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Episode Info: Camera Movement in Live Video Production Listen to the audio or scroll down to subscribe for free: Join the conversation; call 1-877-763-3246, leave a comment below the video, or hit me up on Twitter (@PaulAlanClif) On today’s Tech, No Babel: Camera Movement in Live Video Production Most people get this wrong, but you don’t have to. Today, let’s talk about camera movement in live video production. When someone says to pan a camera, do you know how to move it? Click here to learn about camera…Click To Tweet With a camera on a tripod, you can really only do three movements. You can pan, tilt, or zoom. Pan means turning the tripod head left to right or vice versa. Everyone gets this one wrong. It’s not possible to pan up or pan closer. To go up and down (kind of like nodding your head), you need to tilt. Finally, zooming changes the apparent distance between the subject and the camera, but when you look at it, it also changes the relationship between the subject and the background, so a digital zoom will always produce a different effect than an optical zoom. Now, place the tripod on wheels and you have two new ways you can move. Dolly means to move the camera (tripod and all, not just lens) forward and backwards. Truck means to move the camera (tripod and all) left and right. Finally, if you raise the whole camera up (not merely tilting), but actually change the elevation of the camera, it’s called a ped up (if you’re moving a pedestal up) or jib/crane down (if you’re using a jib or crane). These each create slightly different effects since the relative position forwards and back will change in reference to the subject with a jib and won’t with a pedestal. Watch the video for more on these movements. If you’d like to chip in a few bucks, anything you do is appreciated. Just click this link to donate. About this show: If you do video or graphic design to advance your church’s mission, this show is for you
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