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Hey everyone, an important announcement in this episode. Please tune in because there's some great bonus info for you as well! Follow the show on Twitter: @treasurescast Your hosts are Anne Kirn (@house_of_darkly) and Emily Kardamis (@corruptedgem). Intro, outro, and interstitial music is "Welcome!" by RoccoW, used under Creative Commons.

We talk with Garrett Schultz about audio storytelling, how we've constantly reinvented the oral tradition of stories, and how sound alone can be a narrator. Guest plugs: Destrier Audio, Hello From The Magic Tavern Follow the show on Twitter: @treasurescast Your hosts are Anne Kirn (@house_of_darkly) and Emily Kardamis (@corruptedgem). Intro, outro, and interstitial music is "Welcome!" by RoccoW, used under Creative Commons.

We talk with Amanda Freberg about Supermarket Sweep, the comfort of familiar media, and the joy in the wholesomeness of a very loud sweater (among other things.) Guest plugs: All's Fair in Lava and Floor Follow the show on Twitter: @treasurescast Your hosts are Anne Kirn (@house_of_darkly) and Emily Kardamis (@corruptedgem). Intro, outro, and interstitial music is "Welcome!" by RoccoW, used under Creative Commons.

We talk with Mimi Chiu about World Ballet Day, the joy of watching the expertise of another, and appreciating all of the details and work that go into an art form.

We talk with Drew Davenport about Tom Waits, finding media that clicks with you at a formative time in your life, and the dangers of experimental folk music.

We talk with Stephen Poon about collecting R2D2 figures and memorabilia, whether you choose to start collecting or stumble upon it, and learning to appreciate details through a focused collection.

We talk with Arnie Niekamp about metanarrative, stories about stories, and how fiction intersects with the reality of our own lives.

We talk with Glen Tickle about The Adventures of Buckaroo Banzai Across the 8th Dimension, discovering a film years after its moment, and the limit of knowledge of a creative work.

We talk with Amy Liz Wilbur about creating characters for TTRPGs, the joy in the careful construction of backstory, and dynamic character development through games. Follow the show on Twitter: @treasurescast Your hosts are Anne Kirn (@house_of_darkly) and Emily Kardamis (@corruptedgem). Intro, outro, and interstitial music is "Welcome!" by RoccoW, used under Creative Commons.  

We talk with Bria Davis about Cats (2019), committing to the bit regardless of quality, and the camaraderie of shared experience.

We talk with Stad St. Fleur about edutainment games, a golden age for a genre, and revisiting comforts of the past.

We talk with Tim Sniffen about accommodating ghosts, adapting to uncertainty, and knowing yourself better by learning to co-exist with the unknowable.

We talk with Liz Anderson about My Chemical Romance, the music and art that grounds us, and shaking off the need to be "cool."

We talk with Ryan DiGiorgi about media preservation, restoration, and what "version" of a piece of media is the intended experience.

We talk with Christina Woods about mix tapes and playlists, building narratives in music, and finding that perfect song for what you need.

We talk with Skyler Badalament-Tirrell about Magic Pengel, baked-in nostalgia, and games that can function as your own personal island.

We talk with Kate McNally about Nancy Drew games, the satisfaction of a well-designed puzzle, and the comfort in a familiar formula.

As a holiday treat, we here at Guilty Treasures bring you a brand-new concept, a wild foray into the hypothetical, as we have dared to ask the most important of questions: Who Would You Trust With A Sword? Please enjoy this backdoor pilot of a show we hope to bring you in the new year via Patreon! Thank you for listening, and have a happy new year!

We talk with Eleanor Pollitt about unproduced movie scripts, the detail and collaboration that goes into a movie production, and the joy in the potential of what never was.

We talk with Jesse Bowser about Kingdom Hearts, diving into a series for the long haul, and the joy in stumbling upon the absurd.