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Carleen Hutchins wasn’t formally trained in violinmaking, but despite that—or because of it—she changed the profession forever. With handfuls of Christmas glitter and a 150-year-old technique, she was able to visualize the vibrations of violin plates, allowing luthiers to rely to on the principles of acoustics instead of just “feel.” Traditionalists were outraged, but Carleen didn’t seem to mind. She had already spent most of her adult life pushing back on the constraints imposed on women in midcentury America. This episode explores Carleen’s life and legacy, the history of acoustics, the act of making sound visible, and our obsession with old Italian violins. To learn more about this episode visit the show page

Field Noise is a show about the role of sound in our everyday lives. It’s a show about people who make sounds and people who listen to them. It’s a show about music and noise and silence and the politics of those categories. It’s a show about how disability, gender, race, and class are central to what we think about as “technology.” And it’s a show that is very much still finding its voice. Here’s a preview.