About This Show
MIT Comparative Media Studies/Writing offers an innovative academic program that applies critical analysis, collaborative research, and design across a variety of media arts, forms, and practices.
We develop thinkers who understand the dynamics of media change and can apply their insights to contemporary problems. We cultivate practitioners and artists who can work in multiple forms of contemporary media. Our students and research help shape the future by engaging with media industries and the arts as critical and visionary partners at a time of rapid transformation.
Most Recent Episode
The Tip of the Iceberg: Sound Studies and the Future of Afrofuturism
Iconic developments in the artistic and intellectual ethos known as Afrofuturism are closely linked to music: Sun Ra’s experimental jazz, Parliament Funkadelic’s Mothership, John Akomfrah’s film Last Angel of History. What else is on the soundtrack to a livable future? How do we pursue further innovation in the human sensorium without reproducing an “audiovisual litany” that conflates rationality with the colonial gaze and isolates Black creativity to moments of sonic disruption? andré carrington’s present research on the cultural politics of race in science fiction radio drama aims to expand the repertoire of literary adaptation studies by reintegrating critical perspectives from marginal and popular sectors of the media landscape into the advancing agendas of Afrofuturism and decolonization.
andré carrington is a scholar of race, gender, and genre in Black and American cultural production. He is currently Assistant Professor of African American literature at Drexel University. His first book, Speculative Blackness: The Future of Race in Science Fiction (Minnesota, 2016) interrogates the cultural politics of race in the fantastic genres through studies of science fiction fanzines, comics, film and television, and other speculative fiction texts.