn’t stir, he realized something was wrong. By then it was too late to call an ambulance. She was dead. Once Zach could process anything beyond that horrible fact, he realized he’d need to report her death. Who did one call, 911? The police? He debated what to do about the monkey. Should he hide it or let it loose? Such a small creature would face so many dangers on the streets. But it would be confiscated as soon as it was reported to the authorities. Still, Claire might have died because of it. On the other hand, everyone suspected the boyfriend in sudden deaths. His heart pounded; he couldn’t catch his breath. They’d haul him away, send him to jail. He’d never be free to sail the seas again. He rummaged for a bottle of rum and downed a long swallow straight from the bottle. Then another one. He sank to the kitchen floor, wondering if he’d jinxed their future by encouraging Claire to have her fortune told, wondering what bad omens he’d overlooked, wondering how he was going to explain a captive monkey and a dead woman who’d been bitten by it. How much would it would hurt if he slit his wrists with his pocketknife? *     *     * A horrible wailing noise threaded through his stupor, joined by a terrible metallic rattling. He fully woke when the apartment door banged open. Claire was gone. So was the macaque. Could he have been mistaken? Could Claire
39 minutes | Oct 6, 2018
Three Pieces from “A Wrinkle in Time”
Today, Lise Quintana and Kevin Sharp explore three pieces submitted for NonBinary Review Issue #17, A Wrinkle in Time: “Time Wrinkle” by Amanda Rodriguez, “Wrinkles” by America DeGraw, and “Other Mother” by Gita Ralleigh. Time Wrinkle by Amanda Rodriguez When I think of A Wrinkle in Time, it summons up my father’s voice. His precise cadence, his over-enunciation of the “h” sound in “wh” words so that he nearly whistled the names Mrs. Whatsit, Mrs. Who, and Mrs. Which. I was eight when my father began reading A Wrinkle in Time to us. My brother was two years younger than me, and my sister was two years older. I remember all three of us lying in the same bed, the covers pulled high, a dim bedside lamp illuminating my father’s figure as he sat in an upright wooden chair. I remember the crinkle of turning pages and the way he’d clear his throat, like a gentle growl. My small fingers played with the worn fabric of my Eggie doll, a much abused, dingy and torn Humpty-Dumpty pillow that I cherished. Sometimes if we were lucky, our father would perch on the side of the bed. If we were even luckier, he’d curl up in bed with us, ending that bedtime story with his snores because he’d put himself to sleep. I know he also read us A Wind in the Door and A Swiftly Tilting Planet. I know this era of my father reading bedtime stories ended when he tried to read us The Five Little Peppers because none of us, not even him, could muster enthusiasm for it. It just couldn’t compete with Madeleine L’Engle’s bizarre and intricate world-building, the rarity of a girl-hero in Meg, or the children’s mission to rescue their father from a prison of his own devising. Despite these other books, my memory of A Wrinkle in Time is so vast that it seemed my father must have read it to us many times. This moment in time has particular significance because my father had just gotten sober and moved back in with us. Three years before, my mother, my aunt, and us kids fled our Florida home in the middle of the night. I remember it was on Halloween because we hadn’t been allowed to go trick or treating, and I was seething with resentment. We were loaded up in our minivan, sitting in the driveway of our home. We were poised to make our escape and the long drive up to Boston where my grandmother lived. It was then that I had my first panic attack. My Eggie was not with us. My brash aunt ventured back into the house, tip-toeing around wasted and passed out partygoers, maybe even my father, to retrieve my most prized possession. This is when my story and my father’s diverge. I left beaches, banana trees, a backyard, and my Cuban family for the cold austerity of New England. During those three years without him, I saw my first snow, met my extensive Sicilian family, got my first Walkman, rode my first trolley, and went to a live performance of the Nutcracker ballet. During those three years, we moved in with and then left an abusive stepfather, we lived in our first apartment, and we became a family with secrets. I don’t know what my father did in those three years. He did come visit occasionally, but we never went back to Florida. When my father moved back in, it felt like this stray chapter from someone else’s story was over, and we could finally get back to our real story. He got the chicken pox with us. He promised us a dog that we could earn one toe at a time by doing chores. And he read us A Wrinkle in Time. We lived with my father for three more years. Over time, he slid back into alcoholism, and my mom kicked him out. Since then, he has been in and out of my life. Unpredictable. Unreliable. But we did have a golden age. The memory of my father reading this book to me is frozen in amber. This book about children going on a quest to find and save their father. We are always there in that sleepy bedroom with A Wrinkle in Time binding us together. When I grew up, I learned the truth. I was reminiscing with my sister who is older and remembered more clearly than me. She broke it to me that he only read to us for a short time. Less than a year. Maybe only one season. This idyllic time I remember stretches to fill in all the gaps of his absence. It coats over the fear and uncertainty I felt all the times he came home drunk. It spans the entirety of my childhood as the most and best time I spent with my father. To know it was less than a year, maybe only one season. My very own time wrinkle. Wrinkles by America DeGraw A flash of light, A folding of fabric— Not Tangible But timely Not Timely But Time… Which folds in, And in And in on itself; A Tesseract, A Wrinkle, Expands, Then contracts; Leaves behind it, nothing but space… Mrs. Which, What, and Whatsit Standing on their proverbial pedestals Watching, Waiting, Wondering, Asking all the right questions— Charles Wallace silently contemplates Mysteries of the universe While Meg realizes her true potential Exists in more than just her mind. Their father waiting in time unknown— Wishful, Hopeful, Pleading, Unyielding in his faith— Awaits his children, Riding on wings, Coming to save him… Mom loved that book. She read it to me first when I was 8. I think I asked for it so often simply because she loved it. A rapturous expression came over her face as she read, dark skin lit blue by the luminous globe that I used for a nightlight. I found it comforting to reach out and spin the globe with a fingertip when I woke in the night. Here was the ochre mass of Africa, the brown sprawl of Asia, the turquoise oceans. Even the Rockies were marked, close to where we lived. This was what Mom would see when she went into space: a blue spinning planet, the continent of North America with a dun ridge of westerly mountains, while her little girl lay in bed, looking at the blue spinning planet, the continent of North America and so on and on and on. Thinking about it too much made my skull ache, the plates of bone grinding like the earth’s mantle. She talked about the mission often. I guess she wanted to prepare me for her absence. Also for the possibility of something going wrong. She’d give me these little rules to live life by: ‘Jess,’ she’d say. ‘Don’t ever miss out on your heart’s desire just because it doesn’t suit some man. Better to change the man.’ ‘Is that what you did?’ I asked her. She smiled. ‘Your father has always been supportive.’ Or ‘Jess–don’t waste your life shopping. Kids trawling shopping malls–it’s just tragic. We don’t have many days on this earth, Jess. The only real sin is to waste them.’ And I listened to her. I scored high in maths and always dressed as an astronaut on school costume days, brown face beaming from my white spacesuit, alone among the rows of Disney princesses. After she’d gone, I’d sit looking at the stars, waiting quietly for fragments of memory to assemble in my mind: a hushed tone she’d use to point out the constellations, how she’d wake me in the night to show something perfect she’d glimpsed through the telescope: Saturn’s rings, Jupiter’s moons, the lyrical path of a comet. In the years since her disappearance, I have often wished she’d written stuff down so I could have held on to her. All I have is one cellophaned wedding dress ghosting the back of my closet and an empty perfume bottle that breathes jasmine if you tilt it. A stupid government medal, awarded posthumously. And the book. The book is special to many people. The author is dead–when Mom read it as a girl the author was already an old lady. Mom wrote her once. She kept a copy of her letter and the author’s reply tucked into her first edition, with its faded cover of gold spheres on a celestial blue background. *   *   * The story is a simple one–a story for children. A brother and sister are allowed to join an early space mission. A strange force in the region of Alpha Centauri intercepts the spacecraft: engines fail, radio cuts out and the craft accelerates at light-beating speed and crashes on an uncharted planet. For some reason, the grown-ups are dead. The kids are unconscious but survive. When they wake, they find themselves on another planet in another galaxy, inhabited by aliens I suppose, for want of a better word. In the book they’re called Others. Extract from Kit and Maria in the Otherworld 1 Kit and Maria woke in the Otherworld, they thought they were dead and had reached Heaven. Their father, when alive, had not been the churchgoing type and Professor Primavera was an entirely rational being as he often stated. Nevertheless, through school and so on, they had some notional idea of Heaven, where angels sang and cherubs reclined on clouds like fat, down-stuffed white cushions that never got dirty, for in Heaven, there was no such thing as dirt. The descent of the spaceship made the children pass out cold. Maria was the first to wake. The craft lights were out and she struggled to undo her harness and pull free. At first she thought Kit was dead; his eyes were closed and a line of blood ran from his ear. When she touched his face, though, it was warm and she saw he’d scratched his earlobe during landing with the long fingernails he never did like to cut. ‘Kit,’ she whispered, then realizing there was no need to whisper, called loudly, ‘Kit! Wake up for goodness sakes. We’ve crash landed!’ ‘What?’ Kit blinked, sleepily. ‘We’ve crashed Kit! C’mon, we’ve got to get out of here.’ She helped him to release his harness. ‘Where are we, M?’ ‘I don’t have the least idea. It’s dark out there.’ ‘Should we take a look?’ Kit’s voice wavered. ‘I guess. We’ll have to get help for the others, anyhow.’ ‘Are the others OK?’ Maria was silent for a moment. ‘Let’s check outside, first.’ They moved through the dark interior by touch. The emergency panel on
30 minutes | Sep 22, 2018
“nervous habits” by Cara Neel
Today, Lise Quintana and Kolleen Hoepfner explore “nervous habits” by Cara Neel, submitted to Zoetic Press for its Viable chapbook series. I’ll be fine I call a friend I haven’t seen in a while and she asks me if the pills are working. I tell her I’m not happier but I think I am less inclined to kill myself, and she says that’s good in a voice that sounds like hospital lights. We used to fall asleep so tightly wound around one another that our heartbeats matched, but now we settle for me being alive. I am not sure which secrets I’m supposed to take with me to the grave, if at the end it will matter to weigh all those whispered words in my palms, the hot shame of a season spent kissing a stranger or the small world I crafted on weekends and in the summer months with the woman I thought I would marry a spectrum of imaginary characters we voiced and loved and cried for. There is a cadence to growing older that I have only just started to learn. It’s a song we are already half-sick of, the tune that plays on the radio of every road trip, windows rolled down, all of us singing along and off-key fumbling the time knowing at the end it doesn’t matter so long as we move our lips to the notes at all. Once we were beautiful in the shallows where we might have caught our breath I caught your lips between my teeth. underwater we were not quite safe but not in danger either we liked our chances better with our limbs flooded numb the sea blurry on our skin. I was given so much but always empty the tide pulled away and away from the shore. those nights you were sweet-mouthed and drunk and I slept beside you dreaming of frost. Everything I know about warmth I learned in that season hiding my hands beneath yours long after they’d stopped shaking. Come morning we could see our breath our lungs’ work briefly visible each of us bemused at what the cold made manifest wondering what else was floating in the atmosphere veiled and wraithlike, like laughter, or love. Passenger New Year’s Day and I burn my tongue as I try with sweet and cream to dull the morning ache of a train searing through the countryside leaving Montreal to mumble with closed eyes that we are old enough to know better by now but I can still lose myself against the window forget my name in a half dream back into the heat wave when the fan broke and we melted the whole freezer into our mouths red juice on your navel and sugar on my lips each night so heavy our bodies coiled away from the other to escape the heat and I couldn’t catch you in the nightmare that held me for three summers white of eyes and voice hoarse whispered in the dark the scars on this body are not a dead language this is a tongue I taught myself repetition like fever and when I shake myself free you are gone. Dead Letters in springtime all sweet rot and sunshine bright days cut with biting wind and cold sweat slipping down my back plunge my hands into the soil like a diver into water like a knife into a chest dirt pulling under my fingernails how I hated spring as a child how unreliable, how untouchable, how like you. love with an open hand, I was told but I even sleep with my fists clenched the first time I stepped behind the wheel there was rainfall and the whites of my bones pressed up through my skin like beacons. when we made it home safe, you lay down on the cold tile of your father’s apartment and wept. later I buried your words considered all the ways in which a body can break crossed myself to forget we are only ever on lease to one another from time. what strange flowers bloomed behind my eyes that night what sap-stick sweetness of you I tried to pull out by its roots. Heredity in my family to speak was superstition lips kept dry in the summer months rooted, as we were, in a phrase— a lack of syllables would send you away from the dinner table. learn fast not to cry send your tears someplace else drought is everywhere this season it is enough to get by on sharp wit and sarcasm, if you try. we die early all of us but the children still run barefoot through long grass and gravestones giggling at splinters, their lungs calling uncle far before their feet are tired youngest of all I keep running away, soles hoping for separation but I find my face in the face of a cousin, and I have my mother’s voice— it is not easy to escape your blood. You can see what we publish in our Viable chapbook series by becoming a Patreon donor. 
28 minutes | Sep 8, 2018
“Alice Great and Small” by Tom Crosbie
Today, Lise Quintana and Kolleen Hoepfner explore “Alice Great and Small” by Tom Crosbie, submitted to Zoetic Press for its Viable chapbook series. A Short Dialogue Between Alice and Her Rimpoche Rimpoche: flesh is the death magnet in car-magnetic flesh in cherry blossom time in cross-the-median time central reserve [ENTER ALICE] Alice: apologies I arrived at an Absolute Moment and didn’t tell any one; I saw the blueprint and it was just one wall with a lot of windows and not many doors Rimpoche: I’ve been under water so long I’ve grown gills Alice: tell me how it feels, to fail at your failing Rimpoche: you’re afloat so can’t know, but tell me, do you do much bailing? Panamax Alice who flees, but never leaves and never says goodbye gentlest father, let me cry Alice in the keyhole, little spy gentlest father, goodbye Disneyland red, Goofy his ax and Alice her head staying up late, boombox bumping Right Said Fred and “boy, you’re gonna carry that weight a long long time” Alice turning in the microwave or fevered, raving, on a Panamax freighter, Alice, normal, with Pizza Pops, wants her Pepsi Galactus his salt shaker Christ Galactus, sun chewer there’s stars in the sky, just one fewer Microwave Alice just spinning around paints the town red in her tin foil gown Alice a glacier chips: welcome iceberg an iceberg chips: shedding itself, it disappears silently, I pass by my own reductions take instead my most oblique references: the water in water; the poet’s daughter; my Panamax Alice and her senseless slaughter Alice Without, Alice Within I am in the palm of a giant’s hand certain things I don’t understand he will make a fist he will drop his arm will I remain safe from harm? when the giant ate Alice, she saw on the roof of his mouth a face; it opened its mouth and said, “I am his secret twin, “I eat what he eats” Alice Pitched and Sold the cast: Zeno (a family friend) His Trick with the Arrow and Alice Herself (who is so many perfect spheres on a bowstring) the log line: Goofy at Guantanamo, cracking wise, champion of stress positions the dedication: to my master and to my entelechy and to the Virtue Wall of Poetry standard plot: a shadow searches for the man who cast him soundtrack: children whining a montage at the end: Alice devours Galactus Mid-Credits Scene: Alice in my bloodstream Alice is the sky gentlest father, goodbye After-Credits Scene: small people leave big messes, just ask Alice and her aluminum dresses You can see what we publish in our Viable chapbook series by becoming a Patreon donor. 
30 minutes | Aug 25, 2018
“Persephone Suite” by Karen Henry
Today, Lise Quintana and Kolleen Carney-Hoepfner explore “Persephone Suite” by Karen Henry, submitted to Zoetic Press for the Viable chapbook series. Persephone’s Report For days before I had sad dreams of lost friends betraying me. That day I went out to win. One flower led to another fragrance of narcisus led me on. I turned to face the cold shadow looming over me. There was no sudden grab. Joy froze in me then seeped out in the dark. Of course I ate the seeds what else was there to do in that empty space exhausting beyond words?   Hades’ Complaint It’s all chance. I love the light but my lot was the underworld. I hone the point of my chariot to rip through stone dividing day from night. I took what I saw. When she was mine, she took my bribe. “What’s left for you?” She loses color in the dark and motion becoming so still with eyes half open she looks like one of us. So, she’s not happy here. I’m happy when I see her. Even the dead have to live.   Jove’s Answer The high blue dome and long shadows tilt toward Autumn. Time to move again leaving a wake of black basil. Heavy scent settles around her – she’s already gone. White smoke curls up out of the crater feeble thanks from my brother. Frozen sleet the curse of my erstwhile lover who never forgives. What was I to do? Laws fix the world. I bent – could not break them. Girls fall into pools. She’s lucky she wasn’t changed into a spring of endless tears.   Pomegranate Seeds When my girl first went under, I froze rivers seeking her wan face. Where was my joking darling, my 3-D checker mate? Gatorade labels scratched off and scattered like petals a poor sign of unforeseen despair. Where she landed after her abduction by unremitting sadness is beyond me – Hades never took me anywhere. But my rage at her lacerations her brutal suffocation raised the stony god who gave us only half life. How she survived in that world of shadows mystifies me still — makes me fear she’ll go under again to eat more seeds. He gave her six months for life no possibility of parole. I stole the harvest starved men gave in. Why didn’t you find me before I lost myself? Lost from birth, I suppose, I could only lose myself further. Still, you owe me a whole life someone does, someone I can’t find no matter how hard I seek. How you mistake me. I want simply to save our sweet girl. Here in this rich dark all her dreams are real. I am the one who made you who loved you first who left you on your own. I have the whole earth to cherish Do you think I can cut you cosmic slack? Even I couldn’t hold all the pieces in place if I did. I release you to your fate, to your love, to your hate. Why go through this harsh world when in the end all will fall away to ash? I step in the meadow the fragrant air sings through me I am here.   A Hummingbird in Hell The whir and halt and tilt and swoop to shoot across the green to a new world of tubular blooms takes all of me but a small piece of pain. I’m a creature in the sun half my days. The dark ice of death doesn’t own me yet. Why can’t I flit and stoop hover and sip blooms while I may? Yes, there’s the devil to pay. Yes, I’m growing old in the dank underworld. Yes, I cannot love my overlord. Yes, I pity myself endlessly. Yes, I am bored. Yes, I miss my sunlit summer – the long hours of azure and heat. What of that? I’m rising, turning, spinning, diving in a thrill even here even now the scent of salvia spurs me on beyond the burst of strength in my wings beyond necessity beyond even the thirst to know why I am here. You can see what we publish in our Viable chapbook series by becoming a Patreon donor. 
39 minutes | Aug 11, 2018
“Where Girls Go” by Catherine Chen
Today, Lise Quintana and Kolleen Carney-Hoepfner explore “Where Girls Go,” by Catherine Chen, submitted to Zoetic Press for the Viable chapbook series. i. At the airport I begin reading Carnival and Cannibal and almost immediately my body shuts down. How do you describe a cringe in reaction to the punchline of a joke that has strong-armed you into submission? I feel exposed. 20 pages in I have to do something else, like eat a bagel or check my email. Boarding call begins but I’m seated in the last zone. I try reading again. In the book, Baudrillard’s proposal to abolish power is twofold: first to refuse to be dominated; then to refuse to dominate. He is writing in 2008 at the end of the Bush era but I substitute Bush for Trump and little changes. Actually I am more terrified because my political stakes are designated now in ways they hadn’t been before. [In 2008, I was starting high school and hiding in a closet after school to avoid acknowledging my politics, the body politic, etc. As always, selfish.] But absorbing Baudrillard’s cynicism seems an appropriate preface for my flight to Atlanta, where I was meeting my friend for a road trip. Over the next ten days we’d inefficiently drive throughout twelve states in the Midwest and the South. Without Google Maps, I wouldn’t have known, but our route is one gratuitous detour after another. Car acrobatics, fearless mileage. Total nonsense. Is this infinity? My friend calls it cruise control. Apprehensive of the South yet eager to be its witness, I had prepared by scrolling through Yelp reviews. Baudrillard jolts me out of that haze of BBQ sauce and cupcake bakeries into a reality I know little about. If the South as a belly of hegemony, then I want to locate myself in its messy map, its historical playground. When my flight lands, I feel something invisible, a collective pulse, focus on me then pull away. I charge my phone. We check into a motel for the night and eat at Bojangles.   ii. From the passenger seat, I watch the trees transform and displace themselves along an endless interstate highway. Forests in Alabama give way to Kentucky bluegrass to the bundles of tall, skinny branches that populate Missouri. Kansas has green patches, creeks, and wind. We hit land. I send a picture of Kansas to a coworker back home who says the land seems pretty though its true character is reminiscent of the show Courage the Cowardly Dog. What makes a flat bed of land terrifying, I think, is its embedded technology: roads. The road is not a metonym for land but I continually mistake them anyway. For technology produces the road. Construction flattens hills, evens ditches and canyons, levels mountains, redistributes foliage but none of these topographical manipulations can help me understand the land and people who exist beyond the visible horizon. The horizontal sky is overwhelming. I cannot articulate this unfolding except as a movement: the operating snowplow. I sit all day long and still feel very tired. I ask my friend how he’s doing. His responses are generic, direct. Listening to K-pop, we pass a billboard advertising the nation’s largest town square. Have you heard of Iola? 1:13pm. The clouds expanding like someone’s billowing skirt as she sits down at the table. Sunlight after it is filtered through a kaleidoscope. I fall asleep with this image imprinted in my mind. This morning we left Kansas City and its red brick alleys, numerous yoga and healing arts centers, and gentle hills. Suddenly at sunset the sky collapses into indigo black. This relentless wave of black consumes the Ford Hatchback. Our orange headlights cannot fully pierce the night.   iii. I want to talk about the Midwest city. St. Louis in the morning, afternoon Tulsa. The Midwest city is an empty city, a completely functional structure that conveniently lacks people. I linger in this negative space. Capitalism without consumers. The automated business. Dull, ugly, and anti-productive. For instance, Tulsa feels like the city endless, the city whose point of no return was never fully determined. You walk past office buildings and churches and street signs named after east coast cities and institutions. If you blink you just might miss the Art Deco details of notable buildings or the cellular blocks of clouds hanging over the Bank of America tower. Once we leave the city the clouds disappear, replaced by an opaque mauve; I don’t know where they’ve gone. I like walking here: imagine if you walked through Manhattan and there was no one so you were not catcalled/harassed/devastated into existing for the purpose of someone else’s gaze. That is what walking in these cities has been like.   iv. In Tahlequah, the capital of Cherokee Nation, I stand above a creek facing Northeastern State University. Across is the campus bookstore. It is past sunset, windy and cold. Earlier that day I thought about how I tend to find one thing that I like about a new city. The thing is the vector of my meaning-making; it contains the memories and associations I have there. So Tahlequah is a creek just as Kansas City is an Arab market. Nashville is a multi-colored bridge lit up against the night sky. Atlanta is abstract graffiti of a man or is it a nozzle. 68 miles away from Memphis, the road color changes to clay. Cheeto dust. Meanwhile a lush green has returned to the trees. Green: the dark green of an assured forest shifts into the grassy green of my childhood colored pencils set. On the radio, an Indigenous environmental biologist called Robin Wall Kimmerer describes the language of trees. What are they saying: right now? The sky, tinged with pink. Memphis itself is saturated in Elvis nostalgia. Of Little Rock I remember little aside from a hillside of dead grass adjoined to the Clinton Presidential Library. A plastic bag tumbles down. It reminds me of American Beauty, and that’s what Little Rock is: American Beauty but poorer and slightly more upfront about its racism.   v. By the way, what is the road trip’s metric of time? I watch the sunrise over Crossover Bridge, the world’s longest suspension bridge. We cross endless bridges from New Orleans to Baton Rouge to Lafayette. Soon we’ll be in Texas. My friend says that the beams of the bridge’s barrier reflects on the water so as to appear infinite. Lake Bigeaux. A body of water, a body of infinity. I’m silent. What other words are there for infinity? Despair. Wandering? How boring. NPR is running a segment about All for Norway, a reality show that connects Americans to their Norwegian roots in a reality show competition. The winner is reunited with their living relatives. It’s a bizarre concept that is awfully steeped in a passive form of white supremacy. I don’t know. I want to cry, listening to Beth from Minnesota speak glibly of how much her newly recuperated heritage means to her. When you are white, reclaiming culture rarely requires embracing the violence and trauma that is so often inseparable from cultural production and ethnic heritage. When you are white, recalling your Norwegian ancestry seems to be mostly about skiing and eating gravlax. I couldn’t imagine an Asian version of the show, for example, that was not mostly taken up by screaming, miscommunication, or abuse. Map out our histories of migration. I have grievances not clarity. My mouth is dry and I am drinking coffee. I already miss you in part because I think you’d recognize, or at least validate, this quiet hysteria of mine. It annoys me how easily heritage is packaged, it annoys me how one can benefit from participating in such a venue. Fuming, breathing, I listen to white folks talk about going back to the old world.   vi. In Houston I recalled a dream: I wrung necks into the ground last night bled until your unblinking then blinking eyes captivated then distracted me from the blow. I could not resist. Going very slowly I fell into your arms but I also wanted autonomy. Said “This is power” on loop: the power of tendered touches of touchiness of the feeling I do not like to be touched but I shock you innately: I do not have the prerequisite experience to handle either cash or devastation. I will labor to the point of illegibility. I read the capsized body. Is it mine? Cyan lights flirt across the highway. A glimpse of nighttime halos. Halo: the crimson-gold blinding my commute. I turn left two streets too early. The corners blur into/against the city peaks. I am a terrible witness poet to be honest. In the morning I am anxious to tell you my dreams so I type them into my phone only to forget to save the file. But in the one I remember there is a dog with an artificially bright egg yolk splattered across its forehead who, feral and utterly exhausted, yawns. At the Texas State Capitol, I ask my friend how one destroys a word. He says: come up with a better word. At the Capitol there is a statue commemorating Confederates who gave their lives for states’ rights while families enjoy the leisure of a Sunday afternoon.   vii. whiteness wasn’t supposed to make sense whiteness is disappearing and returning 20 years later to a family who still remembers and cherishes you there is no diaspora of whiteness because the return to a homeland or the old country is state-sanctioned in so many cases it is incentivized Baudrillard says that capital disappears and it returns in a white body you are brought back into heritage you are bought back into culture You can see what we publish in our Viable chapbook series by becoming a Patreon donor. 
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