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Daughter of Godcast

2 Episodes

21 minutes | 2 years ago
Daughter of Godcast 140
Best Friends Daughter of Godcast, Season 4 Choice, Episode 140 Best Friends. I’m your slightly drifty feeling host, Dan Kelly and behind me is one of my Best Friends, Crystal Lake quiet and silver today under the overcast. I’ll be reading this episode, blazing through on one take, with a little luck and a lot of water. Just 11 days left until Iteration 2 of the festival screener is due, so no time to dilly dally. Optimal Last week in Episode 139, Extreme, I related my rewatching and sharing of 9/11 videos on Facebook. I sensed there was some sort of inspiration there, some clue. Here’s what I know now. In 2007, Peter Joseph’s Zeitgeist blew me away. In contrast to Dylan Avery’s Loose Change which came out a couple of years before, and which Zeitgeist referenced. Peter took a meta perspective, starting with a deconstruction of Christianity. As a post Catholic, this was a gorgeous and radical kick off for me. I also imagined that this bold beginning must have pissed off plenty of religious people, a roadblock that kept them from getting to the 9/11 information. In hind sight, this was the best approach, def made a strong impression on me. And in my world, I’m all that matters! Peter Joseph did other docs after, and Addendum wasn’t quite as inspiring. I didn’t totally grasp money as debt until I started watching James Corbett. Rewatching Zeitgeist led me down the rabbit hole of what Peter Joseph is doing now and who is Peter Joseph anyway? And what does James Corbett think about him? James is critical of Peter’s advocacy of technocracy, even though he parted ways with the Venus project. I would imagine James is also skeptical of the sources Peter uses in his presentations. Then again, James has got at least one odd bed fellow in Patrick Wood, who espouses biblical prophesy over the predictive power of science.  James and Peter are the most articulate and credible people I’ve found so far who don’t buy the official 9/11 hogwash. Seems like they might celebrate some common ground, or at least establish a respectful public back and forth – which would benefit all of us. Who knows how this will all work out, but I do love the idea of crashing consumer culture. Stated in the positive, I’m all about expanding the wilds and taking care of each other. And yeah, I’m fine with that happening gradually, gently. I don’t mind exploring an open source stewarding of common resources, like fo instance the global life support system. That to me means mostly leaving it alone, until we really understand how things work, beyond rhetoric and the profit motive. What concerns me about Technocracy is how humans figure into the inventory and calculations, would the system be set up to optimize human happiness or human freedom? Global health for me implies the health of Gaia, our essential planetary life support, at least until the dominant sentience is powered by solar panels. So do we design a system optimized for humans or for biodiversity? My sense is that they are the same, but I’m just a middle aged white male in America. The premise of my documentary project Around Lake Michigan was that the seeds of a sustainable civilization are already everywhere, I could find them just by sailing along the shores of Michigan, Illinois and Wisconsin. Powerful circular logic – Earth is platform for thriving, therefor in spite of all the apparent horror shows playing out, Earth is going to eventually emerge better than ever, which means a more just, peaceful, free and verdant human civilization is going to show up soonish, ergo it must already be sprouting up all around. Could be that it’s always been here. If you insist that we’re doomed, that suckiness consistently prevails, I’d opine that’s another little logical circle. If you’re right and indeed, we are fucked, I loose nothing by feeling wonderful. So, moving right along. As a proactive dude, I ponder how my bright future will unfold. If a brilliant open source technocracy was to replace rapacious consumption, how would this get started? What’s the future history of our unfolding utopia? A enlightened human presence on Earth starts with enlightened humans. How can we each become fully alive? What’s that look like right now? Go Ahead and Kiss Yourself If we want change, the logical place for me to begin is… me. To take responsibility for my experience and feel fully the phenomenal gift of being human on Earth in the early 21 century. These are some crazy amazing times, an open invitation for heros to sprout up and grow. I can see them everywhere, I too aspire to grow my own heroic and epic nature. What if we stopped asking external authority for permission to be ok? What if the only arbiter of our life experience was ourselves? What if we became own optimal best friends? What would an optimal best friend do and say? How would it feel to get a steady flow of love no matter what the conditions? Could be peace, justice and freedom all rolled into one tasty Japanese burrito. Movieness 11 days left until I2. I’ve had an amazing breakthrough, so cool I can’t even talk about it. You probably can’t even learn about the breakthrough on spoiler central, why.movie, not for at least another iteration. For now just check out this excitement, whoop! Melonie dropped off the Veronique puppet for a screen test. Veronique is incapable of smiling, but that’s ok for now. I’m flowing the final scenes, writing and rewriting scripts. Huge chunks of story are dropping into place like nobody’s business. Three Tools About the evolution of the podcast. I thought I wanted to gradually transition from written episodes that I would read verbatim to just whipping them out on the fly. I invented a sort of transition style, the outline podcast where I’d post bullet points about the ideas I want to convey that I could riff off. I love having allies and collaborators to play with. James has been doing transcriptions for the on the fly episodes. Talking to him has helped me to ponder what sort of podcasting style I like best. He proposed that transcribing outline episodes might not be our aesthetic, because the outline gives a taste of the episode that inspires the reader to then listen and watch. Fostering a mild addiction to Dan Kelly. Pretty tame compared to what’s implemented at casinos and Facebook. A key argument for full transcriptions is user friendliness for the hearing impaired, or those who don’t resonate with the rich music of my chocolate and charcoal vocal presence. I def want to provide universal access to the variously enabled. Which implies multiple language deployments, but that’s not gonna happen soon, we’ve got just the English et une petite le Francaise site for now. The Daughter of Godcast is English only, I recognize this as a choice I’ve made based on where I want to flow energy and attention. I could flesh out the French site, deploy cloned sites in Spanish and Japanese, but I am choosing instead to focus on discovering what I love most about podcasting, how sharing can feel the best ever. What I love about James’s suggestion is the clarity of making a choice to be what we are rather than trying to be everything for everyone, deaf people not withstanding. The choice not to transcribe outlines feels like a clever hack. By conserving resources we’re in theory inspiring more listens. Flipping supposed limitations into super powers, isn’t that pretty much the art of life? This is quite a technical little detour, but process, process, process. We love process! Reveling in the process brings progress, that’s what I’m gathering from infinite intelligence this morning at 12:21 am. Every week I take a day to celebrate process, report, and share progress. Changing the paradigm of life from a chain of days, or from a portfolio of results into what? A flow of experience, and being deliberate about the quality of experience. This just in… I’m getting better at reveling, at remembering the ready availability of excellence. I’m excited to be writing this episode. I do want to keep working on my improv powers and just slamming out episodes off the cuff, a more spontaneous, surprising and quicker sort of fun than writing and reading. Scripted episodes feel more deliberate and comprehensive, a recipe for conveying crisply. What I get now is that the three approaches to podcasting are not stages in an evolution, but tools in the toolbox. What’s the most effective tool for sharing my experience this week? Writing and reading for the last two episodes, maybe next week an outline to be riffed upon. Maybe hemp cat teasers, stir fried salad, sailing into the sunset with a special guest or all of the above. Got a request? Operators are standing by. That’s your Daughter of Godcast, Episode 140 Best Friends. I started this off as Dan Kelly, Shri Fugi Spilt and might be still, for sure this is a love letter from the past, maybe not too distant or perhaps thousands of years back, tens of thousands depending on who you are. The age of this podcast episode is totally dependent on you, your location in the space time continuum. We’re also live streaming into the plurality which is also oneness at the same time, unlike duality where we’ve got to choose one or the other, apparently. Just trying to wrap this episode without a lot of fan fare, hub bub. This is Daughter of God Central Control. Stand by to end episode in three… two… one…
14 minutes | 2 years ago
Daughter of Godcast 136
Daughter of Godcast Season Four Choice and this is Episode 136 Sparks. In episode 135 Dishes I reported briefly on our production around the bonfire of the People’s Poetry Slam last week, which was Friday March 29, 2019. As DOG is an open source cinema exploration where we share the process and the lessons learned, I asked the cast and crew for feedback about the production. Yesterday, we got emails from most everyone, and you can read these in their entirety at dog.movie. The consensus was positive. Let’s jump and read excerpts, focusing on where improvement might be possible. Request for Feedback   From: Danny Kelly Subject: 3/29 People’s Poetry Slam Date: March 31, 2019 at 11:50:37 AM EDT To: Dan Kelly Hello everyone! Thanks for your energy on Friday. That was a really fun shoot and hilarious party after. I have barely started to sync the footage, mostly napping and gnoshing yesterday. Today, I’m catching up on the podcast which was due last Wednesday. Now that we’ve all worked together let’s take some time to think about what went well and what could be improved. I would really appreciate if would review your experience of the production and share your thoughts, everything is helpful. You can talk about logistics, style of interaction, availability of resources, etc. We want to get better at this, so don’t be shy about constructive critique. xo! Dan cc Matt Joe Luke Heather Nicole Victoria Melonie Grace Dede Bri Jacob Seamus Cory On Wed, Apr 3, 2019 at 5:45 AM Danny Kelly wrote: Nudge, nudge. Before we get too far from last Friday, I’d really appreciate your impressions of the production process – pro and con. Maybe giving feedback via email is a con We want to get better at this process and clear, candid feedback is really helpful. Please take a few minutes and respond. This will be your final request. Thanks! Dan Cast and Crew Response From: Victoria Sylvester Subject: Re: 3/29 People’s Poetry Slam Date: April 3, 2019 at 8:49:06 AM EDT To: Danny Kelly Hi Dan! I had such quick involvement I’m not sure I will be helpful with feedback! What I saw was well organized . And everyone seems super friendly and willing to work together to get the job done ! Thanks for including me! Victoria From: Grace Reinhold Subject: Re: 3/29 People’s Poetry Slam Date: April 3, 2019 at 6:11:58 PM EDT To: Danny Kelly Hey, Gang! I had so much fun being a part of the Daughter of God poetry shoot and getting to meet everyone involved. I think a valuable contribution to the success of the shoot was the congenial and supportive environment of the whole crew. I think the costumes worked well; a combination of some items (such as sweaters, gloves, pink glasses lol) left over from pre-apocalypse days and current more primal robes and coverings. Group rehearsals are always helpful but I feel the shoot went rather smoothly without and I think the prompting fit nicely. I do wish there were more print outs available to more effectively participate in the prompting. From: Luke Kelly Subject: Re: 3/29 People’s Poetry Slam Date: April 3, 2019 at 9:04:31 AM EDT To: Danny Kelly All in all pretty good. Wireless hops and a more normal slating routine to help the editor. Someone solid as a 1st AD. We didn’t really need it this time around because of the simplicity of the setups, and maybe that’s why we didn’t have one, but for more complicated days it would make all the difference. Call sheet Shot list Sides (mini call sheet with all the days scenes pulled from the script) That’s all I can think of suggesting for now. From: Melonie Steffes Subject: Re: 3/29 People’s Poetry Slam Date: April 3, 2019 at 12:06:58 PM EDT To: Danny Kelly Over all I thought it went pretty smoothly. Having a little more pre-production time would have helped, but I think that’s a given. I’m thinking for costuming it may be a good idea for the costumer to communicate directly with the cast before they arrive to be sure they are dressed appropriately. Maybe story boarding for insight on camera angles? The camera man doesn’t know the whole story so won’t think of everything, ex: box in fire is alive and displaying messages. Also, it’s OK for the director to tell the actors what you want from them, they should put themselves into those characters but also be directed. A little insight can go a long way toward an actor delivering a character, ex: Cory needed insight into his feelings toward Uncle Joe and the box as he put it on the fire-once he had that his performance had more emotion. And…the directer is in charge– if the director thinks the cut works, that’s that, though I suppose you will have the last say during editing anyway. Egos can get time consuming on more pressing shoots. Like I started with though, I thought it went super great and we all did a really good job. From: Jacob Williams Subject: Re: 3/29 People’s Poetry Slam Date: April 3, 2019 at 4:38:01 PM EDT To: Danny Kelly Hey brother, honestly I thought the whole thing was set up great and everything really seemed to flow nicely. I’m not sure what to really look for or what would have made it better. You really covered you bases! From: Seamus Callaghan Subject: Re: 3/29 People’s Poetry Slam Date: April 3, 2019 at 11:12:31 AM EDT To: Danny Kelly The only real con I can think of is that some people weren’t fully aware of what was supposed to be going in the scene. For example, some people didn’t know that prompting from the audience would be part of the actual scene. Greater communication prior to filming would be helpful. Otherwise, pretty much everything was a pro. From: Matthew von Dayton Subject: Re: 3/29 People’s Poetry Slam Date: April 3, 2019 at 4:14:02 PM EDT To: Danny Kelly Danny the Manny, What a blast of a shoot and immediate after party, so glad to be involved. Happy to offer what meager feedback I can, all to be taken with the appropriate dosage of salt. And all framed within the context of this being only the second (I believe) project we’ve worked together on. The more you work with someone the better sense you get of how they work. From my perspective, it all seemed to go really well. More than enough time on-set prior to first shot and nothing felt rushed on my end during production. I always love going in with as succinct of a plan as possible that then allows for deviation. This shoot gave room for experimentation and play, which I always love, and yielded some beautiful footage. Energy on-set felt good, not stressful. I tend to want to know as much as I can about what is in a director’s head so I’ll take whatever I can get, even if I end up forgetting it consciously, it’s in there somewhere. Searching for things that I would improve. It’d be nice to have someone in an AD type roll, since you were also on-screen. Just someone that would have kept order in terms of a reliable slate, next shot, what we still have to get, etc. I should have brought my full shoulder-rig but that’s on me. If I were re-shooting I would bring a longer lens to exaggerate the heat waves and stay out of the smoke. Now that I think about it, seeing a script would have been great, just to be informed and get a sense of how it plays out on the page. (though we did chat about beforehand) All in all it was a great shoot, everyone was on-board to play and make it happen. [snip] Ultimately, the footage will tell us how the shoot went and hopefully it contains at least a sliver of what you were hoping to get. Hope this helps, -matthew vondayton.com From: Nicole Enger Subject: Poetry slam feedback Date: April 7, 2019 at 4:35:07 PM EDT To: Kelly Dan Hey Dan I thought I would give you my feedback on the poetry slam, since it was asked in email this is how I’m giving it to you. Of course you know I always sit down and talk with you about it. Need more communication what talking with people there was a lot of confusion about we are at the actual filming was going to be. I know it’s hard to do at a last-minute shoot but a meeting prior to filming would be good for alleviating a lot of miscommunication and confusion. Also this is where you could hand out paperwork at the meeting and have everyone’s paperwork ahead of time to prior filming. I think Bri might’ve been overwhelmed with all the jobs that she had and it might help her a little bit to have a production folder or less jobs. That way she isn’t confused where all the information is that she needs or paperwork. When I was doing people‘s make up and asking them what their character would look like a lot of people were at a loss.  Would’ve liked better feedback from them to do better make up. Not sure how to combat and actor not knowing their character physically. Any feed back for me on makeup would be great as well.  This works both ways. Other than that the set up at the barn for the waiting area was wonderful. And it was a smooth run through the whole night due to good vibes and flow. After showing/party was awesome and I think it really kept the good vibes going. Awesome job Dan. PS I have a clapper at home I should’ve brought it.  I hope some of this helps you out a little bit. I am an over organized person so if it’s too much I apologize.  All my best Nicole On Apr 7, 2019, at 7:45 PM, Danny Kelly wrote: Thanks! Helpful! From: Nicole Enger Subject: Re: Poetry slam feedback Date: April 20, 2019 at 12:37:54 AM EDT To: Danny Kelly So glad it was helpful. Would love to work with you again. I am excited to see the finished movie and the future projects to come. Excited for your completion on your long journey with this project. It has really given me prospective on my situation in the fun industry. Thank you in advance for the insight. Talk to you soon and before you know it at your Premiere. All my very best. Nicole   On Apr 7, 2019, at 7:45 PM, Danny Kelly wrote:Thanks! Helpful! Truer words have not been written. Picture and sound are synced and I’d like to share an excerpt of that scene, (see above.) Play the video link in Episode 136 Sparks at dog.movie and give us some feedback. We’ll review your observations and insights in Episode 137. That’s the Daughter of Godcast on a warming April Day. I ran along the icy trails of the forest yesterday and pondered Uncle Joe’s wanderings, where those locations could be. The ice is still on Crystal Lake and murmuring now in the full morning sun. Magic. Tomorrow on the new moon I’m starting another water fast, perhaps a few days, perhaps a record breaker. Ketonic enhancement anyway. Here’s wishing you all whatever enhancements you’re ready for. After Episode 136 From: Nicole Enger Subject: Poetry slam feedback Date: April 7, 2019 at 4:35:07 PM EDT To: Kelly Dan Hey Dan I thought I would give you my feedback on the poetry slam, since it was asked in email this is how I’m giving it to you. Of course you know I always sit down and talk with you about it. Need more communication what talking with people there was a lot of confusion about we are at the actual filming was going to be. I know it’s hard to do at a last-minute shoot but a meeting prior to filming would be good for alleviating a lot of miscommunication and confusion.Also this is where you could hand out paperwork at the meeting and have everyone’s paperwork ahead of time to prior filming. I think Bri might’ve been overwhelmed with all the jobs that she had and it might help her a little bit to have a production folder or less jobs. That way she isn’t confused where all the information is that she needs or paperwork. When I was doing people‘s make up and asking them what their character would look like a lot of people were at a loss.  Would’ve liked better feedback from them to do better make up. Not sure how to combat and actor not knowing their character physically. Any feed back for me on makeup would be great as well.  This works both ways. Other than that the set up at the barn for the waiting area was wonderful.And it was a smooth run through the whole night due to good vibes and flow. After showing/party was awesome and I think it really kept the good vibes going. Awesome job Dan. PS I have a clapper at home I should’ve brought it.  I hope some of this helps you out a little bit. I am an over organized person so if it’s too much I apologize. All my best Nicole
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