Listen Now

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

Today on the show we have filmmaker and Filmtrepreneur J. Horton. Jason has been in the film industry for as long as I have and has been making movies ever since. What sets him apart from other filmmakers is that he actually makes a living making his films.Jason figured out the formula that would allow him to make a living doing what he loves to do. He produces low budget feature films and uploads them to Amazon Prime. He collects TVOD and SVOD revenue. His key is volume. This year alone he produced 14 feature films.We discuss how he chooses his niche audience, how he shifted from only narrative films to directing niche-focused documentaries, and how he's able to produce so much content.Enjoy my conversation with J. Horton.

I'm so excited to bring this episode to the IFH Tribe. Today we have legendary screenwriter James V. Hart. James is the screenwriter behind some of Hollywood's biggest blockbusters like HOOK, directed by Steven Spielberg based on an idea by Hart’s then 6-year-old son, Jake, BRAM STOKER’S DRACULA, directed by Francis Ford Coppola, MUPPET TREASURE ISLAND, directed by Brian Henson, and CONTACT, directed by Robert Zemeckis. MARY SHELLEY’S FRANKENSTEIN, TUCK EVERLASTING,  SAHARA, LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE, AUGUST RUSH and many more.“No one has a job in our business until you type ‘the end’.” — James V. HartDracula has a special place in my heart as it is one of the major influences that made me become a filmmaker.James has served on the faculty of the Columbia University Graduate Film program. Served as mentor and advisor at the Austin Writer’s Ranch, Sundance Film Labs, and the Equinoxe-Europe Writing Workshops for over 20 years in 11 countries. Hart has also conducted the Puglia Experience for writers and producers held in the Puglia region in Italy.During the making of Dracula Francis Ford Coppola called James up and told him he hated everything about the story and the movie they had shot. James sat down with Francis and beat up the film and story. Frustrated that this happened, James set out to develop a tool that could help him map out the screenplay's emotion before they ever start shooting.  The HART CHART was born.Originally launched online at the 2015 Austin Film Festival, James has developed a proven story mapping tool for serious writers working in television, film, novels, plays, and other literary forms, with a guarantee you will never face a blank page again.James and I discuss THE HARTCHART, his journeys in Hollywood, how he became a 20-year overnight success, what it was like working with master filmmakers like Coppola, Speilberg, and Zemeckis, and how he breakdowns a blockbuster story idea.This is one episode for the record books. Enjoy my conversation with James V. Hart.CROSSOVER: Bulletproof Screenwriting Podcast

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

Filmmaking during these crazy times is tough, if not impossible in some areas. Imagine acting on a set in the age of COVID-19. I wanted to bring a veteran actor on the show to discuss how these insane times are affecting actors and I could think of no better person than 25+ year acting vet Joseph Reitman. Many of you might recognize him as the co-star of my first feature film This is Meg. Joe is best known for playing the villain in Happy!, Money Monster, Lady in the Water', Clueless, Jay and Silent Bob Strike Back, and The Perfect Storm. We sit down in this episode and discuss how SAG is handling COVID-19, what it's like being on set, and what the future holds for film production as we know it. This is a very entertaining and informative show.Enjoy my conversation with Joseph Reitman.

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

The pandemic has upended the film industries in a way we will be feeling for years to come. Not only are film festivals in limbo and scrambling to figure out how to move forward but film markets like Cannes and Berlin are as well. Today on the show we welcome back to the show Jonathan Wolf, Executive Vice President of the Independent Film & Television Alliance (IFTA®) and Managing Director of the American Film Market (AFM).The American Film Market is the most efficient film acquisition, development, and networking event in the world. Unlike a film festival, AFM is a marketplace where production and distribution deals are closed. More than US$1 billion in deals are sealed every year — on both completed films and those in every stage of development and production.Over 7,000 industry professionals from more than 70 countries converge in Santa Monica every November. They include acquisition and development executives, agents, attorneys, directors, distributors, festival directors, financiers, film commissioners, producers, writers, the world’s press, and all those who provide services to the motion picture industry.At AFM, participants can discover the entire global catalog of available films and projects, attend 50+ world-class conferences, roundtables, and presentations, and connect with the independent film community’s decision-makers, all in one convenient location without the distraction of a film festival.The American Film Market 2020 will go on during this crazy time but not how you might think. AFM will be conducted completely online.I'll also be speaking at this year's AFM with my good friend and film financing expert Franco Sama on November 10, 2021, at 2 pm PST.Jonathan and I discuss how the distribution landscape will change in the coming months and years, how the theatrical exhibition business will bounce back, the explosion of streaming services, and how the AFM will look in the future. Enjoy my conversation with Johnathan Wolf from the American Film Market.

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today's guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.Rene boasts 24 years of working with 16 startups, starting young working for his parent’s startups in silicon valley. He’s also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood and designed the first ARwall Lab in Burbank.Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.Filmmakers really put this tech to the test on Disney+'s Star Wars show The Mandalorian. If you haven't seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.I also recommend you watch The Gallery, a behind the scenes show on how they made The Mandalorian.I'm not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.This is a massive jump in how filmmakers tell their stories. ARWall's Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today. Enjoy my conversation with Rene Amador.

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.I broke the Distribber story around the same time last year. They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,"I'll see you in the court of who gives a f**k."This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEED TO STOP.Then I came across a video on YouTube of Michael Daniel, a filmmaker telling his story about how a film distributor screwed him over and never paid him the money he was owed. Oh by the way this filmmaker also has stage 4 cancer. This is the video I saw that moved me to reach out to Micahel.He told me that this film distributor was literally waiting around for him to DIE so he wouldn't have to pay him. Jesus Christ! I mean I thought I had heard it all but man this is a new low, even for predatory film distributors. Micahel has been fighting this fight by himself for over 18 months. He felt alone. No one would help him. If fighting terminal cancer is enough, he has had to deal with this situation as well. It's just not right.I knew I had to help and shine a light on this situation. So I invited him to the show and asked him to write, in his own words, his story and add proof in the show notes at http://www.indiefilmhustle.com/413 Both Michael and I are hoping this can help future filmmakers from making the same mistakes. I personally want to thank Michael for coming forward and sharing his story with the world. It takes a brave soul to do what he is doing. He's not only fighting cancer but he is also fighting to get his film back and receive the money he is legally owed.This episode is brutal and painful to listen to but I believe it will help countless filmmakers. Stay strong Michael, you are no longer alone. Enjoy my conversation with filmmaker and fighter Michael Daniel.#filmmaking #filmdistribution #filmmaking101

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

Today on the show we have 17 time Emmy Award-winning filmmaker Jeff MacIntyre. Jeff is the director of the new film The Great Cookie Comeback. Famous Wally Amos introduced us to his famous cookie in 1975. It was love at first bite! 🍪 Then...he lost it all to a big corporation. For 30 years, Wally’s been hustling to get it back. At 82, facing huge personal and financial challenges, can he make his new cookie as famous as his first? Nobody deserves a Great Cookie Comeback like Wally Amos!Jeff wanted to be completely transparent on what he did right and wrong on his self-distribution adventures. He decides to create a 45 min+ mini-doc explain the good, the bad, and the ugly.I reached out to Jeff so he could share his story with the tribe. If you are thinking of self-distributing your film this is an episode you will not want to miss. Enjoy my conversation with Jeff MacIntyre.

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

Today on the show we welcome back returning champion the legendary director John Badham. If you didn't already know John has directed some of the most iconic films in history. From the decade-defining Saturday Night Fever to 80's hits like War Games, Short Circuit, & Stakeout to 90's action classics like Bird on a Wire, Point of No Return, Nick of Time, and Drop Zone.John's second edition of his second book continues with more stories from filmmakers and actors working in TV, movies, and streaming content.John Badham on Directing also includes sections detailing methods for working with action and suspense, hallmarks of Badham's Filmography, as well as a 12 step "Director's Checklist" for comprehensively analyzing any scene and how best to approach it with your actors.Sit down and get ready to take a TON of notes on this epic conversation with John Badham.

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

I've been thinking about doing this podcast for a long time. In the tradition of Why Filmmakers are Always So Damn Broke & What They Can Do to Change It this episode is going to be a cold bucket of water over your head if you are not ready for it. In the insane world we are all living in today, filmmakers need to break out of the mindset that we are living in the golden age of indie cinema.The rules have changed dramatically since the 90s and even more so in the last 8 months of the COVID pandemic. The rules aren't the only thing that has changed but the game has as well. The film distribution infrastructure is broken and has been broken for many decades. It is not set up to help filmmakers make money. It is purely designed to put more money into the pockets of film distributors.I have written extensively about this in my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business. I want to put together one of my hard truths episodes to help filmmakers better understand the indie film marketplace and how to best position themselves to actually make money.There is so much talk about new cameras, lenses, rigs, post-production software, and other more interesting aspects of the filmmaking process but when it comes to selling and making money with movies filmmakers rely on old information that is no longer relevant in the current marketplace. I hope this episode empowers you to not only make more movies but to also make money while doing it.Strap yourself in because for some of you it will be a rough episode to listen to. Be well, stay safe, and keep that hustle going.

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

Today on the show we have filmmaker Anderson Cowen. Anderson and I met through a mutual friend in Los Angeles. When I first met Anderson he was a deer in the headlights when it came to selling an indie film into the marketplace. His film is called Groupers. It's about a grad student kidnaps two homophobic high-school bullies to use as her subjects in an experiment performed at the bottom of an empty swimming pool.Needless to say, Anderson went on an adventure getting this film into the marketplace. I wanted to share his journey with the tribe and I hope you grab some lessons of want to do and more importantly what NOT to do when making and selling a film.Enjoy my conversation with Anderson Cowen.

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

Today we have a very special episode. I am doing a cross-over episode with a member of the IFH Podcast Network, the Indie Film Academy Podcast. I will, from time to time, be highlighting Filmtrepreneurial stories and interviews from the network that I believe will be of value to the Filmtrepreneur Tribe. This interview does that and more.In today's episode, we talk to Documentary filmmaker Christopher Rufo about how his documentary, Age of Champions, went on to generate over $1.5 million+ through mostly self-distribution and the Filmtrepreneurial Method.Age of Champions is the award-winning PBS documentary following five competitors who sprint, leap, and swim for gold at the National Senior Olympics. You’ll meet a 100-year-old tennis champion, 86-year-old pole vaulter, and rough-and-tumble basketball grandmothers as they triumph over the limitations of age.This is truly an inspirational story that I needed to bring the Tribe. Enjoy!