About This Show
MF GALAXY is a weekly podcast powered by four mighty engines:
* Writers on writing: the craft and the business
* Pop culture including TV, movies, graphic novels, and more
* Progressive politics, activism, and social enterprise
* Africentric change-makers, histories, cultures, art, and more!
Mixing brand-new interviews with classic conversations (from my archive of 23 years in broadcasting) with famous and dynamic figures in the arts, Hollywood, and politics, MF GALAXY will take you to places you've never been before, and deliver fresh insights on the places you've been.
Most Recent Episode
MICHAEL DORN AND A BUNCH OF WRITERS ON THE MEANING OF WORF: THE OVERCOMPENSATOR, THE UNFULFILLED, THE LOVER, THE ALIENATED, THE HUMAN (MF GALAXY 140)
5 days ago
Full disclosure: I grew up watching the original Star Trek in re-runs. Star Trek: The Next Generation debuted the first year I went to university, and it was a major disappointment in many ways, but especially for how it handled Klingons: how they behaved and whom they represented. Mostly they behaved as obnoxious, single-minded, bloodthirsty brawlers, to be avoided and feared, mostly artless and without sophistication, and to be laughed at for their pompous seriousness and quaint and disgusting customs. Despite growing up among humans, Worf is such an idiot that with august earnestness he calls prune juice a “warrior’s drink.” He’s so violent and stupid that in the Next Generation pilot episode “Encounter at Farpoint” he aims a phaser pistol at the bridge viewscreen when the bad guy Q appears on it because he apparently doesn’t know what TV is. Another Klingon is so egotistical and stupid that he attempts to headbutt Data, an nearly indestructible android, and knocks himself unconscious. Klingons are so gross that they eat worms and drink blood wine. They are obsessed with killing and dying. In other words, on a show whose fans like to claim it as universalist and anti-racist, the writers spent a great deal of time depicting Klingons in a way that, had they been Chinese, Nigerians, or Mexicans, would have been instantly dismissed as racist. And that’s the other thing. Whereas the Klingons in the original series were a completely obvious analogue for the Soviet Union, and were all played by European actors, in the Next Generation era, Klingons were partially post-glory-days Russians, but also Muslims… and also African-Americans, especially Worf, who was not only not raised by Klingons, but raised by White Earth people, kind of like Arnold Jackson from Diff’rent Strokes or Webster from Webster. Now I’m not saying that every member of the audience saw Worf that way, but clearly plenty did, and actor Michael Dorn is an African-American, and so were a disproportionate number of the other actors who played Klingons, that parallel seemed all the more available. So while the show was a bonanza for African-American actors seeking work, depicting the Klingons as violent, subhuman morons became an ever bigger problem. So I might have chucked the whole enterprise, so to speak, except for a first season episode of Star Trek: The Next Generation called “H