Charles Carroll Society Podcast
About This Show
We cover our family’s journey from suburbia to the American Redoubt, the politics of why we are moving, homesteading and more self-reliant living. I believe one way to rediscover the Libertarian Christian roots of this republic is to look at moving to “deep red” states, or areas that are very conservative, such as the American Redoubt.Read more »
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Gregorian chant from High school Boys #sspx #catholic
I have a treat for you. I took some time to record local high school boys Gregorian chant choir. I have the video below, and a link to a single large MP3 (57 MB) that you can download. I think these boys age from approximately about 14 - 18 years old are pretty good. The music is Holy and does raise my spirits. It helps me to remember what we are fighting for. We are fighting to preserve and promote orthodox Christianity, Western Civilization and Individual Liberty (natural rights).
From Britannica “Gregorian chant, monophonic, or unison, liturgical music of the Roman Catholic Church, used to accompany the text of the mass and the canonical hours, or divine office. Gregorian chant is named after St. Gregory I, during whose papacy (590–604) it was collected and codified. Charlemagne, king of the Franks (768–814), imposed Gregorian chant on his kingdom, where another liturgical tradition—the Gallican chant—was in common use. During the 8th and 9th centuries, a process of assimilation took place between Gallican and Gregorian chants; and it is the chant in this evolved form that has come down to the present.
The Ordinary of the mass includes those texts that remain the same for each mass. The chant of the Kyrie ranges from neumatic (patterns of one to four notes per syllable) to melismatic (unlimited notes per syllable) styles. The Gloria appeared in the 7th century. The psalmodic recitation, i.e., using psalm tones, simple formulas for the intoned reciting of psalms, of early Glorias attests to their ancient origin. Later Gloria chants are neumatic. The melodies of the Credo, accepted into the mass about the 11th century, resemble psalm tones. The Sanctus and Benedictus are probably from apostolic times. The usual Sanctus chants are neumatic. The Agnus Dei was brought into the Latin mass from the Eastern Church in the 7th century and is basically in neumatic style. The concluding Ite Missa Est and its substitute Benedicamus Domino usually use the melody of the opening Kyrie.
The Proper of the mass is composed of texts that vary for each mass in order to bring out the significance of each feast or season. The Introit is a processional chant that was originally a psalm with a refrain sung between verses. By the 9th century it had received its present form: refrain in a neumatic style—a psalm verse in psalm-tone style—refrain repeated. The Gradual, introduced in the 4th century, also developed from a refrain between psalm verses. Later it became: opening melody (chorus)—psalm verse or verses in a virtuosically embellished psalmodic structure (soloist)—opening melody (chorus), repeated in whole or in part. The Alleluia is of 4th-century Eastern origin. Its structure is somewhat like that of the Gradual. The Tract replaces the Alleluia in penitential times. This chant is a descendant of synagogue music.”Read more »